World's, Favorite Series No. WORLD'S FAVORITE & edite transcriptions compiled § d by HARVEY VINSON ASHLEY PUBLICATIONS, INCWORLD FAVORITE SOLOS For CLASSIC GUITAR ORIGINAL TRANSCRIPTIONS: COMPILED AND EDITED BY HARVEY VINSON WORLD'S FAVORITE SERIES NO, 43 FOREWORD The classic guitar has ascended to an “un- contested prominence in the musical galaxy” as expressed by the eminent guitarist, Andres Segovia, ‘The recognized position of the classic guitar in today's music world has resulted from the devotion to the instrament and the brilliant works written for it by prominent composerguitarists through the centuries, headed by Fernando Sor and Francioso Tarrega. Guitarists who have schicved world wide recognition have attested to the power and effectiveness of the classic uitar, like Alirio Diaz, Julian Bream and Manuel Gayo! As the instrument gains popularity, demand for great classic guitar compos inereases proportionately. We are here offering an anthology of the finest works ever written for the elassie guitar. These are the compositions that have been heard on the American and international con- cert stages time and time again. We have included proper fingering and valid dynamic and tempo indications, con- spicuously absent from many of the current ‘editions of classic guitar music. We are indeed fortunate in having obtained an editor whose years of study at the Julliard and the Man- hattan schools of music, and a wealth of experionce in teaching and performing on the instrument, qualify him for this highly specialized and intricate task. ‘The first printings of this anthology were so well-received that a new volume: “Selected Masterplces {forthe Classe Guitar (World's Favorite Seles No. $6) ‘was added. At the suggestion of Mr. David C. Thomson of Lexington, Kentucky, both volumes have been pains lakingly re-edited to improve fingerings and phrasings. 11 fs through the help and advice of such experienced Aeachers as Mr. Thomson that the World's Favorite Series has gained its popularity among musicians, Robert Kail, Ashley Publications Copyright© MCMLXVI by ASHLEY PUBLICATIONS, INC. 263 Veterans Blvd, Carstad, N:J. 070 Tnternational Copyright Secured Made in USA,CONTENTS Page Poge LUIS MILAN (1500-1561) TRADITIONAL Pavana No. 1 4 Spanish Ballad 26 Pavana No, 2 5 FERNANDO SOR (1778-1839) WILLIAM BYRDE (1538-1628) Stady In C (Moderato) 2 Preludium 6 Study In A’ (Allegretto) 2 Study In D (Moderato) %0 ANONYMOUS Study In B Minor 3 Mascherata 7 Study In A (Moderato) 2 ROBERT DE VISEE (1% Centary) ee ee a ee . Study In C (Allegro) u = i Stuay In A Minor 35 Minuet In G Minor ° Sair:leiD Mines s Sarabande 9 Study in G - 38 Minuet In E Minor 10 Study In C (Allegro Moderato) % Study In B Flat 2 HENRY PURCELL (1659.1695) Study In A (Andante) “4 Minuet 0 Rondo «6 Leceidn In A Minor 50 DOMENICO Z1POLL (1675-1726) Leecion In A %0 Lie Fogue a Minuet In D 31 Minvet In G (Andante) 82 JOHANN SEBASTIAN BACH (1685-1750) Minuet In 38 Bourée In B Minor 2 Minvet In C (Allegro) Bourée In E Minor s Minvet In G (Andantino) 55 Prelade 16 Minuet In C (Allegretto) 56 Minet * ‘Variations On A Theme Of Mozart 3 WOLFGANG AMADEUS MOZART (17561791) MAURO GIULLANT (1780-1840) Andante 8 Allegro (E Minor) a Macatovo 8 FERNANDO CARULLI (1770-1881) Allegro (D Minor) “ Allegretto 19 Dance Rondo 6 Rondo » Cadence a Walt a Allegretto (A. Minor) % Andante 2 Andantino « Andantino 2 Allegretto (F Major) Cs Moderato (C Major) 70 FRANCESCO MOLINO (1775-1987) Moderato (A Minor) 70 Prelude In D Minor 2 Allegretto (G Major) 2 Prelude In E Minor % Allegretto (C Major) 2 Prelude In B Flat 3 ‘Andante % ‘©Copyright 1966 by ASHLEY PUBLICATIONS, INC. International Copyright Secured Made in US.A. ‘ll Rights Reserved, Including Public Performance for ProfitCONTENTS (Continued) DIONISIO AGUADO (1789-1849) Prelude Adagio LUIGH LEGNANI (1790-1877) Caprice (E Minor) Caprice (D Minor) MATTEO CARCASSI (1792-1858) Study In F Suady In A (6/8 Tempo) Study In A (4/4 Tempo) Study In € (Allegro) Study In A Minor (Allegretto) Study In A Minor (Andante) Study In C (Andante) NAPOLEON COSTE (1806-1883) Etude (Moderato) Etude (Allegretto) Etude (Andante) Etude (Schersando) Prelude ROBERT ALEXANDER SCHUMANN (1810-1856) Bagatelle Melody FRANCISCO TARREGA (1854-1909) Recuerdos De La Alhambra Capricho Arabe Lagrima Mazurea Pavana Adelita Maria Page 4 patie (la) Isa ABE sors “ ar = hans be ay Jun tan its ion ‘Carcassi, Matteo girs Fenn ee Pee a Duet (two guitars) cate, tpn Tu to Giuliani, Mauro taping ve ta Moles Pane oan, WogayAna Schema Hebe Amn a Sn Fenn Tg Pc 00 Daa ie ior Man 108 Spanish Ballad Page no m m1 uz m4 us “ ne FRRESPAVANA No. 1 LUIS MILAN Andante ®—nev _ aAewE (1500-1561) al spc ad it a =a —_ cm ion age cm 1/211 1/2c1H1Andante cur PAVANA No. 2 LUIS MILAN 42cmPRELUDIUM WILLIAM BYRDE Moderato | | (1538-1623) = } Te ee eeMASCHER ATA Andante 10 ANONYMOUS 42 cnMINUET IN D ROBERT DE VISEE (17th Century) Andantino ROBERT DE VISEE Allegretto —~ crifem cn D cm TT TT 1 on ? opMINUET IN D MINOR Andantino: ROBERT DE VISEE i" ® ® >= ‘ @ SARABANDE Moderato CV ot © Sars ROBERT DE VISEE ad adsLO MINUET IN E MINOR CH parmROBERT DE VISEE 2th Andantino r ne ai a MINUET HENRY PURCELL (1659-1695) AndantinoLITTLE FUGUE DOMENICO ZIPOLL 2 Allegretto (1675-1726) ect ge) =JOLANN SEBASTIAN BACH Allegretto (1685-1750) a c— onlbs Metallic ® © —_— cu ecu =~ v ff ic = ®— = _y ® 120v__ T= e®——_, 3 7 © id largamentecresc, @ igcvi— 120eMl ® ® @? crese. cw o— © —BOUREE IN E MINOR slloderately Fast I Allegretto JOHANN SEBASTIAN BACH I cm] = 4 oN = 41) =~ = + = a) oy = cvcy CIV ev. pola Jit Fy dy : om ®t FF re TR fe F Wise cu CIV we oF PpPRELUDE Moderato ain yom { JOHANN SEBASTIAN BACH1zcnMINUET Andantino JOHANN SEBASTIAN BACH ANDANTEALLEGRETTO . FERNANDO CARULLI mi (1770- L841) PesRONDO Poco allegretto poe dd FERNANDO CARULLI dpi d cn | . rf rr rrtot piy its ) 2 a, rr ; WALTZ Moderato FERNANDO CARULLI Sa r a geet dae ee. ror ® f D.C.al Fine3 PRELUDE IN D MINOR FRANCESCO MOLINO (1775-1847) cy Moderato) cul J] aa : atppPRELUDE IN E MINOR FRANCESCO MOLINC Moderato cuPRELUDE IN B FLAT FRANCESCO MOLINO Maestoso20 SPANISH BALLAD Andante TRADITIONALT. - a aL ro vero rR OF D.C. al FineSTUDY IN C FERNANDO SOR Moderato, (1778-1839) — = es tT - ‘ aA ee eer = iz ai =peppy pm a a i 8 = —3 STUDY IN D Moderato, FERNANDO SOR cm [1 seat pmip 1fect — 12cm cmSTUDY IN B MINOR “ mi imi &m™ am am am mi FERNANDO SOR 2) 5 ® ® @ ® ® = oce vit, Pp32 STUDY IN A FERNANDO SOR Ven ? ti iG Allegro FERNANDO SOR teSTUDY IN C FERNANDO SOR mSTUDY IN A MINOR Moderato cv cv FERNANDO SOR iv Dodd, bye) drape hes aba! + = J fehgugy eee ~ F cv civ cm cn cr a) = eG : : : p r , cv civ ea : pT pe teay cv civ cmt cn cr36 5 STUDY IN D MINOR a aaa ia Andante , 'ol 12en cut ® cm. i TW jenem “Ox 2c yeu. cu 12cu 91d ste 1J7724 11 J) Ji SS a 4 ee eae (0) 4 on u Tey38 STUDY IN G Allegretto FERNANDO SOR og 12cu icv izciv — 1/2cIn1 cn 12cr i hd ve el ie te igevm —-1fCV igemt—12cIt entce @ a Fay a = — ybF SS 2 es_ STUDY IN C Allegro moderato FERNANDO SOR yhe Sapa (Omi iva a oe eee AE lel eee we Cai ti Digs rrr cr Sor i core ic 12cr a ea dae eer TT ere t o 5 oSTUDY IN Bb 1 FERNANDO SOR“” STUDY IN A Andante yj2cv FERNANDO SOR ad = = Ci yen 12cn 1/2 cV____ civ cv OM cy —_ 7 — " “ig1200 12cm 2c aA46 Allegretto = FERNANDO SOR od eeLECCION IN A MINOR ada Moderato FERNANDO SOR dd 1 Ww ? o * ‘ iol MINUET IN D cn FERNANDO SORve re MINUET IN G < FERNANDO SOR Andante Licwi 1/2c1 12cm ‘A ef Fis 4d 4d e &— SS :MINUET IN A Andante maestoso cv FERNANDO SOR 4 “ENSoF MINUET IN C AllegroMINUET IN G Andantino FERNANDO SORMINUET IN C Allegretto FERNANDO SORv7 VARIATION ON A THEME OF MOZART Andante FERNANDO SOR sap SGpat fit 164 {4 i: a g =e f Gf 7 e7 Second Variation ‘Ada (Minos) ©® a ov om fit 4. BTA . } JS Im t 2 4 24, @ Third Variation T v Moderato A on = = ‘ 4 ‘ 4 @ i 7 = cvm pee Fourth Variation cx Allegretto = cu 3 3 ITF “4 7 4 7 pim fimFifth Variation Allegrool Sixth Variation PrestoALLEGRO MAURO GIUt jam imami imami (1780-18. y PB wii || Hee — + a =alll a —~ m~ I) a si — re ~slte a a a ih el . a MAURO GIULIANIOf ALLEGRO MAURO GIULIANI [Poetess erate]DANCE RONDO Allegro yy nom ~ MAURO GIULIANI = D.C. alta)66 CADENCE Andante m @_m i p MAURO GIULIANI ALLEGRETTO MAURO GIULIANIofoS ANDANTINO ee : t ? : Ger MAURO GIULIANI > su) a) ALLEGRETTO MAURO GIULIANI *70 MODERATO MAURO GIULIANI MAURO GIULIANIae me TF 7"ALLEGRETTO - m iy, MAURO,GIULIANE ie tLe eLera os MAURO GIULIANI Allegro a DIONISIO AGUADO y*)imimimp im nb EEE = 2S = 7 =| T ps a° ADAGIO DIONISIO AGUADO CEL? LEEy | 1 CAPRICE . LUIGI, LEGNANI vit.— a 4 ' = [ a a _ re = To, tempo ny ~ "8 a tempo Gresc. poco @ poco $— = LeCAPRICE Allegro ma non tropo _ WIG! LEGNANI ov. *Allegretto MATTEO CARCASSI Cc: (1792-1853) | ad JJ dg ¢ AES oS oo 12cvSTUDY IN A MATTEO CARCASSI cr omim ms <STUDY IN A a MATTEO CARCASSL 4 g cu 1/2C Vo.be STUDY IN C mimin, MATTEO CARCASSL a Allegro mimi ™ imSTUDY IN A MINOR Allegretto fal tat im MATTEO CARCASS! ‘ami ami | P84 ‘Andante STUDY IN A MINOR a/2cv MATTEO CARCASSI oli ae F I 1pcy,STUDY IN C - Andante MATTEO CARCASSISO ETUDE NAPOLEON COSTE (1806- (883) Moderato sie SYTESRI=7 PTE LaReITET RY EET eeu er bs bleep sy ETS Y 512cm LR on ee . Try PT pn beewt 4 = Y ffaw NAPOLEON COSTE Allegretto pet wack «3 } rrr . _ETUDE “ Andante Q— cv — NAPOLEON COSTE min es voor “a © fom Fo Fo el F ULF qScherzando NAPOLEON COSTE 7 4 is J ie nt r atemmaeer PRELUDE Andantino cx____________ NAPOLEON COSTEsd BAGATELLE ROBERT ALEXANDER SCHUMANN Moderats (1810-1836)2 MELODY Moderato ROBERT SCHUMANN poco vit.96 RECUERDOS DE LA ALHAMBRA FRANCISCO TARREGA Andale, sg — (1854-1909) PamcICAPRICHO ARABE — FRANCISCO TARREGA Andantino AAS Ss -F cme varm = * 4 ga wry =f tje f# fs ~TH AS ) i3 IfisThnzdl , ‘ ou ; 0 Wien ap" Hl sill i ™~ rrrrr 'LAGRIMA al FRANCISCO TARREGA a cix__ cv aid ad tow 410s FRANCISCO TARREGA cv cr Andante a) =Moderato PAVANA FRANCISCO TARREGA cu civ__ cn a lempo ee. 1P@ D.C.at Fine Vetw FRANCISCO TARREGA vu % D.C.al Fi lig = por eeeAndantino cv. FRANCISCO TARREGA — cv——, - ofAndante sostenuto cuall Andante cx FRANCISCO TARREGA p £12 i sd fal r PRELUDE Lento ex —___ FRANCISCO TARREGA, @® , i 1tle MARIETA 6 FRANCISCO TARREGA Vo Adagio 4 r f Harm. 12thtls D.C. al FineMego, sy, sk, & 6m Sings Only Isaac ALBENtZ im iim im ey {ae ©6660 ®®eoO®o4 ic vit‘fo Andante Mo 4A P' i1fdanim Efeeher wrasse 4 (@tasgueado)of O F et bRLereh f cv a2clMs NOCTURNE DE SALON Guitar One ii FERNANDO CARULLI Allegro Guitar One (170-1841) we aft cresc. dim,WD NOCTURNE DE SALON Guitar Two Gui uitar Two FERNANDO CARULLI (1770-1841) Allegroim Gultar taefel Guitar Two122 Guitar One Larghetto123 Guitar Two Larghetto rinf.Guitar OneAllegru Guitar Two — oH #120 Guitar One nh m7 T™ 7 » i.i? Guitar Two crese.fie oboe Sasi ‘abies Fo Gnonnorcans ‘SUASSICTo GaWTeMPCRARY PIANO MUSIC ise" is FO ALL Gecastons AGUSTiWiaDI tes [TAGS MELODIES FOR ALL CHAS ‘RSCTA SMa sons EEDA PECES For oxnner iste PECES For commer “irene tes Fo For svceHONe “Tafel Bees Foe reomanne World’s Faworite Series SS FOR Ne Wb Ns rast Ess rb did ron cua Sif A Ee Ener ae icra WAGAN VSG Sos oonces arias AT PANG NUSIC ze WEEE TCE FOR onan e488 SY CG eta ago PETG ano postwuoes FORALL ORGANS elon 2 amnesia ciN ion 2) $4.95 where noted rete Greed ao posrunes FUTAEPIANG Vein) roa sous) ROWS or Seto evurr ron AL Hae One Wot SIE FOR Paw so.a ARCHAEA By Ta create Rune aapesers Br ri SiS Fano muse WanE css TO coutenroeay un susie ACT Sraomnos— Vesa Rateduiter ‘eet OF AC Te Saoenos— lores “GaEATST OP ALS anonnos— Porte che Oras aELUGESOFERTORES wo posruor Friern eno CGT staoos SEbsteo wists ron Tiss ebrar—ehne2 Aiea Misi FORA cans oars recs FOR FLUTE “SRCNFOH ORGAN Yoke 3 SPien FORTE SORCbooK SERN sa Pho GESSIe Fin TEACH xcs won 2c, oA, EME mie i tind Peoes eats eee ah ices “fait Sim ‘Rar Bee cera ina eS