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Jahrhunderts ) 5 CULO ARR > PARAS» ARES MRL BR Fin Be RABI, PEER PRES * CRS CAREER I DARA S - SEL ° EGR LABILS "TIRDZEMEICAK , Cisorhythmic mote) + 7 REDPAR: CIRCA ARISE 131 SURE T BAER ° HAZE + TERRE (Firenze ) » SE SEAPIMEPR FRR ERR IES SPINA MR (ECE > HEA eSB Std 7 EIB: RATS AS > HS PHT » INA HE PARR AS = + Trecento S#ZiEZ HRERCO) > CES P HACE RECRRANT AE » PIBARALA Ars nova $AG EAE + PULA — O EARS» GARLAND BCRP Ke FEZRMSCAE RAN ASCE + RACH tl wR HAGA > BATA ACES SE )° RECS CMT t » Ars nova SIRT +-Pattac OFF HE > PRE RA IME ELS HRB RR } RARRER A (Philippe de Vitry )» BEE HL Bch SE EN RAL SE BS TEBE > Ars nova ARH EIFE « ALAEA FY + PEPE RAL > A HES ATH A BESET ( Kuegle MGG: 877-92) > R % AA BGK AGES AIA SOR BS T TOF Hit eS BEG Kurt von Fischer ) ES ERAS AAT FRR RRC ARIME >» ERT +9 HACE AN RELEASE UE (VRE BE > PRERAT ASE + SCE LW Trecento FHABLLEHANY PAPER > BBA AICTE S (ALIENS > RESETS Baten > Eee aap > HEA Trecento LLIIh% Ars nova » 76 -—tit ACHE > DEBE + * PC BE ARIRZ IEA Florence MILE HEARNE, + ASCH HA ERE PR ana, - * EGBA Ars nova Bi Trecento Zr xtae® ( REBAR, + "UUHR, ) EATERS BUSTER Za EM + EAC S + PIS CUR CHET Tama ©132 Paha + 330 4B «5 MA - 2001 4 10 BCA SRSEAY AT lai Lt ARSE AAS BIA RAST AUR ARRAS RR SERA IB UIMK BARTER BARA ALEC, > RUBEN ~ PSRAN (Siena) RAAB VE HRGRES Hs MENSA RTRA ANSE > Ae E> FRURN HNMR AS > OUR Be tha 8 BOBKRBAANEWHRIARN PL BIER ESRB E> SSR RABE > CT BRLES TCA Ee ars + ff (Giovanni Boccaccio) (+ Fisk) (Decameron) HNAABNS 77 Hi BR THEARR ° BAA T RR RRL » (ARES RA > DNF AURPEAR » TARAS FEAR > ALAITEAAY TSCA 4 Clitterati ) > fff AY OS BERT AAR => MSRSRNSTE SSE REE A SES STAC» DAE OEE BEANS Py BARMERA " HHOEHS 4 (lingua vulgaris) FSFE ROCEL ° SHARC HRS » ALICE EE TE (Toscana) HUE » 5 /ABSF BCA SB > HEAT CERISE ° T= + TPAC 36 > SHIRE A TFIRELA "STE SEAL 5 (dolce stil novo ) ABA" HORSE > LUA BITS ATR UPR PEE + BTR SEL A PRA ER AD FET ° (BSS SUF ell Be PREIS (UT Se OLA TELS Bis FORSCH Ph» RET FARA AI RBA PSC AAEERE + TE (ET CFE» TLRS Aaa + Fat SE RRA CERES NEAR AP HAN SR RTH E AUS > BILEMATE » WILE > HE SaRd E> ESE ROAEA PIAL ABACK > Barre ~ i, (Padova) = Sh EPI By EAE PD ° FER E> PRAY RES > SWAMI DER » CECE EB Flaca > SSE P ECAH TT ABRAM > Secpe APS = SPARTA >HEAR TUUHERCHU REAR 133 BASRA + HR SLZCR ° AAMT» i (NTE eo Fp > 27 (5 FSR 2S «FEE» FECA EC SHR TULARE SIAR IGE + PAD (+A) SAT RL» EP AE ATM SEL RESEMYIHEX Boccaccio 1974; Brown 1977) « 7MERUG + SREP IONS RACH FAA + (ROSY SBF WAAR > HUASEF AT LEROY EOUTES «ath BEER ESOT] IE > OR TOESSE HEIN ANIISHE (Gallo 1984) = RASMA > + HAC RARE SH EBS He (madrigale ) - 805% 5 (caccia) [LR ballata'= AHH > EMH We LAR T TESA RZ MRO ° HEHE ROS "Babe RFRA SOM (terzina) [1 Be—{ APTA AIEY (ritornello) » % ri — FA Cendecasillabo ) + KAT ALAUATAE > (LRESN AL + pas PCA] ° FRM HEA > FTC IGUAL ICR FE EEE — se AR © SA RA SLE (Francesco Sacchetti) Bu fMIKERESE (Schulz-Buschhaus 1969: 14-27) » FL BRECK FUSRRHAREIE C2 LIT FEES IBM 1 (Elwert 1984: 119) « +-DOL ARAB CEES L » PMS POSED» ASA Fah BAAS MAB EALESS » CLES: i HARARE TROIS > CESS E BORE RUE A A — ARPA HY RE) (canon) HEIR + {eR EBEAGS » S5—(REPASRIRRE A > EIS}. 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BIG F > ballata RPMS > —AHE » RATES FE HRS : SARELRZBRT ballata MER Hare PA aD ° HASHIM BRS Az RAPE, + LUT ACER +TARE © OTHER REA AIT EE 135 F (Gallo 1984) - ij Trecento Hse SSS Z RAILS Se AMAL EY ° SB I CURE RR RIE (Guillaume de Machaut) #—Eriivedi (Rondeau ) (HGH ~ HE + AK > BHR) (Rose, liz, printemps, verdure)» Fa fEFSHMARF (CHI SY FRR + INBEH ° ( —) BRR R ZR NBER TRA ABS Seat (#&-] ae ASHE LAS HARE TSR refrain 1 Rose, liz, printemps, verdure, a Al Fleur, baume et tres douce odour, b AQ Belle, passes en doucour, b B couplet 1__Et tous les biens de Nature, a Al Avez don’t je vous aour. b A2 refrain 2 Rose, liz, printemps, verdure, a Al Fleur, baume et tres douce odour. b AQ couplet 2 Et quant toute creature a Al Seurmonte vostre valour, b A2 Bien puis dire et par honour: b B refrain3 Rose, liz, printemps, verdure, a Al Fleur, baume et tres douce odour, b A2 Belle, passes en doucour. b B PHAGE RBR - PATS ROT > SAT aPRTTSAC > AREAS I TARAS TR © FAIR > are SS) FPS AHD a, b EN (LESH = 17.2 RE b HUD B BEL AZ > BLL AL+A2 KER T BK BO. AE SUSIE B SSiSROSS4y ° EtG SAS RS HABE L + BLES TF OB FF 5 (melisma + LAR LA 76%, BAR) HOTT SEER DEA)136 Pah F530 B - 55 HH - 2001 10 A BL MDMA TEES » SA LASERS + aS RESCIERBMEBIAT 7 , SSIES ° BAAS " MIAVAES(A , (Jacopo da Bologna ) — Pi USP AB HC (ESA EINE TOR » TEAM E FBI T FER + PAA AEE + (ARTE HAT Pa tt heh OFF RAT OK DAMESITRREEERIK (Casa Visconti) ARES » HEN CEMERERN (Verona) > ft RARER AD » LATER MAWES » ht ALES SP BHO EME > ARF CERES » SCRA as tS fel C=) BK (ASEM) (Fenice fir) CHART ME : (®=) BEE ZA SRS ESRaHE stanzal —_ Fenice fe vissi pura e morbida, a A Et or son trasmutat’ in una tortora, b Che vollo con amor per le bell’ortora. b stanza2 — Arbore secho mai n’aqua torbida, a A No’ me deleta may per questo dubito, c Va ne I’astate l’inverno vende subito. © ritornello Tal vissi ¢ tal me vivo e posso scrivere, d B C’ha donna non é pil che honesta d vivere. TERIAL AR RAEN + a HRC BCR GSE * ERA = TLR — PRT HOME DER » See APSSES An + Se RH HER aOR SH RAY ate: RRMA ABA TRI » ee ERI CED SHIR Fl > PSPABAG7TSIRIRSRAG » Beth 2 RACER ba He RSH > ah AAPOR ¢ SRR CIRC ARARATE RR SH CER AIHUBARE LA AS » CEES A (penultima) fb + = HBB TEE (Francesco Landini ) #4] —# ballata - BT Ewa, Trecento REBEL A > EBSM EE - (HAS Pte BAC ESAS ESA EMERGES IEE A »AREAS: OUT ROH RE AAR 137 WERE ZAP MEM aA > SACHS BTL El — BB ESI) ( Musica son ) $83 > BASABLE MASE FR SINE Tle + Zeta eS FanP » ballata (5 7 RE EAEB fi [R=] ABH ballata (HUST BGE MBER) (Non avrd ma’ pied) ZK RGR MUR + FEEL ABE (Alessio Donati) » 7 BE BA © C82) aS LAS el ae ripresa Non avra ma’ pieta questa mia donna, a Se tu non saj, amore, boo Chrella sie certa del mio grande b ardore. stanza: 2 piedi + volta piede 1 $’ella sapesse quanta pena i’porto °c B Per onesta celata nella mente d piede 2 Sol per la sua bellecca, che conforto oc = B D’altronon prende ’anima dolente volta Forse da lej sarebbono inme spente od =A Le fiamme che la pare e Di giomo in giorno acrescono’l b dolore. ripresa Non avra ma’ pieti questa mia donna, a (replicazione ) Se tu non saj, amore, boOA Chella sie certa del mio grande b ardore. aft FS Sey Ae FLY ballata sett» Hea TES > SARE ES ripresa » EERDA HLPRSAES + ARBLBES replicazione ; ripresa FPN dee — tee ah EG BOTS CAA + AAR a b b > HR = BUM p EA (stanza ) ABS > PSY + FSPREQRN {THY piede LI R—EY=(FH) volta ; piede138 PahAH - FS 30 - 35 HH - 2001 4F 10 CURATT SES +E» ELAR ES cd > volta = {TE MAAAEER ripresa FIG] > HEUAIIAE deb: SS —7TELHBIES (piede) HSS — (TABI » B= AT SEACRER (ripresa) ZAHA THNEAME] > SRR SAAS» Saal RSBHRG > IRF » RATATAT ROSS > ETAT ATS MSRP CERT II — Sao IES — Ba» HILT AES — aE HARE BIA BRA ZAC PAB A ¢Piede FUG ripresa R volta BEIBCR— BAER» DRE VE» PRP AED TT SRO NRE CR» FOS LLRF ballata BEE ZH DAEROS MOTE + LORS HZ REA RIA OR PCE aaGHL + RBM ZERAE > ATLLEE + ESSAI E CHIE AA ELBE) + Heep Ls HR (imitation ) BUF ER (ACER L > RAPIER RIGS» TASC RMA - OO. sae Trecento AYTEASMKHASH > SARIS SC / BORO RPAE > DIRS HERG R PL BHR dallata HEH A RF AEA LEP AES ETE » HAGEL FOURS: PREIS ACD + Ee SNS + TCI ARR AITER > APA &-BiZRR SENS RAZA MK RUM) VE PGRS > MPG ROAR + UES (Baumann 1984) » Be AgGHOME > Trecento S8#2 > HAA AFSL SHOR ee EMT SELA BREF) SUR SCI Reena eH (von Fischer 1984) LOGE EAA TSAO (Ein > SPER EE ae ABHEEIZ 2A SETAC» SEA FUCRPSE » CIC LS Bite > PRC : POAC + BE FSC UIA ER + BS BRZMAS RY ZST ARMA LPR RS IRS FR TFOOTREL + REL ARRTL RENN «AR : +S ARIS 139 BATH — a Giovanni Boccaccio, Decameron, a cura di Mario Marti, 2 vol., Milano (Rizzoli) 1974. Jacopo da Bologna, Fenice fit, in: Nino Pirrotta (ed.), The Collected Works of Jacobo da Bologna and Vincenzo da Rimini, American Institute of Musicology 1963, 6. Francesco Landini, Non avra ma’ pieta, in: Leo Schrade (ed.), Polyphonic Music of the Fourteeth Century, 4, Paris (Editions de I’Oiseau-Lyre) 1958, 144-145. Guillaume de Machaut, Rose, liz, printemps, verdure, in: Leo Schrade (ed.), Guillaume de Machaut, Oeuvres completes, 5, Monaco (Editions de I’Oiseau- Lyte) 1977, 11-12. = Dorothea Baumann, “Silben- und Wortwiederholungen im _italienischen Liedrepertoire des spiten Trecento und des friihen Quattrocento”, in: Finscher / Giinther 1984, 77-91. Dorothea Baumann, “Trecento und Trecentohandschriften”, in: Ludwig Finscher (ed.), Die Musik in Geschichte und Gegenwart, Sachteil (9 Bde. + Register- band), Kassel (Birenreiter) 1994 ff., vol. 9, 759-791. ( Baumann MGG } Howard Meyer Brown, “Fantasia on a Theme by Boccaccio”, in: Early Music 5, 1977, 324-41. Peter Dronke, Die Lyrik des Mittelalters. Eine Einfhrung, Minchen (dtv) 1977. (aus dem Englischen, Peter Dronke, The Medieval Lyrik, London 1968, iibertragen von Peter Hasler) W. Theodor Elwert, Italienische Metrik, Wiesbaden (Franz Steiner) 1984. Ludwig Finscher / Ursula Giinther (eds.), Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, KasseVBaseV/London (Barenreiter) 1984. (Finscher / Ganther 1984} Kurt von Fischer, “Sprache und Musik im italienischen Trecento: Zur Frage einer Friihrenaissance”, in: Finscher / Giinther 1984, 37-54.140 Pah + FS 30 E - 35 HH - 2001 4 10 A F. Alberto Gallo, “The Musical and Literary Tradition of Fourteenth Century Poetry set to Music”, in: Finscher / Giinther 1984, 55-76. Alfredo Giuliani, Antologia della poesia italiana. Dalle origini al Trecento, 2 vol., Milano (Feltrinelli) 1975. Donald J. Grout / Claude V. Palisca, A History of Western Music (5 ed.), New York (W. W. Norton) 1996, Francesco Guicciardini, Storie Fiorentine dal 1378 al 1509, Bari (Laterza) 1968. Karl Kuegle / Maricarmen Gomez / Ursula Giinther, “Ars nova — Ars subtilior”, in: Ludwig Finscher (ed.), Die Musik in Geschichte und Gegenwart, Sachteil (9 Bde. + Registerband) , Kassel (Barenreiter) 1994 ff, vol. 1, 877-918. ( Kuegle MGG } Hartmut Maller / Rudolf Stephan (eds.), Die Musik des Mittelalters, Laaber (Laaber) 1991. (Neues Handbuch der Musikwissenschaft, vol. 2) Virginia Newes, “The Relationship of Text to Imitative Techniques in 14" Century Polyphony”, in: Finscher / Giinther 1984, 121-54. Ulrich Schulz-Buschhaus, Das Madrigal. Zur Stilgeschichte der italienischen Lyrik zwischen Renaissance und Barock, Bad Homburg v.dH. / Berlin / Zitrich (Gehlen) 1969. FIR + HR ABR BA / BRB ° af B SRATEE RIES AF» {UU RL Ee RL EN BRD RDC EAR ARRE SERA) “TSH , ONAN RRE AY + TEES EUS TELE FI 2 HY AB HS PU EF E+ MERAY virelai, ballade, tondeau BH AFING madrigale, ballata IH : Ay eA AHH ABBA Bea» ACSCEULA REA FIT PORE RCA TEES AS SE BES AS» ERLE CRS AACA WAS : atti: LT. MOE - OURS «ARI CAB) + SC + SOB OLT SE + HHT + HCH + BLK - ballata