THE D HEB — WO Bw —"Song of Myself” 123174 FHI) Behutte— BME Ut 1855 “EAs 1858 4 D, SOHHRE OW, DHE) WW (1855 4E) EVI (1856 4) THO, AHIcie 12 MOssuss Ty BCLS 20 FH i AIRERE NCLB, “Song of Myself” (2, 4 SICK ty bey OMLETE LELSH HY, HRENAIMOKOHE RA LTERAS Ey BOM) MeL ABH Ba CSE tev IN CVA OHA, TRO] MALO te oe HEM Aaa Dz & dod, BORE IWBDHIL, “Song of Myself”, “The Sleepers’ (= ilf 4A°8MEC tO), “Faces"’, “There Was a Child Went Forth”, “I Sing the Body Electric” DRi2 RT AITE tS. (ZOMHSIL, Mild Lane EOMUEMER BI So LITE LIS), MRO S EABIMCONTH EZ, Z DP RRM EAIC SET SAP BB te PL self-inflation © dp! FEL BLOM Bie “Salut au Monde", ayorese# MT Lf: 40582 “By Blue Ontario's Shore” 0&5 fe, [REGO BUH AS Listed a> (29 He dio Cv, at Bok “Crossing Brooklyn Ferry", “Song of the Open Road”, ‘This Compost” 2 ay 4, Rey OR HRA “Spontaneous Me", VODERSS LIL FD HEF (1855-1892) (HES CH SRA tees, DARMBI dy Bo 1860 FMD, RELROWA, TOTRHEMBT OL bevOHEN, te EL TON propagandism OFELE (LL, #2 the Gilded Age ictsih AP 4) Ht RO, HPEBBORM, Ltr He PERLE DIE LAID Y teats cae man", “Poet of Democracy”, cay SHOAL, mental *MHOAT & SSAA L THe eS > EAD A te RA CES BE dy bert > iT Hrs “Lusty Innocent", “Noble Savage”, “Super- “Good Gray Poet” Foe Rt RRB(t, da. 6 Wee APEALLBE-BIZTN, OTRO ROTM, ROO‘ 252 Bom we a RPEMO OAs VPENE LAD, TNOOGHICNE CHICHT S, SOIC KCIRGOUERICMT By BIICALEAT B tel LS SURE OAC HA OOK OCHS, BHAI OAM TR SOIL, 55 Me ME LIKI By Bey DBCHY, BO Wor LU fete rsh Ate MOE OReS | Th, Habe LTOHT bdo WbDoA 1 y be YIERD DARA, propagandism, didacticism, & SICILAO HONS % idealism, personalism ¢MRLECA, ROHORROAMG EARLE FEI SB DSHBE to CHS A SICMDN SD. COBMUL, WME AUC ko CHa hy h4 y BS YOFXCHLNS abnormality, sick personality, homo-sexuality, auto- eroticism ROMO AIT OWE SERVES. TAU, BAIT y bY O WRERIAT SOILD ok ZNO, BOHOKLE Pic) Remi DRGs CHADS, LAR HME E OUI, HAD personality 2s SHIM (LEED, PLOT MRS E CIOS L fed DURA do to (AMFIC OLA MEL, PERE XLETOSOEL TLV, AMEOROO-BM, te LETOFHE LCHIRT SINEMA TALEL CRED CHS. (GI LMFE OS KEE S OduarE HARROW ACARAET SHeACSOMMAHLT EBOEWTE So SUVS OM CHRE FOMICBT LD - MOL, HALL TOR y BY YD BURA, ASA bow VIEL A LOOM ET TIC, OH ETE LED DCS. Lithia THEME LTik, MHACNE THR CR PAOD Fa te S EBERT SAUTE fens b, textual criticism 4>% Hee C—C OMNEIL 1860 SEMIS SHAM ICAmd) Ak btext ORI — ik 1 y PY O PSA PEELE LIRA, “Song of Myself” FLOMBOPAICT AT, HIB A OMe, WASNT manuscript OF Eo CV SRO L EADE TERT So ZtCEY, “Song of Myself” EMAL, SHIMTORLCL BRE o TAR. Jo & 51c “Song of Myself” (2 52 H, IMG FADS CHI, PROSE Dit COPRECTH CS. LL, h1 y PRY OTR TORMRAS DEAR SACHSDU TRL TH) BMAD OMT CICIAAFET BO THB. THk WHO fragments Pie), YF L Vee structure HOLES. LAH AOMAORMOWREA, HMOMILIC RO SK 51, HGR, HAR, TRA ER IRL KEMDRSGENSOTHS. KIL “Song of Myself” sit oRMe, GL 1) Edwin Haviland Miller: Wale Whitman’s Poetry, A Psychological Journey Opiifiic% OPER. 26Pitot 8 — Hoa 3 DE DICEACKBLTHRL EVP, 1 § 16§23----- 99H SHE 2 SAWS 87 CRE) EMC SRE! 3 §38~§$ 4d Are DER EoD T 4 §45~$50- 5 §51~§52- AMOLD gt COM EMMI, EDS OBR, ith WIRES tee Hee FR UR ODEDT MIE RTBEL LOBALEDY RYT HB. KA yb PUAN BT Fiche te BSS EI, Hd) TE AUR EMIC A BHAI OV KD Tb Bo REEVES, MATRM LMT CREME, [ROB < ERA OR B)] (‘the procreant urge of the world”) Lu5HibT, HOMMMDS2 batt ERMLE TET SROUREMY WTS Cikshicho ks [Lok DHS 97 Oi, WITS ROMY X, AUICPSN TSO), [Lek OHbSa FOB, BS DROME), ELSA ONI, CORBI 1, EAH, HEL DEDHE, SMITA, WEBI AF!) Chole ME) eo CHICIED A WS, [Pie KA SATLAILE Cd | (“skelton of the creation is love”) £v.5 2m EMDR, COBRT, R41 y PY YIRADHSS SiC BRCM SH) (Lam he who aches with love”) @ 5.5 t25 SO UR) RGSS SCE, ROK DMMILET SD THS, RA y VRC OREO ke THOME teat OKAicHHR) (“that vast elemental sym- pathy”)? £MFOS, (ANSI a ea T SBA) (Lam he attesting sympathy)” £ a> THbo SE HMO, DVM CHEE, TX CRKE EL o CRORE [cd AiF Dt) (And whoever walks a furlong without sympathy walks to his own 2) A Critical Guide to Leaves of Grass, James E. Miller jt “Song of Myself” 2% OE DARL-TOS, G1-$5: Entry into the Mystical State, §6-§16: Awakening of self, §17-§32: Purification of Self, §33-§37: Illumination and Dark Night of the Soul, §38-$43: Union (faith and love), §44-§49: Union (Perception), §50-§52: Emergence from Mystical State 3) Reader's Comprehensive Edition of Leaves of Grass (ILE RCE i884) “Song of Myself” (BUF "Myself £86) §5 p. 33 4) RCE “1 Am He That Aches with Love”” #1 5) RCE “A Song of Joys” p. 177 6) RCE “Myself” §22 p. 504 BHR MH funeral drest in his shroud”)? = ¢CHETS. AtkbaEMic, TMI VSS te te “Reminiscence” 4 Fant 4 % OCHS, “Song of Myself” it IMOMMBORAGNRORMA, SOIL IL fi OAT BEARD 1 A PAL EBIL TS. 7) RCE “Myself” §48 p. 86 8) Collected Poems of Theodore Roethke “Datk Timne’” 9) RCE “Song of the Open Road" (LiF “Open Road” 186+) §8 p. 154 10) RCE “Myself” §13 p. 40 11) RCE “Open Road" §7, §8 pp. 153-154 12) RCE “Myself” §3 p. 31 13) RCE “Myself?” §5 p. 33Tike) Mose 5 TCO < Ki e BMOD IE ERO ABE EMC | EDD ESI, RA y bY ORME DODSSOICE DBWARAA, Tes CH HLTEMEINA THES ted ote. Specimen Days DigC, DY FTA FY F CODE BENE, IT LineiD 59 ERIC LT, [EME ODE MD, COMET SPB EBS RNS 2 Be Bohai ya) e ERR L, BOR HERO LORZS OWE, MRE RONEK) Ef SPARE LI> CLS, WH, FSWICHS “As I Ebb’d with the Ocean of Life” +? “Out of the Cradle Endlessly Rocking” DPEVEix, MUCHA SWE £ LICL, ENICMEL, HT Sto CHES NLLOT HS. BA y AYA UPMS SL SIC, HRA MD BRO MBE) Cd Y THE LY Cay 2 THROE ERA, HOA A YIk PMO] Died THOS, Kile DEACRREB TS, EF, HI AEMIC IS CEL ORUEBURE ECR HG, W3 MCR TAM LEKE LTRDS Hh, TEOMOFTLERL, RH PRDRARICSE CHS THK] EAST, HHLSNLMAOMTKO TA LED, MOWKEESCOOTHS, SOCLIELUBHONKLE HS UMC, (RAMI TD LIED THEE ED, BK OWMECABOMERUEL TH Be ott. L She owns the fine house by the rise of the bank, She hides handsome and richly drest aft the blinds of the window?” KD TAMIA RCS NESOTHSI LL, “Debris” icponkoxeo frogment——"Tears”” (1868 POUL LIN ALY A CE PBL fda) Met “Song of Myself” 22 MIDTTEHAR DEAE, Ft fragment © A Enk5. ‘What weeping face is that looking from the window ? Why docs it stream those sorrowful tears ? 14) Specimen Days ‘'Sea Shore Francies" 15) OX OED eH ELTRbSHTOS, —"With angry moans the fierce old mother incessantly moaning”, “The undertone, the savage old mother incessantly erying”” (‘Out of the Cradle Endlessly Rocking"); “Where the fierce old mother endlessly cries for her castaways “As LEbb'd with, Ocean of Life’”); “As the old mother sways her to and fro singing her husky song’” (On the Beach at Night Alone”); “Dark mother always gliding near with soft feet” (“When Lilacs Last in the Dooryard Bloom'é”) 16) RCE “Myself” §11 p. 38 “Cease not your moaning you fierce old mother”6 An eM Is it for some burial place, vast and dry ? Is it to wet the soil of graves 2°” ‘Sea of the brine of life and unshovell'd yet always-ready graves! tt, “Faces” ic! DITHA 56 BID MME Lith MehitAL D4 ATL, IC FERS LOT I saw the rich ladies in full dress at the soiree, T heard what the singers were singing so long, Heard she sprang in crimson youth from the white froth and water-blue.™ EOL SiC y PYRG E ENS, MRRADTOWOBAIL, tke RDENTS Bo KE FLWO VT YF 4 ERC SD, RHORKE LTO » b VYDEIDTHS. You sea! I resign myself to you also—I guess what you mean, I behold from the beach your crooked inviting fingers, T believe you refuse to go back without feeling of me, Dash me with amorous wet, I can repay you.!”” ZUT “Song of Myself” 11 fH) 29 ADF HE, thie SP OTHeLTOF WETHSITL, “The Sleepers” 3 MHD (HELLER LGAL FE) th, HESS DERAEMEL, ML ATE, BOS, WL, OVICitHEA LURE SO THAEL CORY LT <% “Song of Myself” 28 fii & lL Bek EAN oT DERE NS. WIS CMB ATE LT CAH! EM Ad Be OA AY TH, TH SOL, [It PRICES TK DONEAM EM) LOT HET, HAD TAH DI) OBESHAMEEMMT SELIG. 21 MIA EMIRICNT MODI TS Dt, Ob 11) Facsimile Edition of 1860 Text (f1F 1860 Text = 8+) “Debries” p. 423 18) RCE “Myself” §22 p. 50 19) RCE “Faces” §5 p. 467 20) RCE “Myself” §22 p. 49 30Pits) B— MOR 7 Wy BILE Bo PRD HES D feds THe MINT HG, FRO RRL OO T Press close bare-bosom’d night—press close magnetic nourishing night ! Night of south winds—night of the large few stars! Still nodding night—mad naked summer night. Smile O voluptuous cool-breath’d earth ! Earth of the slumbering and liquid trees ! Earth of departed sunset—earth of the mountains misty-topt ! Earth of vitreous pour of the full moon just tinged with blue ! Earth of shine and dark mottling the tide of the river ! Earth of the limpid gray of clouds brighter and clearer for my sake ! Far-swooping elbow'd earth—rich apple-blossm’d earth ! Smile, for your lover comes.?” EO CREMRAS, HCO TE ARICAHEE LTA DR, Hh ieROk de ALT WBC ECS Htaldie fer, “The Sleepers” DF LWCit, HEINO 1 XY MMA—KE Meo C, Soy Cw HS 4 APOWAEMRRL TS Fite) E MMA) BAD TA HB LSE < RAED, SHR MD FIST 4 7 7 IBURERO, CO CHEE Tae MY Ine, WET E 2E-THERES de] (“she who adorn’d herself and folded her hair expectantly”) ¢a 2, [Pete] MED FAST HOe EI, “Troll myself upon you as upon a bed” (4 7 Vy 7%H) ELF, “Pier that I saw dimly last night, when I look’d from the windows!" (4 9) y 784) EVO, 42M “Song of Myself” 11 ffm “She hides handsome and richly drest aft the blinds of the window. (4 9 ') » 7%), “Debris” 0 “What weeping face is that looking from the window" (491) 47 MEM) ARE HWM LC ORAS HE 5. [Bes 1k TM CERES Oat, PANT HRAT 21) RCE “Myself” §21 p. 49 22) RCE “Sleepers” §1 p. 426 23) RCE “Sleepers” §1 p. 426 24) RCE Passages Excluded From Leaves of Grass p, 625 25) RCE “Myself” §11 p. 98. i233 “richly drest” OZ85ink “Faces” §5 81K, 26) 1860 Text “Debris” p. 423 318 Ba RH BU Bic Licatys CM CRW LeSWATEMEN TH Ke SLC FHS E PIB 3G IDE DVREMT OTH Bo Darkness, you are gentler than my lover, his flesh was sweaty and panting, I feel the hot moisture yet that he left me.””*") TAkikbe ei, BOMA Tr <) EW FFF, Deathbed Edition Cit “The Sleepers” 1 MOM ME tro TBA, MK TCLE SIL OHEATNS 1 FAs THS5 (ZNOOHTOBIRIL, Ly bY ADOBE OBE ORBO—-WT DS.) O hot-cheek’d and blushing! © foolish hectic ! © for pity’s sake, no one must see me now! my clothes were stolen while I was abed, Now I am thrust forth, where shall I run? Pier that I saw dimly last night, when I look’d from the windows ! Pier out from the main, let me catch myself with you, and stay—I will not chafe you, 1 feel ashamed to go naked about the world. Lam curious to know where my feet stand and what this is flooding me, child. hood or manhood—and the hunger that crosses the bridge between. 19 7H) HO tea CHD ACH CK DMOTARIL, THE TROVE L, GEHL DURES OMCSAMCAY, POCLAAB EAS, MECMAL LTORBICAR DUS BOTMETIAS. ERAECHE, MOMMTSLOLSKAVHAO “T feel ashamed to go about the world” £5 ##/FiC, HEART y bey ABOED L isPEB KS OTHE. LOGHT, HHO “1 am curious” CHEST, BLE ORBEA o DOHA, KET SHOMMELI TC, MALL TAS MASS ETS, ADICI CORO DIMEENTH Be Fisd bOI MB T 27) RCE “Sleepers” §1 p. 427 28) Leaves of Grass, His Original Edition (tif His Original Edition i+) pp. 107- 308 32Tito) Mow 9 ‘The cloth laps a first sweet eating and drinking, Laps life-swelling yolks—laps ear of rose-corn, milky and just ripen’ ‘The white teeth stay, and the boss-tooth advances in darkness, And liquor is spill’d on lips and bosom by touching glasses, and the best liquor afterward.2 1881 ICAU SACOM, MAOMRAIS NR, POR) OteAT HH sexual WHE LTHRGN, ah y bYYD autoeroticism, fev» Liz abnormality 2H} 2. DRONES OEMLIZLILDS. LiLIME, HORA AR CRAIN He HES ELTHARMD, MRR CAM, (RO SENOMA (“the in- vigoration of the night” PICHIA S RAS ORES, ORO IAC, BEAT DARCRHLELDEOTHS, Bb) ECR CERES TS, HATS Ni, MRNOMME LTORIC, MULINIRD “The Sleepers” OBC SIFY AT Bo (OX OIA CHRO Ait, 1856 HBS tute). I love the rich running day, but I do not desert her in whom I lay so long: I will duly pass the day O my mother and duly return to yous Not you will yield forth the dawn again more surely than you will yield forth me again, Not the womb yields the babe in its time more surely than I shall be yielded from you in my time.” CORMIHE, LHD He “childhood”? 4% “manhood” Aft: LFS ¥OTH De HPD 1 XY OMIM AES B- Fight “The Sleepers” Ev. 53h (L, RENALTOBAM, ESICSOOMMEMLICR £5 E LTOORETOEE DARL TVS, COWKTMPBIL, “Song of Myself” D1 Mid 24 He COBEE, RRMVICPBLLIELOTHBERELS. “The Sleepers” {cS AMO HW 1 2 kt, “Song of Myself” 24 fe, “I Sing the Body Electric” 5 {2 C, Jtilit SHMWMORE NAT 24 Ake CHHS. Tie 29) His Original Edition p. 108 30) RCE “Sleepers” §8 p. 433 31) His Original Edition p. 11510 Am kB DoE Tid Ebb stung by the flow and flow stung by the ebb, love-flesh swelling and deliciously aching, Limitless limpi and delirious juice, jets of love hot and enormous, quivering jelly of love, white-blow Bridegroom night of love working surely and softly into the prostrate dawn, ‘Undulating into the willing and yielding day, Lost in the cleave of the clasping and sweet-flesh’d day.®® By LY OMT ODS OIL, MME, KMOTHRE Eo Tre ELTINTORRIL, TARNORBL ELCHICMAM, THERTRROBAD MHL, CO (etki SSO) (“the Female") icHF SEMBLE LCHITHS DT bo MEM DHEMICAIT TC, BOF EAR E SAR LMET SLICE o CHELT Kis MIDE DAAMROMKE MD EVE 5 PORE, SATIRE Ve RAL CA SER EMT SEV 5 MMe, HW ObSAAIMT SL LIKODTHo Re II Ky PLUM TOMRELME LTHR, RHOMRE LCRENEBAMEL, FRC lover EMO, RARE T SC etd, Cite) CAML! TH D4 * PROUT Lo TAUNTS. IM lover (& [KI (“phantoms”) Lys 5 die HE oT, PMO] OMMCTOREL RED. BHC HEABIC “phantom” AHLNAD Dix 1848 4,1 y bY MA DORKAV ERM TOKE, PY Y EME Ko T BS aAWY TY KiChY ‘adits “Sailing the Mississippi at Midnight” TCHS. TOTS “phantom” (20 AIHA, Ab CHEK SRE MARIS DCS. BMC T, “phantom”? |LHKL (AT L CARE RY SHAD ERT MRED Ly WOM (1859-1860) iow Tid, RETHE OMIM, HA 32) RCE “I Sing the Body Electric” §5 p. 96 33) “I Sing the Body Electric” §5 -c THR) & [4-2 %—Y ay] BALD IIO SOUTH STS, “As I see through a mist, One with inexpressible completeness, sanity, beauty, / See the bent head and arms folded over the breart, the Female I see.” 9A) Hie “phantom(s)” L154 AEFADRAGLOKITCH CMOBEL 0 te tre 25 Hd Bo “phantom(s)” Lat y bY OBRIRMAET, CICS SBM CLT TROBE] ORME DBE LER S.Fitome) B—Hoe% Ty ORMEO SOD EBRIMRE NICH S, FL CHAM (1861-1874) tit, “Tears” OWICHMN TOF stead YD, LIVEAVU (1875-1892) IcdsVeTh, MIC CEES SHULERE H, “eidolon™, “fancy &BPOERio Th, TOFAMAIMMRE L CHES SD CHS. BKM) CASE, Bid AMO AAHO—I (one of the human kinks”)? £%CWwS_ FLT “phantom” Oi, MICE he AG Ee CHOLAAS. Ete “phantom” it, [A OMB) CRRA DB c MICA ODE, MHL ST CSE CAIHMET SD THS. Out of the dimness opposite equals advance, always substance and increase, al- ways sex! “I Sing the Body Electric” 125¢, [ETSELEOAMAME AMT 1 (“The armies of those I love engirdle me”) £SOiz, FEL < “phantom” (ceils ts AO MBC ED WANKHFADKTHS. COU, BOR TMN ME) OF AAT! ELTS, BMD Hk OD feANCILIT DAD dots EC “phantom” ILHAL TW Se “Crossing Brooklyn Ferry” Cid [4 © #iwa38 LV bite | (“dumb beautiful mini- sters”) EU, “Faces” Giz [iiroR (“the shadow in front”), TIRE L Fos DIEM | (a full-grown lily’s face”) & LC, “Song of the Rolling Earth” cit [Bo tetra Leb STS TORCH te] (with her ample back towards evry be- holder”) 3842 #cl: (WER) & LC, ath “Song of Myself” 33 ti-cit 1 WCE We b bits ir: | (“my messengers cotinually cru'se away or bring their returns to me”) ELTHRHSN TS. ELT “The Sleepers” & vs 5 # FLEA “phantoms” DHE Are HH JE tes THB Now I pierce the darkness, new beings appear, Iam the ever-laughing—it is new moon and twilight, I see the hiding of douceurs, I see nimble ghosts whichever way I look, Cache and cache again deep in the ground and sea +++. 35) RCE “Eidolons” (1876) #1 36) RCE “Fancy at Navesink” (1885) ft 37) Spesimen Days “One of the Human Kinks" 38) RCE “Myself” §3 p. 31 39) RCE “Sleepers” §1 p. 426 352 om # ah Rf y PVYRRAS, COS te ROM BLEOMLOT Pate FH) (the am- bush’d womb of the shadows’?)™ Dig Av CLEVE ELS CRUD Tho to SESE ACE Eo THA Tek “phantom” It, RUN EMA FAB! Cd BREDA BAL, PWOTRERT HS, TORT, KITA MUOR WH) D4 AVILES HS. FLTC OVO FR, “Song of Myself” 24 Hc [Dabbe ty hey, ODE, TYAN TYORF! EMST SHAK T, BY TRI DT bNDEND 4 DID Tho Re Something I cannot see puts upward libidinous prongs, Seas of bright juice suffuse heaven. ‘The earth by the sky staid with, the daily close of their junction, ‘The heav'd challenge from the east that moment over my head, ‘The mocking taunt, See then whether you shall be master !* (HE LMI, BEASAMEAC NSDL Sm, THALES) EV 5 Ft, “Song of Myself” D4gEMAD DMRSITLD TCHS. CO WROMMIC LT, GRRE E LAF COX DE DICH ES, Dazzling and tremendous how quick the sun-rise would kill me, If I could not now and always send sun-rise out of me.*” COMBIC, BALAK RESNSRSML ESIC CHES ETS, DESL HORM S, HAOUMMEMMMSO EMCEE ST, TLTOREA, LUBA ELTOREKA TW DTHS, ELMTTULCORELS, 2 CAMA lit REMEL, HRSUAEBEST LS ETARMTLHSOR, AML, BRO PMOL, TRORVITMOMFICHESELLOFSOERFAOASHSAT, F Bioko THABCE LAER s TL CARY DE D HW ICME BBG, “phantom” ERAE DADDY HOH Hwee & DEY, “phantom” (LAF HAZ “mock L, “tantalize” $SRKERET S. 40) RCE “Myself” §41 p. 76 41) RCE “Myself” §24 p. 54 42) RCE “Myself” §25 p. 54 43) mock” £05 HALA A y bY EMT SLT key-word TS, HitHeAT phantom kot BSNS OFHMICL oC “mock” SivCI%, “Temrble Doubt of ApesTits) SMa 13 Speech is the twin of my vision, it is unequal to measure itsdf, It provokes me forever, it says sarcastically, Walt you contain enough, why don't you let it out then? TS DICH L Mids BRACE IES 4! FR, ZORRO Y OMB HEBRL, TO EATRMIL, RL THARLOB ED SD EAMT SAL y bey OBA ICD Bo DSW CHIE, AID TIRICMo CONDE SICK TAS Come now I will not be tantalized, you conceive too much of articulation, Do you not know © speech how buds beneath you are folded 2 =O FAH) (articulaion”) EV 5 38k, WBPHASASIL LICL y bY ERE, MAICUE SA CHOTA SA, THE MMOH O, & bit “Song of Myself” OBL eT EMO CHS, HEME CD ONEAT ARO: b A ELM MIRED OI ERMEES SE Biel. }DD% OMAN EAA L CBE D HUIMUSLSH, THMRGDL, TOI NMAMMME © tho THAI OK Bo GXARAD EWS AOE EHte2* (“My final merit I refuse you, I refuse putting from me what I really am”), QOOERICMSEBL< L, EAL SI PIEBORE 5 OCHS. WUCIERAAMICHES Ce LAMENT EV, Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it.” DUDOMS OEMS LT oki, THILOLAALBOWSICELEDH, YOE BURT SPS TMLELTCIABL TS. TL TRMEIL, ZO AIC RS CHEMISTS T db 0, PARAL OFFERED HEIDI ance”, “By Blue Ontario's Shore” §20, “As If a Phantom Caress’d Me”, As I Ebb'd with the Ocean of Life” §2, “Prayer of Columbus” Sif. “Out of the Cradle End- lessly Rocking” = /-—7% FY (mocking bird) 4 mock 4 20kL LHR Gaul te Bit. 44) RCE “Myself” §25 p. 55 45) Heideggar “Das Wort” fi 46) RCE “Myself” $25 p. 55 41) RCE “Myself” $25 p. 55 48) RCE “Myself” §26 p. 55 37uM Bn ER 2 CHIT BOC HS. “Song of Myself” 26 fis 2 WICH TIL, CDLOO GEMICAT SHAMIL, 4 y bYRNOAKCRD SNCS, titbd, Sr EP DEREROREMIO OEMS, MESH, WEBKT SBM, auto-erotic RAS NT Se 26 HCE IKIC ME < MIT AORO TT Hoch, %, “That Music Always Round Me” Ic2it2i#04 A YASUDA THS. Fa UDBEYS, Y7F/OKRY “phantom” & LCOWC H SEMMTCS, 4 y be Vice oC, Stik THROAAOB) (“the puzzle of puzzles"), Fibs [KAS (“Being”) OWS T HS. {50D manuseript*” JF Tam cut by bitter and angry hail, I lose my breath, Steop'd amid honey’d morphine, my windpipe throttled in fakes of death,” 26 Me Ri, SSICAALMPGS Lote 28 Mik, MLO, Tir bk Y FORM BML TC, SOE OMA communion eifio Tv. On all sides prurient provokers stiffening my limbs, Straining the udder of my heart for its withheld drip, Behaving licentious toward me, taking no denial, Depriving me of my best as for a purpose, Unbuttoning my clothes, holding me by the bare waist, Deluding my confusion with the calm of the sunlight and pasture-fields, No consideration, no regard for my draining strength or my anger,® NEC OWRE, MICE RRO SOO) LV STK, COMORMMICMET BLOF 4 VALOWRERS. TREK. RUMTRROB, RBS) (a red marauder”) DHSS THELNSKIT THOM, TOME RW NRE Wt 49) manuscript [C2 O¥OE5(C Se “A soprano heard at intervals over the immense waves, / Audible there from the underlying chorus, / Occupants and jayous vibraters of space” 50) RCE “Myself?” §25 p. 56 51) RCE “Myself” §26 p. 56 52) RCE “Myself” §28 p. 57Peto Maze 15 FOEMTEMV CUS, EES, ROAR SHO MBA bo, FREMALKO, (eo MRABKAd Tho. ECHO TREO T I am given up by traitors, I talk wildly, I have lost my wits, I and nobody else am the greatest traitor,” EULCMMUN, T-bLOF 4, YAAUCCICAMTS, You villain touch! what are you doing? my breath is tight in its throat, Unelench your floodgates, you are too much for me.*® MBE RRE ERICLT, ABERKL OSV Do HEMIS Ke AC OMA “MOM TT EMILY Lo, MMIII BL AD 33 MicIsIt S catalogue MK NT HD. PROPEL Blo RIL, [IR C) (“Opressed with myself that I have dared to open my mouth")\.4, LC, THIS BS CLP LICT OMY OM, Bat, WMELTORNRKLRLAT, HET id £C—ihsPebwa) (“Ever the vexer’s hoot! hoot! till we find where the shy one hides and bring him forth”)®, “phantom” D#fRifeMBORMS, WOES He VB. BBO, TOF ALAMOS SOA CMRAAT AEBS by LMR ATE TS, HRA y hit, 26 BE 2B fis BRE IMES LOORMAL, Hele CLE oh % UBL te, (ERICA Dried Ase | my BME! (bloody crowning”) & L CHYRRICIBA TH Be crucifixion”), fui ‘That I could forget the mockers and insults ! ‘That I could forget the trickling tears and the blows of the bludgeons and ham. mers! ‘That I could look with a separate look on my own crucifixion and bloody crown- ing.*? 58) RCE “Myself” §28 p. 58 4) RCE “Myself” §28 p. 58 55) RCE “As I Ebb'd with the Ocean of Life” §2 p. 254 56) RCE “Myself” §42 p. 77 81) RCE ‘Myself §38 p. 7216 Bw # a Rly PCIE STL, AKEROPRILS OMBE IL THY TRRSNTHS EO EOC Hote EREDE SARK, (MMAR EVERTSOTH oko Rich showering rain, and recompense richer afterward. Sprouts take and accumulate, stand by the curb prolific and vital, Landscapes projected masculine, full-sized and golden.” TL TRS SAR! ES BARL OSES SAR I/ UE IEC ERE Ro The SHEWC KH] EV SMITHS SD 38 MM, BREATHE whe EDS ES 2, SHITE YU RMORM SAGA L, BNC) OD DMS HN DRE te MH Cho TORINALARICNT SMM OS Malki digo te MAF y A-DES, OORXDE L THES LO, DOKBHEGAS, FRO Bedingnis (4 LEVEN) IML COMMA DH, Wiss THER SALI, TTC SH LIBS TR HLS teh o Ke PEO] (CC TMRARS rte 2 tots, 1853 EA 1855 MICH I EMbDHnS DEDEG thy ABCA HER LERRME b DMD So Love is the cause of causes, Out of the vast, first Nothing ‘The ebbless and floodless vapor from the nostrils of Death, It asked of God with undeniable will, Something to satisfy itself —— By then Chaos was staid with And duly came from them a brood of beautiful children Whom we call the laws of nature*® ID SEKI, BAO MR IC Wd. Clk, “Song of Myself” THUOLE SICARINT Rise after rise bow the phantoms behind me, 58) RCE “Myself” §29 p. 58 59) RCE Uneollected Poems p. 651 40(ina) Morass Ww After down I see the huge first Nothing, I know I was even there," CD (BABA ME! EIR (FE) THY, MBE) DLETHS, 1VYR-YaY PRGA, MBPS OAG LV RA ROM OURS. URW KwATE LAO MBI SE DY AiR MRO MAT S/H K EERE — HOADLEY, WHEE #ECu< | (“Earth to a chamber of mourning turns—I hear the o’erweening, / Matter is conqueror—matter, triumphant only, continues onward”) EBC a0, ORPRRICS EN, [AULT D £5 ICMAMOT LES ONS SAH) (“Are souls drown’d and destroy’d so?) ENS. SHebOAKMCL, PARAMS TRS NEMRKOTHD. Bh gy her MRA DE Ik, EP PROMEGA oo MILA SURO BML, TRICE SLOMIE MAT 5. TOMMRT [4 SAR!) Ev SibOy, To dO | EV Sak, MBE 28 MICE LTH SOCHS. 40 MC, HIRES ABE MARIT oT, TATHIDoLA TOS NIMERLOAT Ey ROD SA ROBKO SRE RT HIT BD TAS. Flaunt of the sunshine I need not your bask—lie over ! You light surfaces only, I force surfaces and depths also. Earth | you seem to look for something at my hands, Say, old top-knot, what do you want 25° CORAL, MMADEKKSHAILESLOTHI, KA y PVVRLENE SOI ALTLE SHEER HLS, Séuc “my soul”? (11), “Me myself (4 fit), “Me” (14 fi§), “what I really am”, “the best I am’ (25 #§),. “robust soul”” (44 ff, DLW F#2% “Song of Myself”), “real Me”, “electric self", “eternal self” (Lf: WHR b “As I Ebb'd with the Ocean of Life”) GORBLHATWS. 60) RCE “Myself” §44 p. 81 61) RCE “Yet, Yet, Ye Downeast Hours” p. 446 62) RCE “Thought” p. 453 63) se, “Solid, Ironical, Rolling Orb” ici “Master of all, and matter of fact !—at last I accept your terms; / Bringing to practical, vulgar tests, of all my ideal dreams,” Ld. 64) RCE “Myself” §40 p. 73 65) “Myself” §40 o “the thoughtful merge of myself, and the outlet again” 6.5 a6) B, LO [TBA] DY BERL S. AL