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Mystical Marriage
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In the Old and the New Testament, the love of God for man, and, in particular His relations
with His chosen people (whether of the Synagogue or of the Church), are frequently typified
under the form of the relations between bridegroom and bride. In like manner, Christian
virginity been considered from the earliest centuries as a special offering made by the soul to
its spouse, Christ. Nothing else seems to have been meant in speaking of the mystical nuptials
of St. Agnes and of St. Catherine of Alexandria. These primitive notions were afterwards
developed more completely, and the phrase mystical marriage has been taken in two different
senses, the one wide and the other more restricted.

(1) In many of the lives of the saints, the wide sense is intended. Here the mystical marriage
consists in a vision in which Christ tells a soul that He takes it for His bride, presenting it with
the customary ring, and the apparition is accompanied by a ceremony; the Blessed Virgin,
saints, and angels are present. This festivity is but the accompaniment and symbol of a purely
spiritual grace; hagiographers do not make clear what this grace is, but it may at least be said
that the soul receives a sudden augmentation of charity and of familiarity with God, and that
He will thereafter take more special care of it. All this, indeed, is involved in the notion of
marriage. Moreover, as a wife should share in the life of her husband, and as Christ suffered
for the redemption of mankind, the mystical spouse enters into a more intimate participation
in His sufferings. Accordingly, in three cases out of every four, the mystical marriage has been
granted to stigmatics. It has been estimated by Dr. Imbert that, from the earliest times to the
present, history has recorded seventy-seven mystical marriages; they are mentioned in
connection with female saints, beatae, and venerabiles — e.g. Blessed Angela of Foligno, St.
Catherine of Siena, St. Colette, St. Teresa, St. Catherine of Ricci, Venerable Marina d'Escobar, St.
Mary Magdalen de' Pazzi, St. Veronica Giuliani, Venerable Maria de Agreda. Religious art has
exercised its resources upon mystical marriage, considered as a festive celebration. That of St.
Catherine of Alexandria is the subject of Memling's masterpiece (in the Hospital St. Jean,
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Bruges), as also of paintings by Jordaens (Madrid), Corregio (Naples and the Louvre), and
others. Fra Bartolommeo has done as much Getfor
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Catherine of Siena.
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(2) In a more restricted sense, the term mystical marriage is employed by St. Teresa and St.
John of the Cross to designate that mystical union with God which is the most exalted
condition attainable by the soul in this life. It is also called a "transforming union",
"consummate union", and "deification". St. Teresa likewise calls it "the seventh resting-place" of
the "interior castle"; she speaks of it only in that last treatise which she composed five years
before her death, when she had been but recently raised to this degree. This state consists of
three elements:

The first is an almost continual sense of the presence of God, even in the midst of external
occupations. This favour does not of itself produce an alienation of the senses; ecstasies
are more rare. Nor does this permanent sense of God's presence suffice to constitute the
spiritual marriage, but is only a state somewhat near to it.
The second element is a transformation of the higher faculties in respect to their mode of
operation: hence the name "transforming union"; it is the essential note of the state. The
soul is conscious that in its supernatural acts of intellect and of will, it participates in the
Divine life and the analogous acts in God. To understand what is meant by this, it must be
remembered that in heaven we are not only to enjoy the vision of God, but to feel our
participation in His nature. Mystical writers have sometimes exaggerated in describing
this grace; it has been said that we think by the eternal thought of God, love by His
infinite love, and will by His will. Thus, they appear to confound the two natures, the
Divine and the human. They are describing what they believe they feel; like the
astronomers, they speak the language of appearances, which we find easier to
understand. Here, as in human marriage, there is a fusion of two lives.
The third element consists in an habitual vision of the Blessed Trinity or of some Divine
attribute. This grace is sometimes accorded before the transforming union. Certain
authors appear to hold that in the transforming union there is produced a union with the
Divine Word more special than that with the other two Divine Persons; but there is no
proof that this is so in all cases. St. Teresa gives the name of "spiritual betrothal" to
passing foretastes of the transforming union, such as occur in raptures.

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Interiors
Sources
ST. TERESA, El Castillo Interior (1557); ST. JOHN OF THE CROSS, Cantico espiritual; IDEM,
Llama de amor viva; SCARAMELLI, Direttorio mistico (Venice, 1754); RIBET, La mystique
divine (Paris, 1895); POULAIN, Des Graces d'oraison (Paris, 1906), tr. The Graces of Interior
Prayer (London, 1910); IMBERT, La Stigmatisation (Paris, 1894).

About this page


APA citation. Poulain, A. (1910). Mystical Marriage. In The Catholic Encyclopedia. New York:
Robert Appleton Company. http://www.newadvent.org/cathen/09703a.htm

MLA citation. Poulain, Augustin. "Mystical Marriage." The Catholic Encyclopedia. Vol. 9. New
York: Robert Appleton Company, 1910. <http://www.newadvent.org/cathen/09703a.htm>.

Transcription. This article was transcribed for New Advent by Victoria Scarlett. Dedicated to
my husband, Joseph Anderson.

Ecclesiastical approbation. Nihil Obstat. October 1, 1910. Remy Lafort, Censor. Imprimatur.
+John M. Farley, Archbishop of New York.

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