EX-WIVES

from SIX Written by Toby Marlow and Lucy Moss

Vocal arrangements by Joe Beighton
Piano arraigements by Joe Beighton based on orchestrations by Tom Curran
Authorized for use by Tomoka Ui

  
                
Epic ( = 68)

 
 ARAGON: BOLEYN: SEYMOUR:

 


     
Di vorced Be head ed Died

                     


sim.

      
    




   
   
(with pedal)


Slightly faster

                     
5 CLEVES: HOWARD: PARR:

  


    
Di vorced Be head ed Sur vived

                      
 
      
    

   
   

Pop ( = 137)

   
  
ALL:

        
9 

   


LIVE

       
ARAGON:And tonight,"",We are...

       
      


        
    
    
      
      
  
(no pedal)

Authorized for use by: TOMOKA UI

 
2

                  
ARAGON:

 
13



 BOLEYN:

 Lis  E♭
     
        
Cm ten up, let me tell you sto ry A sto ry that you think you've

  
  
             



  


              
16 SEYМOUR:


     A♭6
heard be fore We know you know our names, and our


         
 
 
         
    
  

  
           
18

        
CLEVES:


 
fame, and our fac es Кnow all а bout the glo ries and the dis grac es

    
       
F5

  
     
        

  

           
   
21 HOWARD:

   


  E♭
I'm done, cos all this time I've been just one word Ill a

     
          
Cm

  

         

   

  

Authorized for use by: TOMOKA UI

 
3

             
24
  
PARR:

  


     A♭6
stu pid rhyme So I picked up pen and a mi cro phone

 
           
  
 
      
          
   


ARAGON:

           
27

   
ALL:  BOLEYN:

     



His to ry's a bout to get o ver throne Di vorced Be head ed

       

Fno3


N.C

       
 


   



                 
30 SEYMOUR: CLEVES: HOWARD: PARR: ALL:

   


          

                 
Died Di vorced Be head ed Sur vived But

      
    

           

    
                    
33 

  


     
       
just for you to night we`re di vorced, be head ed
LIVE!

         
       
    

               

Authorized for use by: TOMOKA UI

 4

         
37 

          


Wel come to the show, to the his to re mix Switch ing up the flow as we

 
    
      
B♭
A♭ Cm


    
 
      
  



    

 
            
40

      


add the pre fix Ev "гу bod y knows that we used to be six

    
    
            

B♭ Fm/A♭ Gm

 
    
   
            

  
  
  


     
           
  
43
   


    


wives Rais ing up the roof til we hit the ceil ing Get

 B♭
        
   
    
  
F A♭

   
  
  
       
     


      
  
       

Authorized for use by: TOMOKA UI

    
5

        
47

                
         



read y for the truth that we'll be re vea ing Ev 'ry bod y knows that we


   
  
Cm B♭


N.C

   
 
 

           

50

   


 


used to be six wives,

    
                   
Fm/A♭ Gm F5 A♭5

    
     
     
           
 cresc. poco a poco


          

 
         
53
 




       
                      
but now we're ех wives


G5 Cm

              
  
                    
 

                


      
                
        
56

E♭ A♭ G Cm

               
 
                    
       
           

Authorized for use by: TOMOKA UI


  
6

           
   
60 E♭ A♭ G

             

 
       
       
           

  
               
63

 
ARAGON: BOLEYN:


  
      
All you ev er hear and read a bout Is our ex and the

         
Cm

  
  
             

 (claps)

  

    
               
66


SEYМOUR: CLEVES:

   


   
way it end ed But a pair does n't beat a roy al flush You're

  A♭6

              
  
 
      
          
   

      
   
69

    
HOWARD:

  


 
gon na fimd out how he got un fried ed To night we're gon na

               
F5 Cm

 
     
      




Authorized for use by: TOMOKA UI

 
7

               
72



E♭
     
 
do out selves jus tice cos we're tak ing you to court

             
  
  
              

     

   
          
75

       
PARR:


A♭6 
Ev 'ry Tu dor rose has its thorms and you're gon na hear 'em live

              
F5

  
           
   


     

  
              
ARAGON:
78 BOLEYN: SEYMOUR: CLEVES:

 


  


     
in con sort Di vorced Be head ed Died D

        
  
N.C.

     



        



                  
81

    


          
       
vorced Be head ed Sur vived But just for you to

       
    
    

           

Authorized for use by: TOMOKA UI

    
8

               
84 


night, we're di vorced, be head ed LIVE

     

      
   
    
C5

   
       
        
       

            
87  B

        


Wei come to the show, to the his to re mix Switch ing up the flow as we

 
    
      
B♭
A♭ Cm


    

 
       

    

 
             
90

      


add the pre fix Ev 'ry bod y knows that we used to be six

G5
    
      
          
/D C5 B♭ Fm/A♭ Gm

 
    
 
  
          

  
  
  

Authorized for use by: TOMOKA UI

 
9

   
  
93

        


    


wives Dane ing through the night til the

 

       


F A♭

   
  
       


     
      


              
     
96

            


       


break of day once we done we'll start a gain like it's the Ren ais sance

 B♭
 
      

         
Cm


3
N.C..


 
       
 


I
  

           

99

         
 


     


Ev 'ry bod y knows that we used to be six wives,

 
   

           
B♭ Fm/A♭ Gm F5

       
  
     

cresc. poco a poco

   


 
      

Authorized for use by: TOMOKA UI

 
10


           
102
 



 

                           
A♭5 G5 but now we're ex wives.

   
N.C..

            
       
(clicks)

          
 

                  

    
OTHERS

   
106 




ARAGON:(alluringly)Remember us from your PBS?

             
 
              

      

     

109

 


         
 


vorced My name`s Cath `rine of Ar a gon Was mar ried


ARAGON:

  
C5

 


     
 


    
(clicks)

   
   

    
  
111

               


twen ty four yrars, I'm a par a gon of roy al ty My loy al

 
     
E♭5 A♭maj7

  


          
               
     

Authorized for use by: TOMOKA UI

 
11

 
114

             


ty is to the Vat i can, so if you try to dump me

  
     
F5

 



   
 


       
    
    
  
    
OTHERS:

 
116

        


you won't try that а gain Be head you I'm that Во leyn

   
    
BOLEYN:

    
 
    
 

   
     
118

        



   
     
girl and I'm up next See, I broke Eng land from the

  
   
 


      
 
   

  
           
120

      


Church, yeah, I'm that sex y Why did I lose my head? Well my

    
             
A♭maj7

 
          

     
 



 


 
   

Authorized for use by: TOMOKA UI

 
12

   
123 OTHERS:

     
Died

      


sleeves may be green, but my lip stick's red Jane Sey mour, "the


        
SEYМOUR:

            
Fno3 Cm

     
   
          
      
legato

     
     

          
126

       
Rude 3


on ly one he tru ly loved" When my son was new ly

  
       
  

   
    



     
   
   

 
       
129

             


born, I died But I'm not what I seem or am I? Stick a round and you'll

         
   
Fm

  
A♭ Fsus

       
   
 

 


       
     
     

Authorized for use by: TOMOKA UI

  
13

       
132

   
Di vorced Ja?

     
OTHERS:


sud den ly see more Ich bin An na of Cleves
CLEVES:

     
 
     


       
          
      
   
 

   
135 "Ja!"

                


When he saw my рог trait, he was like But I "did n`t look as good as I

 
     
E♭maj7 A♭maj7

 
     
     
    

         
   


                   
138


did in my pie" Fun ny how we all dis cuss that, but nev er Hen ry`s lit tle


     
Fm/A♭ F5(add2) F5

      
         
     
   
     
     

Authorized for use by: TOMOKA UI

    
14


   
141

        
OTHERS:

     



Prick up your ears, I'm the Kath 'rine who lost her head


      
(Be head ed)
HOWARD:

   
         
(R.H.)


   

   
143 HOWARD:

            



3 3


         
for my prom is cu i ty out side of wed Lock up your hus bands,

     
        
     
     

    

OTHERS:

 
146
      


    
3 Sur


         
lock up your sons, K How ard is here and the fun's be gun

     
       
      
     

 
       
149
      
vived

 


   
3

 


Five down, I'm the fi nal wife I saw him to the end of his life
PARR:

     


Cm E♭sus2


      
  


Authorized for use by: TOMOKA UI

 
15

  
153

               
3


I'm the sur vi vor: Cath 'rine Parr I bet you wan na know how I

          
AB F

  
 
    
    

 
 


 
156

               


got this far, I said, I bet you wan na know how I got this far

 
              
F5

    
     

   


       
 

            


             
159 

    


Do you wan na know how we got this far? Then wel come to the show, to the

 G5
 
 
    

 



   
    
 
    


    


      
 

Authorized for use by: TOMOKA UI

 
16

            
162

      


his to re mix Switch ing up the flow as we add the pre fix

  G5
  
         
      
B♭ /D C5


Cm

 
     
   
           
 
   
   


  
      
165
  
     


Ev 'ry bod knows that we used to be six wives

  
      
      
Fm/A♭ Gm F


     
    
      
  
  



     


    

  
 
168

 


     


Turn the beat up, get this par ty buz zin' You

 B♭
    
             
     
 
(claps)

     
            
 
         
 

Authorized for use by: TOMOKA UI

    
17

   
              
171

         
    


want a Queen Bee? Well, there's half a doz en Ev 'ry bod y knows that we

 
           
  
Cm


B♭


N.C.


        
   

 

      
          
174  cresc. poco a poco

  



used to be six wi..


                          
Fm/A♭ Gm Fno3

    
         
    
        
 cresc. poco a poco

       
              


         
 cheekily

  
178

  


...ives,

      
              
G5

        
     
         
  cresc. poco a poco

        

Authorized for use by: TOMOKA UI

  
18

      


 
181
 



     
         
but now we ex wives

              
Gsus Cm

              

    
     


           


               



      
                
        
184

E♭ A♭ G Cm

               
         
         
       
       

   
    
188


              
 
One two three four

       
A♭

    
G Cm

 
E♭ 3 E♭

            
 
3 3

       
3

   
      
                
   
    
  

 
    


192


  
five SIX!

     
N.C.



   
five

               


 

(drums)

Authorized for use by: TOMOKA UI