The Girl from Ipanema arranged by Paul Murtha Listening analysis by Marcus Berrnardo8-BAR INTRO ii CHORD, PROGRESSION Crescendo towards the end of measure 7 transitioning to measure 8 while the play in rhythmic unison, Flute/piccoto, clarinett, alto and tenor sax plays rhythmically The forms ABA The alt sax and french hor plays the melody in In measures 5 and16, flute/piccao, clarinet, tenor sax, trumpets, horns, trombone, tuba, and bells playsin rhythmic unison. In Section B, the trumpets take the melody while the fute/piecolo,saxesand horns does a counter melody. From measure 36 0 28, the melody transferred trom trumpets to alto saxand hore. The tuba maintains a rhythmic pattern almost althroughout the song, The auillary percussion plays beamed eighth notes. + Thearangment dosent haveaolo part Tereisro Epecfie instrument thatisbeing ignites ‘The development starts at measure 42, ‘The developent takes section A’s chord progression The alto sax and horns plays the melody. Inmeasures 42-44, all the instruments are playing together since this is the shout, ‘The trumpet plays a syncopated rhythm switching from crescendo todecrescendo. The outro still takes the chord progression from section A from measures 52 to 58, The groove of the percussion section is, the same with the intro part from measures 52-58. ‘The bells plays the same motif from section A Measures 59-61 is played freely to give itmorea relaxed ending.