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29 Exorcises ta Enhance Phasing ‘The previnns exercises have guided you towards a control over consistency in tone colour and dynamic changes. These next exercises go one step further. They offer new and interesting challenges to develop dynamics and phrasing while remaining physically consistent with both breath and tone control. 41, Tapers Develop a taper that sings beautifully. Andante J= 72 30 -—\. —— —. mf Pf ———— pp ¥ P mf_—————_ p —~ Spee aE Lab ‘ of ——— p> 9? ~ —, —S~ Te 2 ~P a - fle ee ata + 0 ————<—_ ? fp Zip ae fe GE of —— 2 ff — N af ——— P. »f ———— p fF 2 of Lobe Labs Lobe eee SS I e a a £ £ 24 ae eo = 2 pias at et ft of pp of Po f——— fete G4 af 0 of —— 0 of —— ? of 31 —— £ Leta of of —— Late faints Ate —>._ «> > Je Le 2 pee Arte Pp f——— p f ——— — # a ae oo ——— > of ———— > ff —) ¥ —> Keb er TN Soe Jot ie Jt E > ————? of ———— ¥ 2f2 the Hie #2. Basic Melody: Dynamics and Breath Control Ploy this melody in one breath. Work toward your slowest tempo, keeping the forte strang, Middle Register: Adagio J= 72 -58

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