ViOuN All for STRINGS COMPREHENSIVE STRING METHOD =BOOK 4 by Gerald E. Anderson and Robert S. FrostVIOLIN FINGERING CHART MAJOR TETRACHORD POSITION a CEB STeNeS Tetrachord: First four notes or = last four notes of a scale. Major Tetrachord: First four notes of a Major scale. G_D. ALE } wos Minor Tetrachord: First four notes 1®@©@® of a minor scale. tes 20@O | suse 3©©® pote Vv MINOR TETRACHORD POSITION OPEN STRINGS TUNING: OPEN STRINGS vo 1 | @@® Flom 2 | GO; tes | ©O©®@ 78VNVIOUN 78VN All for STRINGS COMPREHENSIVE STRING METHOD * BOOK“ by Gerald E Anderson and Robert S. Frost Dear String Student: Welcome to the wonderful world of orchestra music! The moment you pick up your stringed instrument, you will begin an exciting adventure that is filled with challenges and rewards, Using ALL FOR STRINGS, your teacher will help you to develop the skills that will enable you to become a fine string player. if you study carefully and practice regularly, you will quickly discover the joy and satisfaction of playing beautiful music for yourself, your family, your friends or a concert audience. We hope that ALL FOR STRINGS wil lead you toward many years of pleasure in beautiful music making. Best wishes! Gerald E. Anderson Robert S. Frost ISBN 0-8497-3222-0 ©4985 Nell A. Kjos Music Company, 4382 Jutland Drive, San Diego, California. Intemational copyright secured. All rights reserved. Printed in USA, WARNING! The text, music. and graphics in this book are protected by copyright law. To copy or reproduce them by any ‘method is an infringement of the copyright law. Anyone who reproduces copyrighted matter Is subject fo substantial Penatties and assessments for each infingement, IQS net. A K105 Music COMPANY SAN DIEGO, CALFORNIAPARTS OF THE VIOLIN Scroll Peg box Fingerboard Bridge. F hole ‘Sound post (Inside) Fine tuners Tail piece Chin rest: End button PARTS OF THE BOW. Tip or Point Stick Adjusting screw 78VNCARE OF THE INSTRUMENT SE a 4, Handle your instrument, bow and case with care. Instruments and bows are made of thin wood, and can break easily. Bumping your instrument, either in or out of the case, may cause it to go out of adjustment. Keep your instrument clean. Each time you finish playing, use a soft cloth to wipe the rosin dust from your instrument, bow stick and strings. When you are not using your instrument, always store it in its case. Before placing your instrument in its case, remove the shoulder rest. When your instrument is in the case, keep the case latched securely. Never put your method book in your case. Placing your book in the case may cause your instrument to break or to go out of adjustment, Do not expose your instrument to excessive heat or cold. Extreme temperatures may cause your instrument to crack. 8, Check your bridge often. If itis not standing straight, ask your teacher to adjust it. Do not adjust it yourself. 9. Do not attempt your own repairs. Only an expert musical instrument repairman has the skill and experience to repair your instrument. 40. Do not let others play your instrument. CARE OF THE BOW GSS SS A one 4. Be carefull Bows break easily. Do not drop your bow or hit it on anything that will cause it to break. 2. Do not touch the hair of your bow. Moisture, perspiration, oil or dirt from your hands, face, or hair will spoil the bow hai. 3, Before you begin to play, tighten your bow with the adjusting screw. Your teacher will show you the correct tension to use. 4. Each time you finish playing, loosen the tension of your bow. Your teacher will show you how much to loosen the bow hai. 5. When you are not using your bow, always store it in the case. 6. Rosin your bow several times each week. ACCESSORIES Le A Rosin Shoulder rest Soft cloth Extra set of strings Music stand Pitch pipe Music folder NOORONS 78VNFigure 4 Figure 4 78VN BOW GRIP: 4. Make a circle with the tip of your thumb on the first joint or crease of your middle finger. Keep your thumb bent. See figure 1. 2. a. Holding the middle of your bow (pencil) with your left hand, lft your right hand thumb and place the stick (pencil) on the first joint or crease of your middle finger. b. Place the tip of the thumb on the stick next to the frog. Keep your circle, Keep your thumb bent. See figure 2. 3. a. Tum your hand inward or toward the tip of the bow. 'b. Place your index finger between the first and second joints over the stick (pencil. See figure 3 4. Lay your ring finger comfortably over the stick (Pencil) on the frog. See figure 3. 5. Place the tip of your litle finger on the top of the stick (pencil). Keep your little finger curved, See figures 3 and 4. 6. Check your entire bow grip. Reminder: THUMB BENT LITTLE FINGER CURVED HAND RELAXED See figures 3 and 4. BOWING 4, Place the bow on the string half way between the bridge and the fingerboard. See figures 5 and 6 2. Tiltthe bow stick slightly toward the fingerboard (away from the bridge) See figures 5 and 6. 3. Press the bow firmly into the string 4. Move the bow in a straight line with the bridge. Keep the bow at right angles to the string, 5. Raise your wrist slightly at the frog and lower it as you draw closer to the tip. 6. Relax your right shoulder, elbow and wrist BOW GRIP EXERCISES Your teacher will explain how to do these exercises. 4. Pinkie Lifter 5. Squeeze-Relax 2. Flex 6. Windshield Wiper 3. Wove 7. Spider 4, Teeter-Totter 8, Rocket LaunchINSTRUMENT POSITION 4. Stand or sit with correct posture. See figures § and 6. 2. Attach the shoulder rest in the proper position onthe violin. 3. Place the violin on your left shoulder. 4, Be sure that: . your left shoulder is well under the violin b. the left comer of your chin is in the chinrest so that you are looking straight down the strings. . the violin is tilted slightly to the right. . the violin is parallel to the floor. e. the following are in line: + nose + strings + left elbow + left foot See figures 5 and 6. 5. Relax your left shoulder. LEFT HAND POSITION 4. Place the first joint of your thumb on the neck. See figure 7. 2. Curve your fingers over the fingerboard, ‘See figure 7. 3. Adjust your wrist and forearm to form a straight line. See figures 5 and 6. 4, Be sure that: a. your thumb is relaxed, straight and pointed upwards. 'b. your thumb and first finger are opposite each other. cc. your wrist is straight. d. your fingernails are cut short. 5. Relax your left shoulder. Figure 5 Figure 6 Figure 7| STARTING BY ROTE THE BASICS DOWN BOW UP BOW PIZZICATO | n v piss, Move the bow toward | Movethe bow toward | _Pluckihe string withthe index thetip the tog. finger of your hgh hand. INSTRUCTIONS RHYTHM PATTERN PIZZICATO ARCO Play the assigned Rhythm Pattem | 4. Place your index finger (1st Place your bow at the correct ONCE for each letter using finger} on the correct string. string level. Pizzicato or arco. 2. Place your thumb on the Play in the middle of the bow. comer of the fingerboard. Use forearm stroke to PULL Pull the string firmly to the side to produce a good ringing Shckyoughthand bow 4. Shock your righthand Fray wits good ringing tone pizzicato position. STRING LEVEL ‘Adjust your arm to play on the correct string. OPEN STRING 2. TWOD's eDele Dial A +4 Check your bow grip often. 3. ASTRING 4. WOA's |Al-~ 4 | AlAI|-~ 5. ee 6. FAST PREPARATIONS myi-)AI=ad IDIAIDIAYARCO MEASURE WHOLE REST REPEAT SIGN ees peer = :] h al Repeat the previous Play with the bow. bar lines 4 beats of silence section of music again. RHYTHM PATTERNS _ mv PR RHYTHM PATTERN #4 dd J Mis -S8-StP -Pt nov RHYTHM PATTERN #2 2 4d RIV. ER 7 COMBINED PATTERN #4 dd dd J MIs-SIS-SIP-PI RIV - BR c STRING LEVEL 7. G STRING | IGi-4 | 8. TWOG's orn | |GIGli~ 4 STRING | §-Checkiairote/ glace, 9. GANDD 40. FAST PREPARATIONS Po 2,0 =<@ + ts your right ihumb bent? 44. Wo Tee IcipIDIG4 413. THREE STRINGS icGipicipi 42. ADIFFERENT TWO ipialalpbd igipiaipicd + Be sure to use fost bow preparations.} E 44, ESTRING > lIEIl-4 orn 48, TWO TOGETHER STRING |IEIEI=-4 Sea oeL CUR STRINGS % %e ‘ ~IGIDIAIEd 47. poke SUMP 18. BIG PREPARATIONS Gl-!lAl=-4 IGIAIDIE4 9. CIRCIEOFSTRINGS ~IGIDIAIJE/IAIDIGI-4 1 Bo sure to use fast bow preparations MORE RHYTHM PATTERNS RHYTHM PATTERN #3 7 d RHYTHM PATTERN #4 J ~ COMBINED PATTERN #2 Node COMBINED PATTERN #3 J ~ Td E INSTRUCTIONS Play all the preceding lines with these new rhythm pattems.7 y= Lt | 20. NEW NOTEE 24, UPTOE \E l= 4. [Di lees il ae 22. PLAYTWO 23. NO RESTS iID|E|-4 IDIEIEIDA Tk al @ | | = 24, NEWNOTEFR 25. UPTO Ft | Fel - 4 STL i- ipl 4 Place your fist and second finger on the D sting. 26. PLAY THREE IDIEIFI- 4 Check your bow grip often. 28. NO RESTS 27. STARTING ON Fe | [FEIE |DI~-4 + Prepore your fingers for Ft. IDIE IFRIFEIE|D4 Check your left hand postion:| INSTRUCTIONS The songs on this page are to be played in a different woy. 1. Play one note for each letter. The letter with a line must be held longer. 2. The rhythm words appear under the letters of the first song. These rhythm words will guide you with the rhythm of the song. 3. The other three songs are familiar. If you do not know the songs your teacher will play them for you. 29. THREE NOTE MARCH ID D DD JE E— E— ——|Ft FR FR FR IE E Ms - sis - sip - pi Ros - in Bow Mis - sis - Sip. - pi. Ros - in ID 3D D D IE E — —(iA ASE -€ HDiD Mis - sis - sip - pi Ros - in Bow Ros - in Ros - in Ros - in 30, FRENCH FOLK SONG Boe> D5 ES |Ai—E——|D FE E ID 4 Is your right thumb bent? DDE lA EID FRE E ID 34. HOT CROSS BUNS |Fe E ID | Fe E ID + Check your bow grip often, iD D D'-D«lE-E -E -E |Ff-— E———|D 32. MARY HAD A LITTLE LAMB YE D CE IFt Fe Fe — JE E E — IF# FA + Check your lett hand postion. BH EOWD! SEGIRMGRere sep |B Soir hE. .|p)——___ Fe—INeWnoTe |= | = 33. NEW NOTE G 34. GOING DOWN ia i-=d IGIFIEID|I=d4 4 Proce your fist, second onc ted finger on the D string. 35, MOVIN’ UP + Prepare your fingers for G, |DIEIFIGIGIFRIEIDA 36. ROSIN BOW MARCH ID D D—IE E Ros- in Bow —_ Ros - in ID D D—IE E + 's your right thumb bent? 37. MARCHING SONG —E —|F# Fi Bow Ros- in —E — Fi Fk ID D E EIFK FA G— IFA FA [Di (DY EE Et Cra Eee Ea ++ Check you left hand postion 38. CLIMBING UP ID E FRE—IE FR G —IFR G ID — FR—IE FR G — |F# G + Check your bow grip offen, G Ros - GS Fd Fe G |Ft in Ros - G |Fe G | Fa G | Ft E E ID ID Fe in E Fa —E —l Bow — D—I D—I 78VNEwnore A ; | ox 39, NEW NOTES AAND B |AIBIAIB@ | 40. FOUR NOTES IDIE/|AIBA A 44, UP TO NEW NOTE C? jue | A IBICHICHIBIA4 2 | 42. SIX NOTES i 7 IDIEIFIAIBIGd 43. FRENCH FOLK SONG A A A B ICKk—B—IA CHB B IA | eA A BY ICi—— B—— |A_ CEB BIA | & Check your left hand position. § 44. HOT CROSS BUNS Ct B [A | Ct B IA | A A A A\B B B B | CH— B——|A I 45, MARY HAD A LITTLE LAMB Ce B A BICt Ct Ci—/IB B B——I|C# Cd CH—|] Ce B A BI|C# Ct CH CRIB B Ci BIA ! + Check your bow grip often.46, TO NEW NOTE D AND BACK [> ester 1A 1B IC#HI D | 2 IDIGEIBIAd 47. GOING UP THE D MAJOR SCALE IDIEIFIGIAIBIGID# +% Check your left hand! postion. 48. D MAJOR SCALE-UP AND DOWN DIEIFIGIAIBICHIDI * D 1C#1B | A [| Pepacingesonveres — | GIFRIEIDA 49. Play ROSIN BOW MARCH, MARCHING SONG and CLIMBING UP on the A string. 50. TWINKLE, TWINKLE, LITTLE STAR D. DeA 2AriB "BA —IGoC. -AerMEbES D5) Be. * * * DDA AIB B A—IG G FR FRIE E D—I * A A (GG IFietier— [ACA Gi ‘GFE Fr & —| |(D =D SA SASiBBEEA Teach rperinlEic. D —I + Check your bow grip often. 7evN7 tow ies rT STARTING BY NOTE THE BASICS | starr TREBLE CLEF MEASURES _ | TIME SIGNATURE ; 2 | =P |, : Ke 5 = SS | ioe edger | se wom | wbonwds mecuure QUARTERNOTE J = tect Counting HALF NOTE d= 2be0t Alternate Counting | stmncuver At your righ amo ploy on te cect ng DA 4. DSTRING OPEN STRING Goto then level. Be ready to play on the * See yyy emy % Check your bow grip often. 4. HALF NOTES SSS S5 + Move the bow slower for hat notes.WHOLE REST REPEAT SIGN ] DOWN BOW UP BOW =A r " ws of Repeat the previous Move the bow toward: Move the bow toward i... || mesmo, | ie one +4 Check your bow grip often. 42. MIXING IT UP + Roll the bow to the new sting, 76VN43. G STRING @ OPEN aj 47.C AND E STRINGS % Bosure fo ws fast bow preporations + Checkyour bow grip often, 45. THREE STRINGS ° STRING A 418. CIRCLE OF STRINGS A Z the comrect level of bowing. #33 + Raise and lower your orm toioe 20. MISSISSIPPI RIVER DUET @nr o A mn ® n ul 5 |. TRICKY BOWS + Isyour right numb bent? ead Counting Alternate Counting 4 + Witte in the counting 25. OPEN STRING DUET 1 MVe mV ay ‘Aso play this duet pizicato. © Fv Saisae Oty 4 b Syl 4 ?)| 34. RHYTHM TEASER — 26, NEW NOTE E {4 Prepare your fist Enger during the ress. z 1 + Check your bow grip often, | 29. FLASHY FIRST 5 iM I ‘deja 2S SSeS finger down where indicated Bde. Is Idle ddd |= i J Uda de Jd a a ee ee ee ee 1. Wiiteintne counting. «2 Clapandcount. —_&. Pay oreo ot pizioato.32. NEW NOTE F# ® By nv 4. Prepare the next finger during the res ® ov 4 2 | 33. KEEPING THE FIRST DOWN38. MARY HAD A LITTLE LAMB Trostional 39. HOT CROSS BUNS @Pi.s os ny ® 40. FRENCH FOLK SONG: Trodittenal-Duet oo + Wie the name of he line. $308 or note in the box ot the end ot ecch arrow. cscsWHOLE WHOLE 4 2) ‘STEP 3| 8 ser + Check your bow grip often: 49. CLIMBING UP A v sats 4 Check your left hand postion. 50. KEEPING FINGERS DOWN Apele aia aio Counting 4 ' 2 t 3 ' 4 Altemate Counting teal H Rr 4 Seda) 4 te 53. COUNTING AND ANSWERS OB Yen 3 fA y ® oY 2 3 n y 54, RHYTHM TEASER gla dt- irde bb dele adhJdehdadlaadhdd ll a ee te | | p= |= _|f | Witoiniecountng. 2 Copendeount. 3. Rayarcocr pico. 55. SKIPS 56. MORE SKIPS ny, Pia ma) 3 » SSS aad 57. NORWEGIAN FOLK SONG Traditional % Check your bow grip often, 58, DUET IN THIRDS @n y, fn : > ®n y fi A ; ’ iF +23 59. RHYTHM TEASER Had Jeli added ddd Wed ld del eddded 40 1. Wteintne counting 2. Clap. BCS pa | | eel Play co or pancato. 64, BOW DIVISIONS A v A \, SSS SS LA, WBUH, W8. 62. LIGHTLYROW —- Memorize ‘German Folk Song 1 on zy a ‘ ®y, 6m 7 ° é LA WB OH WB, s WEB. Continue win good bow chon @n » a 2 @n my, 8 s 63. PENCIL PUSHER Pad ermaess = ae Op OS @ White the number of counts each note or rest should receive in each box. Qc ‘each measure with the comect number of half notes or quarter notes. RL 64. JINGLE BELLS On 0 1 9 » + Check ne plocement of your bow. 78VN1 119 sae 2 @ 65. NEW NOTES B AND C¢ Qa es ee | ae + White in the note names 68. FRENCH FOLK SONG @A TWoattional Duet ’ 69. LIFT SET GAME An,» 31 » ® + Check your bow oti often70. NEW Ni TED @ ¢ 1 2 3 nv |Ho,® | 74, TETRACHORD MARCH A Sy ee > Tt ists preter! aft G i + Reter to the inside front cover for the explanation of o tetrachors 72. UP THE D MAJOR SCALE 5 v 4 Check your le hand position. 73. D SCALE ROUND Round Ln =i === = ee | 1 hopre be Gham cing coun 74, DUET RHYTHMS FOR THE D MAJOR SCALE )) i This bowing is a series of separated notes played petite et u - ded vile he bow moves none direction. Separate ec Also play 6-8-12-1 notes per bow. Gell Ree P ddindddd Bayete So nevennene ech frolic) nod eS CR SS ployed wie ‘moves in one direction. Aso play 6812-45 notes per bow. The bow doe nol top but cnfinses moving. % Pray these bowings with the D Major scale. + Refer to poge 48 for ner bowing and scale possibilities 78ND.S. (Bal Segre) = sign you see the D.S.al Fine, go backtothe Fine = finish (sign) and stop when you come to the Fine, 75. CONCERT SONG Frost-Solo or Ensembie Solo an 2 2 » On 6 7 go» @n s SSS + Ensemble: A group of musicians ploying oitferent ports. 76, TECHNIC TRAINER NO. 4 5 77, TECHNIC TRAINER NO. 2 ‘Roll the bow to the new string. 78, TECHNIC TRAINER NO. 3 z NN | Uttandset each tnger coratuly acrossto the next sting.‘Check your bow grip often. )} Counting 112:3 © = 4beots Alternate Counting i 4 80. SLOW BOWS rf yv i a ee ee Pa A paaajane 841. BOHEMIAN FOLK SONG lL . Pg Ott * your left hand postion. AABA FORM ‘The fist musical section Ais played two times, followed by @ new section 8. : : ‘Then section A is repeated. 82. TWINKLE, TWINKLE, LITTLE STAR * Memorize i @ Draw te notes onthe oft to form oO Majo scale. Be sue ‘ole in the Boxes obove. @ Draw your cet sign. Aso 00d he hey signature forD Motor. @ inthe frgering chart above, wile the name ot the note thats ployed che place ot each cre. clude the #'s for he appropriate notes, Name each 78VNyo _, _ | Note or notes that come before the frst full PICK-UP NOTES measure of a piece. Play single pick-up notes up (vy) bow. 84. O COME, LITTLE CoNDREN * Memorize Schutte rE ERIE as Counting aes AE SIGNATURE inoch Alternate Counting t ‘ : ad Adot offer a note adds half the value of the note. td 85. D MAJOR SCALE IN 3 SSS SS SS oS Fa SSS + Ato pioyths exercto win JJ in each mecaue 86. D SCALE WALTZ SSS aS (SS SS 87. RHYTHM TEASER PdrarhkddiadW Jib Wd hadhJdoll 1. Witeinthe counting «2. Clapendecount. 3. Play arcoor piazicoto.88. POSITION CHECK Right Hana eft Hand Playing Position Thum bent 1D Wis stoight 1D instrument held up | 1 the finger curved 1 Ebow uncer Siting up propery | | 1B Straight bow stroke | | Have your teacher check your position. Place an X in the box for each item that is correct in your playing, 89. FRENCH FOLK SONG: Treditional (es te GS Se 90. RHYTHM TEASER DaddeWeJWd hdahodls WW dhs | 1. Wate inthe counting. «2 Copondcount 3. Playarco or pizzcato, pri eae Senate é oe 94. TRICKY MELODY + Clap ond count this melody before you play, D.C.al Fine 92. SCOTLAND'S BURNING English Round Ln 0, ‘ m. Vv. ))| 93. BALANCE THE SCALE y {Wile in notes or rests fo balance each scale. Be sure thot the notes or rests on one side ofthe scale botonces with the notes or rests on the other sidenv ‘Katuris a curved line that connects two or more notes of different pitches. Keep the bow moving and change the SLUR {fingering for the second note. The sound should be = are smooth and continuous. 94. nv A 4 (ae SSeS —4 eS — YS co + Aso play his bowing pattern on the A sting for exercises 94 ond 95, SF 4 Also play 92 10 97 without sus 98. BOW TWISTER eel || Eel + White in the note normes. 400. GO TELL AUNT RHODIE *Memorize ‘American Folk Song an. 2 a ~ @n a 2S SSS WB. wD ® 0 fo 2 On a 5 eis ae ' D.C. al Fine4104. ITTAKES TWO. eet OF + 4 A} | ! @®n \ fn 102. SLUR THREE ) ‘Atle s c curved line that connectstwo notes of the some pitch. Hold the note for the combined value of 403. HICKORY DICKORY DOCK Traditional 5 1% Check your let hand position. TIME SIGNATURE Counting 4 2 Alternate Counting i J 2 -iee vise oeed 44— 4104, TWO STEP MARCH nm 2 a a, On 8 24 gh» + Check your bow grip often. 78VNARPEGGIO An arpeggio is a broken chord. The notes of the chord are played one at a time. | 105. DARPEGGIO 2 + Fingers 2. ond 3 are pioced 14 step apart 106. ARPEGGIO MARCH 2 % Check tne placement of your bow. 107. THE GUIDING HAND Hatton | 4 Check your bow grip often. 4108. SOLO TIME Frost 409. PENCIL PUSHER fer + pts fot \ GREASE WV | Drowin ne bor ines foreach section. Be sure tonotice the tme signohures.de det 2 Ts 4 oo—S-@0 Ip ~ am ° When you see this key signature, play all the Fs ‘a8 Fi. This is the key signature tor Major. KEY SIGNATURE 412. NEW NOTES A, B AND C 5 Oy 1 Besure 18 piepare your fingers forthe sips. 414. 1% Keep your fingers down where possibie. 445. LONDON BRIDGE + Checkyourlefthand position. 4146. G MAJOR SCALE © La. + Reter to page 48 for other bowing ond scale possiblities.i] 447. =] 418, TECHNIC TRAINER NO. 4 4149. TECHNIC TRAINER NO. 2 1 | 120. TECHNIC TRAINER NO. 3 + Spacial challenge. Play his ine with the folowing bowing: didd 124, TONIC AND DOMINANT ARPEGGIOS |S __ a TONIC The tonic is the keytone or frst note ofa scale. tisshown byl. 122. PETER PETER SSS SSS SS % Bosure tonctice the accidental (Din measures 9 and 12 S VS— 4125. THREE STRING MADNESS % Spociol challenge. Play ines 124 ond 125 with he folowing bowing: addddigdad WB UH edddJ ELSIE DPR Ia@ OP) ENDINGS WB. LH, ———F— 4 426. CONCERT TRIO. Frost Trio — @in @ es peas = @n n . i Fir ©n 5 » 2 ae z Fine 4 Si» LD.Cal Fine] = =f |D.Cat Fine] | D.Cal Fine 78vNCounting TAIZ BIS BILE Altemate Counting : , il TirasaTa $y sad ° sem eli s) + Play ni orercke bociworcs. Axoplayitisine wih iefoiowngcownes J J] J Te mi Td fevun, ve be Ln wa Gm ven 128. CZECH FOLK SONG Traditional 1 4 @y e ——-|--—|--__--_|___|-___|___|-__ | ® » 0 + Check your left hand postion. 430. LITTLE ANNIE Czech Folk Song + Check ne placement of your bow. D.C.al Fine | 434. RHYTHM TEASER NPI QL de DI dh Deldaa la Jl pls eee eee oe ee 4. White in the counting. 2. Chap and count. 3. Pray arco or ptzicatoAndante = moderately slow TEMPOS Moderato = moderate speed Allegro = quick ond lively 432. LONG, LONG AGO. * Memorize ee eee ae | He Fea Onn a —— 1 2 @n rn s 16 + Meoploytnssong wth ihe totowngbouwng J ddd JJ 133. THEME—BEETHOVEN VIOLIN CONCERTO. Beethoven a AUN Play he note until your teacher or director signals eee Eee a) Youto sop. Play the note longer thon waten,)| 137. KOOKABURRA Aston Rous 5 ie oe | ee | # Trounciswntton nthe folowing key, 438. JOLLY OLD ST. NICK Traditional ‘Moderato 1% This ne is watten in the folowing key: & Also ploy this line pizzicato. race Ss 439. THE OLD WOMAN AND THE PEDDLER English Folk Song-Ensembie 440. RHYTHM TEASER V4), dk Dhdeth De I Dada Dh Be ida Dl =-==|_—-|---- |---| —__|_ ___|_ —_ 1 Witeinthe counting. «2. Clapandeount. 3. Pay arco or pizzcato.+ Stoich the 3rd inger Be sure there i.@ whole step spacing between your nd ond Senger. 143. A 5. > Brie ay sinecmine recrooees 11 ) 6 When you see this key signature, play 446. FINGER TWISTERS nim On On | Peyeccn secton é mes 7EN447. KEEP THE MUSIC RINGING Hungarian Round 0. 7)| 151. MUSICAL ROAD SIGNS [SSS ees down bow upbow bowitt — fermata repeat sgn cy Ys step marking + While in he correct musical mariingin the box provided 152. MEXICAN CLAPPING SONG—OH WHERE HAS MY LITTLE DOG GONE Fok Songs 453. SNAKE CHARMER Andante von o re S a os, 454. POSITION CHECK Right Hand Lett Hand Playing Position [ Thumb bent ( Wrist straight Instrument held up. ithe tnger cuved 1 Bbow under Up property G Siting Straight bow stroke Have your teacher check your position. Place an X in the box for each item that is correct in your playing.4157. SOME FOLKS DO A 158. fn 159. BOW A 460. TECHI A ~ = TWISTER INIC TRAINER: +ff =frte = lous mf -=mezz0 forte = Medium loud P—— =piano = Soft 162, CANON Tote t Gl a. a n Iv. mf i 163. FRENCH FOLKSONG —- Memorize | + Be sure to use good bow aision Dee eee eee Sass 5 a 2 "3 3 465. THERE'S MUSIC IN THE AIR 8 Ay in 2 i * a, + On * 5 @ wite in he fingering, eter H2 oF L2. ur @ Inthe tngering chart above, wie the name: otis played at ne place of each cic.Va 468. NEW NOTEA , 2 A 469, TECHNIC TRAINER 5 aed MAJOR SCALE WITH BROKEN THIRDS {Azo ploy this exec subeuing he conect numberof eighth note for wach wien note: JJ], + Refer to page 48 for other bowing and scale possibaties, 474. ARPEGGIO FUN on 2 J07H === =See SSS SSS + Ato play ths song suring ree quarter notes as folows:lish Fok Song 472. WHEN LOVE IS KIND 4 This ine is written inthe folowing key. Troattional 4173. SAINTS Allegro 474. SKIP TO MY LOU + This ne is writen inthe following key. 475. SHEPHERD'S HEYaay 176. NEW NOTES C, D AND E (violas and cellos play on their C string) my on my | 477. NEW NOTE F SSS SS s nopoareitersmotons | | 478. fn A ; Se awa oe Sa a 1% Akio play this ine with separate bows 179. C MAJOR SCALE WITH BROKEN THIRDS On le > SS SS SS + Ato ploy his exercise with ne fotowrngbowngs aodddd odddd cdddd + Reter to page 48 for other bowing ond scote posstblies, = a fro. AREECGIO FUN 7 . SSS SSS SS ear Sots} z= i =e: 5 q Sep =484. DUET IN TWO KEYS frost vet @n, 0 4 f f 8) A On A z Z ra 1. The Apart iswaiten in the following key 2. The 8 partis witten in the folowing key: THEME AND VARIATIONS Asimple tune followed by the same tune with changes. 482. THEME AND VARIATIONS mf a ba D.C.al FineD.C. (0a Capo) = to the beginning Vimeo). Frost 4183. HAPPY BLUES an Allegro moderato vty Ancerion 4184, JAZZ FEATURE Moderato eo vine pattems for the B port + Poy pzicato. a od en seddd 2didd tdddrTECHNIC DEVELOPMENT 4. D MAJOR SCALE 2. D MAJOR BROKEN THIRDS | 4, G MAJOR BROKEN THIRDS 0 5. C MAJOR SCALE === aa 6c MAIR BROKEN THIRDS 4 + t SSI Poy ti Sees ond takin ec wit ety tee red bein aes Be sure to play these rhythms and bowings with good bow division. Whole Bow = W.B. Upper Half er eaate = LE Middie= M. { i i td: ada 9 jn Mepos J 2. J i i} i 40. 18. aR 3d | aud 93 Sid adda 42. ddd 20: J id | da 8. IITs 2 2 49 a Jad 4 oddd? ud ¢ add de z¢4043 2 4 ad dd 8. surdnotes 16. sir2notes 24. shrsnotesBASICS su ‘he ines onc fou spaces on which music writen rene cur ed fr vt Pgh range) suse res onto 60 NATURAL concet a shop vy SionATURES shas at he Begining of «pice hat change certain notes throughout he PICKUP NOTES nol at come bette fat fil measure oto piece REPEATSIGN oy the previous sacton of muse again RST AND SECOND ENDINGS layne tat encing he tte. Then repeat ne same mu phe ts Ending. ond ploy Re second nang. = te 2 cred ne hat connects wo notes he same ich. Hod he note forthe mare value oe wo nto. FEMA *HOLD”) ne note longer han written. Play he note unl your teacher or rector Boras youre sop 080 rit. or ritard racy sow he tomo PACAPOALEINE D.C. al Fine 0 bockto the begining and sop when you comet he Fine DACAPO AL CODA D.C. al Coda ‘goback othe beginning. When you come to Coda sign 9} ship to the coda. DALSEGNO ALINE D.S.al Fine ‘gobocktothe $¥ sign ond stop when you come Fine s010 wo ‘envy one person plays exsenus «2 gop uml ployng tern! ports mst aw. Paro he sacton pls the top noe, prt plays tne Bottom note BOWINGS aco arco ly wth the bow rancaro ples. phckine sting Domeow , move he bow iowars het Pow y move the bow towar he tog sowurt ’ inne bow ond ehun othe lover hat arog ofthe bow sue == play 2o¢ more ferent notes wih one bow. The sound shoud be smacth and WHOLE BOW WB. ploy wih ofa bow owen Kae LE. lynne tower hat fhe bow UPPER nas UH. poy inthe upper ato he bow MoDUE OF BOW M. lyin the mide of he bow swueren swccaro addy tals of soparated nots ployed whieh bow movesin one recon vovne Wis let eonectd ncn ry pune a bow moves none econ DYNAMIC AND TEMPO MARKINGS rome t ‘ualvelume ‘NoANTE Andante modertey sow ‘mezzo Forte oe medium ta vole oveRaro Moderato moderate speed Pano ? senvolme ‘nuroR0 Allegro culck ond ivelySon an cater? a eee esa) Sree eee ea sd on guid ee a i Ul 8084" ole 0 iii