CRITICAL COMPANION TO
Tennessee Williams
GRETA HEINTZELMAN
ALYCIA SMITH-HOWARD
1.
Facts On File, Inc.Suddenly Last Summer _279
of her sordid past. By this he is able to pierce the
virginal facade that Blanche has used to manipu-
late and control. Stella defends her sister by
explaining that she has had a tragic past and she is
weak, but Stanley is interested only in survival of
the fittest. He rapes Blanche and denies that he
did to Stella. This is Stanley's ultimate triumph.
In the end, Blanche is taken to a mental institu-
tion while Stanley comforts his wife by fondling
her breasts.
Kowalski, Stella She is the wife of Stanley
Kowalski and the sister of Blanche DuBois. Stella is
a member of a very refined and dignified Southern
family, who has chosen to cast off her social status
in exchange for marriage to Stanley, a vulgar and
‘often brutal simpleton. She is caught in the war
between Stanley and Blanche, whose constant
bickering and fighting leads to Stanley's sexually
assaulting Blanche. Stella refuses to believe that
her husband would rape her sister, After her accu-
satus uf tape, Stella Lomunits Dlawcie w a user
institution. As docs her sister. Stella glosses over
harsh reality to live in the world of illusions to cope
with Stanley's abhorrent behavior
Mitchell, Harold (Mitch) A middle-aged man
whose dedication to his ailing mother leaves him
lonely and troubled. Mitch falls in love with Blanche
Dubois, a refined, yet fading Souther belle. They
‘engage in a respectable courtship, and Blanche insists
con delaying sexual relations until they are marred.
‘When Stanley Kowalski informs Mitch of Blanche's
sordid past asa prostitute, he is shocked and offended
that she has made him wait for sexual intimacy
FURTHER READING
Adler, Thomas P A Streetcar Named Desire: The Math
and The Lanwer, Boston: Twayne, 1990.
Berkman, Leonard. “The Tragic Downfall of Blanche
DuBois,” Modem Drama 10, no. 2. (December
1967): 249-257.
Kazan, Elia. "Notebook for A Streetcar Named Desire,”
in Tuenteth Century Interpretations of A Stretear
Named Desire: A Collection of Critical Essays, edited
by Jordan Y. Millet. Englewood Cif, NJ: Pren-
tice-Hall, 1971, pp. 21-26.
Shave, Irwin, “Masterpiece,” in Twentieth Century Iner-
retations of A Stretear Named Desire: A Collection
of Critical Essays, edited by Jordan ¥. Miller. Engle-
‘wood Clif, NJ: Prentice-Hall, 1971, pp. 45-47.
Sova, Dawn B. Forbidden Films: Censorship Histories of.
125 Motion Pieters. New York: Facts On File, 2001
Suddenly Last Summer
‘A one-act play written in 1958,
SYNOPSIS
The setting is a Gothic-style Victorian mansion in
the Garden District of New Orleans, one late after-
‘noon between late summer and early fall
Scene 1
Mis. Violet Venable, an aging aristocrat, entertains
her guest, Doctor Cuikrowicz (or Doctor Sugar), in
the exotic gardens of her deceased son, Sebastian.
She tries to persuade the neurosurgeon to perform
‘alobowmy on ler niece, Catlsaine, wl is vuininne
the family reputation with a sordid story about the
particulars of Sebastian's death. In order to combat
Catharine's story, Mrs. Venable had her niece com-
mitted to Saint Mary's Asylum.
Mrs. Venable tells Dr, Sugar that Sebastian was
4 locally famous poet who, with her unfaltering
‘guidance, perfected one poem every summer. Mrs.
Venable offers a detailed account of her travels
with Sebastian. She then proposes to donate
‘money for a neurosurgery wing at the Lion's View
Hospital if De Sugar will agree to silence
Catharine. The doctor is ambivalent about agree-
ing to this deal when he has not yet met the
patient. Catharine and her nurse, Sister Felicity,
can be seen entering the house.
Scene 2
Miss Foxhill, Mrs. Venable’s secretary, leads
Catharine and her nurse outside while Mrs. Ven-
able drinks her routine afternoon cocktail inside
hher home. While Catharine and her nurse argue
about Catharine smoking a cigarette, Doctor Sugar
spies on them ftom a nearby window. Catharine
discovers him and shouts, “Lion's View Hospital,”280 _ Suddenly Last Summer
Portrait of Williams (Photograph courtesy of the
Billy Rose Theatre Collection, New York Pubic tityary)
to let him know that she is aware of the torturous
kind of medicine he practices. His blond hair
reminds Catharine of the times Sebastian longed
for blond men as if they were “items on a menu.”
Sister Felicity tries to quiet het. She speaks of his
death, convinced that if he had held on to her
hhand, she could have saved him. Catharine’s
‘mother, Mrs. Holly, and her brother, George, arrive.
Scene 3
Mrs. Holly urges George to compliment Catharine,
but he is uncooperative and more interested in
talking to his sister in the nun’s absence. Sister
Felicity is hesitant to allow her patient out of her
sight; however, Mrs. Holly persuades her to go
inside until she is called. George berates Catharine
about the drama that she has created around
Sebastian's death. He begs her to refrain from
telling her story to appease Mrs. Venable so that
she will release the money Sebastian willed to
them. Mrs. Holly intervenes when Catharine
becomes upset, then attempts to convince
Catharine lovingly to stop telling her “fantastical”
story. George becomes very angry when Catharine
insists that she is telling the truth, as he knows
their aunt will make sure they never receive their
inheritance.
Scene 4
Mrs, Venable enters and Miss Foxhill delivers a
folder containing the police report of Sebastian's
death. George and his mother ask Mrs. Venable to
speed up the inheritance process, but she ignores
their request and calls for the doctor to evaluate
Catharine. When Doctor Sugar joins them after
receiving an urgent telephone call, Catharine asks
him whether he wishes to drill a hole in her head
and cut out a piece of her brain. She mocks him by
exclaiming that he must have her mother's permis
sion for the surgery. Mrs. Venable announces that
she isin charge because she is paying for the lobot-
comy, and she accuses Catharine of trying to take
Sebastian away from her
Doctor Sugar asks to speak with Catharine
alone in order to assess her mental state fully
George goes to his aunt in another attempt to cre-
ate peace within the family and secure his inher
tance. Doctor Sugar and Catharine talk alone.
Catharine admits that because Schastian liked her,
she loved him in @ motherly way, the only way he
‘would accept love from a woman. She tells story
about a man she met at a Mandi Gras ball who
offered her a ride home. They stopped at the edge
of the woods and had sex, and afterward the young
‘man confessed to having a pregnant wife. He asked
Catharine to keep their rendezvous a. secret
Catharine was so upset that, after he took her
hhome, she went back to the ball, found the young
‘man, and created a public scene on the dance floor.
Scbastian witnessed her outburst and escorted her
hhome. Doctor Sugar gives Catharine an injection
when she becomes agitated by her memories and
asks her to tell him honestly what happened to
Schastian. Catharine stands up to deliver the
graphic details of her cousin's death, but the drugs
dizzy her. The doctors stands to help her regain her
balance, and they embrace. Catharine forcefully
kisses him as George returns to the garden. He
angrily shouts at his sister about her lewd behavior.
Mrs. Venable, Sister Felicity, and Mrs. Holly
enter. Doctor Sugar instructs Catharine to tell theSuddenly Last Summer _ 281
true story once and for all. Catharine talks about
the cruise to Europe, the wonderful stay in Paris,
and Sebastian's lavish gifts to her. At the Cabeza de
Lobo, he was uninterested in his poetry and spent
hhis days scouring the beach for handsome young
men. Mrs. Venable interrupts Catharine to say that
she always protected him when she traveled with
him. Catharine realized that she was procuring
men for Sebastian by wearing a transparent bathing
suit he bought for her and demanded she wear. AS
the summer progressed and the beach grew more
crowded, he no longer needed her. Catharine was
then allowed to wear a dark bathing suit and sit far
away from him. She would meet him every day at
five o'clock in the afternoon near the bathhouse.
‘The homeless young men would follow him out of
the bathhouse and onto the beach, where he paid
them for their services. Each day the band of men
became more aggressive in their pursuit of Sebast-
tan until he became afraid to go to the beach.
‘The mob of young men recognize Sebastian in
huis white suit at « ueaby eal. Catluatine motives
Sebastian's fear through his need to take his heart
medication. When they leave the café and Sebast-
ian walks up the street, the mob attacks him, tears
his body apart, and eats his flesh. Catharine runs to
fight them off, but itis too late, as she witnesses his
mangled body in horror. Mrs. Venable orders the
doctor *to cut this hideous story out of her brain.”
When prompted to give his analysis, Doctor Sugar
asserts that maybe Catharine is telling the truth,
COMMENTARY
Suddenly Last Summer is considered Williams's most
shocking drama, and as a result, the play is often @
favorite target of “Williams attackers” (Hurley,
392). In its own time the play was simultaneously
revered for its seemingly simple structure and
detested for its “disturbing” content of homosexu-
ality and cannibalism. Critical prudery blinded
many critics to the fact that this play is one of
Williams's “most richly and tightly written Gothic
romances” (Canby, 17) and contains some of
Williams's most evocative language
Scholarship regarding Suddenty Last Summer has
nearly exclusively focused on “one of the most suc~
cessful creations of an offstage character in dra-
matic literature” (Harris, 11), the absent Sebastian
‘Venable. In addition to venerating Scbastian, many
critics view this character as a “stand-in” for Wil-
liams himself Ar first glance, this appears to be
Williams's most direct and autobiographical con-
rection to the play, as both author and character
are gay male literary artist.
There is no doubt that Suddenly Last Summer
‘was a deeply personal work for Williams; another
poignantly emotional and deeply autobiographical
connection is provided by Catharine Holly, a char-
acter directly reminiscent of his sister, ROSE
Wimuiams, who had a prefrontal lobotomy per-
formed in 1937. Williams was always haunted by
the fact that his mother consented to this life-
altering experiment; his lifelong regret was that he
was not present 0 intervene and defend Rose.
Some biographers have speculated that, as is
Catharine's, Rose's lobotomy was prompted by the
family’s need to silence her allegations of sexual
abuse levied against their father, CORNELIUS COFeIN
‘Wruntans. Suddenly Lust Suan fy fuse with ve
“blistering pain” (Brantley. 13) Williams felt at
what his sister suffered in his absence.
‘As are BATTLE OF ANGELS and Onpieus
Descenpino, Suddenly Last Summer is a “tangle of
Christian and mythical echoes” (Debusscher, 449).
‘Scholars have extensively identified the connection
between Sebastian Venable with the life and death
cof his namesake, the Roman martyr Saint Sebastian.
According to legend, Saint Sebastian was an attrac-
tive young Roman who became the emperor Dio-