SILVESTRE REVUELTAS CUAUHNAHUAC $1.50 G. SCHIRMER, INC. NEW YORKDuration: about 11 minutes All rights of performance and broadcast strictly reserved. Orchestra parts may be obtained for rental from the Publisher. For licence and terms, apply to G. Schirmer, Inc., Symphony Orchestra Department, 3 East 43rd. Street, New York 17, N. Y.Silvestre Revueltas, born December 31, 1899, at Santiago Papasquiaro, State of Durango, Mexico, studied violin in Colima and at the Institute of Juarez de Durango, and composition with Tello in Mexico City and later with Borowski in Chicago. He continued his violin work with Vaslav Kochansky and Sevéik. With Chavez he presented a series of modern music recitals between 1924 and 1926 and later assisted him as con- ductor of the Orquesta Sinfénica de Mexico, After a trip to Europe in 1938 where he conducted programs of his own music, Revueltas returned to Mexico and devoted his entire time to composition. He died on October 5, 1940. “Cuauhnahuac” (pronounced kwah-nah-hwak; the ancient name of the famous tourist center, Cuernavaca) was composed in 1930. (For further information about Revueltas’ life and works, see “The Musical Quarterly” for April 1941.)INSTRUMENTATION Piccolo 2 Flutes 2 Oboes English Horn Clarinet in E-flat 2 Clarinets in B-flat Bass Clarinet 3 Bassoons 4 Horns 4 Trumpets 3 Trombones Tuba Timpani Woodblock Bomba (or Bass Drum) 2 Indian Drums Cymbals Xylophone Tambourine Gong Violin I Violin 11 Viola Violoncello BassCUAUHNAHUAC Silvestre Revueltas Lento (accel. crese. poco a poco) Bombe (or Boss Drum) Violins Violas Violoncellos Bosses Copyright, 1946, by G. Schirmer, Inc. Tieraatioal Copyright Seed sm Prine nthe U.S.APice. Fs, Ob. | Eng. Ha, ae Cl. Bb Boss Cl Tuba Timp. Woodblock Gym, Va Vie. vd. «snPice, Obs. Eng. Ho, ce lob Bass CL zs Tots Tbs. Tube Timp. ym. Bombo Vie. Vel onOb} fa. Hn, as ls. 8b Boss Cl Woodblock SombaFi Obs. Eng. Ho, ce ls. Bb Bass cl Hs. Tet. Tebs. Tuba Timp. Bombo Vis Vio. Ve. onsubito f © molto stringendo 10 AW Obs. Eng. Hn. ae Tube Timp. Xl. Tomb. ym. Bombo subito fe molto stringendo Vis Via, Vel am as,TI Molto meno mosso (espressive) Eng. Hn. ag Cl. Bb Timp. Ve. Vis Via. vel «on10 Fa Obs. | Eng. Hn, is By Boss cl, fins Tots. Tebs. Tube Timp. Tomb, Gong am12 16... Obs. Eng. Ha, ce Cis. BE Boss Cl. Bos. Hs. ze Tube Timp. Woodblod Tomb, com. Bombo15 Obs. | Eng. Hn. as Cla Bb Boss Cl. Tube Timp. Tomb. Gong Bombo om17 Obs. | Eng. Ha, ls Bb Boss Cl Timp. Tomb. Ve. z Andante poco rit. molto espressivo Obs. Eng. Hn, ls. ob Bass cl Vie. va.Eng. He. ce ls. Bb Boss Cl. F F _pecori, 27a tempo Obs j Eng. Hn. ce Cl. Bb Boss cl. [EF=a 29 molto cresc. ed accel. Pee ray Obs} Fg. Hn, ae in 8h v fom cl. 3 4 2 4 molto cresc. ed accel.22 fia Obs. ng. Ho as is. by Boss CL 30 Allegro vivo (con brio)a Fe | Obs. Eng. He. Cl. abt Boss Cl Timp. Woodblock Tomb, ym, Bomba Va, Vie. ve. am 34 35Fs 5 Obs. Eng. Hn. cheb ls. Bb Boss Cl.26 ice. Obs. Eng. Ho. ae ls. Bb Boss Cl ns.Obs. oe Cl. Bb Boss CL Timp. 2 Indian Tomb, cm.28 Pice Obs. f Eng. Ha, ae Cs. Bb Boss Cl Hos. Vel Boss aFic. fa obs. ng. Hn. ae ls. Bb Boss cl. zee “ } ‘Woodblock| Indian, Tom. Vie. Ve. Boss omTimp. Xi. ‘eke Tomb. Bomba32 Fi Obs, Eng. Ha, ae ls. Bb Boss Cl. Timp. Jedion Tomb. Vie, Vel Bass umPay Ob ng. Ho, ae Che Oh fens clPree. Obs Eng. He a8, ls. by ous cl Bas. ns. 3s Teh zs Tro. a Tuba Temp. Hy 2indion ‘Drom Tomb. ym. Bomba vi. Vo. va. onG. Schirmer’s Edition of Study Scores of Orchestral Works and Chamber Music 1. Emest Bloch. Quatuor a cordes....... poeeenen 2, John Alden Carpenter. Quartet for Stringed Instruments. ......sccvscsesss> 2.50 3. Frederick Shepherd Converse. Quartet in A minor. 2.60 Charles T. Griffes. 2 Sketches for String Quartet based on Indian Themes. Ed. by Adolfo Betti. 1.50 William Kroll. 4 Characteristic Pieces for String Quartet cones 1.25 4 8. (Little March; Magyar; The Ancient—Based on a Hebrew Melody; Cosinch 6. Augustin, Savard. Quatuor en Fa majeur. 8. Albert Spalding. String Quartet in E minor, Op. 10. 9. John Alden Carpenter. Sea Drift. For Orchestra : 10. Roy Harris. When Johnny Comes Marching Home. For Orchestra 11, Samuel Barber. Music for a Scene from Shelley. For Orchectra. 12. Anis Fuleihan. Mediterranean. Suite for Orchestra... ' 14. Charles Martin Loeffler. § Irish Fantasies. For High Voice and Orchestra 15. Samuel Barber. Dover Beach. For Medium Voice and String Quartel..... 16. Emest Bloch. Voice in the Wilderness (Voix dans le désert). Symphonie Poem. For Orchestra Chih Viotoncllo Obbligate me 1.50 17, Roy Harris. 3 Variations on a Theme. For String Quarlel. 0.0.0. ve. sesso eee ieeieee 180 18. Emnest Bloch. Evocations. Symphonic Suite Jor Orchetra 150 19. Charles Martin Loeffler. Quintet, in One Movement. For 3 Violin, Viola, and Viblonello...... 2.00 20, Efrem Zimbalist. String Quartet in E minor : vise 2.00 21. Arnold Schoenberg. Fourth String Quartet, Op. 37. CINIIIIIIII 2.80 22, Roy Harris. Third Symphony, in One Movement... 1.80 25. William Schuman, American Festival Overture 1.50 24. Samuel Barber. Essay for Orchestra... 150 25. Samuel Barber. Overture to "The School for Scandal” 150 26. Henry Hadley. String Quartet, Op. 152 2.00 27, William Schuman, Symphony No. IIL 1.50 28. Samuel Barber. String Quartet, Op. 11 1150 29. William Kroll, 4 Bagatelles for String Quartet. 1.50 (Coquette; Giocoso; The Veiled Picture; Mood) 1.50 30, Ernest Bloch. Schelomo, Rhapsodie Hébraique. For Violoncello Solo and Orchestra: 31, William Schuman. Symphony for Strings, in Three Movements. , 32, Samuel Barber. First Symphony, in One Movement. . 33, Samuel Barber. Second Essay for Orchestra... 5 34, Charles T. Griffes. The White Peacock. 36. Walter Piston. First Symphony........ 36, Zimbalist Efrem. American Rhapsody. 37. Silvestre Revueltas, Cuauhnahuac..... G. 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