Professional Documents
Culture Documents
13. Lana Ling: The child of immigrants, 15. Breaker: A long, whipcord creature,
Lana grew up in the Bay Area of San Francis- Breaker earned her name from her habit of
co. A landscape artist as she calls herself, La- smashing holes in boats along the side chan-
na combines a sense of the natural and the nels of the bayou she calls home. Far stronger
modern in her outdoor arrangements that and faster than she looks, Breaker has laid
create very specific emotions in those who her share of eggs and defended her clutch
witness them. Her artistry, though not uni- against any who might attempt to do it harm.
versally appreciated, has won her several no- Honored in the eyes of the Mokolé, she’s
table awards. She has also used those skills to rather touchy where outsiders in her territory
help design the living quarters/environments are concerned - particularly if those outsiders
for many clutches, and her art is considered are skin changers of another sort, in which
as beautiful as it is practical among her scaly case she’ll rarely be far away just in case they
kin. set a foot wrong.
14. Manuel Muñoz: Known as the beast 16. Esteban “Banny” Garcia: A transporter
man of Texas, Manuel always wears old jeans, and smuggler since he was old enough to
broken down boots, and a wide-brimmed hat understand the trade, Esteban knows some
that’s seen years of hard use. A regular in of the worst parts of the badlands the way
Hollywood circles, Manuel works with ani- other people know the shape of a lover in the
mals to make sure they can perform safely dark. Able to survive the sun like the great
44. Elizabeth “Lizzy” Mounds: Called 47. Barry Dickson: A garbageman from ru-
“Lizzy the Lizard” by some of her co-workers, ral Louisiana, Barry has seen tragedy, loss,
Elizabeth always seems to have one or two and a touch of horror all on his daily routes.
reptiles on her person at any given time. From trash bags full of clothes and broken
Whether hanging from her earlobes by their
maws or scuttling in and out of her jacket
pockets, there’s always at least one scaly com-
panion somewhere. The only exception to
this is when she’s in the lab, which is the one
time she puts her little friends in their terrar-
ium with some crickets and a sun lamp so
they can rest up.
69. Gerald “Jerry” Fox: A train crewman 72. Lia Shane: An artist who works with
for most of his adult life, Jerry has seen all clients to create memorable ad campaigns,
sorts of strangeness riding the rails and hid- Lia has done more with the stroke of her sty-
90. Lexx Guerrera: A former freelance tat- 93. Emma Gold: The only gold Emma ever
too artist, Lexx finally got their own shop in had growing up was in her name, a joke that
the southern part of Austin, Texas. With full was old back when her grandfather was the
sleeve tattoos down their ropy arms, and sev- one still telling it. Emma’s watched children,
eral more up the sides of their neck, Lexx cleaned houses, waited tables, and done all
draws canvases in from several different sorts of other jobs over the years just so she
states with their skills. A watchword among can scrape by. She’s also a community build-
ink enthusiasts, Lexx is also the one who er, acting as a bridge with half a dozen other
memorializes deeds done by the kin on their groups of skill-rich by resource-poor clans. It’s
bodies for all to see. A sacred duty that’s these connections that have proven helpful
been handed down for generations, this is a whenever the Mokolé need to acquire a par-
responsibility that Lexx takes quite seriously. ticular type of aid from those willing to trade
in favors.
Mike
Statistics for Mike can be found in
Children of the Tides available on the
Storytellers Vault.