eed EST = ‘ DA ~~ ae ‘Zr vraeZya eI EAS eset | bE caas Son NZI BolT te) for four-hand from La cumparsita to Piazzolla’s works arranged by Kyoko Yamamoto SESEasaa YUU - 9d B+ DIWY-IDSEPYSET ar Tango Tango for tournana from La cumparsita to Piazzolla’s works arranged by Kyoko Yamamoto FLAS ACR Till (RIE) 4 WNL ARRL CamE) 6 ‘THE PATH THAT TANGO HAS FOLLOWED (MisunassSuio) 8 COMMENTARY ON WORKS (MinumassSsto) 10 F+2YRWY-F Lacumpasita 12 EM+Fa7T Elehoclo 24 HVOLLC A Eldiaquemequiers 35 THAHA+P=—) AdidsNonino 42 TUFA-HYH-EV Allegrotangabile 56 TLIATAVAD® Inviernoporteio 69 SESEDVARBEA CE I PYTEET TEM, LOLI ENMRLONA Fi 7Y UL 1STO~ 804M, TARY FY OMMIZI ATLA, ZoOlipkoinat LUM (RUA IAIIE ED CI HOWE ERG TMS (FOS LEAMA) PROPANE TRILL ALORS. © A TMU UT TELE, MANCHA OUAT 27 hE RBI OV RY be ELTA AAV Loe SMO WERNER k. TNR SHO L A- TERRE 9. EBSDLARTAMCRKE LOMOT, SEAR TMNT BOI FRA IE, TIER EWBCWE LG CRE CRE SAMCLOLLUOMS EH SFA TEENOTORWRBL, 72IAT AL AOI OMNES RMERIEL LT, FY TORRID voeeacnd, ELT. FY TORAERAMIGIOL 255, PRE BEM, HBOUAT LON NPIZ, HEOULAL Evok, LOAM FAEBZIC LIAO E T BRON CHK ERERREMLT CB. FATIH SAS MHOy ye Igor HEINE (EM zy bY DTA) bud tsa, comoteeeY Fe A774 FU EKRET EARTHS (ET /BBODHEDS, UG Sta HIE LTH) 6 10 HMB E, UT ILI yTOOHIC LMA BENBEDED, THK bea a Ry ME RE PN. APU ALAA ISMAMR ONT. 77 FET ORMOHETSR 7 48 (REY Fs HME LTOME. (F-27760 S—9) MEMES BY 91913 F100 bY + CHIBI DEL AEC EC U7 ORI AL MAIO VE, Pr aibemo Renee ar, eA: be LVILee GRIP: 10 SEACE ROLT BHetEa, EY Y 7 YFOME ADA, TARY ET YIEGARUMEALI TA EV PREOIVA FID, KYRA DE ITF BY 2DK ETI, TY RINALU GAT (POET BAMA FE = MRO MAE 1) By Soni MMR eh FA EU ZA LR LORRI MENTO SS, 7 7URMCRELT REMIT YRS Fo hO (TIFOR) AM SLLIZMIRG Els, DOWEL ote 1990 FERIA D IBAA EAR BO XA AOHBY ERIC, 77 FEAMEMA DH ELD BA BREA Y 7 UME okOM, 15 AMIE a LEWD Ly AW CAA EMER I TY TYE PRU. BA ORG SLL OMI D4 eH LNTEMAO DIE, MYORUO ET = 2b. 7H UTUCHE. AEA HBL MOEA (COOwHla KOREN 1920 HE ORBIT, ED GIS FREY Be DY 9 AOL SEE) ORAMENRL. MIRE TL KE BRR Rat PBT 210 + KIL TORE, LT YIM ETS HELEAMMERLILCE THMON TSA HELO LTHA POMS DEEL UNO. —H. UT) - FPP OPED 7 FEMI ANSRE. UTIIO BEN Ltintt Ave TPAP LYS RAMOUT AR} CHEM) FB UEEA, HC UTMMAL TLE OK. 1OIQ SEARLE) DI MIE ET = bE — FRET PANE IDEARE ANDRE HUI OLMERT TBE 3. LB OREIRKOT 1hy FHERML, DORN CMD et hat, 97 RET EEMHEMS EC, MAC —HEMO TEC < SPER aaAT ECE SH, 1960FE CLIFF Ea OMRLA ILE HUAI, TIRE ADEE MY KUBO Y 7 28—Y 9 YAY HA ROIS 6H (RY Fb LTH) B I-O TUE F VRLOFAACOMELBVOT, TOK LOBE CM AR TOES I 6 15S, 97 STARK A Mea MISA Lo RARE, AYR LRT ARM ETI DUDE IY 7 2 OBKEKIMUMD ANEMONE 7 7 TEHEEID 1 (UREA AMEN oh) COM, 7 TERE Leu RARIIRL, HBR Id 7 IE RRENS HAIMA, MAWEMS ARO RTE ORL ED, LD DUET 7 9 ARR Sy FR HY TPARID UTD, BY RIMA, EYEE 9) COREA EMIT: Ree: 1960 AEC, SE SED SLOT N= THB E (BONY OTT BR). CREE EMO, BvERORMOME EMITS NS, NMRIEED. U7 OME S MLC OREAREEB I. OBBAETY IDET Tompbeiaten. IMTO ACCME, UT Y FORE RMI BERBERS MANE RAN EI, MICH OBE Pa PWMEL, LHUMICIETT SMG GAS Ate 9 7Fby 1980 AEE COM SE Eo THEIR BET. U7 77 IRINA Oy REMAIN KEWL, =a—3-7O7O— FO ZA TILA BAA VIMAR S 2- YIM (PIT THBYFA)) BY 7IY, OWTAMEURT S. LT Y PURIFIES BEM, SOREL TI IY 7 PREMILET 79» P~LDBRREB, TT AAI Y O¥FY-9 VA NOP LOOT BEST IO FAMED, RMR ONT ABET AR HOFEN PL YAA Le WIROMEIERE LT OMENS NL 2H SESEKIRK Hem OMECTLIATALATHD, FYE EOMLATHRO oR. OIA 15H, UTIIO BBROVL NTE NI# AFH OR (ERED) RUT YPEMMMOED baeryy—v (ay 972) ERICF yTEMELROL, UT y somEME EES [2 MOHD PHAM AS MUERTOS: DUFF UT IAOAMOREORNED I. 1907 FEARS M CH DALUT 7 RIS EL WITTE ET II) OAF~TORBEM ROM, EVE RENT 9 PRET OY IVMOET IF Poh. WEOIYY-VERE MD EROUT I IER MELA, Te ABNOLMENUT ARCH PHT UNAM EHR, BUC TY 9 7 HECHT BIE ROT 97 AI YOY ALOMY HE CHL Lite 777 AROMELEREDL 7972-2 [RTORE Loe OHERVEOEYXAMEE] [ET 2 OMA PAULO) LALMMSOR Mot) LETH TUR. UT IOARET EYAL WF RIL, MAMIE: HITRAEREH, 2AEMIINTE BD AC ITE De rPRAe tes, FBRUEE CMM SEUROEMAN, HNERAL EUR SRVOH. IFAM DBS BAMA D 7 2 YORGE Wy HRCI CORI, ZAM E CET 7 Ht HAQMERRT. THEO) ALBERAL THER, LIFRUVVOD, CNG I, AMOSESELTRE ORREMAT, BUTK Lily, SNE CEM EM UCERLILERIGERTHEOMETO EL. MED PREC SOMATOEL (RERBEIIR LFATE WILTEA HOE MELMATBCE LW) » BHOA AUMARADO CREE OOD, BLE TANTATRL IS SESEA Et Fide DP UKWY—e Lacumparsies TRAGER YARD, GEOL IY TEL TMA MCRL, MEMLT LAY ACE CONITAN Ts MEN CH BEY NSEC OME GML, EE EECAOPHMRGNLEVI, MLORS BESTS WUC B, THEY FY ETI MARE RL AN TADUBEY LPAI, 977 PMERKTTLIX TALAOMMIUNTS, 7EIATA LAI IectUED OMBIEH 2 LABOR, UK T MED FT RUET BHM WWBALCNESAUZ, MOET EI ATA LAE OREM BIE HME. 7 SORMILRKMGLTA Ls TAGE YFP TLDS LORE BE LENO, RORAGUK SHPY RATED PR (RAB LHD OY ARIE OMEOT, HIKE FORD YA ERC OWRD) D116 F, 9—=NOFEAE Leemieoatc ome [iam] «94 hate [abs te fri) EV9 mk, 1917 HANG HOEAM A 7 OW ROMANE OLROBT YALL LTMMTSS EE BORM, SEDERAURE SNOT, 74 NASHERER RHR PEL EMARL TEL GEBELT. COM WBLOV EF (7 RAPES MERE) WEA < HMMS tein toot, DETTE LT AEEEIIA 97 By ho WY AON Ito. HEMATCILMM CH MRE IT POSE OLRM (ROBE OHEEMI . (2+ AUEIA (BELEHDOTOS ARG) ) LAMILT. Geb CHIN LZ fro CH MILES, ASM EOF RE LTO mR E L TORMMIE 7 KLTHoROthS. MURTHA: O FY PAU 1926, MOL O74 Kebe THORNE Betas, SB SURE L tot. MRRP OEE RE BBE, MPIC? hADRUYA, BY bow, FEEDS AMEE LERMAN. HEKET STO FPARAOREML AK PYLE LTHEMNIE, TL GBA EN LOB, ANIME Blt ANEOMMIL, 47 POBRLET YI, AALEULOE DYt PUNY OLR YEH BVI MOMMREE BEELELOTHS. heFaro Elehoclo M92 D ZINA P) (ARO CHERAB FY T 2 ALAIN REE LTE 7 EY ah FA 1000 EASED LA: (FCS ORB CR DNS S ERO) 6 Py TAMAR oT IMCOTRE TERRE WCHS. 71 bME LED EATLI OCE RARE We, FE CMY, AGAR CAFS CUE ORMEMY ELF LV OMS Lire 1990 10H MOA TOLER DIY INTHE YY RICE ba eR UEN EIT LORE NNT, RUE trot, INGER T £7 RECA ORB IES (ERAT 7217 H (KOI ) ELTA T= BARDY TOME 7 bEttte. REDS ORARELO TASER CR MUA fey FELOMIMIEE UTD (LY ROM) YF VTMOY7—Fa PHRMA TH. MOE eH Elda que me quies Tea Caw KA (Eh $97 O) EMOTE PADRE REORIVE TIER IEE DHE LOK Poa ERE SIAN ISLORE CHT IONIAN. CO 2H ADY) APPL EI TAD The 37 homers Heth aS MCRAE ABI BOISE AEA bates UTER OVAL ARAYA FHA HICH LP: C09) Ea 9 we NG HIM THOS EA BBY OME, KMS NBOM EIDE. MUFC LAMREROIEEEDEIT, EY FET AOR ALT HomoRot, ENEBUTREA ROM, RAREE LCBML CORAM EA AP, ANAM LIT COME (bIBLAOR LUTE, Sno yk MOREL Rok. COMABEARBOW CHEAT CCMGRS CERES, SAMARAEE As EME BRADATA THOR BNF WALA 1900 ACH SMAI? 7 THEE LCBO MILES LS. REINO (Y ALRIAY (9-7 7/WY—7) EUBRMELLOG MNF MI oho ELTHNIUO OAT AMI, WROY AREF RTOBERE ET tote SGD SEIRIEAD. NFM IEES BELA I — VIET YHOWETE LERAA YR IF YT AY A RIIIENO MEMS, 797 AT AKO RRM EMEA, 19058 EMS 2-3-7KED, BEM PFD [70 Fastovyst] (WookeC a) ryt] & EATER ORE Li, 16 4 ROEM, MARIE RCA NFM L. DRG BURT ATL EL AOMPAL TOS. ME GROEN FEED TOTES CR OT. MMOH Roa sent ADF 4 EEANT ATED 32, MBRMOEMRCH S COMED DNL Maa. 77 SOTA TE CWORCOMLENSLIIEL, BREE [9 721) Che CPAY ety (HM) | bot, 94 PHBE BOWELL EY TOBAT?~ F RaHOM EONS 81M. WAREORML, =2-2-72ETEMTST WALI RAE AMINT VY URI ELM AVY AU LI OMMEEY MELTHBs SESETHAR DE) ‘dibs Nonino TAN ET VIOREL F (RHIE—7) 2 WOR HRIUORKI 7 ilakee AUP UARMORME Waa a7 eth, UT IMTS a a— 7K EA CUROT ELIF LAU FUEMEABY OLE HED. MPP ISRO R RUIEREUT BAT, EA Met HI DRORTARUDROLL EMU PMEMBAY, WML [BVOL EH) EO mMdEORLT A 7 hOATA RELA. RMOMBERA, yey TREE CT LY FYEMEF SCE ORAMIMLETY OMT 7 AME TEMTSERVE LIZ. TA RMRTE AMORA MOGEOS LELBLALEY FEM ote BLIONT ARIAL TORS, ROP YTRIEE > RKMOROOKRORNS I. BERG. UTM ATE FCEATMUE INS FE AUB, IOYLTORF ITS CRORMEREL. UFR, V-AIGEEALEH BEA TLE ROH. U7 YF RIE 1997 HLCM Ba, HTT YORK DLETA heROMIN ORI (REI, OF) tithe THUS 2-3-7 EGO TC BOE 9 FOL E. 1) PRO 1955 FMRLT EI ATA VRAIN. MAMTA RIEVI SOOT YGY IML ARETZ: DN FHM ERI, RiLOE ERGOT 7 OBEREENTHOTRROLEN, LORRI CLES. FYTREOME2—3—7 TRATED PADLEMMA LED A EBs TORA, EAERPD 1959510. 72M b+ V2 TBRHOUT YZOLEI RROLELY FORME, =2— 3-7 Roe 7 YOROBIS GD. CY RRA ERD E, OE HO 1954 FIERY TMV: (75-7) OFF TE GEL, RLF EUSAL THM, VOLRET J OHMT ELT IAM RAE CROI, LAD SOM, ENIUEOMMIE teats (THER + DY ChB. Hho TMU TBREMOTT ZI RT AVA 2 HOH 1960 HE, SOM MANMINIRIC ATT, IE TIPE BOT YAY 7 MOR BUTS OM ORIEL MBI GRRENS eye aye Allegro tangle U7 918 1958 ~ 60D 2—3—7OHRIE 2 MOTH REMI LI. KA [OLOMBM ot) ERRORY H, PYTEMERVEROBREDALTT VY VELY TMAH Bt LOT, ABIRICAREL TAA: BUTCHERS, UROL TY 2 TIRE ARIE, KA NOWRA ES EMOMREME LTS, EAT TAISDE BEVILE EMME L Te Me HAE COREO MT PMMOE—7 RBA TOU 1965 HEC, SURE ARB fl LAME Le < MEM OM AME LC HAAR feo—Db bat (7LIATA AON) BLOF Hi, LOW KMART SME AI 7 IS RMbDNS, ZOAIYTERROM, THOSE WM bot O NIT A OBKMBROT DUH + 72 U— PANERA MONEE St MEARE MMS RE TID 72VWEREAT WOKE AEE Bo ENING LMROARI =F UbARD) [7E7 ATAVAOTIT] Ke UTI IRENE CG ARE (RO) HOLPLOMOERAID LEA, SME ARZOLOHES FALTHD, MBOMTORENE ICIAP. RIAN 2 7 7, YARD FAD, TW MOAI DY, ITA IP DH IEE MR ARIEL STROKED EE TIRE C, ENECOUT 7 FORAME GUA DMEEE totes BAMMREEIBIE LEARNED 7% be ALI WH MER TORA (TV IT YAEL) EOD Lh, 7927 7OWREEI A RESTS ORET I IONE. BEAUTY IERIE, BARCO MEM BCAL THES TEIRTAVAO® Inviero porto AMO FECL (727274 VOW MROKE LADY TE ITZIRTAVAOTITA BK CH CRMLELT YI, 60H SR RAM CORE MEM, (7E7ATAVAOW) EMELIMAT. REERCFATHSIELRRLE, SLTMERIEA Po RLETEIATAVADL Y= FMM CODY 79 DPA DMEBOT (FZIRTAV ROR) (757 ATALAOW) HBABLL [72274 LAOWAL ELTRML A. PE) COE DDURLK. ETT ORMLOW CEM RO EMTS, WHET 7 14) 7 (ARTY ATI CRMEN TOR, BH, HOME TWEENS VY FAB TOD 4 IR (1970 5 IST) BRET YD 777 BBORM. SESETHE PATH THAT TANGO HAS FOLLOWED How did tang ge elated othe piano? Tango was born ia Buenos Ais the capital of Argentina, in around 1870-1880. In iseputable places like brothel atthe outskirts ofthe cy, men and women ofen danced together drawing thc bods lost For the new syle of dance, tage arose as accompan werent panos in such places, potable instruments such as gut Are, clarine and ilin were se fr playing, Muse eat chat ‘ime was diferee from today’s image of tango. sounded li and moe cheerful ‘Then, the bandoncon bega ze wed for tang. The bellows inserument from Germany resembles the accordion but dirs in having desper and more melancholic sound. le became che sym bolic instumenc representing emetion of che common people in Bucnos Aires, nd gradually changed musical characteristics of range. Eventually as che places tango was played shifed from the bottom ofthe society to high-class brothels and more ordinary places suchas cafes, nightclubs and restaurants, tango came tO be played by slo piano so. For example, El enrerian, the ‘oldest piece played today, was writen bythe pianist Roseado “Mendis in 1897. He was a piano teacher and athe same time worked fora brothel 5. pianist. Inthe late 1900s, the piano began co be used in tango ew sembles, 00, Gradually the ate and clavinee were replaced by the bandoncon, andthe piano was also use instead ofthe gui ‘When che ise great mater of tango-plano Roberto Frpo, who vas famous a «bandleader and composer to, stated perform ance aciiies with his ro in 1913 (ee alo the commentary for La camparite, the introduction ofthe piano into tango recived boos. Im the 1920, when tango entered he golden age and made signieane musial progress he volnist Julio De Caro appeared as asymboic musician. He regarded the forefather of modern tango and had sgrest influence on Astor Pistols. He is highly appreciated because he found the insrmentation of the sextet (Geandard and base formation of today’s pial orchestra called Orquesta pice) consisting of 2 bandoncons,2 violins, piano and contabas. In adtion, he also devised and practiced 2 method of rangement to make the best use ofthe instrumentation. Jlis der brother Franeisco De Caro who served a panst of the or hese through hie career also etablihed a performance method which became che bass of ango iano, In the 1930s, affected by a worldwide depression and the Jnflus of ze culture from North America, tango faced with 2 sluggish period. The Joan D'Arienzo orchestra became x power ful boos to ge away from the stagnant. The orchestra re-debured {in 1935 and excited people with thei sharp rhythm playing, The ent As there pianist ofthe orchestea Rodolfo Bia brought an individual syle with unique sens beauty rotheensemble. Ina golden age of prosperity in che 1940s tango orchesas became bigger chan inthe 1920, inteasng che number ofthe bundoncons and strings. The Bandoneon player Anibal Trl be- ‘ame a national eon, And his orchestra tuned out tbe Famous plying with alented musica like Astor Piazzolla and prodced successive grat pianists. Meundine, che prodigious pianist and bandleader Osmar Madeona ieroduced piano concerto syle ino ‘ango and attracted Piaraolls attention, but he died by accident acayoungage- “The names of Osvaldo Puplise and Carlos Di Sal should be ‘mentioned asthe most important pianists and bandlenders after the 1940s, Alehough both of chem seldom played solo because they attached grea importance to an ensemble of che orchestra, their ecordings must be licened eo inorder wo know what ithe tango piano “The music of Horacio Salgan was seemed tobe so unconen slonal that he could not make a recording debut until 1950. He brought elemencs of Brain music snd jazz ico his rango and sed nique and fascinating syncopated shythm. He made great numberof recordings aoc only with orchestras bu also with 2 quince (Quintero Real) and dvo with the guitarse Ubaldo De Lio, Through chose recordings, might be easy to grasp hs dis since ele “Tango ecached a euning poin in 1955 In this year, Astor Piazzolla came back o Buenos Aires fom studying in Paris and produced revolutionary ange works. They boldly contained cements of azz and classical musie and were too innovative ro tin peoples understanding. In addition, the Perén government which had protected tango culture collapsed and youth culure like rock nell was introduced. Ie became tobe difcle main- sin onchestras except fr lending musicans. Asa result afer the 1960s, when Pisszolla pu his ative ico oebie with his quintet, ofthe bindoncon, violin piano, contrabass and electric guitar, many small groups of various insraments appeared. The group of Silgin tated above was one af chem. The background ofthis was not only economic circumstances but als technical improvement of musicians. In small groups, the panos ole appeared tobe more and more important, Of ours, the sme thing can bes fo the groups which Pszzolla formed. In the 1970s, younger generation ellowing Pazeolla caved ‘out vatious experiments, bus meanwhile, easy packaged cango shows for tourists came tobe popularized. Therefore ango grew stagnant in a culkurl respect. I che 1980s, ango came back to life by movements abroad, Pantll’s quintet developed lively seis in Europe. In Broadway in New York the dance mosical SESE‘Tango Argentine had slong run. The movement fected round the word Piazzolla died in 1992. A few years later, his music expert enced 3 boom mainly in classical music woe. Ie is well Lnowa, ‘hac musicians like che violinist Gidon Kremer and the cli Yo Yo Ma started pla Piazzolla work fs. Daniel Barenboim is also one ofthe first class] masicans who approached Panzllas musi, He ie famous nor only a pian bur also a a world-class conductor. Asa mater of fact, he was boen in Buenos Aires and brought up chere until he became nine years ald. Soe had been familie with ango, oo. Ln 1995, he recorded tango works wich the bandoncon payer Rodolfo Mederos, a successor of Piszzall and Héezoe Console, the former conteabas player of Pizzo’ _uinct. Barenboim’ profound knowledge of ango wat efleted on his eection of mse which onan Piro mos impor tanewrk aswell as thre pees by Horacio Selgin, “The pan du formed by Emanuel Ax and Pal Zigler was conspicuous onthe sage of erative Placcll whch ws an ven forthe Sth anniversary of Piro death eld in vais repo of apa in 1997. Zigler was the pans who had ae foc jaz and supported che Pazzlla uine with Consol inthe 1980s, Ax che vieeose pans of classe music Zigler ar ranged Piazlls works nd eughc Ax how to play the sychm ‘of tango. In che interview withthe Japanese music ete Yoshiko Tuma, Ax sid, “Ae che recording, wha I payed attention was the rhythm. aceded cme wo achieve the passionate and sharp sly of Plazzlla” [Not only Pazollas works bur also any pee of tngo is bas cally performed on the Basis of score, But even ithe scone played accurately, ie may not easily sound as good music. ASF teaing between the linc, delicate pases and svings which are rotviriten on the sore should be epesnted. Alchough is Lat ‘in msc, in ang perusio insteumencs are basically not used. “Therefore the piano plays an imporeanc role vo make che unigue fythm, Now how to achieve the sense of hyn All we can do Is lsten oad fel he gensine sym played by great musicians You should sen ro he performance bythe histori players above and leading msicians today. In the later ae, the mame of pian in Nios Ledesma, should be kepein your mind. Many of them can be aces chtough imported CDs. Although ie mighsome- ‘imerbehaed to cbtain them, being exposed to thee peformance may bring yous gest del of pleasure. Mirsumasa Saco (cranstaed by Asai) AMQEECOMMENTARY ON WORKS Lacumparsta La camparita ithe mos famous cango works but was not orig: sally writen as cango. The compose was not an Argentine but an Uruguayan. It wok nearly ten years forthe pies to become Famous since was bor. Daring the yeas, many people seranged it Soicasafelng oflengh of time Uruguay ss small country betteen Argentina and Brasil. The capital ity Montevideo i osted on the opposite shore ofthe «Rio de Pata from Buenos Aires Te scl ofthe iy ech smaller than Buenos Altes but has moreeommon curl Fstres ‘with Buenos Aies chan ater provinces seated through ‘ue to eatensive Argentina. The city lo hada deep involvement in the development of tango. Gerardo Hernin Matos Rode- ger was 2 son of an owner of «famous cabaret in Montevideo, ‘Matos is his ater family name and Rodoriguc is hi mother's surname. Using only Rodorigier isnot correct In 1916, when he was a sudene of an engineering collage, he wioe the orginal La compara asa march for Carnival. The le means the sll, coscume parade, At his father's cabaret, che quarter of Roberto Frpo deserbed above premiered it in the syle of tango about in April 1917. As the piece was too simple Piro aranged i adding ‘countecmelodies and new par. The fist performance andthe = > poco a poco accel. Pitt mosso bth moss SESEAMQEE36 Allegro tangabile Allegro Tangabile (Movido) et Beat the pian (ad ib) Allegro Tangabile (Movido) ESpeetamain in -_ @ Music by Astor Piazzolla Arranged by Kyoko Yamamoto AMQEE@anecx61 AMQEEAMQEE"lise 2 cree ee aliss. — res isl BH onl S = - = AMQEE3 he ag Sree SESEo AMQEE(ster) 4 v Guster) Gustep SESEo Invierno portefio wy Music by Astor Piazzolla Arranged by Kyoko Yamamoco Lento e dramatico i ey ae at ‘Sinatene Uy pm ‘Pp ey Yen ke ei lg SESE0 AMQEEfee SESEAMQEEAMQEEdim, Yoeo a poco Tempo AMQEE@anecx—— lo atempo AMQEEoeo a poco accel res AMQEE78 iit mosso AMQEE‘Tempo t P libero AMQEEat Andante — AMQEE@anecxmolto rit AMQEEBT Pion eC: from La cumparsita to | Piazzolla’s works : snare ger 299 Paes oh Cun arranged by Ky oy 2 0339 Eee) Rae reed BORO Oey ee eee Beep eter a tt HM Ry 438850 2206 (Re 3500714) ‘uu 10993153861 awSeE