By Philip Larkin Light spreads darkly downwards from the high Clusters of lights over empty chairs That face each other, coloured differently. Through open doors, the dining-room declares A larger loneliness of knives and glass And silence laid like carpet. A porter reads An unsold evening paper. Hours pass, And all the salesmen have gone back to Leeds, Leaving full ashtrays in the Conference Room.
In shoeless corridors, the lights burn. How
Isolated, like a fort, it is - The headed paper, made for writing home (If home existed) letters of exile: Now Night comes on. Waves fold behind villages.
1. What is the form of the poem?
a) Villanelle b) sestina c) sonnet d) haiku 2. Can you find any examples of personification in the poem? a) b) 3. Why has Larkin used personification in this poem in this poem? What effect does it create? 4. Why is the form of the poem ironic? What is the effect of this irony? 5. Research the meaning of the phrase ‘objective correlative’? How is this modernist device used in Larkin’s ‘Friday Night…’ 6. What can we deduce from the poem about the speaker’s identity? Why might he be writing the poem? 7. The poem lists many seemingly random and ordinary details. What symbolic meaning, if any, might be attributed to the ‘full ashtrays in the Conference room’? 8. Larkin describes the hotel as being, ‘like a fort’. What could the hotel symbolize? 9. What do you think about the final lines? What does the speaker avoid doing? 10. Look at the rhymes in the poem. What do they express about the speaker’s experience? 11. What kind of experience is Larkin trying to describe in this poem? Why might people enjoy reading it? 12. What might be the significance of the detail, ‘an unsold evening paper’. What might Larkin be trying to suggest through this detail? 13. Can you see an oxymoron in the poem? What effect does it create? 14. Can you see anything ironic about this poem? Does it create humour?