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Bennie and the Jets
Words and Music by Elton John and Bernie Taupin
Intro
Slow
Gmaj7 Fmaj7
1
2
mf
0
3 3 3 3 3 3 3 3 0 1 1 1 1 1
4 4 4 4 4 4 4 2 2 2 2
4 4 4 4 4 4 2 2 2 2
3 3 3 3 3 3 3 2 1 1 1 1
Verse
Am7 D
1. Hey, kids, shake it loose to - geth - er, the spot -
2. Hey, kids, plug in - to the faith - less. May -
0 0 0 0
1 1 1 1 0 3 0 3 0 0
2 2 2 0 0
2 2 2 0
0 0
1 1 1 1 1 3 4 0
G G#º7
- light’s hit - ting some - thing that’s been known to change the weath - er.
- be they’re blind - ed, but Ben - nie makes them age - less.
0 0 0 0 0 0 3
3 3 3 3 3 3
0 0
3 4
Copyright © 1973 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
This arrangement Copyright © 2018 UNIVERSAL/DICK JAMES MUSIC LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
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Am7 D Em
3
We’ll kill the fat - ted calf to - night so stick a - round. You’re
We shall sur - vive; let us take our - selves a - long. Where we
3
3 4
2
0 0 0 0
3 3 3 3 0 3 0 0 3
2 0 0 0
0 2 2 2
0 0 2 2
0 0 0
Am Bm C
gon - na hear e - lec - tric mus - ic, sol - id walls of sound.
Say,
fight our par - ents out in the streets to find who’s right and who’s wrong.
4
0 0 0 0 0 3
3 3 3 3 3 0 3 0
0 0 0
2 2 2
0 0 2 2 3 3 3
3
Chorus
G Am
Can - dy and Ron - nie, haveyou seen them yet? Ooh, but they’re so spaced out, B - B - B - B - B-
3 3 3 3 0 0 0 3 0
0 3 3 3 0 1 0
0 2 2 2 2 2 2
0 0
0 0
3 3 0 0
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C G
Ben - nie and the Jets. Oh, but they’reweird and they’re won - der - ful. Oh, Ben -
3 0 0 0 0 2 3
0 0 3 3 3 3 1
2 2 2 0 0 0 0
2 2 2 0 0
3 3 3
3 3 3
Am C D
- nie she’s real - ly keen. She’s got e - lec - tric boots, a mo - hair suit, you know I
0 0 0 0 0 0 0 2 0 2 0
3 0 3 3 3 3 3 3 3 3
2 0 0 2
0 0
0 0 3 3
0 0
Em Em/D C
read it in a mag - a - zine, oh, B - B - B - Ben - nie and the
0 0 0 0 7 3 0 0
0 4 4 4 0 3 3 3 3 3 3 3 3
0 0 0 0 0
0 0
3 3 3
0 0 3
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To Coda
Gmaj7 Fmaj7
Jets.
0 0 0 0
0 3 3 3 3 3 3 3 3 3 0 1 1 0 1 1 0
4 4 4 4 4 4 4 4 4 2 0 2 2 0
4 4 4 4 4 2 0 2 2 0
3 3 3 3 3 3 3 2 1 1 1 1
2nd time, D.S. al Coda Coda
1 0 1 1 0 1 1 1 0 1
2 0 2 2 0 2 2 2 0 2
2 0 2 2 0 2 2 2 0 2
1 1 1 1 1 1 1 1 2
Outro
Gmaj7
Ben - nie, Ben - nie, Ben - nie, Ben - nie and the Jets.
3 0 0 3 0 0 3 0 0 3 0 0
4 4 4 4 4 4 4 2 0 2
4 4 4 4 4 4 4
3 3 3 3 3 3 3 3
Fmaj7 Gmaj7
3
1
1 1 1 0 1 1 0 1 3 0
0 2 2 2 0 2 2 0 2 4
2 2 2 2 0 2 2 0 2 4
1 1 1 1 1 1 1 1 2 3
4
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Border Song
Words and Music by Elton John and Bernie Taupin
Intro
Slow
C F/C C F/C C F/C C G/B
mf
1 1 1 1 1 1 1 1 1 0
0 0 2 2 0 2 0 0 2 2 0 0
2 2 3 3 2 3 2 2 3 3 2 0
3 3 3 3 3 3 3 3 3 3 2
Verse
Am E7/G# Am E7/G# Am
1. Ho - ly Mo - ses, I have been re - moved.
2. Ho - ly Mo - ses, I have been de - ceived.
3. Ho - ly Mo - ses, let us live in peace.
1
3
2
1 1 3 5 3 1 0 0
2 2 4 5 2 1 2 2 0 2 0 2
2 2
0 0 0 0 0 2
4 4 4
C G/B C Esus4 E
I have seen the spec - ter, he has been here, too.
Now the wind has changed di - rec - tion and I have to leave.
Let us strive to find a way to make all ha - tred cease.
0 1 0 0 0
1 1 1 3 1 3 1 1 3 1 0 0
0 0 0 2 1
2 0
3 3 2 2 3 3
0 0
Copyright © 1969 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
This arrangement Copyright © 2018 UNIVERSAL/DICK JAMES MUSIC LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
8 All Rights Reserved Used by Permission
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C G/B F Dm
Dis - tant cous - in from down the line, brand of peo - ple who ain’t
Won’t you please ex - cuse my frank - ness, but it’s not my cup
There’s a man o - ver there; what’s his col - or? I
0 0 3 3 0 3 0 0
1 0 3 1 3 1 1 1 1 1 3
0 0 2 2
2 3 3
3 3 2 2
To Coda
F F#º7 C/G
my kind. Ho - ly Mo - ses,
of tea. Ho - ly Mo - ses,
don’t care.
1
2
0 1 5 3 0
3 3 3 1 3 3 1 4 1 3 1
2 2 2 5 0 2 0
0 0 0 0 2 3 4
3
G7sus4 C F/C C F/C
I have been re - moved.
I have been de - ceived.
34 1
2
3 1 3 3 1 1 1 1 1 1
0 0 2 0 2 2 0 2
3 2 3 3 2 3
3 3 3 3 3
3 3
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1. 2.
C F/C C G/B C F/C C
I’m go - ing
1 1 1 1 0 1 1 1 1 1 3
0 0 2 2 0 0 0 0 2 2 0 0
2 2 3 3 2 0 2 2 3 3 2
3 3 3 3 3 2 3 3 3 3 3
Bridge
C C7/E F C/G F/G C
back to the bor - der where my af - fairs, where my af - fairs ain’t a - bused.
0 5 3 0
1 3 1 1 1 3 1 4 3 1 3 1 3 1 3 3 1
0 3 0 0 0 0
2 3 3 2 2
3 3
3
C7/E F F#º7
I can’t take an - y - more bad wa - ter, been poi - soned. from my head down to my shoes.
43 4 1 3
2
3
3
3
4
1 1
2 2 1 3
0 5
1 3 1 4 3 1 3 1 1 4 3 4 4 3 3
0 3 2 2 5 5 5 5 5 5 5
2 3 3 4 4 4 4
3
10
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Gsus4 C F/C C F/C
Oh.
3
3 3 3 4 3 1 3 1 1 1 1 1
5 5 0 0 2 2 0 2
5 5 5 2 2 3 3 2 3
3 3 3 3 3
D.S. al Coda Coda
C F/C C G/B F F#º7 C/G
He’s my broth - er;
2
3
1 5 3 0
1 1 1 1 0 1 4 1 3 1
0 0 2 2 0 0 2 5 0 2 0
2 2 3 3 2 0 3 4
3 3 3 3 3 2
3
Gsus4 C C7/E F F#º7 C/G
let us live in peace. Oh, he’s my broth - er;
010 3 1 3
0 1 5 3 0
3 1 1 3 1 3 1 4 1 1
3 2 5 0 2 0
2 3 4
3
3 3 3
Slower
Gsus4 Dm7 C F/C C F/C C F/C C
let us, let us live in peace.
0 0
1 3 1 3 3 1 3 3 3 1 1 1 1 1 1 1 1 1
0 2 0 0 2 2 0 2 0 0 2 2 0
0 2 2 3 3 2 3 2 2 3 3 2
3 3 3 3 3 3 3 3 3 3
3
11
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Candle in the Wind
Words and Music by Elton John and Bernie Taupin
Verse
Moderately
G C
1. Good -bye, Nor - ma Jean. Though I nev - er knew you at all,
2., 3. See additional lyrics
3
mf
0 0 1 0
0 0 0 0 0
2 0 2 0 0 0
0 0 0 0
3 3
3 3 3 3
G/B G
you had the grace to hold your - self while those a - round you crawled.
4
0 0
3 3 3 3 1 0 0
0 0 0 0 0 2
0 0 0 2
3 3 2
3 3 3
C Csus4 C G
They crawled out of the wood - work,
4
4
1 1 1 0 1 3 3 3
0 0 0 0 2 0
3 2 0 0
3 3 3
3 3
Copyright © 1973 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
This arrangement Copyright © 2018 UNIVERSAL/DICK JAMES MUSIC LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
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C
and they whis -pered in - to your brain. They set you on the tread -
4
0 0 1 0 0 0
1 0 0 3 3 3 3
0 0 2 0 0 0 0 0
0
3 3 3 3
3 3
G/B G C Csus4 C
- mill, and they made you change your name. And it
0 1 0 0 1 1 1 0 1
0 2 2 0 0 0
0 0 2 3 2
2 3 3 3 3
3 3 3
Chorus
D G
seems to me you lived your life like a can - dle in the wind,
1
0
4
3
2
0
3
0
3 3 3 0 3 3 3 0 1 3 3 3
0
4 4 4 0 0 0
5 5 5
3 3
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C G
nev - er know - ing who to cling to when the rain
0
0 1 3 3 3 3 3 0 0 0
0 2 2 0 0 0 0
3 3
3 3 3 3
D/F# D C
set in. And I would have liked to have known
4
2 1 3
3
2
2 1
1
3 2 0 0 0 0 2 3
3 3 3
2 2 2 2 0 0
0 0
3 3
2 2
Em
you, but I was just a kid. Your can - dle burned out
4
2 0 0 0
3 0 0 0 1 3
0 0 0 0
2 2 2 2
3 3
0 0 0 0
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D/F# C G/B Am G
long be - fore your leg - end ev - er did.
4
3 2
3
2 2
0 1 3 1 0 0
2 2 0 0 2 0 0 0
0 0 2 2 2 0 0
3 3 3 2 0
2 2 3 3
1., 2. 3.
Outro
D/F# G
Your can - dle burned out
4
1
3 3 0 0 0 0 1 3
2 0 0
0 0 0 0 0 0
2 2 3 3 3 3
D/F# C G/B Am G
rit.
long be - fore your leg - end ev - er did.
2 4
3 3
2 2
rit.
0 1 3 1 0
2 2 0 0 2 0 0
0 0 2 2 2 0
3 3 3 2 0
2 2 3
Additional lyrics
2. Loneliness was tough, the toughest role you ever played.
Hollywood created a superstar and pain was the price you paid.
And even when you died, oh, the press still hounded you.
All the papers had to say was that Marilyn was found in the nude.
3. Goodbye, Norma Jean. Though I never knew you at all,
You had the grace to hold yourself while those around you crawled.
Goodbye, Norma Jean, from a young man in the twenty-second row,
Who sees you as something more than sexual, more than just our Marilyn Monroe.
4
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Daniel
Words and Music by Elton John and Bernie Taupin
Intro
Moderately fast
D G
mf
2 0 3 2 0
3 3 3 3 2 2 0 3
2 2 2 2 0
0 0 0 0 0 0
0 0
3 3 3 3
A D G/D D G/D
2/3CII
5 3 2
3 2 5 3 3 0 3 0
2 2 0 2 0
2 2 2 2 0 0 0 0
0 0
0 0
Verse
D Em
1., 3. Dan - iel is trav - ’ling to - night on a plane.
2. They say Spain is pret - ty. No, I’ve nev - er been.
3 3 3 3 3 3 3 3 2 0 0 0
2 2 2 0 0 0
0 0
0 0 2
0
Copyright © 1972 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
This arrangement Copyright © 2018 UNIVERSAL/DICK JAMES MUSIC LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
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A F#7
I can see the red tail - lights head - ing for Spain,
Well, Dan - iel says it’s the best place he’s ev - er seen,
2
2
1
3
3
0 2 3 2 0 2 0
0 0 2 2 2 2 2 0 3
0 0 2 3
2 2 2 2 4
2 0 0 4
0 0 0
Bm G A Bm
oh, and I can see Dan - iel wav - ing good - bye.
oh, and he should know. He’s been there e - nough.
CII
0 0
3 3 0 3 3 2 0 0 2 0 0
0 2 2 2
4 4 0 0 2 2 4 4
2 0 2
2 3 3 0 2
A G A
God, it looks like Dan - iel, must be the clouds
Lord, I miss Dan - iel, oh, I miss
CII
0 2 3
2 3 3 0 0
2 0 0 2 2 2 0
4 0 0 0 0 2 2
2 2 0 0
3 3 3 3 0
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1.
To Coda
G/A D
in my eyes.
him so
2 0 2 0
3 3 3 3 3 2 0
0 0 2 2 2
0 0 0
0 0 0
2.
A D
much. Oh,
0 0 2 0
2 3 3 2 3 3 3 3 3
2 2 2 2 2
2 2 2 2 0 0
0 0 0 0 0 0
Bridge
G D
Dan - iel, my broth - er, you are old - er than me. Do you still
0 2 0 2 0
0 3 3 0 0 3 3 3 3 3
2 2 2 2
0 0 0 0 0 0
0 0
3 3 3 3
3
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G D A/C#
feel the pain of the scars that won’t heal? Your eyes have died,
2
3
0 2 0 2 0 0
3 0 0 3 3 3 3 3
0 0 2 2 2
0 0 0 0 0 0 0
0 4
3 3 3 3
Bm A G Gm/Bb
but you see more than I. Dan - iel, you’re a
CII
2 2 0 0 10 6 3
3 3 0 3
4 4 0 10 7 3
4 4 4 0 0 8
2 2 2 0
2 3 3
D.S. al Coda
D B7 Em7 A
star in the face of the sky.
2 2 2 2 3 5 0 0
3 3 0 0 0 0 3 3 2
2 2 2 0 0 2 2
0 1 2 2
0 2 2 0
0 0
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Coda
D G
Oh, God, it looks like Dan - iel,
2 0 0 0
3 3 3 3 3 3 0
2 2 2 2
0 0 0 0
0 0
3 3
A G/A D
must be the clouds in my eyes.
3 2 0
0 3 3 3 3
0 0 2 2 2 0 0 0 2 2
0 0 2 2 0
0 0 0 0
3 3 0
2 0 3 2 0
3 2 2 0 3
2 2 0
0 0 0 0 0
0
3 3 3 3
A D G/D D
2/3CII
5 3 2 2
3 2 5 3 3 0 3
2 2 0 2
2 2 2 2 0 0 0
0 0 0
0
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Don’t Go Breaking My Heart
Words and Music by Carte Blanche and Ann Orson
Intro
Moderately
C G Am C/G F G C
mf
0
1 0 1
0 0 2
0 2 0
3 0 0 3
3 3 2 1 2 3 0
G/C F/C C G/C F/C
12
4 3
1 0
1 0 1 1 1 1 1 0 1 1 1
0 2 2 0 0 2
0 3 0 3
3 3 3 3 3 3 3 3 3
Verse
C F/C C
1. Don’t go break - ing my heart. I could - n’t if I tried.
2. And no - bod - y told us, ’cause no - bod - y showed
0 0 0 0
1 1 0 1 0 3 1
0 0 2 2 2 0 0
3 3
3 3 3 3 3 3
Copyright © 1976 HST MGT. LTD. and ROUGE BOOZE, INC.
Copyright Renewed
This arrangement Copyright © 2018 HST MGT. LTD. and ROUGE BOOZE, INC.
All Rights for HST MGT. LTD. in the United States and Canada Controlled and Administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights for ROUGE BOOZE, INC. in the United States and Canada Controlled and Administered by
UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission 1
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F C E7 F D7/F#
Oh, hon - ey, if I get rest - less.
us. And now it’s up to us, babe.
4 1
1 2
1 1 1 3 3 1 0 1
2 2 0 1 2 2
3 3 3 0
3
0 1 2
C/G F G
Ba - by, you’re not that kind.
Whoa, I think we can make it.
0
1 1 0 1 0
2 0 2 0 2 0
2 3 2 3 2 3
3 3 1 1 1 1 1 1 3
C F/C C
Don’t go break - ing my heart. You take the weight off of me.
So don’t mis - un - der - stand me. You put the light in my life.
0 0 0 0 0
1 1 0 1 0 3 1
0 0 2 2 2 0 0
3 3
3 3 3 3 3 3
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F C E7 F D7/F#
Oh, hon - ey, when you knock on my door...
Oh, you put the spark to the flame.
4 3
2
1 2
1 1 1 1 3 1 1 0 1 1 3
2 2 0 1 2
3 3 0
3
0 1 2
C/G F
Ooh, I gave you my key.
I got your heart in my sights.
0 0 1
1 1 0 1 0 1 3
2 0 2 0 2
2 3 2 3
3 3 1 1 1 1
Pre-Chorus
Em Gm
Oo, hoo, no - bod - y knows it, but
4
1
3
2
3 0 0 3 0
0 3 1 1
0 0 0 3 3 3
0 0 0 0
0 0 0 0 3 3 3 3
3
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F C G D Em
when I was down, I was your clown. Oo, hoo,
3 1 2 2
4
3
0 3 0
4 3 1 1 3 3 3 1 0
2 0 0 2 0 0
3 2 0 0
3
0 0
Gm
no - bod - y knows it, no - bod - y knows it, but
4
2 1
4
1
3
2 3
0 3 0 0
3 1 1 3 1 1
0 3 0 2 2
0 0 0 0
0 0 3 3 3 3
F C G D Eb
right from the start, I gave you my heart. Oh, oh,
0
4 3 1 1 3 3 3 1 4 4 3
2 0 0 0 2 0 0
3 2 0 0 1 1
3
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G/B F G
I gave you my heart.
0 3 0
3 1 0
0 2 0 2 0 2 0
0 0 3 3 2 3 2 3
2 2
1 1 1 1 1 3
Chorus
C G/B Am G F G7
So don’t go break - ing my heart. I won’t go break - ing your heart.
0 0 0 1 1 1 1 3 0
3 1 1 1 1
0 0 2 0 2 0 0
2 2 3 2
3 3 2 0 0
3
1.
C G Am G F G C
Don’t go break - ing my heart.
1 1 1 1 0
0 1 0 1 3 1
0 2 0 2 2 0 0
0 2 0 3 2
3 3 0 0
3 3
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G/C F/C C G/C F/C
1 0
1 0 1 1 1 1 1 0 1 1 1
0 2 2 0 0 2
0 3 0 3
3 3 3 3 3 3 3 3
2.
Outro
F G C Am
Don’t go break - ing my heart. Don’t go break - ing my, don’t go break - ing my,
1 1 1 0 0 0
3 1 1 3 3 1 1 3 3 1
2 0 0
3 2 2
3 3 2 0 0
1. 2.
F G F G C
don’t go break - ing my heart. I won’t go break - ing your heart.
1 1 1 0 1 1 1 1 3 0
3 1 1
2 0 2 0
3 0 3 0
3
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Don’t Let the Sun Go Down on Me
Words and Music by Elton John and Bernie Taupin
Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately
D D/C G/B D/A
42 1 3
4
2
mf
2 3 2 0 3 2 3 3 2 2
3 3 3 3 3 3 3 3 3
2 2 0 0 2 2
0 0
0 3 3 3 2 2 0 0
0
Verse
G Em A D/A A7
1. I can’t light no more of your
3
3
1
2 2
4
0 0 0
0 0 0 0 2 2 0 2 3 2 2 2 3
0 0 0 0 2 2 0
0 0 2 0 2 2 4 2
4 2 0 0 0 0 0 0 0
5 5
G/D D G
dark - ness. All my pic - tures
1
3 2
1
3
4
2 2 0
0 3 0 3 3 3 0 0 0 0
0 2 2 2 2 0 2 2 2 0 2 0
0 4 4 0 0
0 0
0 0 0 5 5
Copyright © 1974 HST MGT. LTD. and ROUGE BOOZE, INC.
Copyright Renewed
This arrangement Copyright © 2018 HST MGT. LTD. and ROUGE BOOZE, INC.
All Rights for HST MGT. LTD. in the United States and Canada Controlled and Administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights for ROUGE BOOZE, INC. in the United States and Canada Controlled and Administered by
UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission 1
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
A D/A
seem to fade to black and white.
2/3CII
11 23 2
2
1
3
0 0 0 0 2 3 2 3 2 3 2 3
0 2 4 2 2 2 2
0 2 2 2 4
0 0 0 0 0 0 0
5 5
A D/A A7 G/D D
3
I’m grow -ing tired, and time stands still be - fore me,
2/3CII
3
2
1 3
2
3
2
2 3 0 3 2
2 2 2 2 2 3 2 2 2 3 3 0
2 2 2 2 0 0 2
2 2 2 2 2 4 0 4 0
0 0 0 0 0
0 0
G/D D D/F# G
fro - zen here on the lad - der of my
1
23 1 13
3 4
0
3 3 0 0 0 0 0 1 0 0 0 0 0 2 3
4 2 0 2 0 0 0 0
0 4 0 0 0 0 0 0
0 0 4 5 5 5 5
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A D/A A D/A
life. Too late
2/3CII
2
2
1
3
2
2 3 2 3 2 3 2 2 2 3
2 2 2 2 2 2
2 2 2 4 2 2
0 0 0 0 0 0 0 0 0 0
A7 G/D D D/F#
to save my - self from fall - ing.
2/3CII
1 4
1 3 1
3
2
2 2 2
3
1
3
3 2 5 2 0 3 2
2 3 3 0 3 3 0
2 0 2 4 2 0 2
2 0 4 0 0 4
0
0 0 0 0 4
G A
I took a chance and changed your way of life.
2/3CII
4
3 3 2 3 0
0 0 0 0 0 1 0 0 2 3 2 3
0 0 2 2
0 0 0 0 2
0 0 0
5 5 5
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D/A A D/A A7
But you mis - read my mean - ing when I
2/3CII
2
1
3
2 3 2 5 2 0
2 3 2 2 2 2 2 3 2 3
2 2 2 2 2
2 4 2 2
0 0 0 0 0 0 0 0
G/D D D/F# G
met you. Closed the door
3
2 1 3 1 2
13
2
2
3
3 4
3 2 3
3 0 3 3 0 0 3 0 1
0 2 4 2 0 2 0 0
0 4 0 0 4 0 0
0 0 0 0 4 5
D/A A A7
and left me blind - ed by the light.
2 2
4
1
1
2 2 3 2 0 0
0 0 2 3 3 3 3 2 2
0 0 2 2 2 0 0
0 0 0 2
0 0 0 0
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Chorus
D D/C Bm
Don’t let the sun go down on me. Al - though I search my - self, it’s al - ways
2
1
4
2
3
1
2 2 2 3 2 0 3 2 2 0 0 2 0 0
3 3 3 3 3 0 3 3 0 3
2 2 2
0 0 0
3 3 3 2 2
0
Dº7 E7 D/A G/A A
some - one else I see. I’d just al - low a frag - ment of your life to wan - der
2 4
1 1
4 1
3
3
1 2 1
2
1 0 0 0 3 2 2 2 0
0 3 3 3 3 3 3 3 3
1 1 2 2 2 2 4 4 2 2
0 5
0 0 0 0 0
2
D D/C G/D
free. But los - ing ev -’ry - thing is like the
4 0
1
2 2 3 2 0 3 3 3 5 0
3 3 3 0 6 3 0 3 0
2 2 2 2 2 0 0
0 0 0
3 3
0
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To Coda
Interlude
Em D/A A7sus2 D D/C
sun go - ing down on me.
1
3 2 0 3 2 0 3 2
0 3 3 3 0 3 3 3 3 3 3
0 2 2 0 2
0 0
0 0 0 0 3 3 3
2 0
Verse
G/B D/A G A
2. I can’t find,
2/3CII
2 1
4
0
3 3 3 3 0 0 0 3 2 0 2 2 2
0 0 2 2 0 0 0 2 2
0 0 0 0 0 0 0 2 2
2 2 0 0 0 0
5 5
A7 D D7
oh, the right ro - man - tic line.
2 4 13 2
1
1 1
3 1
2
1
3
2 5 5 2 0 2 3 5 2 0
3 0 3 5 7 3
0 0 2 2
2 0 0 0 0
0 0 0
0 0 0 0 4
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G G/B G A7
But see me once and see the way I feel.
3 1 3
2
1
4
1
4
3 3 3 5 2 3 0
0 0 3 0 0 2 2 2
0 0 0 0 0 0 0
0 0 0 0 2 2 2
2 0 0
5 5
Don’t dis - card me just be - cause you
1
1 4
0 2 5 5 7
2 2 2 2 2 2 2 2
0 0 0 0 0 0
2 2 2 2 2 2
0 0 0 0 0 0
D D/F# G
think I mean you harm. But these cuts I have,
1 2 4
1
1 1
3 4
2 0 0 2 3 5 2 0
3 3 0 3 0 3 0
2 2 0 0
0 0 0
0 0 0 4 5
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D.S. al Coda
G/B D/A A7
oh, they need love to help them heal.
4
3 1
3
3
1
2
1
2 7 5 2 0
3 0 2 3 3 3 7 2
0 2 2 2 0
0 0 2
2 2 0 0 0 0 2 4
Coda
Outro
D D/C
me.
4
2
1
3 2 0 3 2
3 3 3 3 3
2
0
0 3 3 3 3
0
G/B Bb C/D D
1/2CVII
2
1/2CIII 1/2CV
4
4
1
0 3 2 0 3 1 6 8 10
3 3 3 3 3 5 7
0 3 5 7
0 0 0
2 2 2 1 0
0 0
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Goodbye Yellow Brick Road
Words and Music by Elton John and Bernie Taupin
Intro
Moderately
E B/D# C#m C#m/B A E/B B E
2
1
mf
4 2 0 0 0 0 0 0
0 0 2 2 2 2 0 4 0
4 1
2 1 2
4 2 0 2
0
Verse
F#m B7 E
1. When are you gon - na come down? When are you go - ing to land?
2. What do you think you’ll do then? I bet that-’ll shoot down your plane.
CII
3
2 4 0 0 0 2
2 2 2 2 1 1 1
4 4 4 4 4
0 2
2 2 0 4
A D B7
I should have stayed on the farm, should have lis -
It - ’ll take you a cou - ple of vod - ka and ton - ics to
3
1
4
2
0
2 2 2 2 2 2 2
2 2 0 4 4 1 4 2
0 5 0 2
0 2
Copyright © 1973 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
This arrangement Copyright © 2018 UNIVERSAL/DICK JAMES MUSIC LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
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E F#m
tened to my old man. You know you can’t hold me for - ev -
set you on your feet a - gain. May - be you’ll get a re - place -
4
1
2
3
0 5 5 5 5
2 2 2 2
1 1 1
2 2 2 2 2 4
2 0
0 0
B7 E A
- er. I did - n’t sign up with you. I’m
- ment, there’s plen - ty like me to be found.
CII
4 0 0 2
2 2 1 1 1 2 2
4 4 2 2 0
2 2 0
2 0 4 0
D B7 E
not a pre - sent for your friends to o - pen, this boy’s too young to be
Mon - grels who ain’t got a pen - ny snif - fin’ for tid - bits like
3 1 3
4 2
0 2 0
2 2 2 2
4 4 4 1 2 2 2 4 1
5 0 2
2 0
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Pre-Chorus
C D7
sing - ing the blues.
you on the ground.
3
1
2
8 0 2
0 1 1
1 0 0 2 2
2 0
2 7 0
8
G C Am B7
Ah. Ah. So,
7 5 3 2 0 8 0 2
0
7 5 4 2 0 0 0 0 2
5 2 2 1
3 0 2
3 0 2
Chorus
E G#7 A
good - bye yel - low brick road, where the dogs of so - ci - e - ty howl.
CIV
4
0 0 0
0 4 2 2 1 2 0
1 1 5 5 5 2
2 4 4 2 2
2 6 0 0
0 4
3
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E E/D# C#7 F#m
You can’t plant me in your pent - house, I’m
4 1
1/2CII
3
2
1
4 4 4 5 4 2
2 0 0 0 0 0 2 2 2 2
1 1 2 2
2 1 3 3 4
4 4 4
0
B7 E E/D# C#m
go - ing back to my plough. Back to the howl - ing old owl
CIV
CII
2 0 4 4 4
4 4 4 5 0 5 4
1 6
4 4 2 1 6 6
2 4 4
2 0
G# A C
in the woods hunt - ing the horn - y - back toad.
CIV
0 0 0
4 4 4 2
5 2 0 0
6 6 2 2 2 2
6 0 3
4 0 3
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E E/D# C#m
Oh, I’ve fi - n’lly de - cid - ed my fu - ture lies be -
0 0 0
0 2
0 0 1 1
2 2 4 2 2 2 1
3 4 2
3 0
A B7 C D7 G
yond the yel - low brick road. Ah.
2 3
1
0 0 0 8 0 2 7 5 3 2
7 1 1
8 0 0 2 2 7 5 4 2
0 5
0 7 0
7 8
1. 2.
C Am B7 E E
Ah. Ah. Ah.
4
2
0 8 0 2 4 4
5 5
0 0 0 0 2 2 4 4
2 2 1 1
3 0 2
3 0 2 0 0
5
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I Guess That’s Why They
Call It the Blues
Words and Music by Elton John, Bernie Taupin and Davey Johnstone
__ =
Intro 3
Moderately
C Em7 F
3
3
3 3
mf
0
1 3 1 0 1 3
0 0 2 2
0 3 3 3
3 3 3 3 3
0 0 1 1
Verse
G Em F
3 3
3
1. Don’t wish it a - way. Don’t look at it like it’s for -
2. Just stare in - to space, pic - ture my face in your
3 3
3
4
2
1
3
0 0 0 0
0 2 2 2 0 2 0
0 0 3
2 3
3 3 0 1
C F C F C F C
3
ev - er. Be - tween you and me,
hands. Live for each sec -
1 1 1 1 1 0 1 3 3
0 2 0 2 0 2 0
2 3 2 3 2 3
3 3 3 3 3 3 3 3 3
Copyright © 1983 HST MGT. LTD., ROUGE BOOZE, INC. and BIG PIG MUSIC LTD.
This arrangement Copyright © 2018 HST MGT. LTD., ROUGE BOOZE, INC. and BIG PIG MUSIC LTD.
All Rights for HST MGT. LTD. in the United States and Canada Controlled and Administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights for ROUGE BOOZE, INC. and BIG PIG MUSIC LTD. in the United States and Canada Controlled and Administered by
UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission 1
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G Bm F
3 3
3 3
3
I could hon - est - ly say that things can on - ly get
ond with - out hes - i - ta - tion and nev - er for - get I’m your
3
3
3
3 3
0
0 1 3 3
0 0 3 2 0 2 0
0 0 3 2
2 2
3 3 1
C F C F C F C G
3
3
bet - ter. And while I’m a - way,
man. Wait on me girl.
3
3
1 1 1 1 1 0 1 3 3
0 2 0 2 0 2 0 0 0 0
2 3 2 3 2 3 0 0
3 3 3 3 3 3 3 3 3
3 3
B7 Em Dm G/D
3
3 3 3
dust out the de - mons in - side and it won’t be
Cry in the night if it helps, but more than ev -
3 3 3
0 0
2 0 2 0 2 0 0 0 2 0 2
1 1 2 0 0
2 2
0
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C G
3
3 3 3
3
long be - fore you and me run to the place in our hearts
er, I sim - ply love you more than I love
3 3
3
3
3
0 1 3 1 3 0 0 1 0 0
0 0 0
0 0
3 3 3 3
3 3 3 3
Am F G Am7 G/B
3
3 3
where we hide.
And I
life it - self.
3
3
3 3
3
1 3
2 2 3 2 0 0 0 0 0 0 0 0 0 0
2 0 0 0 2 0
0 0 0 2 0 2 0 2
1 3 3 3
Chorus
C G/B F
3
3
3
guess that’s why they call it the blues. Time on my
3 3
3
0 1
3 3 1 3 1 3 1
0 0 2 2
3 3
3 2 3
1
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C G/B F C/E G
3
3
3
3
hands could be time spent with you laugh - ing like child - ren, liv - ing like
3 3 3
3
0 0
3 1 3 1 3 1 1 3 0 3 0
0 0 2 0 0 0 0 0
0 0
3 2
1 1 0 0 3 3 3 3
Am C/E F D/F#
3
3 3 3
lov - ers, roll - ing like thun - der, un - der the cov - ers. And I
3 3
3
3
0
1 1 0 1 3
2 2 0 0 2 2 2 2 0 0
2 2 2 3 3 3 3 0 0
0 0 3 3
0 0 1 1 1 2 2
1.
F F/G C Em7 F
3 3
guess that’s why they call it the blues.
4 1 3
3
3 3
3
2 3
3
1 1 1 0 0
1 3 1 0 1 1 1 3 0
2 0 0 0 0 0 2 2 2
3 3 3 2 2 3 3 3
3 3
3 3 0 0 1 1 1 1
4
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2.
F F/G C G
3 3
3 3
guess that’s why they call it the blues. Laugh - ing like child - ren,
3
3
3
1 1 1 0 0
1 3 1 0 1 1 1 3 0
2 0 0 0 0
3 3 3 2 0
3 3
3 3 3 3
Am Em F F/G C G
3 3
3 3
liv - ing like lov - ers. And I guess that’s why they call it the blues.
3
3 3
3
3
1 1 1 0 0
1 1 0 1 3 1 0 1 1 1 3 0
2 2 0 0 0 0 2 0 0 0 0
2 2 2 3 3 3 2 0
0 0 3 3
0 0 3 3 3 3
Am Em F F/G C
3 3
3
And I guess that’s why they call it the blues.
3
3
3
3
1 1 1 0
1 1 0 1 3 1 0 1 1
2 2 0 0 0 0 2 0 0
2 2 2 3 3 3 2
0 0 3
0 0 3 3
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Levon
Words and Music by Elton John and Bernie Taupin
Intro
Moderately
C F/C
mf
*
1 1 1
0 0 0 0 2 2 2 2
2 0 2 0 2 3 3 3
3
*Hold low C note, next 12 meas.
Verse
C F/C C
1. Le - von wears his war wounds like a crown.
2. Le - von sells car - toon bal - loons in town.
2 1 4
3
2
3
0 0
3
2
2
3
2
3
2
3 3
2
3
2
0
3
0
2
3
2
0
3
0
2
F/C C
He calls his child “Je - sus,”
His fam - ’ly bus - ’ness thrives.
p p i p m i p
1 0
2 2 2 2 0 0 0 0
3 3 0 2 2 2
3 3 3 3 3 3 3
Copyright © 1971 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
This arrangement Copyright © 2018 UNIVERSAL/DICK JAMES MUSIC LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
G/B Am
’cause he likes the name and he
Je - sus blows up bal - loons all day, sits on
1
0 0 0 0 2 2 2
0 0 2 2 2 2 2 2 3
2 2 2 2 0 0 0
0
Em F Dm7
sends him to the fin - est schools in town.
the porch swing, watch - ing them fly. And
2
0 0 0 2 0 0 0
2 2 2 0 0 0 0 0
2 3 3 3 3 3
0 0 1 1 1 1 1
C F/C C
Le - von, Le - von likes his mon - ey.
Je - sus, he wants to go to Ve - nus,
0 0 2 2 2 0 0 0
2 2 2 3 2 2 2 2 2
3 3 3 3 3 3 3 3
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F/C C
He makes a lot they say.
leav-ing Le - von far be - hind;
1 0 0
2 2 2 2 0 0 0 0
3 3 0 3 2 2 2 2
3 3 3 3 3 3 3 3
G/B Am
Spends his days count - ing in a
take a bal - loon and go sail - ing while
1
0 0 0 0 2 2
0 0 0 0 2 2 2 2 3
2 2 2 2 0 0 0
0
Em F Dm7 D#º
gar - age by the mo - tor - way.
Le - von, Le - von slow - ly dies.
0 0 0 2 0 0
2 2 0 0 0 0 1
2 3 3 3
0 0 1 1 1 1 1
3
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Pre-Chorus
Em Am F C/E
He was born a pau - per to a pawn on a Christ - mas day, when the New York Times said God
0 0 0 0
1 3 3 1 1 3 1 1 3 1 3
0 2 2 2 2
2 3 3 2 2
0
0
Dm7 C F C/E
is dead, and the war’s be - gun. Al - vin Tos - tig has a son to - day.
0 0 0 0
1 1 3 1 3 1 3 1
2 2 2 2
0 0 2 3 3 2 2
3 3
Dm7
And he shall be Le -
1 1 1 1 1 1 4
3 2 0 2 2 2 2 2 2 0 2 2
0 0 0 0 0 0 0
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Chorus
F C
- von. And he shall be a good man.
0
3 1 1 1 1
2 2 0 2 2 2 0 2 0
3 3 2
3 3 3
3
F
And he shall be Le - von, in tra - di - tion with the fam -
1 1 4 3 1 1 1 1 4
0 2 2 2 2 0 2 2 2
3 3
3 3 3
3
C F
- ’ly plan. And he shall be Le - von.
3 1 3 1 1 4 3 1 1
0 0 2 2 2 2
2 2 3
3 3 3
3 3
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C
And he shall be a good man.
0
1 1 1 1
0 2 2 2 0 2 0 0 0 2
3 2 2
3 3 3
3 0
F G7sus4
He shall be Le - von.
1 0
1 1
2 2 2 0 0 0 0 0 0
3 3 3 3 3 0
3
1 3 3 3 3
Outro
C F/C
1 1 1 1 1 1 1 1
0 0 0 0 2 2 2 2 2
0 2 3 3
3 3 3 3
C F/C C
1 1 3 1 3 1 1 1 1 1 1
0 0 0 2 2 2 2 2 0
0 2 3 3 2
3 3 3 3 3
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Mona Lisas and Mad Hatters
Words and Music by Elton John and Bernie Taupin
Verse
Slow
C F/C C E7
1. And now I know “Span - ish Har -
2. This Broad - way’s got, it’s got a lot of songs
mf
0
1 1 1 1 0 3 1
0 0 2 2 2 0 0 1 1
2 3 2 0 0
3 3 3 3
0
Am C/G F C/E Dm
- lem” are not just pret - ty words to say.
to sing. If I knew the tunes I might join in.
1 1 1
1 1 3 3 3 3
0 2 0 2 2 2 2
2 3 2 0 0
0 3 3 3
3 1 0 0
C F/C C E7 Am C/G
I thought I knew, but now I know that rose trees
I go my way a - lone, grow my own. My own seeds
0
1 1 1 1 0 3 1 3 1
0 0 2 2 2 0 0 1
2 3 2 0 2 2
3 3 3 3 0
0 3
Copyright © 1972 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
This arrangement Copyright © 2018 UNIVERSAL/DICK JAMES MUSIC LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
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F C/E Dm7 C/E
nev - er grow in New York Cit - y.
shall be sown in New York Cit - y.
1 3 3 1
0 2 2 0
0 2 0 0 0 0 2
3 3 3 3 3 3 3 3
1 1 0 0 1
F C/E Dm C
Un - til you seen this trash - can dream come true,
Sub - way’s no way for a good man to go down.
0
1 3 1 1 1 3 1 3 1
2 2 0 0 2 2 0
3 3 2 2 0 0 0 2 2
3 3
F C/E G C
you stand at the edge while peo - ple run you through.
Rich man can ride and the ho - bo, he can drown.
1 1 1 1 1 3 1 3 1 1
0 2 2 0 0 0 0 0
3 3 0 2 0 0 0 2 2
3 3
3 3
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F C/E F/G
And I thank the Lord there’s peo - ple out there like you.
And I thank the Lord for the peo - ple I have found.
0
1 0 1 1 1 1 3 3 1 3 1
2 2 2 2 0 0 0
3 3 2 2 0 0
3 3
C F C/E
I thank the Lord there’s peo - ple out there like
I thank the Lord for the peo - ple I have found.
0
1 1 1 3 1 1 1
0 2 2 2 0 0
0 2 2 3 3 2 2
3 3
Dm7 G
you. While Mo - na Li -
1
3 1 1 1 1 1
2 2 2 2 0 0 0 0
0 0 0 0 0 0
0 2
3 3
3
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Chorus
C Bb F/A C/G
- sas and Mad Hat - ters, sons of bank - ers, sons of law - yers turn a -
0 1 0 1 0 1 0
1 1 1 1 3
0 0 0 0 0 0 0 0
3 3 1 1 0 0
3 3
C F
round and say, “Good morn - ing” to the night. For un -
1 0 0 1 0
1 3 1 3
0 0 0 0 2 2 2 2
3 3 3
3 3 3 3 3 3
1 1
E7 Am C/G F C/G D
less they see the sky, but they can’t and that is why
1 0 0
0 3 1 1 0 1 1
1 2 2 2 2 2
0 0 2 3 2 0 0 0
0
0 0 3 3 2 2
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F G F
they know not if it’s dark out - side or light.
CI
1 1
2 2 0 2 2 2 0 0 2 2
0 0 3 3 0 2 0 3 3
3
2 2 1 1 3 3 1 1
1. 2.
C F/C C
F
They know not if it’s dark
CI
1 1 1 1
0 0 2 0 0 0 2 2 2
2 2 3 2 2 3 3
3 3 3 3 3
1 1
G F C
rit.
out - side or light.
rit.
1
0 0 2 2 0
0 2 0 3 3 2
3 3 3
3 3 1
5
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Rocket Man
(I Think It’s Gonna Be a Long Long Time)
Words and Music by Elton John and Bernie Taupin
Verse
Slow
Am D7
1. She packed my bags last night, pre - flight,
2. Mars ain’t the kind of place to raise your kids.
1 1 1 1 3 3 3 3
2 2 2 2 2 2 2 2
2 2 2 2 0 0
0 0 0 0 0 0
Am D7
ze - ro hour, nine A. M.
In fact, it’s cold as hell.
0
1 1 1 3 1 3 3 3
2 2 2 2 2
2 2 2 2 0 0 0 2
0 0 0 0 0
F C/E Dm Dm/C
And I’m gon - na be high as a kite by
And there’s no one there to raise them if you did.
4
3
1
0 8 0
1 1 8 1 3 1
2 2 2 0 0 2 2 2 0 0
3 3 0 0
7 7 3 3
Copyright © 1972 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
This arrangement Copyright © 2018 UNIVERSAL/DICK JAMES MUSIC LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
G/B
then.
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
Am D7
I miss the earth so much, I miss my wife.
And all this sci - ence I don’t un - der - stand.
1 1 1 1 3 3 3 3 3
2 2 2 2 2 2 2 2
2 2 2 2 0 0
0 0 0 0 0 0
Am D7
It’s lone - ly out in space
It’s just my job five days a week. A rock - et
1 1 3 3 3 3
2 2 2 2 2
2 2 2 2 0 0 0 2
0 0 0 0 0
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F C/E Dm Dm/C
on such a time - less flight.
man, a rock - et man.
3
4
1
0 8 0
1 8 3 3 3 3
2 0 0 2 2 2 2
3 3 0 0
7 7 3 3
G/B G/D G G7sus4
0 0 0 0 0 0 1 1
0 0 0 0 0 0 0 0
3 4 5 5 3
2 2 3 4 5 5
3
Chorus
C F
And I think it’s gon - na be a long, long time till touch - down brings me ’round a - gain to find
0 0 1 0 0 1 0 0
1 1 3 1 1 3 1 1 3 1
0 0 2 2 2 2
2 2 2 2 3 3
3 3 3 3 3 3
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C F C/E
I’m not the man they think I am at home. Oh, no, no, no, I’m a
1
1
4
3 3
2
1 0 0 8
1 3 3 1 3 1 1
0 5 5 7 0 2
2 2 2 7 2 2
3 3 3 3 7 8 8
D7 F
rock - et man. Rock - et man, burn - ing out his fuse up here
0 0 1 0 1 1 0 1 0 1 0 3
3 3 3 1 1 1
2 2 2 2 2 2 2 2
0 0 3 3
0 0 3 3
1.
To Coda
C F
a - lone.
0
1 1 1 1 1
0 0 0 2 2 2 2
2 2 2 2 3 3
3 3 3 3
3 3
4
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2.
D.C. al Coda Coda
Outro
F F
And I think it’s gon - na be a long,
1 0 1 0 1 0 3
1 1 1 1 1 1
2 2 2 2 2 2 2 2
3 3 3 3
3 3 3 3
C F
long time. And I think it’s gon - na be a long,
0 1 0 1 0 1 0 8
1 1 1
0 0 0 2 2 2 0
2 2 2 2 3 3
3 3 3 3
3 3
1. 2.
C C
long time. long time.
0 0
1 1 1
0 0 0 0 0 0 0
2 2 2 2 2
3 3
8 3 3 8 3
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Someone Saved My Life Tonight
Words and Music by Elton John and Bernie Taupin
Intro
Slow
G/D C
mf
0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 4 5 4 2 0 0 2 3 2
3 3 3 3
Verse
G/D C G/B
1. When I think of those east end lights, mug - gy nights, the cur - tains drawn in the
2. I nev- er real- ized the pass - ing hours of eve - ning show - ers, a slip noose hang- ing
0 0 0 0 0 1 1 0 1 1 3 1 1 0 0
0 0 0 0 0 0 0 2 0
0 0 0 0
3 3 2 2
F/A C/G
lit - tle room down - stairs.
in my dark - est dreams I’m
1
3
2
2
0 0
2 2 2 0 0 0 0
3 3 2 2 2 2
0 0 3 3
3 3
Copyright © 1975 HST MGT. LTD. and ROUGE BOOZE, INC.
Copyright Renewed
This arrangement Copyright © 2018 HST MGT. LTD. and ROUGE BOOZE, INC.
All Rights for HST MGT. LTD. in the United States and Canada Controlled and Administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights for ROUGE BOOZE, INC. in the United States and Canada Controlled and Administered by
UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission 1
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
F G
Pri - ma don - na, Lord, you real - ly should have been there
stran - gled by your haunt - ed so - cial scene,
1 1 1 1 1 0 0 0 0
2 2 2 0 0 0
3 3 0 0
3 3
F G C
3
sit - ting like a prin - cess perched in her e - lec - tric chair. And it’s
just a pawn out - played by a dom - i - nat - ing queen. It’s
1
3
3
2
0
1 1 1 1 1 3 3 3 3 0 1 0
2 2 2 2 0 0 0 0
3 3 0 0 2 2 2 2
3 3 3 3
3 3
Cm A7
3
one more beer and I don’t hear you an - y - more. We’ve all
four o’ - clock in the morn - ing. Damn it! Lis - ten to me good. I’m
3
1 2 4
3
0 2 2 0 0
2 2
3 2 2 0 2 0 0 0 0 0 0
1 1 1 4
3 3 0 0 0 0
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C A7/C#
gone cra - zy late - ly, my friends out there roll - in’ ’round the base-
sleep - ing with my - self to- night, saved in time. Thank God my mu - sic’s still
1
2
2 2 3 3 0 0 0 2 2 2 3 2 0 0
0 0 0 0 0 0 0 0
3 3 3 3 4 4 4 4
G/D D
- ment floor.
a - live.
3 3 3 3 3 3 3
0 0 0 0 2 2 2
0 0 0 0 0 0 0 0
Chorus
C G/B Am
And some - one saved my life to - night, su - gar bear.
1 4 3
1
2
0 0 2 2 3
3 0 1
0 0 0 0 0 2 2 2 2
0 0 2 2 2 2
3 3 2 2 0 0 0 0
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C G/B Am G/B
You al - most had your hooks in me, didn’t you, dear? You near - ly
0 0 2 2 3
3 0 1 0
0 0 0 0 0 2 2 2 0 0
0 0 2 2 2 0
3 3 2 2 0 0 0 2
C G/B C A/C#
had me roped and tied, al - tar bound, hyp - no - tized. Sweet free -
2
0 2 2 0 2 2 3 0
0 0 0 2 0 0 0 0 0 0 0
2 2 0 0
3 3 2 2 3 3 4 4
G/D A7/E
- dom whis - pered in my ear, “You’re a but - ter - fly and
0 0 2 2
3 3 0 3 3 2 2 3
0 0 0 0 0 0 0 0
0 0 0 0 2 2 2 2
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C A/C# G/D B7
3
but - ter - flies are free to fly. Fly a - way, high a - way. Bye
3
2
0 2 2 3 3 0 0 0 2 3 0 2 3
2 2 0 0 0
0 0 0 0 0 0 0 0 0 0 0 2 0
0 0 0 1
3 3 3 3 4 4 4 4 2
C G/B Am Am/G F
bye.” Oh.
0 8 7
8 0 0
0 0 7 2 2 2 2 2 2 2 2 2
2 0 2 2 2 2 3 3 3 3
3 0 0 0 3 3
7 3 1 1
G/D C
0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 4 5 4 2 0 0 2 3 2
3 3 3 3
To Coda
G/D C
0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 4 5 4 2 0 0 2 3 2
3 3 3 3
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Bridge
Am G/B
And I would have walked a - head in - to the deep end of the riv - er,
0 0 0 2 3 3 2 0 0 0 0
3 3 3 3
3 2 0 0
2 2 2 2 0 0 0 0
0 0 0 0 2 2 2 2
Em C/G
cling - ing to your stocks and bonds, pay - ing your H. P. de - mands for - ev - er.
0
0 0 0 2 0 0 2 2 2 2 2 0 0
2 2 2 2 2
2 2 2 2 3 3 3 3
0 0 0 0 3 3 3 3
Am G/B
They’re com - ing in the morn - ing with a truck to take me home.
0 0 0 2 3 3 2 0 0 0
3 3 3 0
2 0 0
2 2 2 2 0 0 0 0
0 0 0 0 2 2 2 2
Em C/G
Some - one saved my life to - night. Some - one saved my life to - night.
CIII
3 3 5 3 3
5 5 5
0 0 2 0 0 0
2 2
2 2 2 2 3 3 3 3
0 0 0 0 3 3 3 3
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Em C/G
Some - one saved my life to - night. So, save your strength and run the field you
0 0 2 3 3 2 3 2 0
0 0 2 0 0 0 0 0 0
2 2
2 2 2 2
0 0 0 0 3 3 3 3
D.S. al Coda Coda
C
A7 G/B
play a - lone.
0 2 3
2 2 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0
0 2 3 2
0 0 0 0 2 3 3 3 3
Outro
G/D C G
Some- one saved, some - one saved,some - one saved my life to - night.
7 7 7 3 3 3
3 3 3 0 0 1 1 1 1 1 0
0 0 0 0 0 0 0 0 0
0 0 0 0 0 2 0 2 0
3 3
3
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
Something About the
Way You Look Tonight
Words and Music by Elton John and Bernie Taupin
Intro
Moderately slow
C G/B Am/G D
1. There was a
mf
3 3 3 3 3 3
0 0 2 2 2 2 2 2 0 2
0 0 0 0 0 0 0 0
3 2 0
3
Verse
G Bm7 Em
time I was ev -’ry - thing and noth - ing all in one.
0
0 0 0 0 0 3 0
2 0 0 0 0 2 2 2 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2
2 2 2 2
3 3 3 3 0 0 0 0
Em/D C Am7
When you found me I was feel - ing like a cloud a - cross the
0 0 0 0
0 0 0 1 3 3 1 1 1 1 1 3 3 3
0 0 0 0 0 0 0 0
0 0 0 0 2 2 2 2 2 2 2 2
3 3 3 3 0 0 0 0
Copyright © 1997 WAB MANAGEMENT LIMITED and ROUGE BOOZE, INC.
This arrangement Copyright © 2018 WAB MANAGEMENT LIMITED and ROUGE BOOZE, INC.
All Rights for WAB MANAGEMENT LIMITED in the United States and Canada Controlled and Administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights for ROUGE BOOZE, INC. in the United States and Canada Controlled and Administered by
UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission 1
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
Verse
D G
sun. 2. I need to tell you how you
smile you
3 0
0 0 0 0 0 0 3 0
2 2 2 2 2 2 2 2 2 0 0 0 0 2
0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3
Bm7 Em
light up ev - ’ry sec - ond of the day.
pull the deep - est se - crets from my heart.
0
0 0 0 0 3 0
2 2 0 0 0 0
0 0 0 0 2 2 2 2
2 2 2 2
0 0 0 0
C
Em/D
But in the moon - light you just
In all ho - nest - y I’m
0 0
0 0 0 1 3 3 1
0 0 0 0 0 0 0 0
0 0 0 0 2 2 2 2
3 3 3 3
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Am7 D
shine like a bea - con on the bay.
speech - less and I don’t know where to start.
0 0 3 0
1 1 1 3 3 0 0 0
2 2 2 2
2 2 2 2 0 0 0 0
0 0 0 0
Chorus
G
And I can’t ex - plain, but it’s
0 3 3 0
0 0 3 3 3
2 2 2 2 0 0 0 0
0 0 0 0 0 0 0 0
3 3 3 3
B7 Em
some - thing a - bout the way you look to - night.
4 4
3
2
3 3 3 3 3 2 3 2 0 0
2 2 0 0 0
1 1 1 1 2 2 2 2
2 2 2 2
0 0 0 0
3
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E7 Am
Takes my breath a - way, It’s that
0
3 1 0 1 0 1 3
0 0 1 2 2 2
2 2 0 0 2 2 2 2
0 0 0 0
0 0 0 0
C D
feel - ing I get a - bout you deep in - side.
0 0 0 0 0 3 0
3 3 3 0 0 0
2 2 2 2 2
2 2 2 2 0 0 0 0
0 0 0 3
G
And I can’t de - scribe, but it’s
0 3 3 0
0 0 3 3 3
2 2 2 2 0 0 0 0
0 0 0 0 0 0 0 0
3 3 3 3
4
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
B7 Em Em/D
some - thing a - bout the way you look to - night
4
2
3 3 3 3 3 2 3 2 0 0
0 0
2 2 0 0 0
1 1 1 1 2 2 0 0
2 2 2 2
0 0
C G/B Am7 G D
takes my breath a - way.
0 0 3 0
3 3 0 0 0
0 0 2 2 2 2
2 2 0 0 0 0
3 3 3 2 0
3
1.
G
The way you look to - night.
3 1 3 0
2 0 0 0 0 0
0 0 2 0 0 3 2 0
3
3 3
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
2.
D G
3. With your night.
3 1 0
0 0 2 0 2 0 0 0 0
0 0 0 0 0 0 0 0
3 3 3 3 3 3
Outro
G
The way you look to - night. The way you
1
1 0 3 3
0 0 0 3 0 3 3 0 3 0
0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3
1. 2.
look to - night. The way you look to - night.
1 1
1 0 1 0 1 0 1 0
0 0 3 0 0
0 0 0 0 0 0
3 3 3 3 3 3 3
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
Tiny Dancer
Words and Music by Elton John and Bernie Taupin
Intro
Slow
C F/C C F/C
0 0
1 3 1 1 1 3 1 1
0 2 0 2
2 2 3 3 2 2 3 3
3 3 3 3 3 3 3 3
Verse
C F/C C F/C
1., 3. Blue jean ba - by, L. A. la - dy,
2. Je - sus freaks out in the streets
0 0
3 1 1 3 3 1
0 2 2 2 2
2 2 3 3 2 2 3 3
3 3 3 3 3 3 3 3
C F F/A G/B
seam - stress for the band.
hand - ing tick - ets out for God.
0
1 3 1 1 1 1 1 0
0 0 2 2 2 0
2 2 2 2 3 3
3 3 3 3 0 2
Copyright © 1971 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
This arrangement Copyright © 2018 UNIVERSAL/DICK JAMES MUSIC LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
C F/C C F/C
Pret - ty - eyed, pi - rate smile,
Turn - ing back, she just laughs.
0 0
3 1 1 3 1 1
0 2 2 0 2 2 2
2 2 3 3 2 2 3 3
3 3 3 3 3 3 3 3
C F/A C/G
you’ll mar - ry a mu - sic man.
The bou - le - vard is not that bad.
0
3 1 3 1
0 0 0 2 2 2 2 2 0
2 2 2 3 3 3 2
3 3 3 3 3 0 0 0
3
F C/E Am D/F#
Bal - le - ri - na, you must have seen her
Pia - no man, he makes his stand
0 3 0 3 0
1 3 1 1 4 3
2 2 0 0 2 2 2 2
3 3 2 2 0 0
0 0
2 2
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
Dm/F E7 Am G/B
danc - ing in the sand.
in the au - di - to - ri - um.
0 3 0
0 3 1
2 2 1 2 2 2 0 0
0 0 2 2 0 0
0 0 2 2
1 1 0
C F/C C F/C
And now she’s in me, al - ways with me,
Look - ing on, she sings the songs,
0 0
3 1 1 3 3 1
2 2 0 2 2
2 2 3 3 2 2 3 3
3 3 3 3 3 3 3 3
C G Fsus2 C/E D7sus4
ti - ny dan - cer in my hand.
the words she knows, the tune she hums.
0
3 1 1 0 1 3 0 1 1 1
0 0 0 2 0 0 0 0
2 2 2 2 3 2 0
3 3 3 3
3
3
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1. 2., 3.
C F/C C F/C C F/C
0 0 0
1 3 1 1 1 3 1 1 1 3 1 1
0 2 0 2 0 2
2 2 3 3 2 2 3 3 2 2 3 3
3 3 3 3 3 3 3 3 3 3 3 3
Bridge
Ab Bb7 Gm7 Cm
But, oh, how it feels so real ly - ing here with no one near, on -
5/6CI CIII
1 1
1 4 4 1 4 3 3 3 3 4 4 3 3
1 1 1 3 3 5
1 3 3 3 3 5
1 1 3 3
4 3 3
Ab6 Bb7
- ly you. And you can hear me when I say
CIII 5/6CI
4
4
4 4 3 4 4 3 3 1 3
5 1 3
3 3 3 3 3 3
1 1 1 1
4 4 4 4
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G7/B G7/D C/E
soft - ly, slow - ly,
1 1 3 1 1 0
0 0 0 0 0 1
0 0 0 0 0 0 0 0
0 0 0 0 2
2 2 2 2
Chorus
F C/E Dm7 C/E
“Hold me clos - er, ti - ny danc - er.
4
31 1
3 0 3
2
1
1 5 8 8 0 0
1 3 1 1 1 1
2 2 5 5 7 5 2 2 2 0
3 3 5 0 0 0 2
7 7 0
F C/E G/A
Count the head - lights on the high - way.
0
1
2
3
1 5 8 8 0
1 3
2 2 5 5 7 5 4 4 4
3 3 5 5 5 5 5
7 7 0 0 0 0
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F C/E Dm7 C/E
Lay me down in sheets of lin - en.
1 5 8 8 0 0
1 3 1 1 1 1
2 2 5 5 7 5 2 2 2 0
3 3 5 0 0 0 2
7 7 0
To Coda
F C/E G/A
You had a bus - y day to - day.”
1 5 8 8 0
1 3
2 2 5 5 7 5 4 4 4
3 3 5 5 5 5 5
7 7 0 0 0 0
Interlude
F/A G/A F/C
2 2 2 2 4 4 4 4 2 2 2 2
3 3 3 3 5 5 5 5 3 3 3 3
0 0 0 0 0 0 0 0 3 3 3 3
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D.S. al Coda
C F/C C F/C
0 0
1 3 1 1 1 3 1 1
0 2 0 2
2 2 3 3 2 2 3 3
3 3 3 3 3 3 3 3
Coda
G/A F/A G
3 0
4 4 4 2 2 2 0
5 5 5 5 3 3 3 0
0 0 0 0 0 0 0 0
3
Outro
C F/C C F/C
0
1 3 1 1 1 3 1 1
0 2 0 2
2 2 3 3 2 2 3 3
3 3 3 3 3 3 3 3
C F/C C F/C C
0
1 3 1 1 1 1
0 2 0 2 2 0
2 2 3 3 2 3 2
3 3 3 3 3 3 3
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
Your Song
Words and Music by Elton John and Bernie Taupin
Intro
Slow, in 2 h = 65
D G/D A/D
mf
2
0
2 2 3 3 3 0 0 0
3 3 0 0 2 2
2 2 0 0 2 2
0 0 0 0 0
Verse
G/D D Gmaj7 A/C#
1. It’s a lit - tle bit fun-ny. this feel - ing in -
3. I sat on the roof and kicked off the
1 1 1
3
2
1
3 3 3 2 2 2 2
0 0 3 3 0 0 2 2
0 0 2 2 0 0 2 2
0 0 0 0 2 2
4 4
3 3
F#m7 Bm Bm/A
side. I’m not one of those who can
moss. Well, a few of the ver - ses well, they’ve got
3 2
4
1
2 2 3 3 3 3
2 2 4 4 4 4
2 2 4 4 4 4
2 2 0 0
2 2
Copyright © 1969 UNIVERSAL/DICK JAMES MUSIC LTD.
Copyright Renewed
All Rights in the United States and Canada Controlled and Administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
G#m7b5 G D/A
eas - i - ly hide. I don’t have much
me quite cross. But the sun’s been quite
1
4
3
2
3 3 2
3 3 0 0 3 3 3
4 4 0 0 2 2
4 4
0 0
4 4 3 3
A F#/A# Bm
mon - ey, but boy, if I did,
kind while I wrote this song.
4 3
2
1
0 0 2 2
2 2 2 2 3 3
2 2 3 3 4 4
4 4
0 0 1 1 2 2
D Em G
I’d buy a big house where we both could
It’s for peo - ple like you that keep it turned
2 2 0 0 3 3
3 3 0 0 0 0
2 2 0 0 0 0
0 0
0 0 3 3
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
Verse
A
Asus4
A
D
Gmaj7
live. 2. If I was a sculp - tor,
on. 4. So ex-cuse me for - get - ting,
1
2
0 0 0 2 2 2 2
2 2 3 3 2 3 3 0 0
2 2 2 2 2 2 0 0
0 0
0 0 0 0
3 3
A/C# F#m7 Bm
but then a -gain, no, or a man who makes
but these things I do. You see, I’ve for -
3 2
1 1 1
4
3
1
2 2 2 2 3 3
2 2 2 2 4 4
2 2 2 2 4 4
4 4 2 2
2 2
Bm/A G#m7b5 G
po - tions in a trav - el - ing show. I
got - ten if they’re green or they’re blue.
4
3
1
2
3 3
3 3 3 3 0 0
4 4 4 4 0 0
4 4 4 4
0 0
4 4 3 3
3
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
D/A A F#/A#
know it’s not much but it’s the best I can do.
An - y - way, the thing is, what I real - ly mean
4 3
2
1
2 0 0 2 2
3 3 3 2 2 2 2
2 2 2 2 3 3
0 0 0 0 1 1
Bm D Em
My gift is my song and
Yours are the sweet - est eyes
2 2 0 0
3 3 3 3 0 0
4 4 2 2 0 0
4 4 0 0
2 2
0 0
Chorus
G D Dsus4 D A/C#
this one’s for you. And you can tell
I’ve ev - er seen.
3
3 3 2 2 3 2 2
0 0 3 3 3 3 2 2
0 0 2 2 2 2 2 2
0 0 0 0 2 2
4 4
3 3
4
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
Bm Em7 G A/C#
ev - ’ry - bod - y this is your song. It may be quite
0 0 3 3
3 3 0 0 0 0 2 2
4 4 0 0 0 0 2 2
4 4 0 2 2
2 2 4 4
0 3 3
Bm Em7 G Bm
sim - ple, but now that it’s done, I hope you don’t mind,
0 0 3
3 3 0 0 0 0 0 3
4 4 0 0 0 0 4
4 4 0 4
2 2 2
0 3 3
Bm/A G#m7b5 G6 D/F#
I hope you don’t mind that I put down in words how won - der - ful
0
3 3 0 3
4 4 0 2
4 4 0
0
4 3 2
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
G
A Asus4 A
life is while you’re in the world.
0 0 0
0 0 2 2 3 3 2
0 0 2 2 2 2
0 0
0 0 0 0
3 3
Outro
Bm Bm/A G#m7b5 G6
I hope you don’t mind, I hope you don’t mind that I put down in words how
0
3 3 3 0
4 4 4 0
4 4 4
2 0
4 3
D/F# G D
won - der - ful life is while you’re in the world.
2 2 2
3 0 0 3 3
2 0 0 2 2
0 0 0 0 0
2 3 3
G/D A/D G/D D
3 3 3 0 0 0 3 3 3 2
0 0 2 2 0 0 3
0 0 2 2 0 0 2
0 0 0 0 0 0 0
Guitar Instructor Trial Subscription for lait amanda, valid through November 30, 2022 (6170452)
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