Transcribed by G.

Lehr
http://www.emeraldimp.com/
Erstes Quartett W. A. Mozart (1756-1791)
Fourth Movement K.80 - 1770
   
Rondo.

Violino I.       
    
    


p

         

  
 
Violino II.
p

   
          

Viola.
 
p
    
    
Basso.   
p


          
 
5
    

        

f

         
  
  
       
f 
     


f
          
 
f


                            
10
A 

 
 
                       
  

         

    
      
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2

                            
14  



                        
 

 
        
  
   
  

   
B
 
18

                   
 f
    
p

         
       f
p

                


p
                

p

           
23

            
   
       p

             
       
        
f p
         

f p
 3

                        

27

  

f

         



     


 
p

             f

      


f
           
   
f

  C
        
32

              
   p

                
  p

         

         
 
p

                        
37


    
      
    
     

p
       
  
4
D
  
             
42

      
                  
f

    


  f

                     
  
f
                 
 
 
  f

 
48
 
         
  
p
 
 
                     
 p      
     

   
p

    
   
p

             
53

   
  
    

f

         
  
   
f

   
  
 

f
       
  
f
 Da Capo ma senza replicarlo, 5

        
58 poi segue la Coda all'altra parte*

  
   
   
   


p f
     

     
p
    


            

 f

    
p f
   
       
  
 
 p f
*Da Capo without repeats,

 
              
then proceed to the Coda.
63

    
      


 
    

     
   
      


        
      
67

     
p
 
         
         
           
p

         

                 
p

   
p