Violoncelo 2 Cello Concerto in C Minor

no estilo de Johann Christian Bach

Henri Casadesus


                       
Allegro molto ma maestoso = 80

 

             
1

    
              
7

 
                              
14

 
          
 
2

                 
21


    
      



               
28

  
 

                               
3


35




                       
4

       
43

 

         
 

          
      
50


    


 
           
58

 
              
2

               
5

  
67

 



             
6

               
75

      


  
    
               
82

 7


Più calmato e espre


             
     
89 poco allarg.

     



    
8

   
poco rit.


98

       

 

                                

110

 

                             
 9
116

        

 
        


 
                 
123

         
10

                     
130


 
3

                           
139 poco allarg.

  




    
                        
147

  
        
   
154



 
Adagio molto espressivo = 50


    
con sord. 11

                




     


 
                  
13

  



cresc.

       
12

            
          
23 poco rit. a tempo Più mosso

  

 segue

                     
               
31


                                  
 
39
13

    
 cresc.
15

   
           
a tempo
14

   
poco rit.

  
47

 
  
 
 
 
   
(cresc.) 

  
4

 
16

                    
56

  


 
17 18


             
Largo legatissimo


66

    

   
cresc. 

     
Largo molto rit.

  
76





                  


     
cresc.

 
Allegro molto energico = 126

     

        



             
   
7

 
            
 


        
19

       
13


                       
23

    
cresc.




              
20


Senza Tempo

  
32

    




                
   
41

   
 

5

                       
49
21

   

                 


     
58

     
  


                   


   
 
64

    
                


  
22

      
70


     


                              
75


 

                         
23

    
87

   
  
                                


    
91

                  
       
 
96

   

              
24

  
    
102

   
 
        
6

    
25

       
114

 

                     
   
125 molto allarg.

          
cresc.

      
26

       
a tempo

 
137




            
        
        
143

 
                  


       
       
149 poco allarg.

     
27

               
Cadenza ad lib. Tempo molto più


155

              
    
molto rit. Tempo primo (movim

        
160





                     
168 allarg.

   

     
  
molto rit.


175