Professional Documents
Culture Documents
SOCIETY
Presented by Pathelia Brown, Kayla Samuels, Zachri
Bennett, Oshane Williams
Introduction
Caribbean music developed as the peoples and cultures of West Africa, Europe,
Asia, and the Americas combined across the island chain during 500 years of
European colonization. The beats and rhythms of various ethnicities incubated
and evolved with the languages and social movements of each island. Each
locale produced distinctive genres which were carried across the world by
migration and media.
REGGAE
Reggae music has for many years been criticized because of the negative
association with poor neighborhoods, poverty, and crime. In many
countries, this music genre is famous among young and poor people who
experience the harsh effects of unemployment and economic difficulties.
Reggae music has evolved from a local form of music to an international
cultural phenomenon that issued to effect change in society.
BOB MARLEY’S “ONE LOVE”
Considered the patron saint of Reggae, Bob Marley
produces mellow island beats that spread the message of
peace, love and positive vibes.
Calypso is a popular Caribbean musical genre Emerging in the early twentieth century, Calypso
that originated in the island nation of Trinidad became a tool of resistance by Afro-Caribbean
and Tobago. The genre was developed working-class Trinbagonians. Calypso flourished
primarily by enslaved West Africans brought in Trinidad due to a combination of factors—
to the region via the transatlantic slave trade namely, the migration of Afro-Caribbean people
during the seventeenth and eighteenth from across the region in search of upward social
centuries. Although West- African Kaiso mobility. These people sought to expose the
injustices perpetrated by a foreign European and a
music was a major influence, the genre has
domestic elite against labourers in industries such
also been shaped by other African genres, and
as petroleum extraction.
by Indian, British, French, and Spanish musical
cultures.
CALYPSO
Derived from Kaiso, Calypso originates from Trinidad and Tobago. Just like Kaiso,
Calypsoes were originally sung in French Creole but eventually made the switch to
English. Kaiso and calypso are often interchangeable terms, but Kaiso refers to
‘genuine’ or ‘traditional’ calypso, as the genre became more modernized over time..
IMPACTS
Calypso which originated as a voice for the enslaved Africans, continued to be a voice for
Trinidadians to express their socio-political opinions with the use of satire, witty puns and double
entendres.
Early calypso and to some extent even calypso today served as the people’s tabloid so to speak.
Calysponians used their lyrical creativity to express the soul of the people – how they felt about the
situation in the country, politics, topical events and burning issues. Many politicians were made
and even destroyed because of calypso.
During carnival many patrons crowded the calypso tents to listen to the calypsos of the day to let
off steam and get the take on social issues from the top calysponians. Often one could tell the
outcome of a future election based on the sentiment expressed in calypsos of the day
IMPACTS
Calypso was known for political and social commentary in its lyrics. Often a narration of current events and the
socio-political climate, one can say that calypso often kept democracy in check. In 1948, Kitchener’s released
“Windrush,” a song that referenced those Caribbean families that moved to England due to the increased labour
demands of World War II. Kitchener challenged colonialism as he sang about the exile and inequality these
migrants experienced in Britain.
Calypso continued to be a voice for political topics when in 1962, Trinidad and Tobago became an independent
nation. The Mighty Sparrow sang ‘William the Conqueror,’ where he praised Dr. Eric Williams, the first Premier
of Trinidad and Tobago, for bringing the country to its independence and paving the way for a better future.
Sparrow also has a popular song entitled, ‘Federation’ that explores the collapse of the West Indies Federation.
IMPACTS
Persons who sang and led calypsos were called griots, meaning storyteller, then this term evolved into
chantuelle, then calypsonian. Calypsonians are the voice of the people, the storytellers who boldly speak out on
topics that many will not dare speak about. They are the ones who make light of serious issues and hold the
powers that be to take account of their actions. In the latter part of the 40s, a new wave of calypsonians would
enter the scene. This would also feature calypsonian greats like Lord Kitchener, Mighty Sparrow, Mighty
Dictator, Lord Pretender, Mighty Terror and many more. Two of some of the biggest names in the Calypso world
would emerge at this time, Lord Kitchener and Mighty Sparrow.
Lord Kitchener brought new lyrics and musical changes to calypso and often included controversial criticism of
the British presence on the island. Carnival and calypso monarch were put on a pause during the years of World
War II, but that did not stop Kitchener from becoming a household name as he became popular among the US
troops based in Trinidad, which led him to international performances. Lord Kitchener won his first road march
title, in the first Carnival after the war.
IMPACTS
In the 1970s, in the time of the Black Power Movement in Trinidad and
Tobago, new calypsonians would emerge once again. This era featured
Black Stalin, Mighty Shadow and Scrunter, among others. In 1978,
Calypso Rose became the first woman to win the title of Calypso
Monarch. This created opportunities for other female calypsonians,
iconic female calypsonians, Singing Sandra and Denyse Plummer.
SINGING SANDRA’S “DIE
WITH MY DIGNITY”
"Die With My Dignity" by Singing Sandra is a powerful
anthem of empowerment and resilience. It emphasizes
the importance of maintaining one's dignity in the face
of adversity, which resonates with the historical
struggles in the Caribbean. The song provides social
commentary on issues like gender inequality and the
challenges faced by women, shedding light on the need
for respect and dignity. Singing Sandra's lyrics can be
seen as a call for societal change, encouraging a shift
towards a more equitable and respectful environment,
particularly for women in Caribbean society.
PUNTA ROCK
Punta rock is unique in that it Originally known as the Garinagu, the Garifuna
represents a musical form, a country are an amalgam of Carib, native Arawak and
(Belize) and a specific ethnic group (the African people. They are said to have originated
Garifuna of Central America) from intermarriage between Arawaks and Caribs
simultaneously. At the same time, the on the island of Saint Vincent, then spread
throughout costal Central America and the Lesser
beat and the dance that accompany it
Antilles, where they further mixed with West
have universal appeal, and so punta
Africans brought to the New World as slaves. The
rock has spread not only to the Garifuna
Garifuna are most heavily associated with Belize,
diaspora in the U.S. and other countries, a former British colony.
but across cultural lines.
PUNTA ROCK
Punta is the name given to Garifuna music and, not surprisingly, it is strongly linked to
West Africa with its rhythmic drumming and call and response patterns. Punta is also
as much about dance as music and is often described as a human mating dance,
performed by couples in a highly sexualised manner and involving a whole lot of
gyrating hip and lower body movement.
Punta Rock took this existing culture of song & dance and simply updated it to the
modern world with guitars, synthesisers and booming sound systems. Indeed, it’s not
often that a whole music genre can be credited to a single person and time although it
is widely acknowledged that Punta Rock was created by Pen Cayetano in 1978.
IMPACTS
Originating from the Garifuna Music community, Punta’s lively drumming and pulsating melodies
have a magnetic effect that transcends generations. It’s a genre that not only echoes the spirit of
celebration but also serves as a reminder of Honduran heritage, an unbreakable link to ancestral
festivities.
Punta Rock, originating serves as a significant form of cultural representation in Caribbean society,
highlighting the unique traditions, language, and history of the Garifuna people.
The genre contributes to the celebration of cultural diversity within the Caribbean, fostering
understanding and appreciation among different communities.
The energetic and rhythmic nature of Punta Rock may attract younger audiences, promoting cultural
engagement and a sense of identity among the youth
Andy Palacio's "Punta Rock"
This is a pivotal song in promoting and preserving
Garifuna culture. The lyrics, combined with the energetic
Punta Rock rhythm, contribute to the cultural identity of
the Garifuna people. The song's impact extends beyond
the Caribbean, raising global awareness about the
Garifuna culture and the unique sound of Punta Rock,
potentially fostering cross-cultural appreciation.
Palacio's use of music as a tool for empowerment and
cultural pride has a positive impact, encouraging Garifuna
communities to embrace and celebrate their heritage.
STEEL BAND MUSIC
However, African-descended
The steel pan was created in Trinidad and percussive performance was heavily
Tobago in the 1930s. was established in targeted by restrictive government
contexts of Carnival resistance, its history bills, sparking protests and
being traced back to the enslaved Africans demonstrations. These protests
who were brought to the Caribbean in the facilitated the development of
1700s. Following emancipation in 1834, improvisational and non-traditional
former slaves were allowed to participate percussive instruments out of scrap
in Trinidadian Carnival activities. metal, metal containers, dustbins and
bamboo stamping tubes.
STEEL BAND MUSIC
These 'Tamboo Bamboo' bands are widely accepted
as the precursor to modern steel bands. In the 1930s,
it was realised that the convex dent at the bottom of
metal drums could be tuned to distinct musical
pitches and could therefore produce recognisable
melodies, marking the creation of the first steel
pans. One of the groups that was widely recognized
for this line of innovation was Alexander's Ragtime
Band, from the Newtown neighbourhood of Port of
Spain, which paraded on the road for Carnival with
all metal, nonmelodie instruments in 1939.
STEEL BAND MUSIC
When Trinidad and Tobago were under the rule of the British Empire, prior to 1797, the African slaves
began to revolt against the British and their troops. The enslaved Africans created a rebellious
movement in secrecy because they were not permitted to communicate with each other. They
understood that their lives would be at stake if they were caught communicating with one another, so
they found a medium to stay in touch in a very discrete and creative manner.
"The 1883 ban that outlawed 'the beating of any drum, the blowing of any horn, or the use of any other
noisy instrument' didn't discourage or deter the inventive Africans. Indeed, they became even more
determined to maintain their religious and native customs. In some cases, drumming went
'underground'. This was especially true for drumming used in religious practice and ritual. From the
time that the slaves first arrived in Trinidad, their religious customs were held suspect by the
European colonials. An earlier 1869 ordinance has gone so far as to cite the practice of any African
religion as black magic. Anyone involved in such practice at that time would have been subject to
flogging or imprisonment as punishment
STEEL BAND MUSIC
By playing their drums in various rhythmic patterns, they were able to communicate
in a way that they thought the British would have difficulty suspecting or even decoding.
These rhythmic patterns would translate into codes and they alerted each other about their
revolutionary plans, current situations and potential attacks from the British troops.
Now, the steel-pan can be classified as Trinidad’s national instrument. It plays an integral role in Trinidad’s
Carnival, and indeed all of the Caribbean. because it embodies the essence of ancient African roots with
national heritage. The steel drums allow the natives of the island nation to connect with national tradition and
to spread national pride.
STEEL BAND MUSIC
Based on common belief, the steel pan was invented by a man named, Winston “Spree”
Simon. It is said that Winston “Spree” Simon created the steel pan by simply founding a
dent in his garbage can. As he began to knock out the dent with a hammer, he suddenly
realized each blow with the hammer created a different pitch. After this realization,
Winston continued to bang dents into the garbage can of various shapes and sizes until
he made scales of notes. Soon, Winston was able to note scales and rhythms on his
garbage can. Garbage cans were scarce. The garbage containers were not only hard to
come by but the material was not suitable for long playability.
IMPACTS
The social significance of steel bands lays in the fact that they allow inclusion of a wide range of
social strata in their performance practice. On the one hand, initially created as a way of music
making for the lowest and poorest classes of society, steel bands easily allowed representatives of
middle class in their friendly community
On the other hand, steel bands included amateurs who could read no score, and therefore they
promoted the spirit of shared improvisation and cooperation between its members. In addition, as
steel bands enjoyed more and more popularity with the people, their competitive nature emerged in
the form of so-called revving which emphasized the individual skills and strong points of each band
IMPACTS
In terms of political implications, steel bands revealed their unique quality of promoting amateur
culture. Initially frowned upon by the British authorities, steel bands appeared to attract so many
tourists that they were gradually recognized as national cultural heritage and accepted as legal.
In 1951 Trinidad All Steel Percussion Orchestra, TASPO, brought the art of steel pan performance on a
tour around England, and since 1963 a Panorama competition is held among steel bands (Manuel et al.
242). The popularity and the public recognition steel bands have acquired during the last century
shows that this initially underground movement has evolved into a full-blood trend in amateur music
that not only brings enjoyment but also helps to resolve social and political tensions.
Ray Holman’s “Pan On
The Move”
Ray Holman is a Trinidadian steel pan
musician, composer, and arranger known for
his significant contributions to the
development of steel pan music."Pan on the
Move" is one of Ray Holman's notable
compositions, recognized for its captivating
melody and intricate arrangements.
The song has become a classic in the steel pan
repertoire, reflecting Holman's mastery in
crafting engaging and sophisticated
compositions that push the boundaries of the
instrument.
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