Professional Documents
Culture Documents
Ariel Horesh
Ayelet shtainer
17.12.23
Leo Baeck Education Center, Grade 12
Chapter 1: 2-3
Chapter 2: 3-6
Chapter 3: 6-7
Chapter 4: 8-9
Chapter 5: 9-10
Chapter 6 : 10
Chapter 1: The Leader
I think that a leader transcends the ordinary and embraces qualities like
audacity, the courage to challenge established norms, and the vision to
redefine perspectives. not just in the face of organizational challenges but in
the pursuit of transformative ideas.
In my opinion a leader's personality is a blend of boldness, authenticity, and
empathy, creating an environment conducive to innovation.
Artuad had 4 main things that influenced him and changed his life completly
1.World War I: Artaud served in the French army during World War I, an
experience that deeply impacted him. The horrors of war, witnessing the
brutality and chaos, had a profound effect on his psyche. The war disrupted
societal norms, and Artaud emerged from it with a sensitivity to the human
condition and a rejection of conventional structures.
3.Post-War Avant Garde Movement: The aftermath of World War I saw the
rise of the avant garde movement in art and literature. The disillusionment
with traditional values and the desire for new forms of expression aligned with
Artaud's vision. He became a member of the surreal movement which later he
was thrown out of because he was too rebellious and bold.
Antonin Artuad was the first to write a surreal film. In 1927 he wrote “the
seashell and the clergyman” his first surreal work to cinema. and invented’
the theater of cruelty. Rejecting traditional norms, Artaud sought a
transformative, inward experience for the audience. breaking down the
separation between actors and spectators. Artaud emphasized a gestural
language, symbolic expression, and ritualistic elements to tap into a
universal, primal language. The goal was to evoke profound emotions and
connect individuals with deeper aspects of humanity. While not widely
embraced during Artaud's time, his ideas influenced later experimental
theater movements, challenging the boundaries of traditional theatrical
Antonin Artaud felt like his life was saved by the theater. Artaud's strength lay
in his innovative vision for art, particularly theater. He envisioned a radical
transformation of traditional theatrical practices, advocating for a visceral
and transformative experience for both performers and audiences. His
"Theater of Cruelty" concept sought to break away from conventional
storytelling, engaging the senses and emotions in a profound way. Artaud
displayed remarkable courage and audacity in challenging societal norms and
established artistic conventions. He was unafraid to delve into taboo subjects,
confront the limitations of language, and push the boundaries of what was
deemed acceptable in art. His willingness to explore the darker and more
chaotic aspects of the human psyche set him apart as a bold leader.Artaud's
leadership extended beyond the confines of a single artistic medium. He was a
writer, actor, and director, showcasing his ability to integrate various
disciplines into a cohesive vision. His multidisciplinary approach contributed
to the holistic nature of his artistic leadership.
Weaknesses: Artaud's battles with mental health issues, including time spent
in psychiatric institutions and electroconvulsive therapy, were significant
weaknesses. These struggles impacted his ability to consistently execute his
visionary ideas and contributed to personal challenges throughout his life.
CHAPTER 3: interview
me: Your "Theater of Cruelty" manifesto is intense. What's the deal with
"cruelty" in theater, and how does it connect to your vision?
Artaud: Cruelty in theater is not about causing physical pain; it's about
shattering comfort zones. Theater should hit you in the gut, make you feel
alive. It's about breaking those walls between the actors and the audience,
dragging them into the messy, real emotions we all try to avoid.
Me: Your mental health battles are well-known. How did these struggles
influence your unique artistic journey?
Artaud: Mental struggles are like a crazy rollercoaster, you know? Messes with
your head but pushes you to find new ways to express the chaos within. It
became both a roadblock and a wellspring of inspiration, shaping my journey
into uncharted territories of the mind.
Artaud: True vision is seeing past the surface junk. It's not just looking; it's
feeling and understanding the real deal. In a world obsessed with
appearances, true vision is like ripping through the fake stuff and seeing the
raw truth underneath.
Artaud: I want to spark a creative rebellion. My ideas are seeds planted in the
avant-garde soil. I want future artists to challenge norms, confront the
ordinary. The theater, art in general, should be this ongoing journey into the
unknown, an endless exploration of the human experience.
CHAPTER 4:Conclusions
I gained a deeper appreciation for him and his revolutionary approach to art.
Before this project I knew about his unconventional views, but delving into
the intricacies of his life and work revealed the profound impact Artuad had
on art. Artaud's
avant garde vision challenged the norms of his time, and his multidisciplinary
approach showcased a relentless pursuit of transformative expression. His
commitment to breaking down the barriers between different art forms, as
seen in the "Theater of Cruelty" concept, was particularly enlightening. As for
whether Artaud is better or worse than my initial perception, it's not a matter
of comparison in that sense. although maybe I even like him more now. If
there's room for improvement, it might lie in the practical realization of some
of his ambitious ideas. Artaud's avant-garde concepts often faced resistance
and were not fully realized in his lifetime. Today, with advancements in
technology and evolving artistic landscapes, there might be more
opportunities to experiment with and bring to life some of his visionary ideas.
My personal opinion is one of admiration for Artaud's daring spirit and the
lasting impact of his avant-garde philosophy. While his ideas might be
considered radical and at times challenging, they contributed to the theater
and the cinema and even suggest a solution
for the lack of emotions and imagination of the people now-days..
chapter 5 : Reflection
I really liked this project. I had freedom and plenty of topics to choose. and I
had the opportunity to learn more about a character I was very interested in..
The project improved my English because I had to read more and learn some
new vocabulary words and I also practiced writing.
If I had this project again I would probably choose again a character that
interests me.
maybe a philosopher or a poet that did something remarkable in the world.
new words:
disrupted - ִה ְפִר יַע ; ָׁש ַבר,ִׁש ֵּבׁש
disillusionment - ִה ְת ַּפְּכחּות (מאשליות
abyss - תהום
conducive - …שתורם ל,שעוזר
multidisciplinary - ְּת חּוִמ י-ַר ב
visceral - (אנטומיה) של האיברים הפנימיים,פנימי
chapter 6 bibliography:
- A CINEMA -
OF CRUELTY: ANTONIN ARTAUD – Artforum-Barber Stephan -
OCTOBER 1989
https://www.sensesofcinema.com/2007/feature-articles/film-theory-
antonin-artaud/- The Lost Prophet of Cinema: The Film Theory of Antonin
Artaud
- Jameson lee August 2007
https://en.wikipedia.org/wiki/Antonin_Artaud