rvebt Words and Music by James Hetfield, Lars Ulrich and Kirk Hammett te cole resasm iris Tesh eee oy a quedo 2s igi a e+ farioe fee OB O-c a ge oe Ee Sx Om @-v+ O-Eb Gim = me wel, sim = me fie, vim - me that which 1 de ~ site, Bs (cont. in notation) son 2 ? - - F NCES) dit tone sist tone (eas) © as GD as (5 (end Rby.Fig, 1A) Rhy Fil — — — =a ee ar u P r % a ra x x Halftime feel as) uw (estate et) (end Rift A) Rita J S CCopyight © 1987 Croeping Death Musi ASCAP) Intemational Copyright Seca Al Plghts Reserved 9Hattime fet idence = ES sont® Yeh —___ tum on, 53 Sreaddtonal yes (Gtr Leone. sashes) «Gu, tL a i, S Y “Pay wight variations a on DS os ES (ont. ia notation) ts Bs Bis as — Gren- a tine crash and crack my head — Ni - tro junkie, poimt— me dead | ahy Fig 2(Girs 1m (end Rhy. Fig. 2) t (nd bal ime fel) WRhy. Fig. 1 (Gers. 1& 1) Rit A, ams Fares ose race eee 2A 10Halftime feel 2nd, th Verses és os ES Gnt's ° ° Pe hun - dred plus through black and white, ah, 4 Seeaiditona lyk oun wah as fer war = head Fock ‘em, man— white - knuck - le tight. = H wah off (end halftime fel) Yhwough Mack and white. — "xen, a _ (Geo) Gite. ——— (end Rby. Fig. 1B) Harm 1 Ry Fig. 1B MM ee = = Teepe ee ° P P Rhy Fig. 3(Gtrs. 1 1) Ful pump - ingen ‘ines, burn = ing ara, — 12wR ;——_—_ loose and clean (ok, (cod Rhy. Fig. 3) Rhy. Fig 3A (Gir 5 {ond halftime fel) — © o tion, quench my thirst with gas oe tine— (end Rhy. Fig 3A) Rit (Ge. tt) Play 6 umes 13wih. Fig (Gis. 811) es) —.~ ToCada . So pim-me fuel, yim = me fire, gimme that which de sire wiRby Fig me i wR. Fig, 1A (14 times) (Gs. 11) oun ob : cies) 5 & —— ——s Yeah, Hiatt ime feet wR Yi. Fig 1 (Ges. DS al Coda as 4 8) % Cost Halftime feel, Inerlude ° Nc o oh, yeah Gus. 1811 Rhy Fig 4 Ne os s “ (end Rhy. Fig. 4) i + + + at + * i w/Rhy Fig. 4 (times) cw t=} orm ~ o ton = =| SS Prt axl «| wal! ; z ” (Gutrow) 4Sed th times wi ne Bs Ne os Ne, ‘ci UE wRtt A Nias) Get Ld i = at tone wheal as iter Fall 15Guitar slo Rhy Fig. 1A times) (endhalftime fee NCES) ees = | Full Full ™ coo fame BW eee aac oo 2A yf ee — i foe, z omy ee eee A Noe | Doe Piesseed 1 a r " ire ers ae] f Te = rz; re : urs, 68 &s os as) oa) GS, 09 SS be 1 4 Ry Fig, 1A (ast bar only) as as) Fa Fe ee ee ee . ; ri rat ral ore pat yt == —— = 7 z 2 a 16(Gt. 11 comin notations Bs os es os ts os His Bs wiRty Fig, 1B News) Fall Fal Gu. i Pat rl (cont, in Fil2 a oD a (coms in Fl2) (contin slashes) vib, wibar Ful2 (Gu. (Gur U1 out "7Halt time feel Outre ‘why. Fig. 3 (Gtr, and 2 swag. Voc ad ib (nen 32 bars) s ss oun ° = : SSS = = Sj o Gim- me Riccar.) 7 at (end Rit) j r : lng he ee / Nn nN wy. Fig, 34 (Ist 7 bas aly) ts as ————— oo ° ° 18NCES) was 0, —_______ ont bum — Ful is pump - ing en ph vito a | (os) as) ines, burn = ing hard, loose and Rhy. Fig. 34 and Rit B « as ag ps QDS = = pt == = sean — And on and og —______ Chum = ing my di ree (oemnorerrererreree tt arate oat and oa) — © ” quench my hist with wt 4 19wiRby Fig 1 (Gt. & (endhalftime feet) gay ppt =. 7 = = = = . == = - = = - = . gas o Aine. — $$ Gim - me (G11 ou) a 2 aan nee = et a a — s wi st 3 bars onl us . E Rhy Fig 1A (1813 bars ny) ren 3 : Neues) fuel, gim = me fre, gimme that which Ide sie, ‘ooh! wb. Fl (G5) as) os, Half time feet © (as) o Gus Additional Lyries 3. Turn on beyond the bone. Swallow future, spit out home, [Burn your face upon the chrome. ‘Yeah, oh yeah. 4. Take the corner, join the crash, Headlights, (Head on.) Headlines. ‘Another junkie lives too fast, Yeah, lives way too fast, fast, fast, woh, (To Chorus) 20THE MEMORY REMAINS James Hetfield and Lars Ulrich Fs Tune down 12tep: tf O-E O-0 + D=nb Db O=E5 Moderate Rock J = 148 doy ee os Bes) uct ES DS ES NC. ts Ds Bs Ne. Es For- tune, Gut 3 (cont in nota Gun So 1 2 ont inneston) Hatt dime feet as tone Ne. Rit incudes both ie, on Copyight © 1997 Coping Deth Musi ASCAP) Intratonal Copyright Socured Al Fights Raserved 21Pull (eee) a iF : Ss (cod Rhy. Fill 1A) a : - ey ————— — —_ on ‘steady gliss. (Ge. oom inthe ine ne Cend Rhy. Fi) eta . ous.18 i Rhy. Fil (Gte2) = 4 ‘ a. Chord simpli. Pay wight variations ab when reali (oughoud, = tsi 2nd Verses STRATA (mes) Ne : 1. Hew rings—— on fin = gers WN te oh er star a ee ddindnat res a oe doubled an octave higher (ex 4 bar oe). Swbstnte Fill (Resume Riff A) de = nice — the grave— See the no- where crowd — ey the no = where cheers — of hon on Like wit = ed vines that grow int rat ou J 221st ime substitute Fil? (Gus 18) 2ad ime substitute Fils? (Gt) & 2A (Gt. 1) (Resume Riff A) = hide and swal = tow = man = sions whole, — and dim the ight Ist sie wR Fils 1 1 2nd ime wiRhy. Fils 1A &. 1B 6 on fs — of am al ready fad = edi = sma don na La ES cording trough tr Sd ba ont ae Chorus DS ES NC Es Ds BS NC Es Ds Bs NC Es [5 For tune, fame, Rhy. Fig. 1 (Gis. 1&1) (end Roy. Fig. 1) mir ror vain gone in sane. TRI2A (Gu) Fal Fal Fut A Fa at Ry LTB (Gtr. 1) 23wR. Fig. 1 (Gtr 1) Ds ES NG BS DHE DSS ONG. Bs For - une, fame,— 1 Rhy. Fig 1A Gtr. 1) SE paged ty bass only. i ‘wiki A DS ES NC ES DS Fs NC = sane,— but the (end Rhy. Fig 1A) (en RO FETA) Gos rat 24iy FANT Iz is Bs es Ne sos wry 2 J 1 dS TTI Fd th Continue sing nought eat te (Gtr thea oa) WR. FSB 8 os >» “ Dance, fe te tn rod ess Crows Ry Fil3A (Get) (ena Rhy ISA a Fat (end Ry. Ful) =a 7 ! Ful Rhy FSB (*G4 IV) “Thvowphout song. Ve proceed trough “aplch siting eit which Cases notes, {round an cea higher 25SFR ines we Bsiadeb6) os bs Bs | dit tone (end Rby.Fig.2) Rhy Fie 2 i ing with aiation non DS wR. Fig. 2(3simes) es stad) os (xy RUB (*Gu.1V) Teich iting tect as Btore 26bs Bs Es Bs(adabe) Fat Guy a Geet Ty Fu dis tone ToCoda & Bs(atas) bs Bs a en faoceee ae (2d time Gis. 1H V out) Fa = Cm wy ome a7Chorus ‘oth: Fg. and Rhy LA Ds ES NC. ES Ds BS NC. es bs Bs NC OES _~, —— away fade a may Vout) lb @ —— ps wiRty il? wiRby. Fig bs cs bs as Ds ES NCES Ds BS NC OBS onm } wah as iter fu ut wi. Fil2 Ry. Figs. 1A Ds ES NC Es Ds 6s bs os Ds ES NCES Fortune, fame,— Rhy. Fil 4 (*0tt IV) (Gte.1¥ out) erring» epi aiting ees ae 28wR. Fl? DS SNC OES Ds ES NC 5s bs as Ds as [omic ror vain. one in sane, why Figs. 1 1A, Ds ES NC Bs DoE NC OES bs Es Ne. Bs For = tune, fame, — rir - ror gone in = sane, but the Pu Fat Fa Fat ES (Gi ont. nao) fen yoy ot SS = - mem 0 ye © mais. i (Gtr 1M ous) 29“oe echoed by aka wise (nex! 26 bars on). Gradually ese PM, (ent? ba). pick slide eady sss) wiRitt A (Ist 6 bars only) NG. qa 1 te leo sashes 30Guitar solo Riff A (is 3 bars only) 4 Ne ps es R. Se sp wtf A (1513 bars only) NC ra 1p why. Fils3,3A 838, DS. al Code Fs os “Gontnve sig trough it eat ‘SDs or isthenaut) Ges. 1801 3Rt (5 ies) es (Band cet) cont oboom e C088) @ © os (Gre 1a) I a Da da dye a aa, & o& af Gt 1Y radaly aes oot, saatioting Fl for 4h bar of RE, ‘Se anon G1 cota plpig ne repre vr Snpng a 2 one ©) os oo 9 es) es es os @, 5) «9 ws 9 a el dade ede Spoken) Say at least say hell. os, ws) @) es os, ae a a te Dada dads a. Say yes, a leat os, ws (Gre. ace) ill (*Gtr IV) 4 Additional Lyrics 2. Heavy rings old cigarettes pie pein ie forgets the Hollywood sun sets Behind your back ‘Ad athe band pay 0? at isten, they play my SOng- ‘Achtowh, gosto dan Fade to Black (To Chorus)SSeyis TOANcE James Hetfield and Lars Ulrich EOS) ASE Bs “Tune down one whole sep: Moderately slow Rock J = 96 (Base & drums) NCES) es tone witelay Formos Oe fn. (Gi.) SIs01 SZ ITI a ee cea a iia (contin slashes) Ot IL (end Rhy. Fig. 1) JT 3570 3 wR Fig, 1 (6 times) a a 3 © 1997 Creping Death Music ASCAR) lntomational Copyagh Securall Fights Rocered 33(eng Rit) owt Gem Fat caer . St ~ oe (Gtr teont, Gr) an ous 1801 Ranke) Ger “1 _—_—_—— (Gx. 100 ~) + at a) Feb nN Ri on : WW ee eee a harm. ra a ‘Fab pitch: F oe ak _ Get 55) ast Bb (a) S da 7 OO yr dn 1 DA Go (cod Rit) Rrase 59) ase ais) ase SE A ie) DN BN Ns eS 1 a egg ey a rs Ig Verse # e (Gu. out) een! 7 NCIES) tose NewS) ose NCES) AS 1 feel you 00, those things you do.— WE played by bas oly. that burm— tee the you~ rut ©) Ose NCES) ose NC. os thay wanting oe side— you know the 35(end Rit C1) us (end Rhy. Fg. 2) Riff Chorus bs NG os Ne Rhy. Fig. 3A {end Rhy. Fi. 3) 36wih. Fig. 3 (times) Bis Ne s nel AY to come down Ry. Bl “ ° ae ag xe wRift BE Thats eh Let {end Ry. Fig 3A) Rhy FULA —— a Se sk rn (on. in slashes) Rhy. Fi (Gee 1) 372nd, rd Veen Sd time Fl 1 (times) tate bet me akc—_ your ind, eve your hin et ean wel Bs os (con. in outon) 72, 3 > gT3 FB - eat > J T4, i Pit i Pa. EG Be not a fra ve got what you need, your rnioum ft Nett) wig dae ny i : wit C m Ne. 2nd ie Gre sbsttte 2 feed, p(Gertilos) Get Sp GNB a (ociaver of) a 4 (octave off) 38Choras ‘WR. Figs 3 (3 ines) & 3A Bes Ne os Ne, Bis One ay you will — and dure. = tosome down to me.— cee Gs Ne, Bis Ne Gs Ne ° Ha, ba a ‘Yeah, come on, come on now, take the chance, ee wR. Fis *1 & 1A, ‘wR Fig, and RIA (both 2 times) @ 5) 3 Come dance— ah Yeah— come dane - in ‘Subttue drestforbeat "Both gus. wight variations ad ib Guitar solo om © 18h STD, 772 ig, o s — Gniv @ 5 tem. bar I —_ “For nex 4 ars, Gt ply eat 5 wiPMs Gir [payee writen a why. Fig 2st bat only) (4 ies) oun TD. > go, x 5G — = A Paes a ‘tem. bar trem, bar Dh 39Chorus ‘why Figs. 3 (3times) & 3A Bie Ne os Ne.wih. Fil? wR as (um yy ty y yi YEN wipe yariatione nd “Depress bar before iki note Qe T woctaver ey. Bul2 (Gt) 4sit B83 bony) . 2 re 7 4, Last note of bar noted Se a bo poug a DS al Cot ee (Ge Vou) ack sec 42Ry. ills 114 wits C&*C1 ey Ne Code ° Lets dance. Mm—— its Beat of st bar struck, no tied are why. Bul with. hy FE 3A 1st 2 bars only) Bho Bhs NC Gs ne OF yo} : le to we you ere, —— a Rhy Fi (Gtr. I) Opn Additional Lyries 3. Yeah, I feel you too, Feel those things you do, In your eyes I see a fire that burns ‘To'free the you that's wanting through, Deep inside you know ‘The seeds I plant will grow. (To Chorus) 43He UNFOREWEN IE Words and Music by James Hetfield, Lars Ulrich and Kirk Hammett AS os BE Am Gad Em Awe on Oo” wit: Fig, 1A 2 times) Sim Oo As cs Ry Fig. J, a (Gr) Sst tone iit A (Gert) “For at for is baron) — = Sveti we (end Roy. Fg. 1) J. D 2 wRby Pet VLE cs i, — a a 7 o a ae aa 7 oT Fy os Bs Am c (Gtr HI & ou) Ry Fig 2(¢G46 IV) Fa (end Rif) 7 eS 7 hold bend NF ee OS aL I st esr si— > Gir equipped wi bender afr standard Rhy Fig. 1A (Gt ean tone Copyright © 1997 Creaping Death Music (ASCAP) 44 Intraoral Copyright Secured Al fights Pesoresct Ve Full ea - coy Rift sony ie (end Rif B) ‘a Rite & BI clude Gee VA VI Gir Viole oa wz Fat Ful (cod Rby.Fig.2) a ST Fret wihum. In Vere “TR. Figs 1A (8 es) & 2 (times) An c 6 ‘em an c (a aS = Lay bes side me tell me what they've done. Ad speak the words. [—— want to hear (Gus. V & Vow) “Png ai ans “had ane GV Gr pF Ge Ov Ronee ony " aa a Em am c a Em cs - to make my ée-mons run— The door is locked- now, but its o- pened if youre tue. REA pata case Am c ° En mas. oI I34 SOLIS — Wh you can un der-stand- the me— then I ean un « der- stand. the you.— “through Ist 2 beats of and Verse ca o En an em AD TIDY TID STTIO LITT ID ST FI ITTB IIIS 45and Verse ‘wy. Pp 2 (times) A “ & —<—— = Ley bes se me un + der wick ed sy Rhy Fig. 3 (Gre) (cod Rhy. Fig. 3) Soar 1V plays Em (net 8 baton). way. Fg, 3 (3 mes) writt BL yfRE 2 tmen Am c 6 E c oO Di 3 ty = ea —— cy a a rt [Sia oo vat s ral a - [No there m0 sun shin ing” through — No, there mo sun sia ing * oa (Gur. 1M out) Rly. Fig. 4 (Gur 1) (od Rb. Fig. 4A) letringnneeet leering ‘ Rhy Fig 4 (Gt. IV) (end Rhy. Fig 4) (Gtr Vout) + iEring TRE Fa at S aa 5 ean ag, IR EME OUD TVNAAZS oo ii iJ J. “ratte over nent bar a sCominus tom Rut,Chorus ‘Asis? Am Ast on Grecsua cs ‘om f= 34 SSS = SS Se Be co What Tye fet what Tye known.— Tum the pag + 6 tum to stone — Rhy. Fig. 5 (Gus. 1& 1) (cod Rhy. Fig 5) B pled by bas on wRby BLA Asus Am Asust 6 Gre Cow Ne oo hind the door should 1 open its for ——‘you?—— Yeah, Rhy Filt Gtr : — . . ra wR Fig 5 (96 ies) Aswa Am ‘Aswsd on re cost cs on o What Pye fel, — what Pe known. Sick and tied 1 stand = tome Could wy. Fs A sed Am asus 6 Gre Cua xe ras See fee 2S SS SSS SSS SS ——SSS you be there? ‘Cause T'm the one who waite for you Or ae you un = for- given 100? Ry. FILA (Gu. 1) a7with, Figs. 1 1A (Doth 2 times) erat wR A x cs os Es as cs os Bs Sg Det TTT sing oun {etd bens ofa Vers, — Come lay be = side me This wont hurt, swear Ray Fe 64 (Gite) APP — 2 end Toward fo Rhy Fig. 6 (Gtr. VID (cod Rhy. Fig. 6) o clean tone why. Fig. 6 (24 times) am c G —— but shell nev = er love a gain She foves me not, the loves me (Gu. vim RAFAT (Gt. VID) ri tit tone SSS 48Wy. Figs 3.86 (both 2 times) Am c . a ¢ — ee SS SS Se . or htc = Eo ety tee sere eee rs eee eee eo CGuvitow) wy ReaA ° 5 ee r Yeah, she'll be Dead sure she'll be— ic cout cs when Fm gone, — Yeah, shell be there when Chorus SIRS ig 5 (6 mes) ‘Asw2 sud Am Awe GiB what Tye known (Gtr out) OB Amd Am Asa G Tun he PE = tum. to woe Be hind the door Stould 10 pen for you? wy. FLA wy Fe. S(Hstme) Ge cw Ne ‘Aue Am asus on x tas =F =f —* S———S . : —— SSF Yeo What The fet what Ne tpoan — (Gis. V & Viou)ic Cus cs GB AMAm Asus o Sick and tred— 1 stand a one.= Could you be there? Cause I'm the one who waits for you~ Gitar slo Ry. Fil 2A shy Bip 1 (M5 times) (Gtr. 1&1 Gic Cast Ne. As cs = Or are you un | Rhy FN2(GeED ; a 2 a for give en Gr. vit rt Fu Fat an Told bd ee rng ne Tol Bend Ful Hi ~ Ful Fal Fal + a -20- 28, — + 2. 1 + 49- + + a = 2 t 1 wy. Fig 5 (times) Ass? Am Asus os 5 2 STA Fal . JY / fA Fa Fal Fa chee e E fetes Shes ae: a = — — eS eee SS SS SS = = “eo Tun the pag > ck tun to sone — Be - hind the door Should I o- pen t= for you? wiRty Fills 1A ‘wih. Fig. 5 (6times) Gic Cause Ne Asad Am Asa cB — Yeah. What ‘ve fel, what Tye known. So. <= 7S ees — oo — ove who waits for you oh, What Tye fet — what Tve known Riff D (Gu) (Gre Mow) Hew 52Gc Cun cs Gm Asa Am Asa 6 a Be = hind the door— Should 1 open for yout su Am + [a es, = f 7 = = Caen lone ey eee oh, wat. (So 1 duh thee m+ oregon) ccc cs GB Asz Am sua 6 Gre. subs Rhy, Fill 2 of on GC Come fei 2 i— eS = === = = wee me (Gtx. Icont. in notation) § x = : ‘Asud_Am Ds ta—4 7 3—Z Zon ae) — tT I— ‘Cause you're un for- given, tao, on, oh oh Get os 5 Gr ou) A : y a Asus hu i (Gre Low) ah tab we Bend ovarian 53BeTIER THAN You ‘Words and Music by James Hetfield and Lars Ulrich e sols cs oe . 4 ¢ 7 ea i ig ee O-E ©: o3 oe B28 Bee “Moderately fast Rock J = 160 Half time feel fer tt i i : a aden approx. 10 seconds) (Gu How) ony 1 ST et os S os ats as os Es ck scrapes Yeod Ry. Fig 1) Rhy. Figt 3 Ry. Fig. 1 (2simes) Gs Gtsas Gs ES Gort Harm a Gs Gis Ass Bs (co bal time fel) Play dimes rs NC BS NC Gs Gis As (Gte Icon. in slashes) as Gis as os Rhy. ig, 2 (Ges. 1 1) (end Rhy Fig.2) Copyright © 1997 Creeping Death Music (ASCAP) Intermanensl Copyright Secured. A Fights Pesorved1st Verse Ove os as os 5 ats As ees Ws rd. STI 2 dd TTD 4 DID TI 1 look at you, Rhy Fig 3(Gte 1) (end Rhy. Fig. 3) "Pay ony owes nce of ord ‘whoo FRA i cented (otouphout) wy Fe 3 Ome (end Ry. Fp 34) as As os Fes Sots at wad TD 1T ITI 2 dt STI 2 PTI TT: Pia ae Hun + gy and thst, yt. ae os as cs bs read rd STI 29d) SIAL TD 2 7d SDbk Hold ing— Rhy Fig 4(Gte.1) ae Sigh aration ad o> hy ig tSrecle (rough) as Fs osx (cod Rhy. Fy. 6A) Bet = ter than. (cad Rhy. Fig. 4) 55Half time feel, Chorus ‘why: Fig. 2 (4 times) Gs BS NC. FS NC. as ats as os ESNC ES NC Gs Gis As Gv substitute Rhy. Fill you saan Bet - tee than (Better than you) re wilanger (throughout) Gu Msubsiute Rhy Fl] (end half ime fel) 1 ES NC. ENC GS Gts as OS ESNC ES NC os Gis As (Better than you) 2nd Verse seh. Pe 3 2 ines) ¢ Aino30) os ES NG ES NG ESN GS GIS AS Lack —homms.—Tpsh and 1 ttve Ry Fig. 5 (Gt 1) (nd Rby.Fig.§) letring vevcneg ltr PMs PM PM — ; - t = + z + + $ > t F to a 3S wit. Fig S| G Avie) os ESNC 65 NC ES NC GS GHs AS Some = how feel more a tive wR. Figs 4 44 os as cs bs the need for a ST | ° Bur it, bur = yy the seed — = wilde (bot :) Rhy Fill (Gtr) 56os as Bs os Ber = ter than (Gus. 118 1V out) Half time fee Chorus Rhy Fg 2 (4 ies) Gur H substitute Rhy FL2 os BS NC. ESNC Gs Gis AS as BSNG ES NC Gs Gs As — . — you i Ho, bet = ter than (Better than you) (Resume Rhy. Fig. 2) is MH subsiote Riya os ES ONC ES NC GS Gls Ass BSNC | ESNG GS ts AS (Bet-ter than you). Bridge ge Ms Fs Nc AS Fis Bs rts es Fs on, Rhy. Fg. 6 (ts. 1& 1) (nd Rhy. ig. 6) hy Fil2 (Gur I) 87wiRy.Fig. 6 ASHS ES FAS NG as Fis ES Fs Es Fs (On, x0, noth - in rings me down. — fon, ye. you cant take it down — wiRty Fig.7 Bs Gis *HISGHGHs NC. Bs ts Fisict ots - this train this fo 2 ‘Noes ah of sashes played by bas only. Te Coty FIs Gs @ Bs ts Fic! Gks Ne TI D — Rhy. Fig. 7(Gtr. 1) 58Gitar slo (cod halt ine feet) Iw Pig. 2 & 2A (both times) BuGt cls Fivct ots Ne. os Gis As as ES NC we Chord ame ees GT ‘ext barony). ES NC as cts as os BS NC. BS NC, os ots as ws Fal i a A Ose SING BS NC. 5 ts As Gy ES NC ES NC Gs cts as s ts 1 Wi. Fig. 3 & 3A (both 2 times) os as os BS NC ES NC. G3 Gls as Rhy Fig. 2A (Gt 1) 59‘wiy. Figs 48 4A (ooth at bars ony) Es NC. Gs ats As os 7 12 ut ‘: a) Di % ») = s ? ? ? P DS. thalfume fel al Coda osx & (ast 4 bars of Rhy Fig.7) 7 . coin fio : 7 eS oD (Gre out) Faden ne BsGt ots FAsiat ats Ne. os Gis as down. ‘Cause Tm bet =Chorus Why: Fig, 2 (Gt 1:8 times; Gu. 4 times) os BS NC. ES NC, as Gis As ss fs NC —— ——_ + ™ (Bet = ter than you) (Ge I subttte Rhy. fo ES NC. os ats as os Bs Nc Es NC. as ats as —— Bet = er than you. (Bet - ter than Gt. substitute Rhy. Fill wy Fig. 28 as BS NC ES NC. Gs Gis as 7s ES NC BS Nc. Gs ats as ae ob, bet = ter than you. you) (Bet = ter than Chord aumes fet Gt. (net 6 a). ‘wiRhy, Fig. 2 (Ist bar only) —wRby. Fl wiRhy Fig 24, os ESNC. BS NC a os as as ES NC Es NC. as ats as _—__ (Bet - ter than you), (contin slashes) Gis 1 i trom pck Bet = ter than Fak phos 8 # 61Chorus Shy Fig 2 (Gt 1:7 times; GM: 2 times) ete Rhy rr rr re a (Bet - er than Orme wiRhy Fig. 8(7 ines) thy, Ces os BNC NC os ots as EER I. 2 aT F aad oh, bet ter than you you) (end Rhy. Fig 28) Gs_ GH AS wIRhy. Fig? rsa ES NC Bs NC as ats As PM —= (Bet = ter than you). —_ Chord ames eet Gt (net 8 ba). wi. Fig. 20 wi. Fg? os BS NC Es NC os ahs as os ES NC. S =>, (Bet - ter than you) — wi. Fig. 24 ES NC Gs Gis As os BS NG BS NC as ats As Bet = ter than, bet = ter than, Ore {end halftime fel) os ee os ats as Guy, > eae ee mJ 3 meetaeee 62Outro solo wy Figs. 2 (times) & 2A (10 mes) “0s FS NC. BS NC. as ats as os ES NC you Gre Chord names eect Gt (pet 20 baton. a BS NG Gs Gis as os BS NC BS NC Gs ats as os ES Nc ES NC. Gs ais as os ES NC ahah a BS NC os Gis as os Es BS NC os Gis as 63wR. Ful os BS NC. ES NC, Gs ats as os BS_NC. # 1" # wiRty Fig 2(4simes) (Gt. 1) Gs ais as Gs ES NG BS NC os Gis As a os ES NC ES NC os ats as OHA. 2 3713 tes Rhy FNS (Ge)Orn Free time 5 Gtsas os ees osaisas Gs 722 4. Pee) eet eee cont 2 M. etter than. yous “Gir. skes G5 chord on beat one ‘dno therm eed ~~ é fo —— pf & a Atempo ~ cn Bt AS os BS irs ou) “2. 2 i—d fant 2 3 J a 3 wisound effect etter than you, hat 65_sLiheeEerR. Words and Music by James Hetfield, Lars Ulrich and Kirk Hammett fas teta ost co Fs) BS BS ES, “Tune down 12 sep find— them ‘you might snakes, — Took = iat for Dost go a8 vaight blind — Dont send your eyes 19 the sun you Copyright © 1987 Creeping Death Music (ASCAP) vtomational Copy Securod A Fights ReservedIntime, faster J = 112 (ont. in notation) ‘Gone Bs_ais As SE a TDA Ne. u Rhy. Fig. ( 1am Bs pls As NG Bs gis As es {end Rhy. Fg. 1) Rhy Flt : a ee Soe oe ee H W 1 a i PM. eters Gt Loy TAs bets 671, dnd Verses 2d time will Ne. als Nc. Es Ne abs Ne. BONG. Bhs Nc see the watch the pup pets dane in pane ‘check, it's play the game "so nice by PM PM mt ee 12 2 ” 4 + ¥ > = = = ay = $ ° Ee + 3) oS {and ime WF BNC abs os ros NG abs NC. BONG abs Nc downs fall, down, Hey, tie your tap shoes tight - ly, your move nom Yel were sand in” in this jun gle, 2 Pa Rhy Fig.2 J S Fill (Gur 1) 68eS FS sos aes woo ts BONG, Bis NC BNC abs as ——— and wear them in to town, with “serpents To have found, a you 2 (Ger Leone in sashes (end Rhy F2) Gre Lue atermatengring (se tram). (end Rhy.Fig.3) Ome es FS ES Fs EOS ps DoT ores eee “ "ee eS FS ES FS BS FS NC ost (end Rif A) a Rhy. Fig. 3A ‘ Ore (ont in notation) chores Ad) As Ads) As Abs Gs snakes. you might 6os Gils) Gs ce ad os os as ps bbs cs Nc cS BS Bhs AS ont tend your eyes to the right blind — ‘Note in parenteses played vy Gu toniy, Ne, as Ne as Bs Bhs AS Thote sit no he (Gretna shen (end Rhy. Figs) Rhy. Fig. 4A (Gtr. 1) ERC elem GW Toh ‘wig Fig T (atime) NC. BS DHS AS NC. —" as) No more— ony AS a), id fe Tis tone (con in notation) e wR. Flt ee pis sonny yy DN ey ros is ap - peared? (or; nto%) (Gur cont inslashes) Gert PM refers oi, only. 70Interlude ae Fal Ful Fal riro(ormem 7% ZN TA ens nate) “ wl F a 7 7 P Half time feet bs pis asnc, WRiEBGteD ul Fal Put Get NN ANS AS wy. Fil2 (nd halftime fee! wy FL2A, canara 2 ra owt ay ee fu Sst oun Rhy Fie 5 (Gurs 141) (coud Ri. Fig. 5) 7 i Ry. Fil2 (Get) Rhy il2A (Gt. 1) m‘wR. Fig (2 times) 7 wiRy Fig. 2 Ne Es Ne Bhs NC. Es NC, BisNc. oe FP Ry. FL 12 12 Fura Fa Fa rot Fal a ae 5 Es Ne Bis NC &s Ne, Bs Gs fs Rhy, FUN (Gurs.1& 1)wiRhy Fig. 6 Bes BBs oitS” 2 Fao ? tT x JD t t J x WiRty. Fig. 3 and Rif A (both 2 mes) ae ee ee ee a tr LQ sos Es Fs fa See you. Ze ra (own 989 why Fig 3A (Gir 1811) ES FS ES FENG GS ES FS ES FS os Fs ES FNC GS ONC BS BS AS — cmt in. See you caw! ive Chorus wiRty, Fig 4 * Pes Auta as day as Assos 6 GitayGs Gs GNGS Ges D5 Doses A — So dont go look- in’ for snakes,— you might find— them, Don't send your eyes to the sun,—— you might blind them.- why. Fig 4A (Gir 18 11) NC. CS Bs Bhs AS NC AS NG ASRS BIS AS BS bs NC. a a Have-nt 1 seen you here be = fore? — Nopthere sint— no he recs hore. — Rhy Fig. 6 (Gtx) 73A Rhy Fig. 7(Gurs. 1411) ne H Orzo slo sey Fe 7 (0M tines) Fone Fa ral cum ow f : JZ Gus 180 (end Rby.Fig.7) Fal Fa ul ra wR. Fs Anat ae Pe = Ds Rhy Fil 4 (Gtes. 14 1) 74© Bs abs AS Bs obs as Btn 2 Pe a ee ee ee ee (od Rhy. Fig. 8) Ove Bees As BSS rety Fp 7 (st 3trsotyy J JD ISS SOTO ~~ here, Ry. Ls a you might 75wy. Fe 8 Bs abs as ns pbs As Bs abs AS BS BS NC. a ND (ore? ‘And have your be dis - op = peared wR Fils 7 a z 5 oot send your eyes to the sun, you might blind them. Gu. om1en out ax 76cs Bs Bis as bs Bhs NC Gus. 1811 Full (Ger Tl contin slashes) Gut 7Full Pull Full Full trem pick ol Fat Fal Fu Besin fade eae) 78cARPE DIEM EABY Words and Music by James Hetfield, Lars Ulrich and Kirk Hammett AS, Caddo BS, C5, DS, ASY SE Play times NC. A Gtr | plays lamer nsec % st a pigs ane eon. ra Rhy Fld "bu CCopyight © 1987 Creeping Death Music (ASCAP) Invoatonal Copyright Secured Al Fights Resoved 79Ist, 2nd Verses 2nd time WF 2 (times) DS ES NC. DS ES FS ES NC DS ES Dew as ers cs Yeah, 11h din, shake tree, split sk, pen sa 1 Se aditnal rics oe ae a m a “Rhy Fig 1 (cod Rhy. Fig.) (od ay. Fl) I rn ‘ssChord names vtec by Gu: Tony a art ‘Payal rpc wight vations 2 “aide repented or ees (hrophou wR. Fig. 1 times) DS ES NC. DS BS FS ES NG Seip smile, bleed the day and break the rule Rhy. Fig. 1A (Gtr) (cod Rhy. Fig. 1A) 2 (Gir I)bs ES Ne. DS ES FS ES NG bs BS RSs bs bs 6s s Es gg Biot oe ey 2 S$ {ond Bkga. Vor. Fig. 1) 4 Thon mike oot mist you ) (Ay), 7 Rhy. Fig.2A (te) (cod Ry. Fig 2A) Rte To PTORANET nO TT ike harmony rime oly wand) ond Ry Fg 2 Ry Fig 2 (Gi 1) ee WwiRty Figs. 2.8.24 mega. Voc Fig 1 as Bhs as Bs ts —_— { 1 Vocatacer 20h, ah Then make ome mis you, 3.Come on, Some a) x bs BFS cs Neem Gus. 1aChorus Em prt So wash your Rhy Fig 34 (Ot. les rng NCCEM) roe — (cd Ray. Fig 3A) Rhy. Fig. 3 (Gt I) fl PM PM PM. ot PM ——* — = = 5 oes Sag harmony Bad Kemeny baa. wT (end Rhy. Fg. 3) ee ee . 7 E $ if # = ——— + t + 8 iy, ie. 3 234 (oh ie) ecole Se neve cm oh AS - 7 = i —= oe na ke ag) wn ie vend aot aha eae ee oo : : 3.So take this world and shake it. es shtca 7 cue 7 (cont. in notation) oun « ° Come squeeze and suck the day. come car fal ee Contd eel aie ote 7 a 82 ips pher noe oo,(end Roy. Fi.) re m Sas betore why. Fit Pu Pat rove sicisiam Ay 4 co) rut (Gee) dist tone Vol. well ‘will 1 1 lt at Fal Pal (cod Rhy Fig. 9) bs as cs NC.ae CS “* (end Ry. Fig. 6) Rhy Fig. 6 Guitar solo ‘wiRhy. Fig. 6 (4 times) a : NCLES) w s iF = Gut (cont, on tower sta) © Ea Ful uw “sees at a2 wa G - Ds as cs Ne. ul Fut a Paee Ds as cs NC al Fal eal Fal Pal = (end Rhy Fig. 7) WiRby Fig, TA (times) Ore a Bs css css Sees ee sad ete cs) analel Nuh’ S— 2 JIG? IG FTG) aos. eee (Gt. 1V ou) Rhy. Fig. 7A (Gu 11)wy Fig.7 Bs cs Bs cos cs Bs os AS cs Ne. ou a wiRby- Fig. 5 Ne. mow 3 AD va retest bth ss, 86Ry. Ful? Ne. Wy Uh. (on m18 vou Ges. 180 “ # a "Gt plays ower noe ony ‘Ge faye per note oly. " wy. FL Gut Fal Fu Fal Fun ull Fol Fal Ful Ful a *Astefre rd Ver wy. Figs 1A (both 2 times) B bs BS RS cs DSES DS ES FSESNC. Ate win are fai ext din ite the nal Strip smile, lose cool Gis. 111 Rhy. Fl2 (Gir Mt) e il 87DS al Code rust ESPs cs sts DS ES PSESNC Deut BSS CS & Hug thecurve, lose thetime, tear themap_and shoot. the sign.——=— Deed the day and break the rule ts Ot cou GE 3 Ouro wy. Fig. 4 NC Come car pe di - em ba by i de 88Bd, Voe.Fig.1 Bs 12 vs os vs Geta saaAaaaAait.s Additional Lyrics 2. Draw lead, piss wine, k teeth, all mine. Stake fire, break neck, Suffer through this, cheat on death, ‘Hug the curve, lose the time, Tear the map and shoot the sign. (To Pre-chorus) 89BAp SED Words and Music by James Hetfield, Lars Ulrich and Kirk Hammett Es AL ck et “ane wn top fe ais pie gb @-ct mw 4 ¥ q i O-FIO-Gt @-8 Oct Moderate Rock J = 132 et = : _ Matimete Pd xe (cous (Dram) Gert RIA (Gtr. 1&1) "8 os NC as os Yeah, yeah (end Rif A) = 3 7 fe SS aed + z wt (esd bal tine eed Ne os Ne ‘ss __ Yeah, yeah— a ot t—y Dy SO , oom. eminrtton CCopyigt © 1997 Ceaping Death Music (ASCAP) 90 lntatonal Copyright Securod A Fights ReservesNe es Ry. Fig. 1 (Gus. 1& 1) NC Gendrhy Fig) w Ne Es NC. (Gtr team. 2 v2 in slahes) By, 8 ss (con.n mation), at Ves hI 1 ds IT IS (coun FTA) Nees ss os es a Yeah. yeah, yeah— a 1.Come— clean, Lie om (od Rhy. Fil) Rhy Fil] (Gt) Gusta fi % ‘why. Fig. 2(6 times) (Gu. 1D) = AS Gs es AS GS ES 1as_os_ 5s as as eS As Gs BS Sow the cards. bring it on Of the vel stand re = vealed. the dis = uke, spit it, At the omer - oy the “eat is out Drop 2 . or + E =F = = z = ra ca ri Halt dine feet, Ass Bs AS cs ptt oy ont J 1} TD 1 2 rd 2 a (Spoken) Ladies and gentlemen, stop, right up and ou pot) ‘And now wha youve at been wang, fs Ruff B Gt.) {contin notation) bss (end Ri B) 92