Jean-Christophe INA @. a FANTAISIE SUR "LA BOHEME" pour fldte et piano Cdifficulte Sotto « Rentree Litte Tous droits: 8 Dépat gal 2023 IMPRIME EN FRANCE ire du Flotiste sisPréface roe dinspirati tenth vw eo tae eines ane fous les domaines artistiques, theatre, cinémo, coméale musicale. Hale et portant le meme fire sLo eee uiSer @ Galement inspire deux opéras composes simultanément oh « Quill compose, je composers! aussi Le public jugera, Vouvrage de Gioccomo Pucci fs lugee |, ditigé pour l'occasion par mpositeur. Quelques paplers *« Bohéme, opéra rate, n’ira pas | Jer fevrier 1896, l'histoire jugea. Créée l'année suivante, a instar de l'amitié entre tes deux hommes, sur autel di » Le public jugea, accueillant chaleureusement it son jeune age, n’avait de critiques musicaux furent pourtant plus séveres. loin », Davantage encore que le public turinois de ce “La Bohéme" de Ruggero Leoncavallo sera sacrifiée, ‘une féroce competition. Lun d'eux écrivit m&me. . mettant sa plume au service de l'expressivité et de lo o AS Son univers personnel, tels Liszt ou Chopin dans leurs fepiaielass pou {figno ou meme Poul Taffanel dons sa fantaisie sur le Freischitz, tous trols apposant leurs esthetiq grane de Vopéra initial, Jean-Christophe Maltot use des motifs et thémotiques puccinniennes jusqu’é atteindre une discrétion emprunte d'humilité. Il semble ainsi nous aire une fantaisie sur son opéra, peut-étre ressemblerait-elle un peu & celle-cl.. Des lors, profitant de cette fidélité touchante envers 1’ "atmosphere du Paris des années 1830 - « Je ne connais personne qui ait décrit le Paris de cette époque aussi bien que Puccini dans La Bohéme » avait dit Debussy - et pourra retrouver les airs poignants de “La Bohéme’, en revétissant tour & tour les réles de Mimi et Rodolfo, tantot enflammés comme dans le duo d'amour du ler acte, tantot désespérés (air de Mimi de I'acte de Ill) ou d'une Musetta espiégle et éminemment sensuelle. ‘opera, I'interpréte se trouvera immergé dans Lostitia Brault, coat 2023 —— A source of Inspiration for a century in all artistic fields, theatre, cinema, musical comedy..., the novel *La Vie de Bohéme” by Henri Murger is also at the origin of two operas composed simultaneously in Italy and bearing the same title : ‘La Boheme”. “Let him compose, | will also compose. The public will judge." The public judged, warmly welcoming the work of Gioccomo Puccini. The opera was conducted for the world premiere by Arturo Toscanini who, because of his young age, was not yet appreciated by the composer. Some papers of music critics were however more severe. One of them even wrote: "Boheme, failed opera, will not go far. More than the public of the erection (February 1, 1896), history judged. Created the following year, “La Bohéme” by Ruggero Leoncavallo wos sacrificed, like the friendship between the two men, on the altar of fierce competition, As a great specialist of the lyrical repertoire, Jean-Christophe Maltot signs with “La Fantaisie sur La Bohéme", his fifth fantasy dedicated to the Italian composer, putting his pen at the service of the flautist’s musicality and virtuosity. Far from taking the listener into his personal universe, such as Liszt or Chopin in their fantasies for piano or even Paul Taffanel in his fontosies on the Freischatz, all three affixing their cesthetics as a watermark of the initicl opera, Jean-Christophe Maltot uses Puccinicn motifs and themes until reaching a cretion full of humility. So he seems to tell us: if Puccini had himself written @ fantasy on his own opera, perhaps it would look closely or remotely like this one. From then on, taking advantage of this touching fidelity for the original opera, the performer will be immersed in the atmosphere of Paris in the 1830s - "I don't know anyone who described Paris of that time as well as Puccini in La Bohéme" had said Debussy - and will be able to rediscover the moving airs of La Bohéme, take turns in the roles of Mimi and Rodolfo, sometimes fiery as in the love duet (act |), sometimes desperate (air of Mimi from aet Ill ) or in a mischievous and sensual Musetta (act Il) y——€ ciements les plus chaleureux @ Ariane Brault, Héléne Boulégue, Marie-Pierre Lostitia Brault, August 2023 Nous tenons adresser nos remer 5 e et Christophe Maocec pour leurs précieux conseils, ainsi qu’s Michel Leboque pour les illustrations qu'il a realisées ef offertes @ RLF Editions.FANTAISIE SUR LA BOHEME POUR FLUTE ET PIANO Giacomo Puccini didike & ma tendre Epowse Jean-Christophe Maltot ‘Allegro vivace J, = 100 RLF F7 2023Moderato J= 100 allargando accelerando 75 5 RLF F7 2023 ral moltoAndante affettuoso J =58 poco rit. a tempo ——— poco rit. a tempo p tempo RLF F7 2023qa cadens ee Allegro vivace = 100 tempo molto rit. RLF F7 2023RLF F7 202310 Andante lento d= 69. con molto espresione sos, = poco allarg. So tte BAW eros = I poco allarg srs dim. erall. molto 5 a a tempo SS = PP soi a2 < RLF F7 2023,‘molto rall i —— ‘molto rall. RLF F7 2023 molto rall. 3Allegro focoso = 108 Andante J=80 prea ————_ — cies poco affrett. ecrese RLF F7 2023a tempo (P dolee ed expressive sostenendo molto sds 4 > > Jf stendando molto Imenof = —— |pitp— —— RLF F7 2023RLF F7 2023a tempo calando ak AR ste calando ant Sar RLF F7 2023molto rit >S Samael RLF F7 2023, Lento triste J= 6017 crete, poco a poco ‘erese. poco a poco ‘animando. RLF F7 202318 Allegro d= 132 Soe SI Eee é Sp con agitazione Tempo di walzer J= 104 ee quasirt, atom asi rit ft Kat te ES ‘atempo poco allarg. accel 1 E> fe. 2 poco allarg.” RLF F7 2023ear t5- Allegro d= 116 A —fE Ete, Ss Andante af RLF F7 2023eon Jean-Christophe Maltot 1eims, Jean-Christophe a réalisé de brillantes études musicales, au CRR de Reims d'abord od Il aire de Re Origina® e dans la classe d'Odile Renault et ou Il obtient son DEM 4 l'age de 18 ans. Monté en région 0 110 ‘ studi en) décroche deux Ter Prix 4 ['Unanimité, au CRR de Boulogne-Billancourt dans lo classe de Céline poriiernst quvou CRR de Ruell-Malmaison dans la classe de Philippe Pierlot. Il intégre ensuite le Conservatoire ssi ainsi oe ay gon biplome de Formation Supérieure de Flate en 2003, En 2000 puis 2001, il s'est illustre dans les — Originally from Reims, Jean-Christophe completed brilliant musical studies, first at the CRR in Reims where he studied the flute in the class of Odile Renault and where he obtained his DEM at the age of 18. Riding in the Paris alon, he won two Ist Prizes unanimously, at the CRR of Boulogne-sillancourt in the class of Céline Nessi as well as Gt the CRR of Ruell-Maimaison in the class of Philippe Pierlot. He then joined the Conservatoire National Supérieur de Musique de Poris (CNSMOP), pertecting himself on the flute in the class of Plerre-Yves Artaud and Florence Souchard-Delépine and on the piccolo with Pierre Dumall. He brilliantly completed his studies there by obtaining his Diplome de Fin d'Etudes Supérieures in 2003. In 2000 then 2001, he distinguished himself in the international competitions of Bayreuth (Germany) and ‘Lorenzo* Italy) Possionate about the orchestra, Jean-Christophe Maltat was a member of the Schleswig-Holstein Festival Orchestra {rom 2002 to 2008. In this prestigious setting, he had the opportunity to play under the direction of conductors such saantistoph Eschenbach, Kurt Masur, Valery Gergiev, Neville Marriner, Kent Nagano, Pierre Boulez, Yutaka Sado, mu cekke Saraste in renowned halls such as Suntory Hall in Tokyo, Kenzerthaus in Berlin, Gewandhaus in Leipzig, Srcnenalle in Hamburg, Franz Liszt Academy in Budapest. He plays regularly with French orchestras, notably the could clog crate: the Orchester National de France and the Orchester Symphonique Région Centre-Tours. We Dontger gear him as a solo flute in 2012 with the Orchester National de France in o production of Don Pasquale by Alcs at resented at the Thedtre des Champs-Elysées. With penne 10d for his qualities as a chamber musician, Jean-Christophe Maltot had the opportunity to perform Wishing te gash O8 Christoph Eschenbach, Zimon Berto and the Moragues quintet Aptitude oe a aon his knowledge and love of music to the younger generations, he obtained the Certificate of Flute Jeon-Christanhe yc onaiaate, a8 well as the rank of Professor of Artistic Education for the Territorial Publie Service. Neaches in pene 3° the teacher of the Departmental Musik School (CRD) of Chartres during 16 years. He currently A curious mus thus puts his nee Jean-Christophe multiplies his skills by studying musieal analysis, writing and conducting. He transcriptions ony TuSles! Know-how at the service of flautists by writing fantasies on operas and by producing Billoudos Exinione rangements for various ensembles. Several of his works ore published by Klarthe Editions ond TReOGrition: emit iBPe Bernola’s collection. His “Fantasy on Tosca™ ollows him to acquire international SOUDled with a Grong eicehe If awarded a Golden Prize in the composition category for the writing of this fantasy fond Prize from the World Classical Music Awards in London (2022),