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DIDO AND AENEAS

HENRY PURCELL
ed. Margaret Laurie and Thurston Dart

E ovERTURE*
Ada o

Violin I
Violin II
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Viola
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Ádagio

ciníle
Continuo
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Cello e
Double Bass

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*For [PrologueJ preceilingtlris Overture, aee Appendir (Ovsrturó rnd A to S)

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4
ACT I
tSOENE- ThePalaoel. Enter Dido, Betind,a and. attend,ants

5)

Moderato BELINDÁ

Shake the cloud from off your


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brow, Fate Jrour wish- es


- does al - low; Em - pire grow - i4g, plea - sures

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flow ingr For - tune smiles and so should you. Shake


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the cloud from off- your brow, Shake

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6- CHORUS
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brow. Ban- ish sor - rov', ban - ish care, Grief shoultl neter ep - proach tho fair, Ban - ish
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Ban- isÍ sbr- row,'ban- ish care, Grief shoulcl ueter ep - proaoh the f air, ' cresc,
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Ban- sor- row, ban - h care, Gri ef should neter ap-proach the f & ir, Ban- ish
B

Ban - ish sor - rowr ban - ish carer Grief should ne'er ap-proa ch the fair,

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Gricf .- ne'er aP-P roaehishouldne'er aP -
sor - ro\r', ban- isn- càre, shoulil

Ban - ish, an - ish caret an - ish s or - row, Grief should ne'er,sh ould neter ap
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s or - roq" ban - h, b ut1 - ls h care, Griefshould ne'er - proach,should ne' erirp -

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Ban - ish sor - row, ban - ish, ban- i"h care, Grief should neter aP
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proach the fair, Grief should ne'er, shouldne'er ap - proach the fair.
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proach the fair' Grief shoulil n a'"{j should ne'er ap - Proach the fair'
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the fuir, Gr ef should neter, should ne'er ap - proa ch e fair.


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proach the fair, Grief- should ne'er ap - proach the fair'

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Aht Alrl .-- Áhl .4h I At,t_
E] SIow DIDO

aht Aht _ Ahl Be - Iln- do, I am

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p ress'd w ith
to

press'd- 'With- tor ment, Ah! Ah! Àht Be "-

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lin da, I am press'd With tor ment not to be oon-


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fess'd Peace - and I ara

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18880
7

stran gers grown, Peaoo


- and I &re stran - gers,

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stran gers grown. I lan guish tlll ny grief- is

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guish

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known, I I an guish

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till mI grieí is- knoun, Yei uould lot, uould not, *'ould not
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till my grief- is known, Yet would not, yet would not, would not
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18880
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have-- it guess'd
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Peace
- and I are stran gers grown, Peace and

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RITOR.

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I are stran gers, stran ge rs g rown

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IlIine ad-mits of no re - veal -ing
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BELINDA
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Grief in-creas-cs by con-ceal-ing; Then let pe speak;

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TSECOND WOMÀN]

the Tro-janguest ln- toyour ten-derthoughtshaspress'd.The great-est bless - ing

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Fate can give, Our Car - thage to SE eure, and Troy re-vivel The great-est
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- 18880
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bloss-ing Fate can give, Our Clr-thugo to se - cu ro,an d 'lroy re - vive, CHORUS
S. Vn. I

A. Vn.Il 1y
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mon-archs u - ni t€, how hap- py t heir state; They tri - umph at

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once o'er their
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foes a n dtheir fate, They tri-umph,th tl tri-u mph at once o'er theirfoes and their fate
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6 DIDO

Whenee could so much vir - tue SPT ing? tr''hat storms,

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W'hat bat - tles did he sing? An - chi sest -


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Iour mix'd with Ve nust charms, IIow soft, -- how

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soft -- in peace, and yet how fierce, how fieroe in


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BELINDA 'IO

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armst A tale so strong andfull of woe- Might melt -- the

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18880
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TSECOND WOIIIAN]

rocks, as well as- you. What stub-born heart un - mov'd- could

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$ee Suoh dis - tress, such pi - e -ty? Mine with storms of

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eare- op-press'd Is taught to pi ty the dis- tress'd; Mean wretches'

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grief can touch, So soft, so sen - si-ble my breast, But ah! but

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18880
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ahl I fear I pi-ty his too - mueh.


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AI,I,egro
I BETINDÀ
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SECOND Fear no dan - ger to en - sue, The he - ro loyes as well &s
W'OMAN

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vou Ey- er gen . tle, ev - er smil - irg, And the careÊ of

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life be - guil - ing, Fear no dan ger- to en sue, The

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he - ro loves as well as you. Cu - pids strew your paths wi th

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18880
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f lowers Ga - ther'd from E ly sian bowers Fear no

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dan - ger to en sue, The he - ro loves as well &s vou.


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A.Vn.II
Fear dan - ger to en - sue, The he - ro loves as well as you.
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Ev- er g en - tle, ev - er smil - ing. Ànd the cares of I ife be - gui - ling
A.Va.

18880
60 15
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S. Vn.I

A. Vn.II
Fe ar dan - ger to en - sue, The .he- ro loves as well as you.
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S. I,Vn,I 70 D. S. al, Fi,ne

S.II,Vn.II
Cu-p icls strew your path with flowers, Ga-ther'd from E - Iy - sian bowers.
A.Ya.

F
ffa)r
try
la lDance this Cho. The Baskel: repeat choru,s, orchestÍa only.'

E f-Aeneas enters
BELINDA
ztith hds train.f

See, sce, your roy-al guest ap-pears; Howgodlike is theform he

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Ct / Cont

ÀENEAS

bears! When, when, roy- al fair, shall I be bloss'il,'With cares- of


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16
DIDO ÀENEAS
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love and state dis - tress'd? Fate forbidswhat yon pur-sue. Ae- ne- as has no

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to mJ

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fate but yout LetDi-ilosmile,andl'Il de - Íy The feo - blestroke of Des-ti'ny.

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I CHORUS
S. Vn.I

0u - pid on - ly throws the dart That's tlread'ful, dreatl-ful , dread'ful,


A. Vn.II
-
Cu - pid. on - ly throws the dart Thati dread- ful, dread-ful'-
T.Va mP

0u - pid on- ly throws the dart, --


B mP

Cu - pid on- ly-

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18880
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Cu - pid on dart Th & t" dreacl-ful to r heart,T s

dreail-ful, Cu - pid on - ly throws the dart, on throws the dart,That's

u - pid on - ly throws the dart 'f hat's

throws the dart That's dread- ful,dread-f ul, Cu - pid on - ly throws the dart That's

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cresc

dread -ful to a wilr - rlo rts h eart, And she at wounds, and she that wounds c&n
cre6c

dread- ful to & war - rior's heart, And she that wounds, and she thatwounds can
Cre.t
- C

dread - ful to à war - rior's heart, And she that wound s, an d she that wounds can
sc

dread - ful to a w&r - rior's heart, end she that wounds, and she that wounds c&n

a/
mf cresc I
t
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f
40-
on- lY, on iy cure thesmart, oan on - Iyr- on ly cure the smart.
-

on- ly, on Iy cure the smart, an on- , on-ly ure the smart

on- ly, orl - ly cure smart, on , on- ly cure e smart

on - ly, on ly cure the smart, can on- ly, on - ly cure the snart

v t fr. l- llo
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$ $

18880
Í
Í
18

10 ÀENEAS

If not for mine,for em-pire's sake Some pi - ty on your lov ' er take; Ah!

d 1

Cont

sfÍ

Ah! make not in a hope - lessfire A he - ro fall, .-- andTroyoncemore ex-

, -di tr-1 -r :

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11
BELINDA nf
Quiek mt P
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pire. Pur - sue thy con-questrlove, Pur - sue thy con-questrlove, Pur-

Quiek

mP mf F
--:

sue, Pur- sue, pur- sue thy con-quest, Pur - sue thy con-quest,Love. Rr-r-

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188 80
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19
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sue thy- sen - quest,Love- her eyes Oon - fess the flume, her

to

eyes Con-fese theflamohertonguede - nies, her eyes Con-fess the flamo, her oyes Cou-fess the

-al a t1
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f Iame her tongue de - nies. Pur - sue thy con - quest,

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Love, Pur-sue thy eon-questrlove, Pur-suerpur- suer- Pur-sue thy con-quest,

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F *

Pur-sue thy- con- quest,Love, Pur- sue thy- con- quest,Love.


*
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* 11a IA Dance Guitars ChaconyJ: See Appendix, p.103

18880
20
CHORUS
I S.Vn.I f

To the hills snd the va es, to the rocks and the moun-tains, To the
A.Vn t!I
To the hills and the valcs, to thc rocks and the moun -trins, 'fo thr:
T.Va

Tot e hills end the veles, to thr.l rocks snd the moun-ta ins, To the
B í
To tho hills end the veles, to the roeks and the moun-tains, To the

ug I
f orch.
* t

P I
mu - si - cal groves e4d the cool sha dy foun - tains Let the

-
mu si - cal groves and the cool sha - dy foun - tains Let the

mu si - cal groves and the cool sha - d"y foun - tains Let the
::=-<-

mu si - cal groves and the cool sha dy foun - tains Let the

a -a-
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10

tri u hr, let the tr i umphs of

tri - urrphs, the tri umphs, the tri - umphs of

tri umphs, let the tri - um h., the tri - umphs of

tri - umphs, let the tri - umphs, the tri umphs of

.,/ + :*: -.' I -t


t' tC' ?*'?

18880
í

21
CEORUS Tacet
Vn.I ;r

love ànil of b eau - ty be I hown.


n.II

love ancl of beau - ty be shown.


n í

I ove of beau e shown.

Iove and of beau - be shown

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b 20 nfcHoRUS

L t e tri umphs, Iet the

Let the tri - umpho, the tri

Let the tri umphs, let the

Let the tri - umphs, let the tri - umphs, the

a./ Lrttl.{ ----f-- -"d' --


- nf
- 'l-

tri umphs of love and of beau be

umphs, the tri - urnphs of love and of beau - ty be

tri - um hs, the tri umphs of- Iove and of beau ' ty be

trï umphs of love and. of beau be

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18880
7
,D
F cresc 80 f
shoc/n. To the h and o the rocks and the moun-tains To the
F cres c

shown. To the hills and the vales, to the rocks and the moun-tains, To the
cresc

shown. the hills and the vales, to the rocks anil the moun- tains, To the
creSc Í

shown. To ihe hills and the vales, to the rocks ancl the moun- tains, To the

u4 a- I

P
c resc
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mu- sl c l'ó roves and the cool sha dy foun - tains L et


P

mu si - cal groves and the cool sha - dv foun - tains Let the

mu si - cal groves and the oool sha - dy foun - tains Let the

mu-si-cal groYes a e cool s a foun - tains Let thc

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tri umphs,let the tri umphs of love and of

tri- umphs, the tri umphs, the tri-umphs of love and of


!

tri umphs, let the tri -umphs, the tri-umphs of love and of-

tri- umphs, let the tri-umphs, the tri umphs of love and of

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18880
23
p aresc

beau - ty be showne Go re - vel ye Cu- piils, go re - vel, go


aresc.

beau - ty be shown; Go re - vel ye Cu - pids, go


- Fcresc

beau - ty be shown; o re - vel ye - pids, go re - vel, go re - vel ye


- F cfssc

beau - be shown; Go re - vel, go- . ,"re-u-v.el ye Cu-pitls; go re - vel, go


-
v
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re - lreL ye Cu - pids, go re- vel, the ay is your own

re vel, go re - vel ye Cu - pids, the duy is your o.wn

Cu - pids, go ïe - vel ye Cu - pids, the duy is your o.wn.


Í

r,e - -ve,L, go re - vel ye Cu - pids, the .luy rs your own.

u r I i-é a 1+-+
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Segue

|rB-| The Triumphing Dance


Vn. I Í 1

Vn. II
Va. Í

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Cello & D.B

18880
24 to
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lst titne

í(P 2nd tine

f(y)

r-l ______z-

Í Y mP cresc.

f mP cresc

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18880
25
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40

i-{
a

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(Ist tine dtm,) r
(2nd tine oresc.)

(Ist
(2n,d
time dtm.)
time cresc.)
f
ft
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(tst ttme ain.)
(2n,d time cresc.) í
4

18880

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