THE WORLD’S BEST-SELLING DIGITAL PHOTO MAGAZINE Photoaraph' oe Aye, oral INSPIRATION! IDEAS! IN-DEPTH REVIEWS De a A IS CANON’S EOS 90D THE PERFECT ENTHUSIAST CAMERA? READ OUR IN-DEPTH REVIEW©6800086 Rpetgeranty it ah DEAD JOIN THE CLUB... Welcome to the world’s #1 Noa weekly digital BY photography magazine. IFyourre already a reader, thanks for your continued support and involvement; if youre new to Photography Week, youve come to the right place! In addition to expert advice, briliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine - its a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments - your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! Aaa a Tea Coogee me ways you can interact with and enjoy Photogr Cy NaNAnger oeY CONTENTS FIND OUT WHAT'S INSIDE THIS ISSUE MUSIC TO THE EYES Discover how to get started in gig photography with tips, tricks and kit advice from a pro ae: GALLERY Our pick of the best reader photos from around the world INSPIR N FROZEN ON ICE Photographer creates stunning fantasy images at a frozen Siberian lake THE GREAT SHAKE-OFF Learn how to capture engaging high-speed action shots of a damp dog drying off SHOOT A BALANCING ACT Take a series of photos and combine them to create a fun and convincing trick shot CANON EOS D90 Mirrorless cameras have been grabbing the headlines recently, 50 is there still place for the enthusiast DLSR? We put Canon's latest model through its pacesCAPTURE A FRESH PERSPECTIVE 14 - 17 MARCH 2020 THE NEC, BIRMINGHAM The, Photegraph Show pny The event for everyone passionate about photography and moving imagePrin CAPTURE MUSIC Music photographer Kevin Nixon is no stranger to the stage - or to a dynamic image. Here's his advice for getting great gig shots ifficulteee) arenes hee songs. no flash” Anyone shooting music will have heard this mantra hundreds of times. asit lends to be the industry standard around the world. What it essentially meansis that you have approximately 30-25 minutes in the pit to capture images, with the constraints of whatever lighting is available ‘Whal the lighting engineer thinks is an exciting light shaw for the audience is almost invariably terrible to shoot in, Magenta, blue, red, backlighting, or even no light at all ‘can make it impossibly difficult to do the band justice. Add to that an over excitable smoke machine operator and your options for creative, visually robes, ‘exciting images can be severely limited. A good-ouality DSLR and fast lenses are essential if you wish to obtain consistent, quality images under these ‘or any range of lighting conditions. This kit allows me to cover allaspects of gig photography in al lighting conditions ~ from super-wide to shooting from the sound board or mixer at stadiums fr larger arenas, where you can be up too mettes from the stage For most medium-sized gigs | would concentrate ‘on the 24-70rn lens, and for Festival fr arena gigs | would tend to favour the 70-200mm lens | prefer to use two camer with my 24-24mm and F attached to a separate lens holder a bodies, heyelens by Peak Design, which | wear around my neck. This gives me quick and easy access to four separate lenses at any one time, Another essential items a shoulder harness that supports the two camera bodies and lenses, There are several con the market, but my own choice is the BlackRapid harness. ifm shooting in a smaller, moze crowded pit it can be difficult carrying 30 much equipment, tend to work with just one camera body and a 24-7arnm lens, Most modern DSLRs and mirrarless cameras have greal-quality sensors nowadays, and even witha kit lens this should not preclude anyone from achieving ality results, sol wouldLia Wien sume E a WS,jon is key to success ear een though music shots are ) spontaneous, youl stil need to do some research, Have a look online at the shots other photograchers have been getting on the same tour (Gear in mind they will only post their bost shots. Chock out YouTube videos, too, as you can usually find out what the lighting wil be like, the Best position tobe inthe pil and where the band members wil beon stage Are there any soectacular jump shots tobe had? Knowing the band helps here, For example. Bruce Dickinson from Iron Maiden usually starts his set with an almighty leap, se Imalvays prepared in advance for this. When fm shooting a band aim to capture the essence oftheir performance Make sure your images are dynamic, exciting and show the band in their best ight If the shots ar0.unattering, dont send ther out Atall times youll need to anticipate ‘what's happening onstage following the action with your camera ast unfolds. Dor't be checking the back (of your camera every 30 seconds (chimping) while youre admiring your last shot. or you'll probably miss several ‘ther shooting opportunities Look for creat expressions, shapes land movement too. Some musiclans love to interplay with the photographers, and getting direct eye contact always looks great. Avoid microphones ‘obscuring the singer's mouth, and ~ a personal bugbears ~ don't cut off the quitar head, or someone's hand or finger if they'e pointing, Take a variety of portrait and landseape shots, and also try capturing \wider shots that show the context of the band or musician with the stage. as ‘well as the relationship between the artist and audience. Also. be careful not to zoom in too close. as these shots are rarely very flattering, ‘When youre in the pit, always show courtesy and respect to other photographers - we're all trying to get the same shots, so be aware that if you're leaning into the stage to get your ‘wicle-angle shot you may be blocking the shot for others. Get your shot. then let someone else go. Other common: sense tips when you're in the pit are to take your bulky backpack off, so that you don't spend the entire time bumping into other photographers. Don't hold your camera in the air unless youte sure there are no ther photographers behind you, and respect the crowd - they've paid good money to be there, and in some cases wil have queued for hours to get their spot on the barrierGETTING THE SHOT conmuesDEVELOPING A RELATIONSHIP “WITH BANDS AND ARTISTS {GENE SIMMONS 4 few second in shoot his people called ime only. frames in total s studio ve been lucky to tour with afew bands. and | think the key issue is trust, Developing a relationship takes time, and i's not something that can ke cone overnight ‘You are representing the band, s0 you hhave to ensure that all your images are of acertain quality, and illustrate the band in the best possible light. For many bands, particularly established acts, a photoshoot is not on their list of preferred things to do; they've done ita thousand times, and view itas a necessary evil. When Im shooting a band in the studio or on location Itry to censure that Im fully prepared. Il usually doa recce at the location so | knowin DORIS YEH Wien youre on ashoot bo professional and polite. and make the proces ‘efficient as possie acivance exactly where Ill shoot and the type of shots im locking for.| try to work quickly and efficiently - generally, the sooner band or artist i finished, the happier they'll be. Be confident direct the shoot, Keep it fluid and positive, and don't leave it to the band, Know your kit and the settings youre going to use, and check your batteries before the shoot, A shoot ‘with limite time is probably not the best occasion to experiment with a new lighting technique, so practise beforehand. hada studio shoot with Gene Simmans, and was told | woulel have a half hour with him, but his people pulled the plug on the shoot after 20, DUFF MCKAGAN Make cure your image: hgh-cuasty. and pre falling ight seconds, so | only got a few frames off but, because | was prepared, | got the shot the client was looking for. It can be very difficult to contact, bands or artists directly, but most established acts have their own management or PR company if you wish to try and contact them If you do get the chance to shoot an established artist, try not to be a fanboy/girt ~ they are only human. Be yourself, and enjoy the experience. | often oF asked who's the most unpleasant person | ever photographed, and the answer is no one! If you'te polite and professional, I've always found that this 's reciprocated by the artistDEVELOPING A RELATIONSHIP WITH BANDS AND ARTISTS convenOOOOO@®O _ CLASSIC SHOTS TO LOOK FOR — he ‘jump shot is sume shor always great fun to [ump shotsnatursly capture for music eaniagerinais hotographers. but it ‘capture these when pholograptiers: bur thochence artes does require good timing, anticipation and great reflexes. The aim is to get the artist at the height of the jump, preferably with a clean shot of their face, A fast shutter speed is required, along with quick cccurate focussing, Another cool shot to capture is onstage from the drum riser, and for this you'tt, need a wide-angle lens that shows the drumme the rest of the band out on slage, and the audience in the background. Lats of bands also love it when you take a shat from the stage at the end of the gig, with the band tured to look at the camera and the crowd behind them. This can be a dynamic image to wrap up, but it’s a one-take shot; youlll only have seconds, so ensure your settings are correct and stay calm, White shooting from the stage will always give you a slight advantage over the photographers in the pit, its important to be as unobtrusive as possible. Generally, you're best off wearing black clothing and leaving the stage once you have your shots, In the pit, dont be afraid to play around with super wide-angle shots and even fisheyes to create dramatic images, Just keep the artist towards the centre of the frame with this approach, as distortion appearing at the perimeter of the frame can look unflattering.CLASSIC SHOTS TO LOOK FOR connFAVOURITE EDITING TECHNIQUES use Lightroom for basic editing, ID anc Photoshop for anything else. limport my raw files, land once retouched, export them as ‘es JPEGs. | think cropping is very Useful, as most images can he improved ‘with an effective crop | prefer to maintain the integrity and proportion of the original crop, and Tm nota fan of a square or two-thirds crop. ll normally adjust the levels and Contrast and sharpen the image. The CClanty and Dehaze tools are useful but need to be used in moderation. The overuse of HDR and oversaturatod imagesis a complete tum-off for me Lightroom is also excellent for bringing life back to magenta- and blue-saturated images with the Colour Balance tool Ido convert a lot of images to black and white. and Lightroom is great for this. although | normally would punch ina bit more contrast. think it's important to illustrate as close as possible what you're seeing onstage, and Im not a fan of filters, or special effects, ‘Keep it simple’ has. always been my motto Photoshop is useful for complex citing. If Thad a good shot but had, for example. a prominent ‘Ext’ sign in the background, ! would have no problem cloning this out Pee) pee re on, and wasOOODOO® GETTING THE SHOT An encore of advice from music photographer Kevin Nixon Cae Practise practise, practise, Develop eee eer eee) CAMERA EQUIPMENT eeereoneeteroar eee eee eee Douva riety pene peace ete Remnant ered ed eer ee ee peenreepies prota ets ee eerie, eer ee Se eters Heol ee eae Se Pea Le a Aer eee ree Bene ae reer 4 Sens cas ae poe o Pred 3 ee ee - eee) Peres renee te é evesPhotogra A =0=) elie SY TEST rca SU Cg ae) eee Rag eames MUL] To find out how you can get delivered straight to your device every week for just a few pennies, simply search for on any of the platforms below AVAILABLE ON YOUR DEVICE NOW! “Avaliable for a mite time ony. Standard subscription offer varies across plaforms/devices ~ please reer to specific store fr the most up-to-date offerO0e0e600 XPOSURE THE WEEK'S MOST INSPIRING READER PHOTOS BARCHETTA MARK TUNSTALL “Barchetta (ttle boat’) was taken off the Back Beach a Teignmouth in Deran,I wert fora higi-key mona effect? ‘nttoutiny ccllviataTHE WEEK'S MOST INSPIRING READER PHOTOS STAIRWAY SANDOR NEMEDI “This is my favorite church ruin in Zelemér, Hungary, and these steps lead to it (the ruin is atthe top-right of the frame), The late Gothic church was deserted during the Tartar invasion and later re-established” hitoiftiny.clodBier MOUSE ON THISTLE GILL STAFFORD "A harvest mouse perched on top of a dried thistle. This was taken in Scarborough, Yorkshire.” bttoltiny.cc/SvstiyTHE WEEK'S MOST INSPIRING READER PHOTOS RED KITE OVER THE BRECON BEACONS LES WIGGIN “I shot this during a vist to the Brecon Beacons National Park in Mid Wales. I spotted this Red Kite hovering high above scanning the ground for its prey, and as the stormy clouds parted the bird was displayed in all its glory.”THE WEEK'S MOST INSPIRING READER PHOTOS INCEPTION IVELIN ALEKSANROV “This was taken at the Rotterdam Markthal. This place always has a summer vibe, regardless of the time of year.” btosinv.cc/24Bfer PHOTOGRAPHY WEEK WANTS YOUR PHOTOS! Taken a portrait you're particularly proud of? Shot a sensational sunset you'd like to show off? Then join the Photography Week Facebook community and share your best photos today! You'll get feedback from fellow readers and the Phatography Week team, plus the chance to appear in Xposure, or even on our cover! FACEBOOK ata coidosy00600000000 a IT'S COOL, THAT THE BEST THING WE'VE SEEN THIS WEEK ICE WORK: CREATING A FANTASY WORLD IN DEEPEST SIBERIA Photographer shoots stunning series of images at a frozen Russian lake ric) Fee oe eee eee ee eerSee f= E3 sel eee rete ure ears o Brera rai Crna Uae Ol FROM JUST vs 40 aan a Ge A rns rere rr Coen600060 — CRASH COURSE ESSENTIAL PHOTO SKILLS MADE EASY DOG SPRAY AFTERNOON James Paterson douses a four-legged friend with water, and uses flash to capture high-speed action shots of the resulting shake-down When wet dogs start shaking their coats dry people usually dive for cover, but t's a fun moment that's filled with both action and character, and in this project we'll look at how you can caplure that moment. Well explain how to light a sodden subject, and haw to set up your camera to freeze the action in erystal-clear clarity We've used Rotolight LED panels to ight our subject (you could also use a couple of flashguns). which have a high-speed syne flash mode that helps to freeze motion. However, as is the case with any LEDS, the maximum ‘oulput of our panels doesn't come close to that of even the most basic flashgun, so we have to adapt out exposure accordingly with a higher ISO. LEDs have their advantages though: more battery, near-instant recycle time in flash mode, colour temperature control, and the convenience of what- you-see-is-what-you-get lighting While getting the lighting right isnt easy, you may find that the trickiest ppart of this whole project is the dog: handling. Our obliging pooch was more than happy to be soaked with water. and didn't have to be asked twice to starting shaking, but she didn't feet Like standing in the spot we'd set up, preferring to run off to anather part of the garden. It took a few attempts to get her to stay put and get the posing and focusing spot-on, and youl ikely shoot a few duds before getting a usable shol, but i's all part of the fun! >»THE SETUP SOGGY DOGGIES @sackorop Oricuts © warer Osertines ‘Adark backgroundis ideal The Rotolight LEDs used We kept a tray of water AAfast shutter speed helps fas the water drops won't shaw —herehavea high-speed syne anand tosprinile overour —_te freeze the motion of the upas well against a lighter flash mode, in which the ight pup. Shooting outdeors,as we shaking dog. Here the shutter background We've used the emits acontinuous burst and dick, sagreat klea.asit means speed is set to 1/2000 sec datk side ofalarge pop-up enables the use of very fast. © yourdon't have to worry about —_ with the camera in manual reflector here, shutter speeds, making a mess ‘exposure mode behind and to the right Each ight is sot to HSS i se of a high @ mation of the dog. rt at Prete APERTURE AND FOCUSING 2 oF f/4 allows us to create cf field, which has the niceEP THE TECHNICAL BREAKDOWN e 8 WORK OUT AN EXPOSURE SET UP THE LIGHTS We're shooting outside, but we don't want the naturalight to Now we can use the lights to pie out our subject. By placing play too big a part in our exposure, So tostart with leave the _ ight behind the subject, angled back towards the camera, Lights off and find an exposure that results in a dim image like _the light shines through the drops and gives us a nice ecge the above. for which we used 1/2000 sec, 74, IS0800.Use —_ighlight along the dog's nase, which helps to separate her manual mode to lock the exposure in. from the dark backdrop, TRIGGER THE FLASH GET THE SHOT We need to fire our off-camera flash with a trigger Now we turn on the key and fil tights. then meter the compatibility is important when using HSS. The Elinchrom exposure again and take a shot. The fill ight lifts the deep ‘Skyport we used to communicate between the Rotolights and shadows and gives us balanced lighting. The ratio between the camera enables us to change both the power and colour _—key and fllis faily even, so our contrast is subtle. We could ‘temperature of the lights, power down the fill for more contrast. COMPOSITE WATER DROPS FOR, THE PERFECT SHOT (eet rene ea ecu SELECT THE DROPS PASTE AND BLEND You may fr that your subject has a great Hit ml/h ta ring up the Pose and aenecsoninone-snet.utthewater ‘Tansferm controls Poston the cons winers| fraps look better nancther fsa yauean camp- you want them then goto the Layers panel Inthe dropsin Photoshop Use the Lasso to cring meide drop: down ond choose select the cops then copy (Ema/Cir-Cl goto “for Levels then era tho.tar mage and paste (oms/CReV) aside in to i-lune the blen eerie cee eee6000000 PHOTOSHOP LEARN ESSENTIAL EDITING SKILLS FAST! Pe Os) GET THE BALANCE RIGHT James Paterson uses a combination of shooting skills and Photoshop magic to create a precarious portrait WANT MORE PHOTOSHOP TUTORIALS? CHECK OUT PRACTICAL PHOTOSHOP For more Photoshop tutorials, tips and advice subscribe to Practical Photoshop, the world’s premier Photoshop fects) Tagezine. Each month you'l find an array of inspirational tutorials and accompanying video lessons that will help you master Adobe's industry-leading photo-eaiting software, plus amazing images from the world’s best Photoshop creatives, free downloadable content, and a beginner's guide to the basics. ‘Os: prrou/tinv.cc/@gehfy Android: htto-//tiny.cc/\Behfy Zinio: httoztitiny.cclessiiyee00 DSLR TEST EXPERT OPINION ON THE LATEST KIT he Canon EOS 900s @:: megapbcel sensor has the highest resolution of any APS-C camera you can buy, Thal fact is Uelyto dominate any discussion about Canon's now DSLR, but could Actually prove ts downfall More Pinos ot alway mean beter mage ualty ~ well have more to say about the shortly ~ but thankfully the EOS 900 has plenty more to shout about EOS 90D In a world of mirrorless cameras, why do they still make DSLRs? When you start using the EOS 90D you'll know why.. www.canon.com For a start, this is Canon's first camera to follow a new and exciting ‘development in digital cameras: the combination of high resolution with high frame rates. Not only does the EOS 90D beat any APS-C Canen before it for megapixels, it can do this at 20 frames per second. Previously, the only Canon APS-C camera capable of this was the EOS 7D Mark Il, an out-and-out sports model whose future now Looks uncertain to say the least. In fact, it looks Ukely that the EOS 90D represents a merging of two previously separate Canon DSLR lines, the most recent madets in which are the EOS 80D and the EOS 7D Mark Il. The goD is mast like the 800 in its design and construction ~ and pricing ~ but pretty much thrashes the EOS 7D Mark I in all butDSLR TEST autofocus specifications But it's not Just about the frame rate: the EOS. 0D also shoots 4k video - and not in the irritating crop made previously seen on Canon cameras, but using the full sensor width at last. Now. you don't get an instant crop factor when you switch to 4K video, and your wide lenses stay ‘wide’ There’s something else worth pointing out, too. The EOS 90D uses Canon's Dual Pixel CMOS AF system, as used to great effect on its mirrorless cameras, so when you switch the EOS g0D to live view mode it's at no autofocus disadvantage compared loa mirrorless camera. In fact, you could say that the goD is the equal of any mirrorless camera, but with the advantage of an optical viewfinder. The EOS GOD has an unashamedly meaty feel. We're constantlyDSLR TEST being told how mirtorless cameras are lighter, smaller and more comfortable to carry around than a DSLR. but the Canon counteracts that with its own qualities The EOS 90D is thick and chunky, but with plenty of space for plenty of controls. its smoothly contoured profiles and, grippy textured surfaces give your hands and fingers more surface area and leverage: paradoxically. this larger and heavier camera is. more comfortable to carry around one-handed than many mirrorless. cameras half its size Canon has been designing DSLR controls for a long time, and it shows. ‘The twin-dial setup sees a narrow knurled wheel on the top of the grip, and a second dial on the back of the camera around the four-way D-pad Both work well. Four buttons in front of the top LCD panel control the AF mode, drive mode, ISO and metering pattern, while another button at the other side of the top control dial adjusts the AF area. There's, another AF area button on the back, alongside buttons for AE/AF lock and an AF-ON function, Canon has added a joystick controller from its higher-end DSLR models, and the back of the camera also has Menu and Info buttons, a Q menu button. a combined stills/ movie live view lever, playback and bin buttons, and a control lock lever to prevent accidental changes. That's a lot of buttons, and yet the EOS 900's rear still doesn't feel crowded. The rear touchscreen is fully atticulating with a side pivot, so that does mean the screen is off to the side of the camera for angled shots and not on the optical axis, butit gives lot more flexibility for vertical shooting. The touch-responsiveness Is very good, and if you enable the touch shutter mode there's almost no delay between your tapping the screen and the camera focusing and firing the shutter. Everything about the EOS goD’s operation feels honed to perfection ‘There are a couple of minor niggles ‘what feels like an over-large power lever is awkwardly placed under the main mode dial, and the mode dial itself Looks and feels like it belongs ‘on a cheaper camera, but neither is a deal-breaker. The design and operation of the EOS 90D might be nigh-on perfect but things take a slightly cifferent turn with its performance. Our lab tests show very good resolution for an APS-C camera, but i's matched or nearly matched by a number of rival cameras with 24 megapixels ~ Canon's new sensor doesn't provide the definitive step up in resolution that the figures left us hoping for. Worse. the increased pixel density does appear to have had an effect on the EOS 90D's high-ISO performance. Images leak good ~ at a distance ~ right up to 1S06,400 orDSLR TEST ¢ Toe eee eect ee even 12.800 (15026 600 is abit of a push), but if you take a closer look it's apparent that fine-Lextured detail is starting to smooth over as early as 1802600, The EOS goD can tal great-looking images right across SO range, bul if detail is important in low ight you'll be better off using 3 tripod and a lower ISO setting. These factors make the EOS 90D’ headline-grabbing 32.5MP feel a little bit hollow: the results are great, but no breakthrough, and there's a price to be paid in terms of sensitivity The lab tests (see the next page) ,agest that the EOS 90D matches the older EOS 80D for noise levels across the ISO range. but this test doesn't measure textural resolution, which is one of the reasons why we do real-world tests. too, Does the EOS 90D produce better-quality images than the EOS 800? Possibly. depending on the circumstances, One thng it certainly can do, though, is capture content that the EOS 80D cant. thanks to its, 10%ps continuous shooting and 4k video capability That continuous shooting speed is quite an achievement, especially ina camera with such a high-resolution sensor and priced for the enthusiast ‘market. rather than for professionals. But for high-speed shooting a high rame rate is not enough on its own, you also need a good AF system and a good buffer capacity The EOS gaD uses Canon's mid range 45-point AF system. It's good, but it's not the same as the top-tier point AF system on the EOS 7D Mark Il It proved pretty good in our tests, though strugg ewhat ANON ee ee ree Petes ea with a dog playing fetch, especially when it was running towards the camera - a faster lens (we were using the bundled 18-135mm STM kit lens supplied with the camera) might help, plus a bit more practice fand a slower, less agile dog)! The other issue is buffer capacity 25 raw files or 68 JPEGs isn't much. Ata frame rate of 10fps, the camera hits slow-cowmn after just 25 second 90D or seven seconds respectively, so you don't have much of a window to time your bursts, especially if you w files ~ this is why specialist sports cameras like the Nikon D500 and its 200-shot raw buffer capacity cost more The fact that the EOS goD can shoot continuously at 10 frames per second is brilliant, but it would be unfair to expect it to match dedicated want to shoot r90D sports-focused cameras just because the frame rate is the same. The biggest step forward for the EOS 90D is uncropped 4K video. It's not the first Canon camera to shoot 4K video, but previous models have applied hefty crop factors when switching to shooting in 4K, so that your lenses effectively became longer’. and your wide-angle lenses aren't wide any more, The EOS 90D, however, uses the full width of the sensor for 4k video capture, The wider 16:9 aspect ratio SENSOR: 32.5MP APS-C (MOS, 223 X 14.8MM IMAGE PROCESSOR: DIGIC 8 AF POINTS: 45 CROSS-TYPE, DUAL PIXEL CMOS AF IN LIVE VIEW AF PIODES: AUTO, SINGLE POINT, SPOT, ZONE, LARGE ZONE ISO RANGE: 100 TO 25,600 (EXP 51,200) MAX IMAGE SIZE: 6,960 4,640 METERING MODES: EVALUATIVE, CCENTRE-WEIGHTED, PARTIAL, SPOTVIDEO: {4K UHD AT 30P, 25P VIEWFINDER: OPTICAL PENTAPRISM, 100% COVERAGE, 0.95X MAGHIFICATION MEMORY CARD: 1X SD/ SSDHC/SOXC (UHS I) LCD: 3-INCH VARI-ANGLE TOUCHSCREEN, 1.040 DOTS MAX BURST: 10FPS CONNECTIVITY: Wl-Fl, BLUETOOTH SIZE: 140.7 X 104.8 X 76,8MM WEIGHT: 7016 (BODY ONLY, WITH BATTERIES AND SD CARD) means you inevitably lose a little image height. but the horizontal angle of view remains the same, These days there's an assumption that if you want to shoot video you should get a mirrorless camera, bbut as mentioned the EOS g0D's Dual Pixel CMOS AF means it's at no disadvantage to a mirrorless camera in live view/video made, What's more. the 90D doesnt just have an external mic socket but a headphone socket, 100, Video isn't an afterthought for this camera ~ its designed specifically for serious videography. There's one other thing, though: Canon says the EOS 90D can shoot HD video at up to 120fps (or 4x slow-motion speed) It can, but not with continuous AF Rod Lawton Visca aaaree Cleo CL Rc rer ae Wie tested the E05 900 against three rivals: the Nikon 07500, Fujifilm X-T3 and Sony ‘ABAD. The 800 shows a clear resolution Advantage over its nearest rival in the Nikon DSLR camp, the 07500, but it was matched by the 26NP Fujifilm X13, SCS ca CU Oa) The £05 900 does pretty wel for noise control In our tab tests, beating the Nikon and the Sony, though not the Fujifilm X-73, OWL ay) The Fujifilm ¥-13 shows a small advantage here. The Nikon 07500 does better than the EDS 900 at iow to medium 150s, but the tables are turned at 150800,areas re een pre ee aa Cee ee ir ee Pee ene ns ee ae op are eee or oe eee ae offered me more monay” Printer ects Poot eater) love Mamoya cel Lae Ll-iee ete eee te ate cere) Dene en ee ee ee See ees er LP RoncoMORE GREAT MAGAZINES FROM THE MAKERS OF PHOTOGRAPHY WEEK N-PHOTO PHOTOPLUS ute lftiny celuSehty PRACTICAL PHOTOSHOP DIGITAL CAMERA WORLD Escag Check out these other fantastic photography apps for iPad & iPhone inleash the reative power Transform your images with the 5 Master the fine The magazine for expert tips and advice in 50 | of the Lightroom digital art of monochrome using ros, and anyone serious Photoshop video tutorials. darkroom with this $0-part Photoshop (5, CC, Elements about photography. Every Discover the power of layers, | video course. Enhance and Lightroom. Discover ‘month we bring you news, blending modes, raw file landscapes, master black _-_~how to shoot and process interviews with the world's editing and more with this | and white, make gorgeous everything fram landscapes _top photographers, gear easy-to-follow course, portraits and more to portraits and fine art reviews and amazing images. http:tiny.cc/oxoey. httor//tiny.cc/daxoey hhtto:/tiny.cc/fa2smy. htt: 0mpeigarenhy hyweek@futuren @0- FACEBOOK ‘TWITTER FLICKR hnttoutinuccfaidocy —hetoilitinucc/niOoey —ttplhinv.cciradoey, rs ADVERTISING THE TEAM SENIOR CREATIVE TEAM Chiof Revenuo Officer Editor ort M Content Director 7 f ul Chis Georg m 1 dhispecrmemfsarenstorn’ Art Editor UK Commerical Sales Director vin Westnna Senior ArtEditor a tu x Production Editor ike MeN SENIOR MANAGEMENT ‘Advertising Sales Manager Chief Content Officer Mik Senior Reviews Editor Aaron Asa Brand Director Lab Manager fattP Hoad of Art & Design REGULAR CONTRIBUTORS jouney Dive PARKETING re Gil. 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