Here'Sa *ith the same pickingpattern as

7th arpeggbO 7tt•

Example

2, z

An potnt to remember IS to Shape when you play these

upeggs. All an arpeggio is, is a crgxd brokenup and played With indlv.dua:
notes. so, in the example above, on Strings 3, 2 and it g•,
slrnply the
01 a Cm? chcvd voicing b3, 5, b7, the shapeOf a straight C minor
SO don't the chord shapes white soloing with SPEED PICKING.
Ymr can also use all the diatonic scale over a static (twn-moving,i
FKX example, try using all the arpeggiosor C maior (Cmai7, Dm7, Em7. rmaO. r.'
Am7. Bm7b5)atl Overa Thenotes01 Cm7are also the notes o:
(Withoutthe root). F I l, Eb/F (no root), so once again, one arpcgg:e
have many applrcatiom.

Yet Cm? arpegg•o.

example e 19