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Five years later, Rush bought his master back from the label and had the album issued in Japan. I saw
them do it live back then - - great live band. Otis Rush was only 27 at the time of this recording, but
his career at. CDandLP only uses cookies that are necessary for your user experience in order to
provide you with the best service and to measure its audience. ( Find out more ). By clicking on
''Accept'', you consent to the use of cookies for all of the above mentioned purposes. A Short List of
the Top Hits of 1962: I Left My Heart In San Francisco - Tony Bennett Roses Are Red - Bobby
Vinton Patches - Dickie Lee Sheila - Tommy Roe Big Girls Don't Cry - The Four Seasons I thank
you (and my iPod thanks you) for this post and for your great blog (which I visit each day.). Among
the artists I got to see, all in small clubs, were legends like Junior Wells, Son Seals, Jimmy Johnson,
and of course Otis Rush. Do you know if this is the same Al Perkins who co-wrote this song.
Thanks! By the way, Otis Rush recorded at this session enough material for a whole album.
Although he was unable to play, Rush made an appearance at the Chicago Blues Festival in 2016
where the city’s mayor proclaimed it Otis Rush Day. Billy is a legendary figure in New Jersey and
beyond, a bluesman without equal. Billy has his own material but he also plays blues classics and it
was his torrid version of the Otis Rush song “Cut You Loose” that turned me into a Rush fan for life.
After the city laid out the foundation of electric blues in the late '50's thru the 1950's, Chicago blues
of the 1960's turned into a whole new thing. J Geils Band did a good version of this in the early
'70's. Eventually, it was released by Bullfrog Records in the U.S. There were more recordings for
labels like Sonet and Delmark in the 1970s. This site is fairly easy to navigate, but if you have any
problems or questions, feel free to email us. You can find it at iTunes and the usual online retailers or
better yet if you’re in the area go to one of Billy’s gigs and pick it up there. If you are a rights holder
to any of the music presented and wish for it to be removed, simply contact me directly and it will be
taken down. I don’t remember that much about his set beyond the feeling that he was everything I
hoped he would be and that was a high bar to surpass indeed. Unfortunately it is still laying down
somewhere in some vaults! He recorded eight sides for the label before moving on to Duke Records.
The club’s proximity to the downtown area made it a haven for tourists. Not only did I have friends
living in the Windy City at the time, but the town was also still a hotbed for the style of electric blues
that bore its name. EXCELLENT.JUST EXCELLENT. people go blues nuts for B.B.King but I have
always prefered Otis Rush, Albert, Freddie and Earl King. Why did it take just over 50 years before
I heard this one. Perkins has a clickable link that goes to Texas pedal steel and dobro player, Al
Perkins. You must have JavaScript enabled in your browser to utilize the functionality of this
website. Other notable songs from that period included “All Your Love (I Miss Loving),” and
“Double Trouble.”. He continued to tour into the new century until a stroke brought his touring days
to a halt in 2003. Crypt has been a record label since 1983 and a dependable, devoted cult mail order
since 1986.
He recorded eight sides for the label before moving on to Duke Records. If you are a rights holder to
any of the music presented and wish for it to be removed, simply contact me directly and it will be
taken down. Perkins and D. Clark. J. Geils also included Otis Rush as a writer. Thanks! By the way,
Otis Rush recorded at this session enough material for a whole album. Both producers were
members of the Electric Flag at the time. Among the artists I got to see, all in small clubs, were
legends like Junior Wells, Son Seals, Jimmy Johnson, and of course Otis Rush. Other notable songs
from that period included “All Your Love (I Miss Loving),” and “Double Trouble.”. It wasn’t a hit
for Rush but it was a song that would gain new life when it was covered by the J. Billy is a
legendary figure in New Jersey and beyond, a bluesman without equal. If you are a rights holder to
any of the music presented and wish for it to be removed, simply contact me directly and it will be
taken down. This site is fairly easy to navigate, but if you have any problems or questions, feel free
to email us. Not only did I have friends living in the Windy City at the time, but the town was also
still a hotbed for the style of electric blues that bore its name. I saw them do it live back then - - great
live band. Otis Rush was only 27 at the time of this recording, but his career at. Why did it take just
over 50 years before I heard this one. Do you know if this is the same Al Perkins who co-wrote this
song. EXCELLENT.JUST EXCELLENT. people go blues nuts for B.B.King but I have always
prefered Otis Rush, Albert, Freddie and Earl King. Billy has his own material but he also plays blues
classics and it was his torrid version of the Otis Rush song “Cut You Loose” that turned me into a
Rush fan for life. Eventually, it was released by Bullfrog Records in the U.S. There were more
recordings for labels like Sonet and Delmark in the 1970s. J Geils Band did a good version of this in
the early '70's. I don’t remember that much about his set beyond the feeling that he was everything I
hoped he would be and that was a high bar to surpass indeed. He had been inducted into the Blues
Hall of Fame in 1984 and received a Lifetime Achievement Award from Jazz Foundation of America
earlier this year. The best perk was that I got to travel to Chicago three or four times a year. It began
when I managed a band he was in in the early 1980s. You can find it at iTunes and the usual online
retailers or better yet if you’re in the area go to one of Billy’s gigs and pick it up there. He would
only have been 18 years old when the record came out. CDandLP only uses cookies that are
necessary for your user experience in order to provide you with the best service and to measure its
audience. ( Find out more ). By clicking on ''Accept'', you consent to the use of cookies for all of the
above mentioned purposes. You must have JavaScript enabled in your browser to utilize the
functionality of this website. Perkins has a clickable link that goes to Texas pedal steel and dobro
player, Al Perkins.
He would only have been 18 years old when the record came out. His Cotillion album Mourning in
the Morning was produced by the storied guitar player Mike Bloomfield along with Nick
Gravenites. He was born in Mississippi in 1935 and moved to the city with his family when he was
14. The best perk was that I got to travel to Chicago three or four times a year. The album was
recorded at FAME Studios in Muscle Shoals and appropriate to that setting the sound of the album
found Rush moving in the direction of rock and soul. Perkins and D. Clark. J. Geils also included
Otis Rush as a writer. It wasn’t a hit for Rush but it was a song that would gain new life when it was
covered by the J. Both producers were members of the Electric Flag at the time. This site is fairly
easy to navigate, but if you have any problems or questions, feel free to email us. After the city laid
out the foundation of electric blues in the late '50's thru the 1950's, Chicago blues of the 1960's
turned into a whole new thing. Why did it take just over 50 years before I heard this one. CDandLP
only uses cookies that are necessary for your user experience in order to provide you with the best
service and to measure its audience. ( Find out more ). By clicking on ''Accept'', you consent to the
use of cookies for all of the above mentioned purposes. I saw them do it live back then - - great live
band. You must have JavaScript enabled in your browser to utilize the functionality of this website.
Eventually, it was released by Bullfrog Records in the U.S. There were more recordings for labels
like Sonet and Delmark in the 1970s. Although he was unable to play, Rush made an appearance at
the Chicago Blues Festival in 2016 where the city’s mayor proclaimed it Otis Rush Day. If you are a
rights holder to any of the music presented and wish for it to be removed, simply contact me directly
and it will be taken down. It was a pretty straight job with a major financial institution but it did
have its perks. I’m generally not fond of those kinds of places but when I learned that Otis Rush was
playing there while I was in town I put that aside. I don’t remember that much about his set beyond
the feeling that he was everything I hoped he would be and that was a high bar to surpass indeed.
You can find it at iTunes and the usual online retailers or better yet if you’re in the area go to one of
Billy’s gigs and pick it up there. Other notable songs from that period included “All Your Love (I
Miss Loving),” and “Double Trouble.”. Perkins has a clickable link that goes to Texas pedal steel and
dobro player, Al Perkins. If you are a rights holder to any of the music presented and wish for it to
be removed, simply contact me directly and it will be taken down. Five years later, Rush bought his
master back from the label and had the album issued in Japan. Geils Band, Jimmy Johnson, Junior
Wells, Ken Shane, Mike Bloomfield, Otis Rush, Soul Serenade, Vanguard Records. Billy is a
legendary figure in New Jersey and beyond, a bluesman without equal. Among the artists I got to
see, all in small clubs, were legends like Junior Wells, Son Seals, Jimmy Johnson, and of course Otis
Rush. Billy has his own material but he also plays blues classics and it was his torrid version of the
Otis Rush song “Cut You Loose” that turned me into a Rush fan for life.
Billy is a legendary figure in New Jersey and beyond, a bluesman without equal. His Cotillion album
Mourning in the Morning was produced by the storied guitar player Mike Bloomfield along with
Nick Gravenites. If you are a rights holder to any of the music presented and wish for it to be
removed, simply contact me directly and it will be taken down. Otis Rush was only 27 at the time of
this recording, but his career at. There was just one single for the label but that one single was
“Homework.” The song was written by Rush along with Al Perkins and Dave Clark. CDandLP only
uses cookies that are necessary for your user experience in order to provide you with the best service
and to measure its audience. ( Find out more ). By clicking on ''Accept'', you consent to the use of
cookies for all of the above mentioned purposes. He’s been entertaining audiences with his high-
energy guitar playing and singing for decades and if you’re lucky you can still catch him playing
three or four nights a week. Geils Band, Jimmy Johnson, Junior Wells, Ken Shane, Mike Bloomfield,
Otis Rush, Soul Serenade, Vanguard Records. He was born in Mississippi in 1935 and moved to the
city with his family when he was 14. After the city laid out the foundation of electric blues in the late
'50's thru the 1950's, Chicago blues of the 1960's turned into a whole new thing. This site is fairly
easy to navigate, but if you have any problems or questions, feel free to email us. He would only have
been 18 years old when the record came out. Among the artists I got to see, all in small clubs, were
legends like Junior Wells, Son Seals, Jimmy Johnson, and of course Otis Rush. Eventually, it was
released by Bullfrog Records in the U.S. There were more recordings for labels like Sonet and
Delmark in the 1970s. EXCELLENT.JUST EXCELLENT. people go blues nuts for B.B.King but I
have always prefered Otis Rush, Albert, Freddie and Earl King. You must have JavaScript enabled in
your browser to utilize the functionality of this website. Five years later, Rush bought his master
back from the label and had the album issued in Japan. Thanks! By the way, Otis Rush recorded at
this session enough material for a whole album. A Short List of the Top Hits of 1962: I Left My
Heart In San Francisco - Tony Bennett Roses Are Red - Bobby Vinton Patches - Dickie Lee Sheila -
Tommy Roe Big Girls Don't Cry - The Four Seasons I thank you (and my iPod thanks you) for this
post and for your great blog (which I visit each day.). He wants you to know that he generally does
not share his colleagues' love for the music of the '80s, and he does not forgive them for loving it.
(Ken passed away in November 2022. R.I.P. —Ed.). It was a pretty straight job with a major
financial institution but it did have its perks. Perkins has a clickable link that goes to Texas pedal
steel and dobro player, Al Perkins. I don’t remember that much about his set beyond the feeling that
he was everything I hoped he would be and that was a high bar to surpass indeed. J Geils Band did a
good version of this in the early '70's. Although he was unable to play, Rush made an appearance at
the Chicago Blues Festival in 2016 where the city’s mayor proclaimed it Otis Rush Day. The album
was recorded at FAME Studios in Muscle Shoals and appropriate to that setting the sound of the
album found Rush moving in the direction of rock and soul. It wasn’t a hit for Rush but it was a song
that would gain new life when it was covered by the J. Why did it take just over 50 years before I
heard this one. If you are a rights holder to any of the music presented and wish for it to be removed,
simply contact me directly and it will be taken down.
There was just one single for the label but that one single was “Homework.” The song was written by
Rush along with Al Perkins and Dave Clark. Among the artists I got to see, all in small clubs, were
legends like Junior Wells, Son Seals, Jimmy Johnson, and of course Otis Rush. It was a pretty
straight job with a major financial institution but it did have its perks. You can find it at iTunes and
the usual online retailers or better yet if you’re in the area go to one of Billy’s gigs and pick it up
there. I’m generally not fond of those kinds of places but when I learned that Otis Rush was playing
there while I was in town I put that aside. After the city laid out the foundation of electric blues in
the late '50's thru the 1950's, Chicago blues of the 1960's turned into a whole new thing. Why did it
take just over 50 years before I heard this one. J Geils Band did a good version of this in the early
'70's. Unfortunately it is still laying down somewhere in some vaults! Billy has his own material but
he also plays blues classics and it was his torrid version of the Otis Rush song “Cut You Loose” that
turned me into a Rush fan for life. The best perk was that I got to travel to Chicago three or four
times a year. He continued to tour into the new century until a stroke brought his touring days to a
halt in 2003. If you are a rights holder to any of the music presented and wish for it to be removed,
simply contact me directly and it will be taken down. The album was recorded at FAME Studios in
Muscle Shoals and appropriate to that setting the sound of the album found Rush moving in the
direction of rock and soul. I saw them do it live back then - - great live band. This site is fairly easy
to navigate, but if you have any problems or questions, feel free to email us. He would only have
been 18 years old when the record came out. Eventually, it was released by Bullfrog Records in the
U.S. There were more recordings for labels like Sonet and Delmark in the 1970s.
EXCELLENT.JUST EXCELLENT. people go blues nuts for B.B.King but I have always prefered
Otis Rush, Albert, Freddie and Earl King. He had been inducted into the Blues Hall of Fame in 1984
and received a Lifetime Achievement Award from Jazz Foundation of America earlier this year. He’s
been entertaining audiences with his high-energy guitar playing and singing for decades and if
you’re lucky you can still catch him playing three or four nights a week. It wasn’t a hit for Rush but
it was a song that would gain new life when it was covered by the J. Although he was unable to play,
Rush made an appearance at the Chicago Blues Festival in 2016 where the city’s mayor proclaimed it
Otis Rush Day. He wants you to know that he generally does not share his colleagues' love for the
music of the '80s, and he does not forgive them for loving it. (Ken passed away in November 2022.
R.I.P. —Ed.). Perkins and D. Clark. J. Geils also included Otis Rush as a writer. He recorded eight
sides for the label before moving on to Duke Records. Not only did I have friends living in the
Windy City at the time, but the town was also still a hotbed for the style of electric blues that bore
its name. The club’s proximity to the downtown area made it a haven for tourists. Otis Rush was only
27 at the time of this recording, but his career at. Thanks! By the way, Otis Rush recorded at this
session enough material for a whole album.
Although he was unable to play, Rush made an appearance at the Chicago Blues Festival in 2016
where the city’s mayor proclaimed it Otis Rush Day. Other notable songs from that period included
“All Your Love (I Miss Loving),” and “Double Trouble.”. Five years later, Rush bought his master
back from the label and had the album issued in Japan. EXCELLENT.JUST EXCELLENT. people
go blues nuts for B.B.King but I have always prefered Otis Rush, Albert, Freddie and Earl King.
He’s been entertaining audiences with his high-energy guitar playing and singing for decades and if
you’re lucky you can still catch him playing three or four nights a week. Not only did I have friends
living in the Windy City at the time, but the town was also still a hotbed for the style of electric blues
that bore its name. I saw them do it live back then - - great live band. It began when I managed a
band he was in in the early 1980s. The best perk was that I got to travel to Chicago three or four
times a year. Both producers were members of the Electric Flag at the time. His Cotillion album
Mourning in the Morning was produced by the storied guitar player Mike Bloomfield along with
Nick Gravenites. He had been inducted into the Blues Hall of Fame in 1984 and received a Lifetime
Achievement Award from Jazz Foundation of America earlier this year. Thanks! By the way, Otis
Rush recorded at this session enough material for a whole album. Eventually, it was released by
Bullfrog Records in the U.S. There were more recordings for labels like Sonet and Delmark in the
1970s. Otis Rush was only 27 at the time of this recording, but his career at. He recorded eight sides
for the label before moving on to Duke Records. You must have JavaScript enabled in your browser
to utilize the functionality of this website. Unfortunately it is still laying down somewhere in some
vaults! If you are a rights holder to any of the music presented and wish for it to be removed, simply
contact me directly and it will be taken down. He continued to tour into the new century until a
stroke brought his touring days to a halt in 2003. I don’t remember that much about his set beyond
the feeling that he was everything I hoped he would be and that was a high bar to surpass indeed.
Among the artists I got to see, all in small clubs, were legends like Junior Wells, Son Seals, Jimmy
Johnson, and of course Otis Rush. The album was recorded at FAME Studios in Muscle Shoals and
appropriate to that setting the sound of the album found Rush moving in the direction of rock and
soul. Billy has his own material but he also plays blues classics and it was his torrid version of the
Otis Rush song “Cut You Loose” that turned me into a Rush fan for life. This site is fairly easy to
navigate, but if you have any problems or questions, feel free to email us. Billy is a legendary figure
in New Jersey and beyond, a bluesman without equal. He would only have been 18 years old when
the record came out. J Geils Band did a good version of this in the early '70's. A Short List of the Top
Hits of 1962: I Left My Heart In San Francisco - Tony Bennett Roses Are Red - Bobby Vinton
Patches - Dickie Lee Sheila - Tommy Roe Big Girls Don't Cry - The Four Seasons I thank you (and
my iPod thanks you) for this post and for your great blog (which I visit each day.). It wasn’t a hit for
Rush but it was a song that would gain new life when it was covered by the J.