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from Motörhead - Ace of Spades
Ace of Spades
Words and Music by Ian Kilmister, Edward Clarke and Philip Taylor
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb
Intro
Very fast q = 282
Play 3 times
E5 D5 E5
Bass
f
**steady gliss.
w/ pick
7
7 7 7 7 7 7 7 7 5 7 7 7 7 7 11 18 18
**Pick eighth notes while sliding.
E5 D5 E5 D5
7 7 7 7 7 7 7 7 7 5 7 7 7 7 7 7 7 7 7 5 5
E5 D5 E5 D5
7 7 7 7 7 7 7 7 7 5 7 7 7 7 7 7 7 7 7 5
Verse
G5
1. If you like to gam - ble, I tell you I’m your man. You
3. Push - ing up the an - te. I know you’ve got to see me.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
© 1980, 1981 MOTOR MUSIC LTD.
All Rights Administered by EMI INTERTRAX MUSIC (Publishing) and ALFRED MUSIC PUBLISHING CO., INC. (Print)
All Rights Reserved Used by Permission 1
win some, lose some, it’s all the same to me.
Read ’em and weep, the dead man’s hand a - gain.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
E5 D5 E5 D5
7 7 7 7 7 7 7 7 7 5 7 7 7 7 7 7 7 7 7 7 5
E5 D5 E5
The
I
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 6 6
D5 C5
pleas - ure is to play, it makes no dif - f’rence what you say.
see it in your eyes, take one look and die.
5 5 5 5 5 5 5 5 5 4 3 3 3 3 3 3 3 3 5
2
E5 D5 E5
The
7 7 7 7 7 7 7 7 7 5 7 7 7 7 7 7 7 7 7 7 6 6
D5 C5
I don’t share your greed, the on - ly card I need is the
on - ly thing you see. you know it’s gon - na be the
5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 5 5
Chorus
To Coda
2nd time, Bass: w/ Bass Fill 1
E5 D5 E5 D5
Ace of Spades, the Ace of Spades.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Bass Fill 1
Bass
7 7 7 7 5
3
Interlude
E5 D5 E5 D5
7 7
5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Verse
G5
2. Play - ing for the high one, danc - ing with the dev - il.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Go - in’ with the flow, it’s all a game to me.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
E5 D5 E5 D5
5 7 7 7 7 7 7 7 7 7 5 5 7 7 7 7 7 7 7 7 7 7 5
E5 D5 E5
7 7 7 7 7 7 7 7 7 5 7 7 7 7 7 7 7 7 7 7 6
4
D5 C5
Sev - en or e - lev - en, snake eyes watch - ing you.
5 5 5 5 5 5 5 5 5 5 4 3 3 3 3 3 3 3 3 3 3 5 5
E5 D5 E5
7 7 7 7 7 7 7 7 7 5 5 7 7 7 7 7 7 7 7 7 6
D5 C5
Dou - ble up or quit, dou - bles take a split. The
5 5 5 5 5 5 5 5 5 5 4 3 3 3 3 3 3 3 3 3 5
Chorus
E5 D5 E5 D5
Ace of Spades, the Ace of Spades.
7 7 7 7 7 7 7 7 7 5 5 7 7 7 7 7 7 7 7 7 5 5
Interlude
E5 D5 E5 D5
7 7 7 7 7 7 7 5 5 7 7 7 7 7 7 7 5 5
5
E5 D5 E5 D5
You
7 7 7 7 7 7 5 5 7 7 7 7 7 7 7 7 5 5
Bridge
E µ D E µ
know I’m go - ing to lose, and gam - bl - ing’s for fools. But
7 5 7
E5
that’s the way I like it, ba - by, I don’t wan - na live for - ev - er.
7 7 7 7 7 7 7 7 6 6
D5 E5 D5 C5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 5 3
B5
And don’t for - get the Jok - er.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
6
Guitar Solo
A5
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
G#5 A5 G#5 A5 A#5
9 9 9 9 9 9 9 9 9 9 9 9 8 9 8 9 10
7 7 7 7 7 7 7 7 7 7 7 7 6 7 6 7 8
B5
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Bb5
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 10
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 8
A5
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7
Interlude
E5 D5 E5 D5
7 7 7 7 7 7 7 7 7 5 5 7 7 7 7 7 7 7 7 7 5
D.S. al Coda
E5 D5 E5 D5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Coda
E5
7 7 7 7 7 7 7 7 7 5 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5
D5 C5
5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 5
D5 C5
5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 7
E5 D5 E5 D5 E5
7 5 7 7 7 5 7 7
8
from Metallica - Kill ’Em All
(Anesthesia) - Pulling Teeth
Music by Cliff Burton
A
Free time
Spoken: Bass solo take one.
µ
Bass
mf f
0
w/ wah-wah & dist. let ring
0
*
7 7 17
0 0 0
* = closed (toe down); = open (toe up)
B
Moderately fast q = 152
C
**Dm
12
10 14 10 14 10 14 10 14 10 14 9 12 9 12 9 12 9 12 9 12
12 12 12 12 12 10 10 10 10 10
**Chord symbols reflect implied harmony.
Dm Em
10 14 10 14 10 14 10 14 10 14 12 16 12 16 12 16 12 16 12 16
12 12 12 12 12 14 14 14 14 14 14
F Em A5 G5
14 17 14 17 17 12 16 12 16 16
15 15 15 14 14 14 14 12 12 12
12 10
Copyright © 1983 Creeping Death Music (ASCAP)
International Copyright Secured All Rights Reserved 1
C
Slower q = 132
Dm
C
Dm
C A5
14 10 9 12 14 10 9
12 12 12 10 10 12 12 12 10 14
12
Dm C Dm C Bb5
14 10 9 12 14 10 9
12 12 12 10 10 12 12 12 10
0 13
D
Am Bbmaj7(no3rd) Am Bbmaj7(no3rd)
3
3 3
3 3
14 15 14 15 14
13 12 15 14 13 12 15 15
12 15 12 13 12 15 12 13
Am Bbmaj7(no3rd) Am Bbmaj7(no3rd)
(e = e)
3 3 3
3
3
14 15 14 15 14
13 12 15 14 13 12 15 15
12 15 12 13 12 15 12 13
B5 A5 C#5/G# D5/A
14
16 14 14 13 14 14
16 16 14 14 14 11 11 12 12 12
14 12 11 11 12
B5 C5 G5/D D5
8va
16 17 17 19 19 19
16 16 17 17 17 17 17 19 19 19
14 14 15 17 17 17
2
F
C Em/B D/A
loco
let ring
3
12 12 11 12 14 12 14 12 11 12 11
14 14 14 14 14 12 12 12 14 12
15 15 14 14 12 12 15 14 12 14
C G/D
loco
8va
3
3 3
3
12 17 19 17 19 17 16 17 16 17 16 16 16
14 14 0 17 17 17 17 17 17 17 19 19 19 19
15 15 17 0
C Em/B D/A
3
12 12 11 12 14 12 14 12 11 12 11
14 14 14 14 14 12 12 12 14 12
15 15 14 14 12 12 15 14 12 14
C G/D
loco
8va
3 3 3
1 3
12 19 19 17 19 17 16 17 16 17 16 16 16
14 14 0 17 17 17 17 17 17 17 19 19 19 19
15 15 17 0
C5 E5 A5 G5 E5
9
10 9 9 14 14
10 10 7 7 0 12 12 12 12 12 10 10 7
8 8 7
F5 D5 G5 A5 B5
10 12
10 10 12 12 14 14 16 12
7 8 8 12 10 10
8 10 10 3 5 7
3
C5 E5
A5
G5 E5
3 3 3
9
10 9 9 14 14
10 10 7 7 0 12 12 12 12 12 12 12 10 10 10 10 7 7 7 7
8 8 7
F5 D5 G5 A5 B5 A5
3
1/2
12
10 10 12 12 14 14 16 12
8 8 8 12 10 10 0
8 8 8 10 10 3 5 7 7 5
1.
H
Faster q = 200
µ[A5]
3 3 3 3
7
3 3 3 3 3 3 3 3
7
0
9 9
0
10 10
0
9 9
0
7 7
0
6 6
0
7
0
7 7
0
9 9
0
10 10
0
9 9
0
10 10
0
14 14
0
13
0
2.
A
Asus4
3
3
3
3
3 3 let ring let ring let ring
*
18 19
10 10 14 14 13 14 13 14 13 14 14 19 19 19 19 19
0 0 0 0 0 0 0 0 0 0
*Gradually move wah-wah from the open (toe up) to the closed (toe down) position (next 6 1/2 meas.).
A Asus4 A Asus4 A Asus4 A Asus4 A
let ring
18 18 18 18 18 18 19 19 18 18 19 18 18 19 19 18 18 19 19 18
19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19
0 0 0
17
4
I
A tempo
(Drums enter)
µ[E5]
1/2 1/2 1/2
5 5 7 7 7 7 5
5 0 5 7 5 5 7 7
0 0 0 1 2 3 5 7 0
1
1/2
1 1 1 1
7 7 0 14 14 14 14 14 14 14 14 14
5 7 7 5 5
5 7 7 7
0 0 0
let ring
12 11 12 11 12 12 12 11 12 14 16 14 12 14 16 12
0 0 0 14 14 14 14 14 14 14
0 0
1 1/2
16 12 12 16 12 12 16 12 12 16 12 12 16 16 16 12 12 16 12 12 16 12 12 14 14 12 12
14 14 14 14 14
8va
1
1/2 1/2 1 hold bend 1/2 hold bend
19 19 19 19 19 19 19 19
21 17 20 20 20 20 20 19 17 19 19 19 19 19 17
19 19
0 0
5
loco
1/4
7 6 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 7 6 5 3 3 0
3 3 3 3 3 3
3
15 14 12 14 12 12 15 14 12 14 12 12 15 14 12 14 12
5 5 5 0 14 14 14
5 7 5 7 5 7
0
3
1/4
12
14 12 14 12 12 12 12 12 12 12 12 2
14 14 12 13 14 14 14 14 2
0 0 0 0 0 0 0 0 0 0 0 0
let ring
12 11 12 11
14 14 14 14
4
0 0 0 0 0 0 0 0
8va
**
loco
Harm.
*
***
let ring
5
12 14 12 4 4 4
14 14 4 4 5 6 5
4 3.2 4 7
*Harmonic located two-tenths the **Alternate notes as quickly as possible
distance between the 3rd and 4th frets. while gradually sliding up strings.
***Gradually move wah-wah from the open (toe up)
to the closed (toe down) position (next 4 3/4 meas.).
6
8
6 8 10
10 12
Em7
8va
1 1
15 17 17 19 19 19 19 19 19 19 19 16 16 19 16
17 0 0 17
8va
1
19 16 16 19 16 16 19 16 16 19 16 16 19 16 19 19 16 16
17 17 17 17 17 17 17 17 17
19 19 17 19
µ[E5]
8va
loco
1/2 1/2 1/2
19 19 19 17
0 0 0 0 0 0 0 0 0 0
1 1/2 1/2 1/2
5 5 5 5
0 0 0 0 3 0 0 0 0 3 2 1 0 5 3 0 6
3
4 5 0 4 5 0 4 5 0 4 5 0 4 0 5 0 4 5 5 4 0 4 0
5 0
7
15ma
8va
loco
Harm. A.H.
* ** 12(19) 10(17) 9(16) 9(16) 9(16)
10(17) 9(16) 10(17)
0 0 2.8 2.8 2.8 2.8 2.8 2.8 3.2 0 0 0 0
*Harmonic located eight-tenths **Harmonic located two- Pitch: D C B B G F# G B
distance between the 2nd and tenths the distance between
3rd frets. the 3rd and 4th frets.
E5
15ma 8va 15ma 8va
loco
A.H.
10(17) 9(16) 9(16) 10(17) 10(17) 9(16) 14 14
10(17) 9(16) 10(17) 0(19) 0(19) 14 14 14 14 14 14
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: G F# D C# D F# G E G F# E
J
Free time
w/ random fdbk., noises, and chaos until end
E5 µ
8va
loco
steady gliss. steady gliss. ***P.S.
fdbk.
let ring
X X X X
X X X X
14 14 14
14 14
0 0 0 0 6
***Drag pick-hand fingernails along E
and A strings starting at the 2nd fret.
15ma
†
†† fdbk.
X X X X X X X X X X X X X X X X X X X X X X X X X X X
0 X X X X X X X X X X X X X X X X X X X X X X X X X X X
†Notes produced by tapping D and G strings ††Microphonic fdbk., not
against pickups in indicated rhythm. caused by string vibration.
15ma
rit.
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
8
from Avenged Sevenfold - City of Evil
Bat Country
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning:
(low to high) D-A-D-G
Intro
Moderately fast q = 125
D5 Ab5 D5 G5 F5 G5 Ab5 G5 F5 D5
He who makes a beast out of him - self gets
D5 Ab5 D5 G5 F5 G5 Ab5 G5 F5 D5
rid of the pain of be - in’ a man.
Ah.
Interlude
Double-time feel
D5 Ab5 D5 G5 F5 G5 Ab5 G5 F5 D5
Bass
mf
5 5 5 5
6 6 0 0 0 5 3 5 6 5 3 0
Ab5 D5 G5 F5 G5 Ab5 G5 F5 D5
5 5 5 5
6 6 0 0 0 5 3 5 6 5 3 0
© 2005 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Verse
D5 Ab5 G5 F5 D5 Ab5 G5
1. Caught here in a fier - y blaze, won’t lose my will
5 5
6 5 3 6 5
F5 D5 Ab5 D5
to stay.
I tried to drive all through the night, the
5 5 5 5 5 5 5 5
3 6 6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Ab5 D5
heat stroke rid - den weath - er, the bar - ren emp - ty sights.
5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Ab5 G5 C#5
No o - a - sis here to see.
The
Bass Fig. 1
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4
6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5
2
End double-time feel
D5
E5
F5 E5
sand is sing - ing death - less words to
End Bass Fig. 1
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
Pre-Chorus
3rd time, Bkgd. Voc.: w/ Voc. Fill 1
D5 G5 F5
** Voc. Fig. 1
*
me.
free.
Can’t you help me as I’m start - ing to burn?
(All a -
Bass Fig. 2
5 5 5 5
0 5 5 3 0 2 3
*Sing upstemmed voc. 1st and 2nd times only. **Refers to upstemmed voc. only.
C5 F5 C5 A5 E5 F5
End Voc. Fig. 1
Too man - y dos - es and I’m start - ing to get an at - trac - tion.
lone.)
End Bass Fig. 2
2 3
3 3 3 3 3 3 3 3 3 0
3 3
Bass: w/ Bass Fig. 2 Bkgd. Voc.: w/ Voc. Fig. 1
D5 G5 F5
My con - fi - dence is leav - ing me on my own.
Voc. Fill 1
3
To Coda 1
To Coda 2
C5 F5 C5 A5 E5 F5
No one can save me and you know I don’t want the at - ten - tion.
2. As
Verse
Double-time feel
D5 Ab5 D5
I ad - just to my new sights, the
Bass Fig. 3 End Bass Fig. 3
Bass
5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bass: w/ Bass Fig. 3 (2 times)
Ab5 D5
rare - ly tired lights will take me to new heights.
My
Ab5 D5
hand is on the trig - ger, I’m read - y to ig - nite. To -
Ab5 D5
mor - row might not make it, but ev - ’ry - thing’s al - right.
Bass
5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D.S. al Coda 1
End double-time feel
Bass: w/ Bass Fig. 1
Ab5 G5 C#5 D5 E5 F5 E5
Men - tal fic - tion fol - lows me. Show me what it’s like to be set
4
Coda 1 Chorus
Half-time feel
F5 C5 A5 E5 F5 Dm
know I don’t want the at - ten - tion. So
Bass
w/ chorus
2 3 2 3
3 5 5 5 5 5
3 3
G C E7
sor - ry you’re not here. I’ve been
5 5 5 5 5 3 5 3
3 3 3 3 3 3 2 3 7 7 7 7 7 7 5 7
Am G Fsus2
sane too long, my vi - sion’s so un - clear.
4
7 5 7 5 5 7
8 8 8
Dm Gadd9
Now, take a trip with me,
(Oo.)
7 7 5 5 3 5 3
10 12 10 8 10 8 7 8 7 8 5 5 8
5
Cadd9 E7 Am[add9]
but don’t be sur - prised when
5
7 5 7
3 3 2 3 7 7 5 7
End half-time feel
G6'4 Fsus2
things aren’t what they seem.
7
10 8 10 8 8 10 12 10 8 10 8 7 8 7
Verse
D5 Ab5 G5 F5 D5 Ab5 G5 F5
3. Caught here in a fier - y blaze, won’t lose my will to stay.
Bass Fig. 4 End Bass Fig. 4
chorus off
5 5
6 5 3 6 5 3
Bass: w/ Bass Fig. 4
D5 Ab5 G5 F5 D5 Ab5 G5 F5
These eyes won’t see the same af - ter I flip to - day.
6
Guitar Solo
D5 Ab5 G5 D5 µ D5 Ab5 G5 D5 µ
Bass
5 5 5 5 5 5
6 6 6 5 5 5 0 6 6 6 5 5 5 0
Double-time feel
D5 Ab D5 Ab5
5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 3 5 6 6 6 6
D5 Ab5 D5 Ab5
5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 3 5 6 6 6 6
Bass: w/ Bass Fig. 1
D5 Ab5 G5 C#5 D5 E5 F5 E5
D5 E D5 G5
Bass
0
0 0 0 0 0 5 5 5 5 5
C5 A5 A/C# Dm
3 3 3 3 3 0 0 0 0 0 4 4 4 4 4 0 7 5 3
7
Eº Am Gm F Eº Bb A Dm A7/C#
4. Some -
5 5 5 5 4 4 4 4
5 2 8 7 5 7 5 3 2 8 8 7 7
Verse
Double-time feel
D5 Ab5 D5
times I don’t know why we’d rath - er live than die. We
Bass Fig. 5 End Bass Fig. 5
5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bass: w/ Bass Fig. 5 (2 1/2 times)
Ab5
D5
look up t’wards the sky for an - swers to our lives.
We
Ab5 D5
may get some so - lu - tions, but most just pass us by. Don’t
Ab5 D5 E5
want your ab - so - lu - tion, ’cause I can’t make it right.
Bass
6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2
8
Bridge
F5 C5 G5
I’ll make a beast out of my - self.
3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
D5 E5
(Yeah.)
5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 2
F5
C5
Gets rid of all the pain of
3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
Bb5
be - in’ a
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
9
D.S. al Coda 2
End double-time feel
A5 A/C#
man.
0 0 0 0 0 0 0 0 0 0 7 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
Coda 2
Chorus
Half-time feel
F5 C5 A5 E5 F5 Dm G'9
know I don’t want the at - ten - tion. So sor - ry you’re not here.
2 3 2 3 5 5 5 5 5 3 5 3
3 0 5 5 5 5 5
3 3
C'9 E7 Am('9)
I’ve been sane too long, my
4
7 5 7
3 3 3 3 3 2 3 5 7 7 7 5 7
G6'4 Fsus2
vi - sion’s so un - clear.
(Oo.)
5 5 7
8 8 8 10 12 10 8 10 8 7 8 7
10
Dm G'9 C'9
Now, take a trip with me,
7 7 5 3 5 3
8 5 5 8 3 3 2 3
E7 Am('9) G6'4
but don’t be sur - prised when things aren’t what they
4
7 5 7 5 5 7
5 7 7 5 7 8
End half-time feel
Fsus2 Dm
seem. I’ve
8 8 10 12 10 8 10 8 7 8 7
0 0 0 0 0 0 0 0
G C E7
known it from the start, all these
6 6
3 3 3 3 3 2 3 7 7 7 7 7 9
5 5 5 5 5 5 5 5
11
Am G Fsus2
good i - deas will tear your brain a - part.
(Oo.)
4 5
7 7 7 7 7 9 7 5 5 5 5 5 5 3 3 3 3 3 3 3 3
Dm G
Scared, but you can fol - low me.
3 2
5 3 7
0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5
C E7 Am
I’m too weird to live but
6 6 7 7 7 7 7 7 10 7
3 3 3 3 3 3 3 2 3 7 7 7 7 7 9
G Fsus2
much too rare to die.
4 5
5 5 5 5 5 5 3
12
Before I Forget
Words and Music by M. Shawn Crahan, Chris Fehn, Paul Gray,
Nathan Jordison, Corey Taylor, Mic Thomson and Sid Wilson
Drop D tuning, down 1 1/2 steps:
(low to high) B-F#-B-E
Intro
Moderately q = 125
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5
f
2 2 2 2 2 2 2 2
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 D5 E5 G5 D5 G5 D5 µ
Go!
2 2 2 2 2 2 2 5 5 5 0 5 5 5 0
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5
0 2 0 2 3 2 0 2 0 3 2 0 2 0 2 3 2 0 2 0 3 2
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 D5 E5 G5 D5 G5 D5
0 2 0 2 3 2 0 2 0 3 2 0 2 0 2 0 2 5 5 5 0
5 5 5 0
© 2004 EMI APRIL MUSIC INC. and MUSIC THAT MUSIC
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Verse
E5 F5 E5 F5 E5 F5 E5 F5
1. Sta - pled shut...
in - side an out - side world and I’m...
2 2 2 2 3 2 2 2 3 2 2 2 2 3 2 2 2 3
E5 F5 E5 F5 E5 F5 D5 G5 D5
...sealed in tight.
Bi - zarre, but right at home.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 0 5 5 5 0
E5 F5 E5 F5 E5 F5 E5 F5
Claus - tro - pho - bic...
...clos - ing in and out.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 2 2 2 3
E5 F5
E5 F5
E5 F5 D5 G5
D5
Cat - a - stroph - ic... I’m
...not a - gain.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 0 5 5 5 0
2
E5 F5 E5 F5 E5 F5 E5 F5
smeared a - cross the page... I
...and doused in gas - o - line.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 2 2 2 3
E5 F5 E5 F5 E5 F5 D5 G5 D5
wear you like a stain...
...yet I’m the one who’s ob - scene.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 0 5 5 5 0
E5 F5 E5 F5 E5 F5 E5 F5
Catch me up on all your sor - did lit - tle in - sur - rec - tions.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 2 2 2 3
E5 F5 E5 F5 E5 F5 D5 G5 D5
I’ve got no time to lose. I’m just caught up in all the cat - tle.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 0 5 5 5 0
3
Pre-Chorus
E5 F5 E5 F5 E5 F5 E5
3 3 3
Spoken: Fray the strings, throw the shapes, hold your breath,
2 2 3 2 2 3 2 2 3 2 2 3 2 2 3 2 2 3
Chorus
F5 E5 F5 E5 G5 D5 G5 D5 A5 Bb5
lis - ten! I am a world be - fore I am a man.
1/2
2 2 3 2 2 3 X X 2 3 2 5 0 5 5 0 7
E5 F5 E5 G5 D5 G5 D5 Bb5 A5 E5 F5 E5 G5
I was a crea - ture be - fore I could stand. I will re - mem -
X X 2 3 2 5 0 5 5 0 8 7 X X 2 3 2 5
4th time, To Coda 1
6th time, To Coda 2
D5 G5 D5 Bb5 A5 Bb5 A5 C5 G5 Bb5 A5
3
- ber be - fore I for - get, be - fore I for - get that.
5 0 5 5 0 8 7 7 7 8 7 10 10 5 5 5 8 8 7
4
Interlude
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5
0 2 0 2 3 2 0 2 0 3 2 0 2 0 2 3 2 0 2 0 3 2
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 D5 E5 G5 D5
2. I’m
0 2 0 2 3 2 0 2 0 3 2 0 2 0 2 0 2 5 5 5 0
Verse
E5 F5 E5 F5 E5 F5 E5 F5
ripped a - cross the ditch... ...I
...and set - tled in the dirt and I...
2 2 2 2 3 2 2 2 3 2 2 2 2 3 2 2 2 3
E5 F5 E5 F5 E5 F5 D5 G5 D5
wear you like a stitch...
...yet I’m the one who’s hurt.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 0 5 5 5 0
5
E5 F5 E5 F5 E5 F5 E5 F5
Pay at - ten - tion to your twist - ed lit - tle in - dis - cre - tions.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 2 2 2 3
E5 F5 E5 F5 E5 F5 D5 G5 D5
I’ve got no right to win. I’m just caught up in all the bat - tles.
2 2 2 2 3 2 2 2 3 2 2 2 2 3 0 5 5 5 0
Pre-Chorus
E5 F5 E5 F5 E5
3 3
Spoken: Locked in clutch, pushed in place,
2 2 3 2 2 3 2 2 3 2 2 3
D.S. al Coda 1
(take repeat)
F5 E5 F5 E5
3
hold your breath, lis - ten!
2 2 3 2 2 3 2 2 3 2
6
Coda 1
Half-time feel
F5 G5 D5 E5 B5 D5 F5
2 5
3 5 0 2 3
G5 D5 E5 B5 D5 F5
2 5
3 5 0 2 3
G5 D5 E5 B5 D5 F5
2 5
3 5 0 2 3
G5 D5 E5 B5 D5 F5
My end,
2 5
3 5 0 2 3
Bridge
F5 G5 D5 E5 B5
it jus - ti - fies my means. All
2
3 5 0 2
7
D5 F5 G5 D5 E5
I ev - er do is de - lay my ev - ’ry at - tempt to e - vade
2 5
3 5 0 2
B5 D5 F5 G5
the end of the road. And my end, it jus -
2 5
2 3 5
D5 E5 B5 D5 F5
- ti - fies my means. All I ev - er do is de - lay
2 5
5 0 2 3
D.S. al Coda 2
(take repeat)
End half-time feel
G5 D5 E5 B5 D5
3
my ev - ’ry at - tempt to e - vade the end of the road!
2 2 2 2 5 5 5 5
3 5 0 2
8
Coda 2
Chorus
E5 F5 E5 G5 D5 G5 D5 A5 Bb5
I am a world be - fore I am a man.
1/2
X X 2 3 2 5 0 5 5 0 7
E5 F5 E5 G5 D5 G5 D5 Bb5 A5
I was a crea - ture be - fore I could stand.
X X 2 3 2 5 0 5 5 0 8 7
E5 F5 E5 G5 D5 G5 D5 Bb5
I will re - mem - ber be - fore I for - get,
X X 2 3 2 5 0 5 5 0 8
A5 Bb5 A5 C5 G5 Bb5 A5
3
3
be - fore I for - get that!
7 7 7 8 7 10 10 5 5 5 8 8 7
9
Outro
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5
0 2 0 2 3 2 0 2 0 3 2 0 2 0 2 3 2 0 2 0 3 2
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5
Yeah!
0 2 0 2 3 2 0 2 0 3 2 0 2 0 2 3 2 0 2 0 3 2
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5
Yeah! Yeah! Yeah! Yeah!
0 2 0 2 3 2 0 2 0 3 2 0 2 0 2 3 2 0 2 0 3 2
D5 E5 D5 E5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 D5 E5 G5 D5 G5 D5
Yeah! Yeah! Oh!
0 2 0 2 3 2 0 2 0 3 2 0 2 0 2 0 2 5 5 5 0 5 5 5 0
10
from Meshuggah - obZen
Combustion
Words and Music by Fredrik Thordendal, Jens Kidman, Marten Hagstrom and Tomas Haake
5-string bass, tuning:
(low to high) Bb-F-Bb-Eb-Ab
Intro
Very fast q = 220
µ[E5]
Bass Fig. 1 End Bass Fig. 1
Play 4 times
Bass
f
w/ pick
12 0 15 0 14 0 12 0 8 0 5 0 3 0
0 10 0 13 0 12 0 10 0 6 0 3 0 0 1
Play 4 times
12 0 15 0
0 10 0 12 0 10 0 12 10 0 10 0 12 0 10 0 12 10 0
10 7
8
10 7
7 8
10 7
8
0 7 0 4 0 5 0 7 0 4 0 4 0 5 0 7 0 4 0 5 0
10 7
7 8
10 7 5
7 8
10 7
7 0 4 0 4 0 5 0 7 0 4 0 2 0 4 0 5 0 7 0
© 2008 LOBOTOMI MUSIK (STIM)
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
Verse
µ[E5]
1. No more ifs, no bi - as, no am - bi - gu - i - ty,
2. An un - ques - tion - a - ble pic - ture, de - ter - mined, com - plete,
10 0
8 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 6 0
no won - der - ing wheth - er this is it.
its crys - tal - line lines un touched by doubt.
3 0 5 0 6
3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 0 3 0
Clar - i - ty so bright - ly shin - ing,
So viv - id, so de - prived of hes - i - ta - tion,
10 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 6 0
the im - age so pain - ful - ly ab - so - lute.
shin - ing in its e - vil splen - dor.
10 0 9 0 6 0
8 8 0
10 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 9 0 6 0
2
Pre-Chorus
µ[E5]
No edg - es blurred on this a - ware - ness,
The burn - ing ha - tred of man,
7 0
8 0 8 0 6
7
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 9 7
[E5]
no un - known - weight to tip the know - ledge scales.
a mil - lion de - grees on dis - play.
7 0 4 0
6 0 3
7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 4
[G5] [G#5]
Eyes di - lat - ed to grasp it all
Hu - man vo - rac - i - ty de - lin - e - at - ed,
7 0
8 0 8 0 6
7
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 9 7
[E5]
as ev - ’ry il - lu - sion of what we are
the de - mons in us all by fumes por - trayed.
7 0 11
10 0
7 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 4
3
1.
Interlude
fails.
0
2.
Chorus
µ[E5]
Stare, see,
Bass Fig. 2
7 0 7 0 4 0
8 0 8 0 6 6 0 3
7 7
0 0 0 0 9 7 0 0 0 0 5 4
take in, grasp.
End Bass Fig. 2
7 0 7 0
8 0 8 0 6 10 0
7 9 7 0
0 0 0 0 9 7 0 0 0 0 8 4
Bass: w/ Bass Fig. 2
Com - pre - hend, as - sim - i - late, be -
hold your re - flec - tion.
4
Guitar Solo
µ[E5]
Bass
8 0 6 0 8 0 6 0 3 0
0 6 0 4 0 1 0 0 0 0 0 0 0 6 0 4 0 1 0 0 0
8 0 6 0 3 0 5 0 6 0
0 6 0 4 0 1 0 0 0 0 0 0 0 1 0 3 0 0 0 0 0
[G5]
7 0
8 0 8 0 6
7
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 9 7
[E5]
15 0 12 0 11 0 8 0 6 0 5 0
0 13 0 12 0 10 0 9 0 7 0 6 0 4 0 3 0 1 0
1.
15 0 12 0 11 0 8 0 6 0 5 0 6
0 13 0 12 0 10 0 9 0 7 0 6 0 4 0 3 0
5
2.
Breakdown
µ[E5]
5 0 3 0
4 0 3 0 0
Verse
Bass: w/ Bass Fig. 1 (4 times)
µ[E5]
3. The fram - ing, gold - plat - ed lies.
The can - vas, hurt - ing souls caught and weaved.
The art - ist, the hu - man dream
in - cin - er - at - ed, de - vour - ed, de -
Outro
µ[E5]
*
Play 4 times
stroyed.
Bass
12 0 15 0
0 10 0 12 0 10 0 12 10 0 10 0 12 0 10 0 12 10 0
*1st time only.
6
from Cannibal Corpse - Tomb of the Mutilated
Hammer Smashed Face
Words and Music by Chris Barnes, Bob Rusay, Paul Mazurkiewicz, Alex Webster and Jack Owen
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb
Intro
Very fast q = 197
E5 Bb5 E5 Bb5 E5 Bb5
Bass
f
0 0 0 6 0 0 0 6 0 0 0 6
E5 F5 F#5 G5 F#5 E5 Bb5 E5 Bb5
0 0 1 2
5 5 5 5 4 4 4 4
0 0 0 0 0 0 0 0 0 6 0 0 0 0 0 0 0 0 0 6
E5 Bb5 E5 F5 F#5 G5 F#5 E5 Bb5
0 0 0 0 0 0 0 0 0 6 0 0 1 2
5 5 5 5 4 4 4 4
0 0 0 6
E5 Bb5 E5 Bb5 μ
Bass Fig. 1
9
7 8 8
0 0 0 6 0 0 0 6 6 7 0 6
End Bass Fig. 1
9 9 9
7 8 8 7 8 8 7 8 8
6 7 0 6 6 7 0 6 6 7 0 6
© 2001 EMI VIRGIN SONGS, INC., FULL VOLUME MUSIC and MAGGOT MUSIC
All Rights Controlled and Administered by EMI VIRGIN SONGS, INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Verse
Bass: w/ Bass Fig. 1
μ
1. Some - thing in - side me,
it’s, it’s com - ing out.
Bass Fig. 2 End Bass Fig. 2
Bass
4 4 4 4
2 1 1 3 2 1 1 3 2 1 1 3 2 1 1 3
2 0 1 2 0 1 2 0 1 2 0 1
Bass: w/ Bass Fig. 1
I feel like kill - ing
Life - less bod - y slouch - ing dead, lech - er - ous ab - scess where you once had a head. A -
Half-time feel
F#5 G5 F#5 E5 F#5 G5 F#5 E5 F#5 G5 F#5 E5 F#5 G5 F#5 E5
you. Let
void - ing the proph - e - cy of my new lust. You will nev - er live a - gain, soon your life will end.
Bass Fig. 3 End Bass Fig. 3
Bass
1 1 1 1
2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0
Bass: w/ Bass Fig. 3 (1st 3 meas.)
F#5 G5 F#5 E5 F#5 G5 F#5 E5 F#5 G5 F#5 E5
loose the an - ger held back too long.
See you die at my feet, e - ter - nal - ly I smash your face. Fa - cial bones col - lapse as I
F#5 G5 F#5 E5 F#5 F5 E5 Em D#m
My blood runs cold.
crack your skull in half.
Bass Fig. 4
Bass
1 7 10 7 6 9 6
2 3 2 0 2 1 0
2
B5 Bb5 D5 A5 Ab5 G5 Cm Bm G5 F#5 Bb5 F#5 F5 E5
End Bass Fig. 4
5 3 6 3 2 5 2 1
7 6 5 4 3 3 2 2 1 0
Bass: w/ Bass Fig. 4
Em D#m B5 Bb5 D5 A5 Ab5 G5 Cm Bm G5 F#5 Bb5 F#5 F5 E5
Bm A#m F#5 G5 F#5 E5 Bm A#m F#5 G5 F#5 E5
Through my a - nat - o - my dwells an - oth - er be - ing.
Crush - ing cra - ni - al
Bass Fig. 5 End Bass Fig. 5
Bass
2 5 2 1 4 1 1 2 5 2 1 4 1 1
2 3 2 0 2 3 2 0
Bass: w/ Bass Fig. 5
Bm A#m F#5 G5 F#5 E5 Bm A#m F#5 G5 F#5 E5
Root - ed in my cor - tex, ser - vant to its be - ing.
con - tents.
Bass: w/ Bass Fig. 4 (2 times)
F#5 F5 E5 Em D#m B5 Bb5 D5 A5 Ab5 G5 Cm Bm G5 F#5 Bb5 F#5 F5 E5
Bass
2 1 0
Em D#m B5 Bb5 D5 A5 Ab5 G5 Cm Bm G5 F#5 Bb5 F#5 F5 E5
Bru -
Chorus
Bass: w/ Bass Fig. 3 (2 times)
F#5 G5 F#5 E5 F#5 G5 F#5 E5 F#5 G5 F#5 E5 F#5 G5 F#5 E5
(1., 3.) tal - i - ty be - comes my ap - pe - tite. Vi - o - lence is now a way of life.
(2.) Drain - ing the snot, I rip out the eyes. Squeez - ing them in my hands, nerves are in - cised.
3
To Coda 2
End half-time feel
F#5 G5 F#5 E5 F#5 G5 F#5 E5 F#5 G5 F#5 E5 F#5 G5 F#5 E5
Sledge my tool, tor - ture, as it pounds down on your fore - head.
Peel - ing the flesh off the bot - tom of my weap - on, in - vol - un - tar - y pul - pi - fy - ing fa - cial re - gions.
To Coda 1
Interlude
E5 Bb5 E5 Bb5 E5 Bb5
Bass
0 0 0 6 0 0 0 6 0 0 0 6
E5 E#5 F#5 G5 F#5 E5 E#5 F#5 G5 F#5 E5 E#5 F#5 G5 F#5 E5 E#5 F#5 E5 E#5 F#5
Bass Fig. 6 End Bass Fig. 6
5 5 5 5 4 5 5 5 5 4 5 5 5 5 4
0 1 2 0 1 2 0 1 2 0 1 2 0 1 2
Verse
Bass: w/ Bass Fig. 6 (3 times)
E5 E#5 F#5 G5 F#5 E5 E#5 F#5 G5 F#5 E5 E#5 F#5 G5 F#5 E5 E#5 F#5 E5 E#5 F#5
2. Eyes bulg - ing from their sock - ets with ev - ’ry swing of my mal - let.
E5 E#5 F#5 G5 F#5 E5 E#5 F#5 G5 F#5 E5 E#5 F#5 G5 F#5 E5 E#5 F#5 E5 E#5F#5
Smash your fuck - ing head in ’til brains seep in. Through the cracks blood does leak. Dis -
E5 E#5 F#5 G5 F#5 E5 E#5 F#5 G5 F#5 E5 E#5 F#5 G5 F#5 E5 E#5 F#5 E5 E#5 F#5
tort - ed beau - ty, ca - tas - tro - phe. Steam - ing slop splat - tered all o - ver me.
D.S. al Coda 1
μ
Bass
4 4 4 4
2 1 3 2 1 3 2 1 3 2 1 3
1 2 0 1 1 2 0 1 1 2 0 1 1 2 0
4
Coda 1
Quarter-time feel
E5 F#5 F5 E5 Bb5 E5 F#5 F5 E5 Bb5
Uhr!
Bass Fig. 7
End Bass Fig. 7
0 0 0 2 3 1 0 6 0 0 0 2 3 1 0 6
Bass: w/ Bass Fig. 7
E5 F#5 F5 E5 Bb5 E5 F#5 F5 E5 Bb5
Bridge
E5 F#5 F5 E5 Bb5 E5 F#5 F5 E5 Bb5
Suf - fer and then you
Bass Fig. 8 End Bass Fig. 8
Bass
4 5 4 5
0 0 0 1 0 6 0 0 0 1 0 6
Bass: w/ Bass Fig. 8 (3 times)
E5 F#5 F5 E5 Bb5 E5 F#5 F5 E5 Bb5
die.
E5 F#5 F5 E5 Bb5 E5 F#5 F5 E5 Bb5
Tor - ture, pul - ver -
(Tor - ture.)
End quarter-time feel
E5 F#5 F5 E5 Bb5 E5 F#5 F5 E5 Bb5
ized.
Em D#m B5 Bb5 D5 Cm Bm G5 F#5 Bb5
Bass Fig. 9 End Bass Fig. 9
Bass
7 7 7 7 10 10 7 7 6 6 9 9
7 6
5 3 3 3 3 6 6 3 3 2 2 5 5
3 2
1
5
Bass: w/ Bass Fig. 10 (3 times)
Bm A#m G5 F#5 A#5 Bm
At one with my sixth sense, I feel free
Bass Fig. 10 End Bass Fig. 10
2 2 2 2 5 5 5 5 1 1 1 1 4 4 4 4 1
3 2
A#m G5 F#5 A#5 Bm A#m
to kill as I please.
G5 F#5 A#5 Bm A#m G5 F#5 A#5
No one can stop me!
Bass: w/ Bass Fig. 9 (2 times)
Em D#m B5 Bb5 D5 Cm Bm G5 F#5 Bb5
Em D#m B5 Bb5 D5 Cm Bm G5 F#5 Bb5
Verse
Half-time feel
Bass: w/ Bass Fig. 5 (2 times)
Bm A#m F#5 G5 F#5 Bm A#m F#5 G5 F#5
3. Need to kill, car - nage con - tin - ues.
D.S.S. al Coda 2
Bm A#m F#5 G5 F#5 Bm A#m F#5 G5 F#5
Vi - ’lent - ly re - shap - ing hu - man fa - cial tis - sue. Bru -
Coda 2
E5 Bb5 E5 μ
Bass
0 0 0 6 0
6
from All That Remains - For We Are Many
Hold On
Words and Music by Oli Herbert, Philip LaBonte, Michael Martin, Jason Costa and Rob Graves
Tune down 1 1/2 step:
(low to high) C#-F#-B-E
1.
Intro
Moderately fast q = 125
E5 D G5 D5 E5 C5 D5
(Guitar)
2.
Verse
Half-time feel
C5 B5 Cmaj7 D Gmaj7/B D5/A G6 Am E5 E5
1. Don’t touch me,
Bass Fig. 1
Bass
f
3
0 0
5
0 0
5
0 0 5 3 5 0 7 0 0 0 0 0 0 0 0
D5/A E5 C5/G D5/A
I don’t want to feel your skin. I know that you’re on - ly gon - na hurt me.
End Bass Fig. 1
7 0 0 0 5 7 0 0 0 0 0 0 0 0 7 0 0 0 3 5
End half-time feel
Bass: w/ Bass Fig. 1
E5 D5/A E5 C5/G D5/A
I hear you, I don’t want to do it a - gain, ’cause we both know this is not a pass - ing
Copyright © 2010 Tunes Of R&T Direct, Full Bladder Music, Bardic Lore Music, Meathead Music, EMI Blackwood Music Inc. and Logansong Music
All Rights for Tunes Of R&T Direct, Full Bladder Music, Bardic Lore Music and Meathead Music Administered by Razor & Tie Music Publishing, LLC
All Rights for Logansong Music Controlled and Administered by EMI Blackwood Music Inc.
All Rights Reserved Used by Permission 1
Pre-Chorus
Cmaj7 D Gmaj7/B D5/A G6 Am E5 Cmaj7 D Gmaj7/B D5/A
trait. All a - long a fail - ure to con - nect and to
Bass
3 5 2 3 5 2
0 0 0 0 0 0 5 3 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5
G6 Am E5 D5 Cmaj7 D Gmaj7/B D5/A G6 Am E5
com - pro - mise. Right or wrong it’s eas - y to re - act, time to
5 3 5 2
3 5 0 0 0 0 0 0 0 0 0 0 0 0 0 5 3 5 0 0 0 0 0 0 0 0 0 0
Chorus
Half-time feel
Cmaj7 D Gmaj7/B D5/A G6 Am E5 D5 C5 D5 B5
re - al - ize. And you keep talk - ing, but we both know it’s not
(No more!)
3 5 2 7 5 3 5 0 2
0 0 0 0 0 0 5 3 5 0
E5 D/F# G5 E5/B D5/A E5/B C D5/A E5
true. I still know that you’re wrong, and no
* (I still know you’re wrong.)
2 0 2 3 0
0 2 3 0
*Bkgd. vocs. 2nd time only.
2
To Coda
C5 D5 B5 E5 C E5 D Cmaj7 Bm Em
mat - ter what we both had to go through, I just can’t, I can’t hold on.
3 5 5 3 2
5 7 0 3 5 0 0
Verse
Bass: w/ Bass Fig. 1 (2 times)
E5 D5/A E5 C5/G D5/A
2. I can’t hold on. We can not waste our lives this way.
D.S. al Coda
E5 D5/A E5 C5/G D5/A
How far we’ve fall - en when the road be - fore us leads a - part. And you keep
Coda
Em7 C5 D5 B5 E5 D/F# G5 E5
And when you asked if I be - lieve and I told you, strange how that
3 5
0 5 7 0 2 3 0
D5 E5/B C D5/A E5 C5 D5 B5
made me strong. But I can’t feel a thing that I used
(Strange how that... ...me strong.)
5 2 3 0 3 5
0 5 7
3
End half-time feel
E5 C E5 D Cmaj7 Bm Em
to, and I can’t, I can’t hold on.
5 3 2
0 3 0 0 0
Interlude
E5 D5 C5 D5 B5 A5 G5 A5 E5
7 5 3 5 2
5 3 5 0 0
E5 D G5 D5 E5 C E5 C5 D5 B5 D5 G5 A5
Come get some!
0 2 3 3 5 2
0 2 3 0 0 5 3 5
Guitar Solo
Double-time feel
E5 F#5 G5 A5 B5 C5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 3 3 3
0 0 0 2 2 3 3
E5 C5 D5 B5 A5 G5 A5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 5 5 5 2 2 2 0 0 0
3 3 5 5
4
Chorus
End double-time feel Half-time feel
B5 G5 C5 B5 E5 D5 E5 D5 C5
D5 B5
And you keep talk - ing, but we both know it’s not
2 2 2 3 3 3 2 2 2 5 5 3 5 0 2
3 3 3 0 0
E5 D/F# G5 E5 D5 E5/B C D5/A E5
true. I still know that you’re wrong, and no
(I still know you’re wrong.)
5 2 3 0
0 2 3 0 0
C5 D5 B5 E5 C E5 D Cmaj7 Bm
mat - ter what we both had to go through, I just can’t, I can’t hold on.
3 5 0 2 5 3 2
0 2 3 0
5
Bkgd. Voc.: w/ Voc. Fill 1
Em7 C5 D5 B5 E5 D5 G5 E5
And when you asked if I be - lieve and I told you, strange how that
3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
0 12
Bkgd. Voc.: w/ Voc. Fill 2
D5 E5 C D5 E5 C5 D5 B5
made me strong. But I can’t feel a thing that I used
(Strange how that.)
5 5 5 5 5 5 5 5 7 7 7 7 3 3 3 3 3 3 3 3
0 0 0 0
E5 C E5 D Cmaj7 Bm Em
to, and I can’t, I can’t hold on.
7 7 7 7 7 7 7 7 5 5 3 3 2
0
Outro
E5 D5
5
7 0 0 0 0 0 0 0 0 7 0 0 0
Voc. Fill 1 Voc. Fill 2
I can’t hold on. No, it made me strong.
6
from Lamb of God - Ashes of the Wake
Laid to Rest
Words and Music by Chris Adler, David Blythe, John Campbell, Mark Morton and Will Adler
Drop D tuning:
(low to high) D-A-D-G
Intro
Moderately fast q = 140
µ [D5]
Bass
f
w/ pick
3 10 0
D5 µ
6 5 6 3 5 3
0 4 5 4 4 6 5 6
1., 2., 3. 4.
E5 µ µ
Bass Fig. 1 End Bass Fig. 1
1/4 1/4
2 2 2 2 3 2 2 2 2 3 2 2 2 2 3 2 5 4 3
3 2 2 3 2 1
Verse
Half-time feel
D5
1. If there was a sin - gle day I
Bass Fig. 2 End Bass Fig. 2
5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 2004 Sony/ATV Music Publishing LLC and Subtle Arts Of Publishing
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Bass: w/ Bass Fig. 2 (3 times)
could live, a sin - gle breath I could take,
End half-time feel
I’d trade all the oth - ers a - way.
Bass: w/ Bass Fig. 1 (2 times)
E5 µ
Verse
µ[D5]
2. The blood’s on the wall so you might as
3. I’ll chain you to the truth. for the
Bass Bass Fig. 3
6 5 3 8 5 6 1 1 0 3 0 1
0 0 0 0 0 0 0 0 0 5 4 0
well just ad - mit it,
truth shall set you free.
End Bass Fig. 3
6 6 5 6 3 5 3
0 0 0 4 5 4 0 0 0 8 7 5 4 5 4 4 6 5 6
Bass: w/ Bass Fig. 3 (3 times)
and bleach out the stains, com - mit to for -
I’ll turn the screws of ven - geance and
2
get - ting it.
bur - y you with hon - es - ty.
You’re bet - ter off emp - ty and blank
I’ll make all your dreams come to life,
than left with a sin - gle pa - thet - ic trace
and slay them as quick - ly as they came.
of this.
Smoth - er an - oth - er
fail - ure, lay this to
Chorus
µ[D5]
rest. Con - sole your - self, you’re bet - ter a -
Bass Fig. 4 End Bass Fig. 4
Bass
0 0 6 3 5 0 0 1 3 1 0 0 6 3 5 0 1 3 6 5 3
Bass: w/ Bass Fig. 4
lone. De - stroy your - self, see who gives a
fuck. Ab - sorb your - self, you’re bet - ter a -
Bass Fig. 5 End Bass Fig. 5
Bass
0 0 0 6 3 5 0 0 0 1 3 1 0 0 0 6 3 5 0 1 3 6 5 3
3
To Coda
Bass: w/ Bass Fig. 5
lone. De - stroy your - self!
Interlude 2nd time, D.S. al Coda
Bass: w/ Bass Fig. 1 (2 times)
E5 µ
Coda
Interlude
Eb5
Bass
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
µ
See who gives a fuck.
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Bridge
Half-time feel
Bass: w/ Bass Fig. 2 (7 times)
D5
1. 2.
See who gives a fuck. fuck.
End half-time feel
Bass
0 0 0 0 0 0 0 0 0 0 0
4
Chorus
Bass: w/ Bass Fig. 4 (2 times)
µ[D5]
Fail - ure!
Bass: w/ Bass Fig. 5 (2 times)
Verse
D5 µ
4. If there was a day I could
Bass Fig. 6
Bass
0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 1 0
live,
Bass Fig. 6
0 0 0 0
1 0 0 0 1 0 8 7 5 7 8 7 8 7 5 7 8 0 5 1 5 1 5 1 5 1
Bass: w/ Bass Fig. 6 (3 times)
if there was a sin - gle breath I could take,
I’d trade all the oth - ers a - way.
I’d trade all the oth - ers a - way.
Outro
Half-time feel
Bass: w/ Bass Fig. 2
D5
Play 4 times
5
from Chimaira - Chimaira
Nothing Remains
Lyrics by Mark Hunter
Music by Rob Arnold
Drop D tuning, down 1 step:
(low to high) C-G-C-F
Intro
Very fast q = 197
F#5/G
Bass Fig. 1
(Guitar) Bass
f
4
5 5
4
5 5
4 4
5 5
4
5 5
4
μ F#5/G
Noth - ing re - mains.
End Bass Fig. 1
4
5 5
4
5 5
4 4
5 5
4
5 5
4
G5
Bass Fig. 2
4
5 5
4
5 5
4 4
5 5
4
5 5
4 4
5 5
4
5 5
4 5 5 5 5 5 5 5 5
1. 2.
F#5/G G5 F#5/G F#5
End Bass Fig. 2
4
5 5
4
5 5
4
5 5 5 5 5 5 5 5 5
4
5 5
4
5 5
4
5
4
Copyright © 2005 Talib Casio Music, Matt Fetzer Music, Fritz Mcgaven Music, Mfa Music, Izcoobro Music and Kevin Talley Music
All Rights on behalf of Talib Casio Music, Matt Fetzer Music, Fritz Mcgaven Music, Mfa Music and Izcoobro Music
Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Half-time feel
D#5 E5 D#5/E D#5 G5 F#5 E5 D#5/E D#5 G#5
2 2 2 2 2 2 2 2
1
2 2
1
2 2
1
2 2 2 2 2 2 2 2 2
1
2 2
1
2 2
1
2
End half-time feel
G5 E5 D#5/E D#5 G5 F#5 E5 D#5/E
1. Oh, I shout these
2. All the
1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Verse
Double-time feel
D5 B5 Bb5 F#5 C#5
words to those who nev - er lis - tened. I pen this
years passed, no one heard my true feel - ings. You con -
Bass Fig. 3
2 1 4
0 4
D5 A5 Eb5 B5
let - ter with the ut - most con - vic - tion. It’s been
tin - ued to act like you knew me. Did you
End Bass Fig. 3
5 6
7 9 9
2
Bass: w/ Bass Fig. 3
D5 B5 Bb5 F#5 C#5
dark in here, cold and re - lent - less. It’s been
ev - er stop to think that I’d be a - ble to look in
End double-time feel
D5 A5 Eb5 B5
too long, can no long - er fight this.
your eyes and say that I’m sta - ble?
Chorus
Bass: w/ Bass Fig. 1 Bass: w/ Bass Fig. 2
F#5/G G5 F#5/G G5
Too late to change my mind. Noth - ing re - mains,
1. 2.
F#5/G G5 F#5/G G5 F#5 μ F#5 μ
I’ve si - lenced the pain.
Bridge
F#5 D5 F#5 D5 F5 D5 F5 D5 G#5 D5 G#5 D5 G5 D5 G5 D5 F#5 D5 F#5 D5 F5 D5 F5 D5 G#5 D5 G#5 D5 G5 D5 G5 D5
Don’t tell me that I am tak - ing the eas - y way…
Bass Fig. 4 End Bass Fig. 4
Bass
4 4 3 3 6 6 5 5 4 4 3 3 6 6 5 5
Bass: w/ Bass Fig. 4
F#5 D5 F#5 D5 F5 D5 F5 D5 G#5 D5 G#5 D5 G5 D5 G5 D5 F#5 D5 F#5 D5 F5 D5 F5 D5 G#5 D5 G#5 D5 G5 D5 G5 D5
Don’t tell me that I am tak - ing the eas - y way
(Out.)
3
Interlude
Slower q = 128
D5 A5 F5 Bb5 D5 μ
out. No.
Bass
0 7 3 7 8 0
Half-time feel
D5 F#5 C5
3
0 4
Eb5 D5 F#5 C5 Eb5
6 6 3 6 6
0 4 4
D5 F#5 C5 Eb5
3 3 3 3 3 3 3 3 6 6 6 6 6 6 6 6
0 0 0 0 0 0 0 0 4 4 4 4 4 4 4 4
End half-time feel
D5 F#5 C5 Eb5
3 3 3 3 3 3 3 3 6
0 0 0 0 0 0 0 0 4 4 4 4 4 4 4 4
4
Bridge
A tempo
Half-time feel
F#5/G
Oh!
4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5
End half-time feel
Bass: w/ Bass Fig. 1 (4 1/2 times)
No un - der - ly - ing mes - sage to fig - ure out, what you got from me is
what I put out. No un - der - ly - ing mes - sage to fig - ure out,
Bass
4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5
Half-time feel
F#5
what you got from me is what I put out.
Bass Fig. 5
steady gliss.
4 4 4 4
5 5 5 5 5 5 5 0 11 14 4 4 4 4 4 4 4 4
5
*
No one knew a thing a - bout
End Bass Fig. 5
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
*Voc. doubled, next 22 meas.
Bass: w/ Bass Fig. 5
me. Just long - ing to be ac - cept -
G5
- ed. Wait ’til you see what I’ve
Bass Bass Fig. 6 End Bass Fig. 6
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Bass: w/ Bass Fig. 6
be - come.
(Be - come.)
End half-time feel
Bass: w/ Bass Fig. 5 (2 times)
F#5
My life - less - ness.
**
My life - less - ness.
**w/ echo set for half-note regeneration w/ two repeats
6
Interlude
F#5 G#5 E5
Bass
4 6 6 2 2
Guitar Solo
Half-time feel 2nd time, End half-time feel
Bass: w/ Bass Fig. 5 (2 times) Bass: w/ Bass Fig. 6 Bass: w/ Bass Fig. 5
F#5 G5 F#5 F#5 G#5 E5
Bass
4 6 2
Chorus
Bass: w/ Bass Fig. 1 (2 times) (1st 7 meas.)
F#5/G
Too late to change my mind, too late to change my mind.
2nd time, Bass: w/ Bass Fig. 2 (1st 7 meas.)
G5 F#5/G G5
*
Noth - ing re - mains,
Bass
5 5 5 5 5 5 5 5
4
5 5
4
5 5
4
5 5 5 5 5 5 5 5
*Voc. doubled, next 16 meas.
F#5/G G5 F#5/G
I’ve si - lenced the
4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7
1. 2.
Outro
G5 F#5 μ F#5 F#5/G
Play 4 times
pain.
5 5 5 5 5 5 5
4 4
5 5
4
5 5 5 5 5
4
5 5 5 5 5
4
5 5 5
Play 3 times
5 5
4
5 5 5
5 5
4
5 5 5
4
5 5 5
4
5 5 5
4
5 5 5
4
5 5 5
4
5
F#5 G#5 E5 F#5/G
4 4 4 4 4
5 5 5 5 5 5 5 5 5 5
μ
Noth - ing re - mains.
Noth - ing re - mains.
4 4 4
5 5 5 5
8
from Iron Maiden - The Number of the Beast
The Number of the Beast Words and Music by Steven Harris
Spoken: Woe to you, oh, Earth and Sea,
For the Devil sends the beast with wrath,
Because he knows the time is short...
Let him who hath understanding
Reckon the number of the beast,
For it is a human number.
Its number is six hundred and sixty six.
– Revelations Ch. 13 v. 8
Intro
Fast Rock q = 195
*D Dsus4 D5
Bass
8v a
mf
11 12 14 14 14
12 12 12 12 12 12 12 12 12 12
*Chord symbols reflect overall harmony.
Verse
D Dsus4 D5 D Dsus4
1. I left a - lone. My mind was
2. Just what I saw in my old
Bass Fig. 1
8v a
12
14 14 11 12 14 14 14 14 14 11 12
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
D5 C Csus4 C5
blank. I need - ed time to think,
dreams, were they re - flec - tions of
8v a
14 14 14 14 14 9 10 12 12 12
12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10 10 10
Copyright © 1982 by Iron Maiden Holdings Ltd.
All Rights in the United States and Canada Administered by Universal Music - Z Tunes LLC
International Copyright Secured All Rights Reserved
C Csus4 D5
to get the mem - ’ries from my mind.
my warped mind star - ing back at me?
End Bass Fig. 1
8v a
12 12 9 10 14 14 14
10 10 10 10 10 10 10 10 12 12 12 12 12
Bass: w/ Bass Fig. 1
D Dsus4 D5 D Dsus4
What did I see? Can I be - lieve
’Cause in my dreams it’s al - ways
D5 C Csus4 C5
that what I saw that night
there, the e - vil face that twists
C Csus4 D5
was real and not just fan - ta - sy?
my mind and brings me to de - spair.
Interlude
D D5
Yeah!
loco
Bass 8v a
14 14
12 12 12 0 0 0 0 0 0 0 0 0
2
C5
5 3 3 3 3 3
3 5 5 5 5 5 5 5 5
Verse
D5
3. Night was black, was no use hold - ing back
4. Torch - es blazed and sa - cred chants were praised
can’t go on, I must in - form the law.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
’cause I just had to see, was some - one
as they start to cry, hands held
Can they still be real or just some
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3
C5 G D5
watch - ing me? In the mist,
to the sky. In the night,
cra - zy dream? But I feel drawn
0 3 3 3 3 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3
dark fig - ures move and twist. Was all
the fires are burn - ing bright. The rit - u - al
to - wards the chant - ing hordes, seem to
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
C5 G
this for real or just some kind of hell?
has be - gun. Sa - tan’s work is done.
mes - mer - ize, can’t a - void their eyes.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 3 3 3 3 2
3
Chorus
D5
C5
G/B
C5
Six, six, six, the num -
5 5 5 5 5 5 0 3 3 3 3 3 3 3 2 2 2 2 2 2 2 3
4
D5 C5 G/B
1. Hell and fire
- ber of the beast. 2. Sac - ri - fice
3. Six, six, six,
7
5 7 7
3 3 3 3 3 3 3 5 5 5 3 3 3 3 3 3 3 2
1.
To Coda
C5 D5
were spawned to be re - leased.
is go -
the one
5
2 2 2 2 2 2 2 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5
2.
*
Interlude
D5 E5 D5
- ing on to - night.
let ring
5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 5 5
7
5 5
7
5 5
*Sing 1st time only.
1., 2., 3.
E5 F5 E5 F5 G5 F5 G5 F5 G5 F5
let ring let ring
7 7
9
7 7
9
7 7 8 8
10
8 8
10
8 8
10
8 8
10
8 8
5
4.
Guitar Solo
G5 F5 G5 F5 Bb5 F5
let ring
10
8 8
10 10
X 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1
1., 2., 3. 4.
C/E F5 C/E F5 C/E Bb5 D5 C5
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 1
5 5 5 3
Interlude
µ C Bb5 µ
7 5
5 7 7 7 5 5 8 6
7 7 5 5 6 8 8 8 6
8 8 8 6 8
G5 F5 G5
6
8 7 6 3 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3
Guitar Solo
A5 C5 D5 F5
7
5 7 7
0 0 0 0 3 3 3 5 5 7 8
3 3 3 3 3 3 3
6
G5 Bb5 C D5
Play 3 times
8 12
7 8 7 9 10 9 8 8 10 10 12
8 8 8 8 10 10 10 10 5
F5 G5 Bb5
5
5 7 7 7 8 7 9 10 9 8
5 5 7 8 8 8 8 10 10 10 10
Interlude
C5 D5
F5 G5
19 19 19 19 19 17
8 8 8 10 10 14 15 15 15 15 15 15 17
Bb5 C5 D5 F5
15 15 17 17 19 19 19 19 19 17
17 17 17 17 17 17 15 17 17 14 15
17
D.S. al Coda
G5 Bb5 C5
5. This
15 15 17
15 15 15 15 15 14 17 17 17 17 17 15 17 17 15
17 17 17
7
Coda
D Dsus4 D5 D Dsus4
for you and me. 6. I’m com -ing
4 5 7 7 7 7 7 4 5
3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
D5
Verse
D5 D Dsus4
back. I will re - turn.
7 7 7 7 7 4 5 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
C Csus4 C5 C Csus4
And I’ll pos - sess your bod - y and I’ll make you
7 2 3 5 5 5 5 5 2 3
5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
D5 D Dsus4 D5
burn. I have the fire.
7 7 7 7 7 4 5 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
8
D
Dsus4
D5 C Csus4
I have the force. I have the
7 7 4 5 7 7 7 7 2 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3
C5 C Csus4 D5
pow - er to make my e - vil take its course.
5 5 5 5 5 2 3 7 7 7
3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5
Outro
D Dadd11
7 7
5 5 5 5 5 5 5 5
D5 C6sus2
5 5 5 5 5 3 3 3 3
D5 C5 D5 µ
3 5 5 5 5 5 3 5 5
9
from Mastodon - Crack the Skye
Oblivion
Words and Music by Brann Dailor, William Hinds, William Kelliher and Troy Sanders
Drop D tuning, down 1 step:
(low to high) C-G-C-F
Intro
Moderately q = 103
* Eb5 D5 Eb5 D5 Eb5 D5 Eb5 D5
(Guitar) Bass
mf
**w/ DigiTech Whammy Pedal
*** let ring
8 8 8 8
0 0 0 0
6 6 6 6
0 0
*Chord symbols reflect implied harmony.
**Set to detune.
***Applies to 2nd & 4th strings only.
Eb5 D5 Eb5 D5 Eb5 D5 Eb5 D5
8 8 8 8
0 0 0 0
6 3 5 6 3 5 6 3 5 6 3 5
Eb5 D5 C5 D5 Eb5 D5 C5 D5 Eb5 D5 C5 D5 Eb5 D5 C5 D5
8 8 8
0 0 0
6 3 5 6 3 5 6 3 5 6 5 3 5
0 0 0 0 0 0 0 0 0 0 0 0 0
F5 D5 E5 D5 F5 D5 E5 F5 D5 E5 D5 F5 D5 E5
10 10 10 10
0 0 0 0
8 7 5 8 5 7 8 7 5 8 5 7
Copyright © 2009 Chrysalis Songs and Trampled Under Hoof Music Inc.
All Rights Administered by Chrysalis Music Group Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
Verse
q. = 88
Half-time feel
Eb6(no3rd) Eb5 Eb6(no3rd) Eb5 Eb6(no3rd)
*
1. I flew be - yond the sun be - fore it was
Bass Fig. 1
f
Whammy Pedal off
1 1
3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
*w/ echo set for quarter-note regeneration w/ 2 repeats.
D6(no3rd) D D6(no3rd) D D6(no3rd)
time. Burn - ing all the gold that held me in -
End Bass Fig. 1
4 4
2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bass: w/ Bass Fig. 1
Eb6(no3rd) Eb5 Eb6(no3rd) Eb5 Eb6(no3rd)
side my shell. Wait - ing for you to pull me back
End half-time feel
D6(no3rd) D D6(no3rd) D D6(no3rd)
in. I al - most set the world in my
Pre-Chorus
Gm6
Lost love, bright eyes fad - ing
1. sights.
2. doom.
Bass Fig. 2
Bass
10 7 10 7 10 7 10 7
8 7 8 0 8 7 8 0 8 7 8 0 8 7 8 0
2
Gm7
fast - er than stars fall - ing.
End Bass Fig. 2
8 5 8 5 8 5 8 5
8 7 5 7 8 7 5 7 8 7 5 7 8 7 5 7
Bass: w/ Bass Fig. 2
Gm6
How can I tell you that I
(jq = iq)
Gm7
failed? Tell you I
Chorus
Half-time feel
2nd & 3rd times, Bass: w/ Fill 1
Dm/F Asus2
*
failed?
Fall - ing from grace ’cause I been a - way too long. Leav -
Bass Fig. 3 End Bass Fig. 3
0 3 3 3 3 3 3 7 7 7 7 7 7
*3rd time, upstemmed vocal tacet.
Fill 1
Bass
0 3 3 3 3 3 3 3
3
2nd & 3rd times, Bass: w/ Bass Fig. 3
Dm/F Asus2
- ing you be - hind with my lone - some song. Now
0 3 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
To Coda 1
To Coda 2
Verse
(iq = jq)
Bass: w/ Bass Fig. 1 (2 times)
Gsus2 Eb6(no3rd)
Eb5 Eb6(no3rd)
2. I tried to
I’m lost in o - bliv - i - on.
5 5 5 5 5 5 5 5 5
Eb5 Eb6(no3rd) D6(no3rd) D D6(no3rd)
bur - row a hole in - to the ground break - ing
D D6(no3rd) Eb6(no3rd) Eb5 Eb6(no3rd)
all the fin - gers and the nails from my hand. The eyes of the
D.S. al Coda 1
End half-time feel
Eb5 Eb6(no3rd) D6(no3rd) D D6(no3rd) D D6(no3rd)
child see no wrong, ig - no - rant bliss, im - pend - ing
4
Coda 1
Dm/F
Fall - ing from grace ’cause I been a - way
5 5 5 5 5 0 3 3 3 3 3 3
Asus2 Dm/F
too long. Leav - ing you be - hind with my lone -
5 7 7 7 7 7 7 7 0 3 3 3 3 3 3
Asus2 Gsus2
- some song. Now I’m lost in o - bliv -
7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5
Interlude
D5 C#7#11/D D5 C#7#11/D
- i - on.
w/ DigiTech Whammy Pedal
12 13 10 9 10
11
5
0 0 0 0 0 0 0 0
5
(iq = jq)
D5 C#7#11/D
D5 C#7#11/D
12 13 10 12 9 10
11
5
0 0 0 0 0 0 0 0
Guitar Solo
D[b9][no3rd]
let ring let ring
8 8 8
0 0 0
6 6 8 6 8 6 6
0 0 0 0
Bbmaj9b5
8 8 8 10 8 8 8 8 10 8
D[b9][no3rd]
8 8 8 8
0 0 0 0
6 6 6 6
0 0 0 0
End half-time feel
Bbmaj9b5
8 8 10 12 12 15 12 10 8 7 5
6
D[b9][no3rd]
6 6 6 6 6 18 18 18 18
Half-time feel
Em9
Whammy Pedal off
2 2 14 14 14 14
Asus2/G D6/A Bbadd#11
5 5 7 7 8 8
Gm6 F#m7 Gm6 Am F#m7
5 5 5 4 4 4 5 5 7 7 7 4 4 4 4 4
Gm6 F#m7 Gm6 Am F#m7
5 5 5 4 4 4 5 5 7 7 4 4 4 4
7
Bb5 A5 Bb5 C5 Bb5 C5 D5 Bb5 A5 Bb5 C5 Bb5 C5 D5 C5 D5 E5 D5 C5
8 7 8 10 8 10 12 0 0 0 0 0 8 7 8 10 8 10 12 10 12 14 12 10
D.S.S. al Coda 2
D5 Bb5 A5 Bb5 C5 Bb5 C5 D5 Dm
12 0 0 0 0 0 8 7 8 10 8 10 0 0 0 12
Coda 2
Dm/F
Fall - ing from grace ’cause I been a - way
5 5 5 5 0 3 3 3 3 3 3 3 3
Asus2 Dm/F
too long. Leav - ing you be - hind with my lone -
7 7 7 7 7 7 7 0 3 3 3 3 3 3 3 3 3
8
Asus2 Gsus2
- some song. Now I’m lost in o - bliv -
7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5
Outro
D5 Dm/F A5 Asus2
- i - on. In o - bliv -
0 0 0 3 3 3 7 7 7 7 7
D5 Dm/F A5 Asus2
- i - on.
0 0 0 3 3 7 7 7 7 7 5 5 5
G5 Gsus2 D5 Dm/F
In o - bliv - i - on.
5 5 5 5 5 5 5 0 0 0 3
9
from Dream Theater - Octavarium
Panic Attack
Words and Music by John Petrucci, Mike Portnoy, John Myung, Kevin LaBrie and Jordan Rudess
6-string bass, tuning:
(low to high) Bb-E-A-C-G-C
Intro
Moderately fast q = 126
Cm
Bass
f
* let ring
8 7 8 10 8 7 8 7 8 8 13 12 10 10
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Refers to 2nd string only.
Cm
**
11 8 8 10 8 8 11 8 8
8
8 8 11 8 10 8 11 8 8 10 8 8 11 8 8
11
8 8
10
8
8
8
**3rd string is retuned to D on recording. Next 7 meas. originally played 1 string higher than written.
8 11 10 8
11 8 8 10 8 8 11 8 8 8 8 11 8 10 8 11 8 8 10 8 8 11 8 8 8 8 8 8
(e = e)
F#º7 D7b9 Fm Db7#11
9 9 9 9 9 9 9 9 9 9 9 9
10 10 10 10
8 8 8 8 8 8 8 8 8 8 8 8
9
C5 Gb5/Db Bb5 C5 Gb5/Db Bb5 C5 Gb5/Db Bb5 C5 Gb5/Db Bb5 C5 Gb5 Bb5
Play 3 times
***Retune 3rd string to D.
8 8
3 3 3
4
1
***Bass is arranged for Bb-E-A-D-G-C tuning till end. On recording, 6th string is retuned where indicated.
© 2005 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC
All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP.
All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved Used by Permission 1
Ab5 Bb5 C5 Gb5 Bb5 Ab5 Bb5
Play 7 times
4 4 4 4 6 6 6 6
2
4 4 4 4 6 6 6 6
2 2 2 0
Verse (e = e) (e = e)
C5 µ
1. All wound up, on the edge, ter - ri - fied.
4 4 4 3 3 3
2 2 0 2 2 2 0 2 2 2 0 2 0
(e = e) (e = e)
C5 µ
Sleep dis - turbed, rest - less mind, pet - ri - fied.
1
4 4 4 3 3 3
2 2 0 2 2 2 0 2 2 2 0 2
(e = e) (e = e)
C5 µ
Bouts of fear per - me - ate all I see.
4 4 4 3 3 3
2 2 0 2 2 2 2 2 2 2 2 2 0
2
(e = e) (e = e)
C5 µ
Height - en - ing nerv - ous - ness threat - ens me.
4 4 4 3 3 3
2 2 0 2 2 2 0 2 2 2 0 2 4
(e = e) (e = e)
Eb5 µ
I am par - a - lyzed,
4
7 6
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
(e = e) (e = e)
Eb5 µ
so a - fraid to die.
4 3
6 4 3
6 5 4
5 5 5 5 5 5 5 5 5 5 5 5
(e = e) (e = e)
C5 µ
Caught off guard, warn - ing signs nev - er show.
8 8 8 8 8 8 4 4 4 3 3 3
2 2 0 2 2 0 2 2 0 0
3
(e = e)
C5
Ten - sion strikes, chok - ing me. Wor - ries grow.
8 8 8 8 8 8
2 2 0 2 2 0 2 2 0
Interlude
µ Bbm Gb/Bb
5 5 5
6 6 6 5 5 5 3 3 3 5 5 6 6
0
Gº/Bb Bbm7 Bbº/E F7 Bbm Gb
13 13 7 8 8 9
0 0
Chorus
Gº µ Fm Abm
Why do I feel so
*
Bass Fig. 1
6 4
10 10 4 3
6
7 7 9 10 9 7 5 1
*6th string is retuned to B on recording.
4
*
Cm Fm
numb? Is it some - thing to
End Bass Fig. 1
3 6 5
6 3 3 5 3 3 6 3 3 3 3 6 3 5 3 6 3 3 5 3 3 6 3 3 3 3 3
5 7 7 9
*w/ panned echo repeats.
Abm Cm
**
do with where I come from?
3 6 5
6 3 3 5 3 3 6 3 3 3 3 6 3 5 3 6 3 3 5 3 3 6 3 3 3 3 3
6 7
10 10 9 5
**As before
Bass: w/ Bass Fig. 1
Fm Abm Cm
***
Should this be fight or flight?
***As before
To Coda 1
Interlude
Fm Abm Cm
†
I don’t know why I’m con - stant - ly so up - tight.
Bass Bass Fig. 2
6 7 11 10 10
6 3 3 5 3 3 6 3 3
3
3 3 6 3 5 3
7 7 9 10
†Sung 1st time only.
5
*
F#º7 D7b9
End Bass Fig. 2
6 3 3 5 3 3 6 3 3
6
3 3
5
3
3
3 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4
*6th string is retuned to Bb on recording.
(e = e)
Fm Db7#11 C5 Gb5 Db5 Bb5 C5 Gb5 Db5 Bb5
1 1 1 1 1 1 1 1 1 1 1 1
2 2
3 3 3 3 2 2 2 3 0 2 2 2 3 0
Verse
C5 Gb5 Db5 Bb5 Ab5/Eb Bb5 C5 Gb
2. Rap - id heart - beat
Bass Fig. 3
2
2 2
2 2 2 3 0 5 5 5 5 0 0 0 0 2 2 2 2 2 2 3 3 0 0
C5 Gb C5 Gb µ(Eb5) Bb5
pound - ing through my chest.
End Bass Fig. 3
2 2 2 2
2 2 2 2 2 2 3 3 0 0 2 2 2 2 2 2 3 3 0 0 5 5 5 5 5 5 0 0 0 0 0 0
Bass: w/ Bass Fig. 3 (3 times)
C5 Gb C5 Gb C5 Gb µ(Eb5) Bb5
Ag - i - tat - ed, bod - y in dis - tress.
6
C5 Gb C5
Gb C5 Gb µ(Eb5) Bb5
I feel like I’m in dan - ger.
C5 Gb C5 Gb C5 Gb µ(Eb5) Bb5
Dai - ly life is stran - gled by my stress. A
Eb5 Bbb Eb5 Bbb Eb5 Bbb Cb5/Gb Db5
sti - fl - ing surge shoot - ing through all my veins. Ex -
Bass
5 5 5 2 2 2 2
5 5 5 5 6 3 5 5 5 5 6 3 5 5 5 5 6 3 3 3 3 3
Eb5 Bbb Eb5 Bbb Eb5 Bbb Cb5/Gb Db5
treme ap - pre - hen - sion, sud - den - ly I’m in - sane.
5 5 5 2 2 2 2
5 5 5 5 6 3 5 5 5 5 6 3 5 5 5 5 6 3 3 3 3
C5 Cm7b5 C5 Ab5/Eb Bb5
Lost all hope for re - demp - tion. A
2 2 2
2 2 2 2 3 0 2 2 2 2 3 0 2 2 2 2 3 0 5 5 5 5 0 0 0 0
7
(e = e)
C5 C7sus4 C5
grave sit - u - a - tion, des - per - ate at best.
2 2 2
2 2 2 2 3 0 2 2 2 2 3 0 2 2 2 2 3 0
Interlude
Cm Bbm Gb
5 5 5
6 6 6 5 5 5 3 3 3 5 5 6 6
2
0
Coda 1
D.S. al Coda 1
Gº µ Abm
con - stant - ly reel - ing.
6 4
4 3
3 6 6 7 11 10 10
10
Bridge
Cm Fm6/C
Help - less hys -
Bass Fig. 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
8
Cm Fm/C G/C
ter - i - a, a
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Cm G7/B
false sense of
End Bass Fig. 4
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
4 4 4 4 3 3 3 3
2nd time, Bass: w/ Bass Fill 1
Eb Dm7b5 F#º7 G
ur - gen - cy.
2 2 2 2 3 3 3 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4
Bass: w/ Bass Fig. 4
Cm Fm6/C Cm
Trapped in my pho - bi -
Bass Fill 1
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5
2 2 2 2 3 3 3 3
9
Fm/C G/C Cm G7/B
a, pos - sessed by anx -
2nd time, Bass: w/ Bass Fill 2
Eb Dm7b5 F#º7 G
i - e - ty.
Bass
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 9 9 9 9 10 10 10
Ab Cm/G
Run, try to hide, o - ver -
4 4 4 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3 3 3 3
Fm F#º7 G7
whelmed by this com - plex de - lir - i -
1 1 1 1 1 1 1 1 1 1 1 2 3
Bass Fill 2
5 5 5 5 5 5 5 5 9 9 9 9 10 10 10 10
10
Interlude To Coda 2
Bass: w/ Bass Fig. 2 (2 times)
Cm
um.
(x = x)
Bass
10 13 12 10
13 10 10 12 10 10 13 10 10 10 10 13 10 12 10 13 10 10 12 10 10 13 10 10 10 10 10 10
µ(Fm)
8 8 8 11 8 8
10
8
10 11 10
11 8 8 8 11 8 8
9
8
7
8 7 6
(x = x)
(Bbm/Db) (C5)
8 8 8 11 8 8
10
8
10 11 10
11
9 9 9
13
9 9 8 8
10
8
11 10
B Keyboard Solo
µ(Bbm)
6 6 6 9 6 6
8
6
8 9 8
9 6 6 6 9 6 6
7
6
5
6 5 4
(x = x)
(Ebm/Gb) (F5)
6 6 6 9 6 6
8
6
8 9 8
9 11 8 9 8
8 8 8 8 8 7 7 7
11
(Ebm)
6 6 6 9 6 6
8
6
8 9 8
9 6 6 6 9 6 6
7
6
5
6 5 4
(x = x)
(Abm/Cb) (Bb5)
6 6 6 9 6 6
8
6
8 9 8
9
7 7 7
11
7 7 6 6
8
6
9 8
C Guitar Solo
µ(G#m)
11 11 11 14 11 11
13
11
13 14 13
14 11 11 11 14 11 11
12
11
10
11 10 9
(x = x)
(C#m/E) (D#5)
11 11 11 14 11 11
13
11
13 14 13
14
12 12 12
16
12 12 11 11
13
11
14 13
(C#m)
9 9 9 12 9 9
11
9
11 12 11
12 9 9 9 12 9 9
10
9
8
9 8 7
(x = x)
(F#m/A) (G#5)
9 9 9 12 9 9
11
9
11 12 11
12 14 11 12 11
11 11 11 11 11 10 10 10
12
D
Bbm Gb/Bb
6 6 6 6 6 6 6 6 6 4 6 6 6 6 6 6 6 6 6 4
Gm7b5/Bb Ebm Bbº/E F Bbm
6 7 8
6 6 6 6 6 6 6 6 6 4 6 6 6 6 6 6 6 6 6 4
Gb Gm7b5
9 9 9 9 9 9 9 9 9 9 9 10 10 10 10 10 10 10 10 10 10 10
µ Fm
6 4
6
4 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Db/F Dm7b5/F
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
13
1. 2.
D.S.S. al Coda 2
µ Eb5 Db5 Ab5 Eb/G
6 6 6 4 4 4
4 4 4 4 3 3 3 3
6 4
4 3
7 7 7
Coda 2
F#º7 D7b9 Fm Db7#11
Bass
2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1
4 4 4 4 3 3 3 3
Outro
Bass: w/ Bass Fig. 2 (1 1/2 times)
Cm
F#º7 D7b9
Bass
6 5
6 3 3 5 3 3 6 3 3 3 3 3 6
2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4
Interlude
µ Cm (Delay repeats, kybds. & samples)
54 sec.
steady gliss.
6 4 8 8 3
2 5 4
14
from Slayer - Reign in Blood
Raining Blood
Words and Music by Jeff Hanneman and Kerry King
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb
Intro
Free time Very fast q = 176
E5 µ µ(E5)
(sound effects)
Bass (Guitar) Play 4 times
f
0
1., 2., 3.
Bass
0 0
7
0 0 0
7
0 0 0
7
0 0 0
7
0 0 0
7
0 0 0
7
0 0 2 4
4
3 2
3 2
4. Faster q = 216
Double-time feel
µ µ Bb5
Bass Fig. 1
0 2 4
4
3 2
3 5 6 5 6
5 5 6 5 5 6 5 5 6 5 5 6
1. 2.
µ G5 Bb5 G5 Bb5
End Bass Fig. 1
5 5 6 5 5 6 5 5 6 3 6 5
5 5 6 5 3 6
Copyright © 1987 by Death’s Head Music
All Rights Administered by Universal Music - MGB Songs
International Copyright Secured All Rights Reserved 1
Bass: w/ Bass Fig. 1
µ Bb5 µ G5 Bb5
Verse
E5 C5 E5 Eb5 E5 B5 D5
1. Trapped in pur - ga - to - ry, a
Bass Fig. 2 End Bass Fig. 2
Bass
7 6 5
0 0 0 0 8 0 0 0 0 7
Bass: w/ Bass Fig. 2 (5 1/2 times)
E5 C5 E5 Eb5 E5 B5 D5 E5 C5 E5 Eb5 E5 B5 D5
life - less ob - ject, a - live. A - wait - ing re - pris - al,
E5 C5 E5 Eb5 E5 B5 D5 E5 C5 E5 Eb5 E5 B5 D5
death will be their ac - quit - tance. Sky is turn - ing red. Re -
E5 C5 E5 Eb5 E5 B5 D5 E5 C5 E5 Eb5
turn to pow - er draws near. Fall in - to me, the sky’s
End double-time feel
E5 B5 D5 E5 C5 E5 Eb5 E5 B5 D5
3
crim - son tears. A - bol - ish the rules made of stone.
Bass
7 6 5 6
0 0 0 0 8 0 0 0 0 7 0 0 0 0 7
2
Interlude
Slower q = 184
µ[E5] [F5] [E5] [A5] Eb5 A5
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5
µ[E5] [F5] [E5] [A5] Eb5 A5
Bass Fig. 3 End Bass Fig. 3
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
0 0 0 0 0 0 1 0 0 0 0 0 0 5 5 5
Verse
Bass: w/ Bass Fig. 3 (2 times)
µ[E5] [F5] [E5] [A5] Eb5 A5
2. Pierced from be - low, souls of my treach - ’rous past. Be -
µ[E5] [A5] Eb5 A5
trayed by man - y, now or - na - ments drip - ping a - bove.
Bridge
µ[E5]
Bass
7 7 7
0 0 0 0 0 0
Verse
Half-time feel
E5 A#5 B5 A#5 F#5 A#5 A5 F5 A5 G#5 E5 A#5 B5 A#5
3. A - wait - ing the hour of re - pris - al, your time
7 7 7 1 2 1 1 0 0 1 2 1
0 0 0 2 1 4 0 0 0 0
3
F#5 A#5 A5 F5 A5 G#5/E E5
slips a - way.
1 0 0
2 1 0 0 0 0 0 0 0 0 0
Play 3 times Play 6 times
0 0 0 0 0 0 0 0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
Chorus
E5 G5 B5 E5 F#5 A#5 E5 A5 E5 G5 F#5
Rain - ing blood
Bass Fig. 4 End Bass Fig. 4
2 1 0
0 0 3 0 0 2 0 0 0 0 0 3 2
Bass: w/ Bass Fig. 4 (2 times)
E5 G5 B5 E5 F#5 A#5 E5 A5 E5 G5 F#5 E5 G5 B5 E5 F#5 A#5 E5 A5 E5 G5 F#5
from a lac - er - at - ed sky. Bleed - ing its hor - ror. Cre -
Faster q = 247
End half-time feel
E5 G5 B5 E5 F#5 A#5 E5 A5 E5 G5 F#5 E5 µ[E5]
at - ing my struc - ture, now I shall reign in blood!
Bass
2 1
0 0 3 0 0 2 0 0 3 2 0 0 0 0 0
4
Outro
Double-time feel
µ[E5] [F5] [B5] [Bb5] [G5]
Play 4 times
0 0 0 0 1
2 1 1 1
3 3
[Ab5] [C5] [B5] [C5] [E5] [F5] [B5] [Bb5] [G5]
Play 3 times
4 4 4 4 4
3 2 2 2 2 2 2 3 0 0 0 0 1
2 1 1 1 1
3 3
[E5] [F5] [B5] [Bb5] [G5] [E5] [F5] [B5] [Bb5] [G5]
* accel.
2 1 1 1 1 2 1 1
0 0 0 1 3 3 0 0 1 3 3
*Gradually increase tempo until end.
[E5] [F5] [B5] [Bb5] [G5] [E5] [F5] [B5] [Bb5] [G5]
1 1 2 1 1
0 0 1 2 3 3 0 0 1 3 3
2 1 2 1
0 1 3 0 1 3 0 1
(sound effects)
2 1 2 1
3 0 1 3
5
from Disturbed - Ten Thousand Fists
Stricken
Words and Music by David Draiman, Dan Donegan and Mike Wengren
Drop D tuning, down 1 step:
(low to high) C-G-C-F
Intro
Moderately slow q = 87
D5 F5 D5 Bb5 A5 D5 Eb5 F5 G5 F5 Ab5 D5 F5 D5 Bb5 A5 Eb5 F5 G5 F5 D5
Bass
f
w/ pick
0
8 5 0
8 7 0 1 3 0 3 5 0 3 6 0
8 5 0
8 7 0 1 3 0 3 5 0 3 3 0
F5 D5 Bb5 A5 Eb5 F5 G5 F5 Ab5 F5 A5 D5
Ah, ah, ah, ow!
8 5 0
0 8 7 0 1 3 0 3 5 0 3 6 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 0
F5 D5 Bb5 A5 Eb5 F5 G5 F5 Ab5 D5 F5 D5 Bb5 A5 Eb5 F5 G5 F5 D5
8 5 0 8 5 0
0 8 7 0 1 3 0 3 5 0 3 6 0 8 7 0 1 3 0 3 5 0 3 3 0
F5 D5 Bb5 A5 Eb5 F5 G5 F5 Ab5 F5 A5 D5
7 5
8 5 0 7 6 5
0 8 7 0 1 3 0 3 5 0 3 6 3 3 3 3 3 3 3 3 7 5 0
© 2005 WB MUSIC CORP. and MOTHER CULTURE PUBLISHING
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
Verse
D5 F5 G5 D5 F5 G5 D5 F5 D5
1. You walk on like a wom - an in suf - fer - ing, won’t e - ven both - er now to tell me why.
Bass Fig. 1
0 0 0 0 0 0 0 0 3 6 0 0 0 0 0 0 0 3 5 0 3 3 0
F5 G5 F5 A5 D5
You come a - lone, let - ting all of us sa - vor the mo - ment, leav - in’ me bro - ken an - oth - er time.
End Bass Fig. 1
0 0 0 0 0 0 0 0 3 6 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 0
Bass: w/ Bass Fig. 1 (1st 2 meas.)
F5 G5 D5 F5 G5 D5 F5 D5
You come on like a blood - stained hur - ri - cane. Leave me a - lone, let me be this time.
F5 G5 F5 A5
You car - ry on like a ho - ly man push - ing re - demp - tion. I don’t want to men - tion the rea - son I
Bass Fill 1 End Bass Fill 1
Bass
0 0 0 0 0 0 0 0 3 6 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
2
Chorus
D5 F5 Bb5 Bb(#4) D5 G5 Bb5 C5
know that I am strick - en and can’t let you
0 0 3 8 8 8 8 8 2 2 2 0 0 5 8 8 8 8 8 10 10 10
D5 F5 Bb5 Bb(#4) F5 G5 Eb5
go. When the heart is cold, there’s no hope and we
0 0 3 8 8 8 8 8 2 2 2 3 3 3 3 5 5 5 1 1 1 1
D5
D5 F5 Bb5 Bb(#4) G5 Bb5 C5
know that I am crip - pled by all that you’ve
0 0 3 8 8 8 8 8 2 2 2 0 0 5 8 8 8 8 8 10 10 10
To Coda
D5 F5 Bb5 Bb(#4) F5 G5 Eb5
done. In - to the a - byss will I
0 3 8 8 8 8 8 2 2 2 3 3 3 3 5 5 5 1 1 1 1
3
Interlude
D5 F5 D5 Bb5 A5 Eb5 F5 G5 F5 Ab5 D5 F5 D5 Bb5 A5 Eb5 F5 G5 F5 D5
run.
8 5 0 8 5 0
0 8 7 0 1 3 0 3 5 0 3 6 0 8 7 0 1 3 0 3 5 0 3 3 0
F5 D5 Bb5 A5 Eb5 F5 G5 F5 Ab5 F5 A5 D5
Ah, ah, ah, ow!
8 5 0
0 8 7 0 1 3 0 3 5 0 3 6 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 0
Verse
Bass: w/ Bass Fig. 1 (1 3/4 times)
D5 F5 G5 D5 F5 G5 D5 F5 D5
2. You don’t know what your pow - er has done to me. I want to know if I’ll heal in - side.
F5 G5 F5 A5 D5
I can’t go on with a hol - o - caust a - bout to hap - pen, see - ing you laugh - ing an - oth - er time.
F5 G5 D5 F5 G5 D5 F5 D5
You’ll nev - er know why your face has haunt - ed me. My ver - y soul has to bleed this time.
D.S. al Coda
Bass: w/ Bass Fill 1
F5 G5 F5 A5
An - oth - er hole in the wall of my in - ner de - fens - es, leav - in’ me breath - less. The rea - son I
4
Coda
Interlude
D5
run.
0 0 0 0 0 0 0 0 0 0 0 0
In - to the a - byss will I
3 5 5 5 5 3
0 0 0 0 0 0 0 0 0 5 0
Guitar Solo
Bb5 Bb(#4) Bb5 Bb6 Bb(#4) Bb5
run.
1 1 1 1 1 1 1 1 1 0 1 1 1 1 1 1 1 1 0
3 1
D5
0 0 0 0 0 0 0 0 0 0 0 0 1 3
5
Bb5 Bb(#4) Bb6 Bb(#4) Bb5 Bb(#4)
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 1
3 1
D5
0 0 0 0 0 0 0 0 0 0 0 0 1 3
Bb5 Bb(#4) Bb5 Bb6 Bb(#4) Bb5
1 1 1 1 1 1 1 1 1 1 3 3 3 5 5 5 8 8 8 7 7 7 3
5
A5 G5 F5 E5 C5
Oh.
3
7 7 7 7 7 7 7 7 5 5 5 3 3 2 2
Verse
D5 F5 G5 D5 F5 G5 D5 F5 D5
3. You walk on like a wom - an in suf - fer - ing, won’t e - ven both - er now to tell me why.
6
F5 G5 F5 A5 D5
You come a - lone, let - ting all of us sa - vor the mo - ment, leav - in’ me bro - ken an - oth - er time.
0 0 0 0 0 0 0 0 0 3 6 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 0
Bass: w/ Bass Fig. 1 (1st 3 meas.)
F5 G5 D5 F5 G5 D5 F5 D5
You come on like a blood - stained hur - ri - cane. Leave me a - lone, let me be this time.
w/ Bass Fill 1
F5 G5 F5 A5
You car - ry on like a ho - ly man push - ing re - demp - tion. Don’t wan - na men - tion the rea - son I
Chorus
D5 D7(no3rd) Bb5 Bbsus2 Bb5 Bbsus2 D5 D7(no3rd) Bb5 Bbsus2 Bb Bbsus2
know that I am strick - en and can’t let you
Bass
0 0 0 8 8 8 8 8 8 8 0 0 0 8 8 8 8 8 8 8
D7(no3rd) Bb5 Bbsus2 Bb5 Bbsus2 F5 G5 Eb5
go. When the heart is cold, there’s no hope and we
0 0 0 8 8 8 8 8 8 3 3 3 3 5 5 5 1 1 1 1
7
D5 D7(no3rd) Bb5 Bbsus2 Bb5 Bbsus2 D5 D7(no3rd) Bb5 Bbsus2 Bb5 Bbsus2
know that I am crip - pled by all that you’ve
0 0 0 8 8 8 8 8 8 8 0 0 0 8 8 8 8 8 8 8
D5 D7(no3rd) Bb5 Bbsus2 Bb5 Bbsus2 G5
done. In - to the a - byss will I
0 0 0 8 8 8 8 8 8 8 5 5 5 5 5 5 5
G(#4) G5 G(#4) G6 G(#4) G5
run. In - to the a - byss will I run. I can’t let you
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5 0 3 5 10
8
Outro
D5 F5 D5 Bb5 A5 Eb5 F5 D5 F5 Ab5 D5 F5 D5 Bb5 A5 Eb5 F5 D5
go.
0 3 0 0 8 7 0 1 3 0 0 0 0 3 6 0 3 0 0 8 7 0 1 3 0 0 0 0 0 0 0
F5 D5 Bb5 A5 Eb5 F5 D5 F5 Ab5 D5 F5 D5 Bb5 A5 Eb5 F5 D5
Yes, I am strick - en and can’t let you
0 3 0 0 8 7 0 1 3 0 0 0 0 3 6 0 3 0 0 8 7 0 1 3 12 12 12 12 12 12 0
F5 D5 Bb5 A5 Eb5 F5 D5 F5 Ab5 D5 F5 D5 Bb5 A5 Eb5 F5 D5
go.
0 3 0 0 8 7 0 1 3 0 0 0 0 3 6 0 3 0 0 8 7 0 1 3 0 0 0 0 0 0 0
F5 D5 Bb5 A5 Eb5 F5 D5 F5 Ab5 D5 F5 D5 Bb5 A5 Eb5 F5 D5
0 3 0 0 8 7 0 1 3 0 0 0 0 3 6 0 3 0 0 8 7 0 1 3 0 0 0 0 0 0 0
9
from System of a Down - Toxicity
Toxicity
Words and Music by Daron Malakian, Serj Tankian and Shavo Odadjian
Drop D tuning, down 1 step:
(low to high) C-G-C-F
Intro
Slowly q. = 82 D5 F5 E5 D5 E5 D5
Bass Bass Fig. 1
(Guitar)
f
0 3 2 0 2 0
Bb5 A5 D5 F5 E5 D5 E5 D5
8 8 8 8 8 8 8 8 7 7 7 7 7 7 7 7 0 3 2 0 2 0
Bb5 A5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5
8 8 8 8 8 8 8 8 7 7 7 7 7 7 7 7 3 2 0 2 0 0 3 2 0 2 0 0 3 2 0 2 0 0 3 2 0 2 0 0
D5 F5 E5 D5 E5 D5
Bb5 A5
8 8 8 8 8 8 8 8 7 7 7 7 7 7 7 7 0 3 2 0 2 0
Bb5 A5 D5
End Bass Fig. 1 Bass Fig. 2
mf
7 7 7 7 7
5 5 5 5 5 5 5
8 8 8 8 8 8 8 8 7 7 7 7 7 7 7 7
Copyright © 2001 Sony/ATV Music Publishing LLC and Ddevil Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
F5 D5 D(b6) D5 F5 F6 F5 Fsus4
End Bass Fig. 2
10 10 10 10 10 7 7 7 7 7 10 10 10 10 10
8 8 8 8 8 8 8 5 5 5 5 5 5 5 8 8 8 8 8 8 8
Verse
Bass: w/ Bass Fig. 2 (2 times)
D5
F5
C/F F5
C/F
1. Con - ver - sion, soft - ware ver - sion sev - en - point - o,
2. More wood for their fires loud neigh - bors,
D5 D(b6) D5 F5 F6 F5 Fsus4
look - ing at life through the eyes of a ti - re hub.
flash - light rev -er - ies caught in the head - lights of a truck.
D5 F5 C/F F5 C/F D5 D(b6) D5
Eat - ing seeds as a pass - time ac - tiv - i - ty, the tox - ic - i - ty of our
Chorus
Bass: w/ Bass Fig. 1
F5 F6 F5 Fsus4
D5
F5 E5 D5 E5 D5
cit - y, of our cit - y. 1., 2. Now! What do you own the world? How do you own dis -
3. Now! What do you own the world? How do you own dis -
Bb5
A5 D5
F5 E5 D5 E5 D5
or - der, dis - or - der. Now! Some - where be - tween the sa - cred si - lence,
or - der,
2
Bb5 A5 F5 E5 D5 E5 D5 F5 E5 D5 E5 D5F5 E5 D5 E5 D5
F5 E5 D5 E5 D5
sa - cred si - lence and sleep. Some - where be - tween the
T o Coda
Bb5 A5 D5 F5 E5 D5 E5 D5
sa - cred si - lence and sleep, dis - or - der, dis - or - der, dis -
1. Interlude
Bass: w/ Bass Fig. 2
Bb5
A5 D5 F5
or - der. Mm.
2.
D5 D(b6) D5 F5 F6 F5 Fsus4 Bb5 A5
Mm. or - der.
Interlude
Double time q = 164
μ F5 D5 F5 D5
0
3 0 0 0 0 0 3 0 0 0 0 0
F5 D5 F5 D5 μ
1/2
3 0 0 0 0 0 3 0 0 0 0 0
0 0 0 0 0 3 2 0 2
3
2nd time, D.S. al Coda
F5 D5 F5 D5 F5 D5 F5 D5
1/2
0 0 0 0 0 3 2 0 2
3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0
Coda Interlude
Double time q = 164
Bb5 A5 F5 D5 F5 D5 F5 D5 F5 D5
or - der!
Bass
3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0
Outro
Half-time feel
F5 D5 F5 D5 F5 D5 F5 D5 μ
When I be - came the sun, I
1/2
3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 0 0 0 0 0 3 2 0 2
shone life in - to the man’s hearts. When I be - came the sun, I shone life in - to the man’s hearts!
1/2 1/2
0 0 0 0 0 3 2 0 2 0 0 0 0 0 3 2 0 2 0 0 0 0 0 3 2 0 2
4
from Pantera - Vulgar Display of Power
Walk
Words and Music by Vince Abbott, Darrell Abbott, Rex Brown and Phil Anselmo
Tune down 1 1/2 steps:
(low to high) C#-F#-B-E
Intro
Moderately q. = 116
µ[E5]
Bass (Guitar)
f
w/ pick
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0 0 5 11 0 12
Bass Fig. 1
1/2 1/2 1/2 1/2 1/2 1/2
0 0 1 1 0 0 1 1 0 0 1 1 0 0 1 1 0 0 1 1 0 0 1 1 0
C5 µ[E5] Bb5
End Bass Fig. 1 Bass Fig. 2
1/2 1/2 1/2
0 1 1 0
7 0 5 7 0 0 1 1 0 0
5
3
0 0 1 1 0 0
3
1
µ[E5] Eb5 µ[E5]
End Bass Fig. 2 Bass Fill 1 End Bass Fill 1
1/2
0 0 1 1 0 0
8
6
0 0 0 1 0 3 0 4 0 3 0 1
0 0 0 1 0 3 0 4 0 3 0 1
© 1992 WARNER-TAMERLANE PUBLISHING CORP. and POWER METAL MUSIC, INC.
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved Used by Permission 1
Verse
µ[E5]
1. Can’t you see I’m eas - i - ly both - ered by per - sis - tence?
2. Run your mouth when I’m not a - round, it’s eas - y to a - chieve.
Bass Fig. 3
1/2 1/2 1/2 1/2
0 0 1 1 0 0 1 1 0 0 1 1 0 0 1 1 0
Eb5
One step from lash - ing out at you.
You cry to weak friends that sym - pa - thize.
End Bass Fig. 3
1/2 1/2 1/2
8 8
6 6
0 1 1 0 0 1 1 0 0 1 1 0
Bass: w/ Bass Fig. 3
µ[E5]
You want in to get un - der my skin and call your - self a friend.
Can you hear the vi - o - lins play - ing your song?
Eb5
I’ve got more friends like you, what do I do?
Those same friends tell me your ev - ’ry word.
2
Pre-chorus
D5 Bb5 B5
Is there no stan - dard an - y - more?
Bass Fig. 4
Bass
7 7 3 4
5 5 1 2
µ[E5]
What it takes, who I am, where I’ve been, be - long.
End Bass Fig. 4
1/2 1/2 1/2 1/2
0 0 1 1 0 0 1 1 0 0 1 1 0 0 1 1 0
Bass: w/ Bass Fig. 4
D5 Bb5 B5 µ[E5]
You can’t be some - thing you’re not. Be your - self by your - self, stay a - way from me.
D5 Bb5 G5 F#5 F5
A les - son learned in life, known from the dawn of time.
Bass
7 7 3
5 5 1
3 2 1
3
Chorus
Bass: w/ Bass Fig. 2 (2 times)
µ[E5] C5 µ[E5] Bb5 µ[E5] Eb5 µ[E5]
Re - spect. Walk. What did you say?
C5
µ[E5] Bb5 µ[E5] Eb5 µ[E5]
Re - spect. Walk. Are you talk - ing to me?
1.
Bass: w/ Bass Fill 1 Bass: w/ Bass Fig. 1
Are you talk - ing to me?
2.
Bass: w/ Bass Fig. 2 (2 times)
C5 µ[E5] Bb5 µ[E5] Eb5 µ[E5]
Re - spect. Walk. What did you say?
C5
µ[E5] Bb5 µ[E5] Eb5 µ[E5]
Re - spect. Walk. Are you talk - ing to me?
Bass: w/ Bass Fill 1 (3 times)
Are you talk - ing to me? No way, punk.
Guitar Solo
µ[E5]
Bass
5
0 0 0 1 0 3 0 4 0 3 0 1 0 0 0 3 0 0 3 2 2 0 0 0 1 0 3 0 4 0 3 0 1
4
1 1/2
5 7 5 9
0 0 0 1 0 0 7 6 5 3 0 0 1 0 3 0 4 0 3 0 1 0 0 0 1 0 0 3 2 2
[A5]
5 7 7 7 7 7 7 0 0 0 1 0 3 0 4 0 3 0 1
0 0 0 1 0 3 0 4 0 3 0 1 0 0 0 1 0 0
[A5]
5 5 7 7 7 7 7 7
0 0 0 1 0 0 3 2 2 0 0 0 1 0 3 0 4 0 3 0 1 0 0 0 1 0 0
[B5]
0 0 0
0 2 2 2 2 0 2 2 2 2 0 2 2 2 2 4 2 4
[E5]
0 0 9 9 9 9 9 9
0 2 2 2 2 0 2 2 2 2 0 2 2 2 2 2
0 7 12
Interlude
µ[E5]
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 10 13 0 12
5
Chorus
Bass: w/ Bass Fig. 2 (2 times)
µ[E5] C5 µ[E5] Bb5 µ[E5] Eb5 µ[E5]
Re - spect. Walk. What did you say?
Bass: w/ Bass Fill 1
C5 µ[E5] Bb5 µ[E5] Eb5 µ[E5]
Re - spect. Walk. Are you talk - ing to me? Are you talk - ing to me?
Outro
µ[E5]
Walk on home, boy.
Bass
1/2 1/2 1/2 1/2
0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 1 1 0
1/2 1/2 1/2 1/2
0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 1 1 0
1/2 1/2 1/2 1/2
0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 1 1 0
Repeat & fade
1/2 1/2 1/2 1/2
0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 1 1 0
6
from Opeth - Damnation
Windowpane
Words and Music by Mikael Akerfeldt
Bass Capo II
Intro
Moderately q. = 56
* F#m(add9) F#m7 F#m(add9) F#m7
[Em(add9)] [Em7] [Em(add9)] [Em7]
Play 6 times
Bass Fig. 1 End Bass Fig. 1
(Gtr.) Bass
mf
5 7
5
5
5 7 0 5 7 5
0 0
7 5
0
5 7 5
0 5 7
5
5
5 7
*Symbols in parentheses represent chord names respective to capoed bass.
Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
Verse
(e = e)
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
1. Blank face in the win - dow - pane
4
4 4
2 2 X 2 0 2 X 2 X 2 0
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
made clear in sec - onds of light.
4
4 4
2 2 X 2 0 2 X 2 X 2 0
Copyright © 2002 by Vile Music
All Rights in the world Administered by Universal Music Publishing International Ltd.
All Rights for Universal Music Publishing Ltd. in the U.S. Administered by Universal Music - Z Tunes LLC
International Copyright Secured All Rights Reserved 1
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
Dis - ap - pears and re - turns a - gain,
Bass Fig. 2 End Bass Fig. 2
4
4 4
2 2 X 2 0 2 2 2 X 2 0
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
count - ing hours, search - ing the night.
4
4 4
2 2 X 2 0 2 2 2 X 2 0
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
4
4 4
2 2 X 2 0 2 X 2 X 2 0
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
4
4 4
2 2 X 2 0 2 2 2 X 2 0
Guitar Solo
Bass: w/ Bass Fig. 1 (8 times)
F#m[add9] F#m7 F#m[add9] F#m7
[Em(add9)] [Em7] [Em(add9)] [Em7]
Play 4 times
2
Verse
(e = e)
Bass: w/ Bass Fig. 2 (6 times)
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
2. Might be wait - ing for some - one,
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
might be there for us to see.
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
Might be in need of talk - ing,
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
might be star - ing di - rect - ly at me.
C#susÊ B6 C#susÊ B6 C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6] [BsusÊ] [A6] [BsusÊ] [A6]
Interlude
Am Am/B Am Am/C Am Am/B
[Gm] [Gm/A] [Gm] [Gm/Bb] [Gm] [Gm/A]
Bass Fig. 3
Bass
0 0 0 1 1 0 0
3 3 3
Am Am/C A#m F#maj7 A#m F#maj7
[Gm] [Gm/Bb] [G#m] [Emaj7] [G#m] [Emaj7]
0 1 1 4 6 4 6
3 4 0 0 4 0 0
3
Am Am/B Am Am/C
[Gm] [Gm/A] [Gm] [Gm/Bb]
End Bass Fig. 3
0 0 0 1 1
3 3
Bridge
Bass: w/ Bass Fig. 3
Am Am/B Am Am/C Am Am/B Am Am/C
[Gm] [Gm/A] [Gm] [Gm/Bb] [Gm] [Gm/A] [Gm] [Gm/Bb]
In - side plays a lull - a - by. Slurred voice o - ver chil - dren cries.
Interlude
Bass: w/ Bass Fig. 3
A#m F#maj7 A#m F#maj7 Am Am/B Am Am/C
[G#m] [Emaj7] [G#m] [Emaj7] [Gm] [Gm/A] [Gm] [Gm/Bb]
On the in - side.
Am µ F#m
[Gm] [Em]
Bass
(e = e)
µ(F#m7) (B7no3rd) (Cb)
[µ(Em7)] [(A7no3rd)] [(Bb6)]
Play 8 times
0
1 2 2 5 4
6 5 5 6
3 5
3
F#m9 Dmaj7 F#m9 Dmaj7
[Em9] [Cmaj7] [Em9] [Cmaj7]
Bass Fig. 4
0
3
0
3
4
C#/F F#m D C#/F F#m D
[B/D#] [Em] [C] [B/D#] [Em] [C]
End Bass Fig. 4
6 7 7 3 6 7 7 3
Guitar Solo
Bass: w/ Bass Fig. 4 (2 times)
F#m9 Dmaj7 F#m9 Dmaj7
[Em9] [Cmaj7] [Em9] [Cmaj7]
C#/F F#m D C#/F F#m D
[B/D#] [Em] [C] [B/D#] [Em] [C]
Interlude
F#m9
[Em9]
Bass
Bass: w/ Bass Fig. 1 (8 times)
F#m[add9] F#m7 F#m[add9] F#m7
[Em(add9)] [Em7] [Em(add9)] [Em7]
Play 4 times
Verse
(e = e)
Bass: w/ Bass Fig. 2 (8 times)
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
3. Haunt - ing lone - li - ness in the eye,
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
skin cov - er - ing se - cret scars.
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
His hand is wav - ing a good - bye. There’s
5
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
no re - sponse or ac - tion re - turned.
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
There is deep prej - u - dice in me,
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
out - shines all rea - son in - side.
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
Giv - en dreams all rid - den with pain
C#susÊ B6 C#susÊ B6
[BsusÊ] [A6] [BsusÊ] [A6]
and pro - ject - ed un - to the lost.
Outro
C#susÊ B6 C#susÊ B6 C#susÊ B6 C#susÊ
[BsusÊ] [A6] [BsusÊ] [A6] [BsusÊ] [A6] [BsusÊ]
Bass
4 4
4 4 4 4
2 2 X 2 0 2 2 2 X 2 0 2 2 X 2 0 2 X 2
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