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Maia Manesis Naylor - Essay - Hotel On The Corner of Bitter and Sweet
Maia Manesis Naylor - Essay - Hotel On The Corner of Bitter and Sweet
Mr. Smith
15 March 2024
“They stood there, smiling at each other, like they had done all those years ago, standing
on either side of that fence”( Ford 285). Throughout the novel, The Hotel on the Corner of Bitter
and Sweet, “fences” have constantly been present in characters’ relationships. Consequently, as
distance finds its way between Henry and Keiko and causes their relationship to shift, patterns in
their relationship become more apparent. Barriers, whether literal or metaphorical, that are
imposed by others lead to a lack of communication, however, when we confront these limitations
Figures of authority in the novel dictate to what extent Henry can communicate, and as a
result, perpetuate his feelings of lonesomeness during the 1940s. Resulting from World War II
and its effects on society, many different groups of people had separation forced upon them. As
the government proceeded with the aggressive decision of Japanese incarceration, the tension in
downtown Seattle persisted. As the precedent of Japanese inferiority was set by those holding
power, more barriers became apparent to withhold this belief. Dedicated barriers had a profound
effect on so many different areas of life. Henry, a young teenager during this period, struggled
immensely with the separation between races. Although Henry was originally able to foster an
amazing relationship with Keiko, a Japanese girl, the complexity of society, “A barbed wire
fence kept them apart and a machine gun tower kept watch from above”(182). While Keiko
endured the awful reality of Japanese incarceration camps, many obstacles from the present
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barriers created a void in their communication. With the physical barriers of distance and
separation after the camps had been put in place, communication between Henry and Keiko was
more or less reduced to written letters. The letters they exchanged were a barrier in themselves
because of both their unreliability and delayed gratification. “It’d been three weeks now, and no
letter from Keiko”(242) as a result of the distance barrier present in their lives, communication
occurred less and less, a tribulation experience for Henry, who only found confidence in Keiko.
The forceful separation of society and the toll it took on Henry and Keiko's relationship intensely
impacted Henry. Being more alone than ever, Henry struggled mentally during the era of such
As society continued to shift around Henry and Keiko's relationship, their communication
and availability for interactions kept deteriorating, fully drawing them apart from one another.
Through the time Henry and Keiko tried to maintain their relationship, the hardships on both
sides eventually led them to abandon their hopes of reconnecting. Keiko was experiencing the
harsh realities of inequality and for a while attempted to maintain a connection to Henry through
writing, however as time passed, “the letter closed with,’I won't write you again, I don't want to
bother you. Maybe your father is right. Keiko’”(Ford 212). Keiko mentioned the word bother,
conveying a sense that they both needed to move on, a sense that Henry also developed as time
and barriers kept pulling them apart. The impact of the condition of society around the two
continued to contribute to their lack of communication because it became too difficult and
painful to try to find a way around the barriers already set in stone. Although ultimately the
barriers present in their society brought their communication to a halt, their feelings for each
other weren't brought to a halt. During Henry's adult life, his son brings to his attention the
question of “Was it really about the record, or were you looking for memories of Keiko, of your
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long-lost friend?”(Ford 146). Throughout the rest of Henry's life, he seemed to be stuck on
anything that reminded him of Keiko, therefore was fixated on finding any belongings that
resonated with their relationship. The barriers present in their society eventually drove them to
After extensively withholding regretful feelings, confrontation brings healing relief for
the effects of the barriers in history, therefore finally filling the aching gap that a lack of
communication formed. Many of the emotions Henry experienced when first separated from
Keiko, evolved throughout his life, causing him to carry sadness and trauma with every thought.
The instances that Henry was able to visit Keiko when she was experiencing forced removal
provided temporary relief, and as Keiko “stood on the other side of the fence, her smiling
face…framed by cold metal and sharp wire… Henry smiled and exhaled slowly”(Ford 162).
Both characters struggled deeply after their relationship was affected by societal barriers, but
found ease and joy in the brief moments that they got to reconnect. The fence present seemed to
disappear as Henry got to finally see his only friend, although when the distance between the two
continued to increase, the feelings of longing took a painful turn into intense sadness. Henry's
adult relationship and actions get altered by his state of mind that had been affected by past
feelings from his teenage years, although, as Henry finally gets the chance to reconnect with
Keiko, these feelings finally begin to dissipate. When arriving in New York, he is finally able to
heal, with the intention of “finding and fixing a broken heart”(Ford 283). At last, after struggling
to endure the long distance between them and once no barriers separated Henry and Keiko from
reconnecting, “Henry felt the warmth from the inside windows shining through”(Ford 283) as he
took the first steps to heal from all that was left of with Keiko. Instantly, the relief that floods
Henry is represented by the comfort of the warmth that comes from inside Keiko’s apartment,
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and from finally seeing Keiko, with “The same eyes that had looked inside him all those years.
Hopeful eyes”(Ford 284). The instantaneous similarity Henry felt after confrontation with the
one person he could not fully let go of, was reflected immediately by Keiko, signaling that the
profound impact of their separation took a toll on her as well. Adjacent to Henry's experience,
their drifting apart hadn't fully stripped them of their feelings for each other as Keiko confesses
how “‘I’d… almost given up on you’”(Ford 284). Almost given up, not fully, as reflected in
every action Henry took as an adult, whether it be searching for the record or holding on to any
lasting memories. The comfort found in reuniting is enough to heal from past trauma and “In his
heart music began to play…His and Keiko’s song”(Ford 284). Henry was finally to feel comfort
and contentment, as he was transported back to his teenage years and able to relive the joys he
and Kieko shared, one being their song. Finally, as all of the sadness they had been holding was
let go, “They stood there, smiling at each other, like they had done all those years ago, standing
on either side of that fence. ‘Oai deki te…’ She paused. ‘Ureshii desu,’ Henry said, softly”(Ford
285). Ending with the Japanese phrase that had belonged to Henry for Keiko, fully exhibits the
relief that has passed between the two and now, being able to share their connection, free of any
Barriers that played an impactful role in Henry and Keiko’s lives, went on to brutally
impact their relationship and this diminishment of their communication set a heavy weight on
both characters. Nevertheless, the final confrontation without limitations, fully heals the trauma
that came with the loss of each other. The state of society during WW2 affected so many people
in the workforce, and their family life, but most saddening for Henry was how Japanese
Incarceration took hold of his truest friend. The fence, letters, and distance, that caused
communication difficulties, majorly affected the plot and caused Henry to take the longest path
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back to Keiko, and find relief so many years later, once reunited in each other's meaningful
presence.
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Works Cited
Ford, Jamie. Hotel on the Corner of Bitter and Sweet: A Novel. Ballantine Books, 2019.