VOCAL SCORE Na Theatre Royal Drury Lane H. M. TENNENT Ltd. Peewee | Adapted from Bernard Shaws Pygmalion w~ STANLEY ROBERT COOTE ZENA DARE FREDERICK LOEWE Book and Lyrics ALAN JAY LERNER Production Staged by MOSS HART CHOREOGRAPHY AND MUSICAL NUMBERS STAGED BY HANYA HOLM MUSICAL DagCTOR CYRIL ORNADEL AOU UMUMeeeeaeaaaaaaaaaaaaaaeaaa THEATRE ROYAL, DRURY LANE H. M. TENNENT LTD. ‘ PRESENT HERMAN LEVIN’S PRODUCTION REX HARRISON ~ JULIE ANDREWS MY FAIR LADY ADAPTED FROM BERNARD SHAW'S “PYGMALION” Produced on the screen by Gabriel Pascal WITH STANLEY HOLLOWAY ROBERT COOTE ZENA DARE MUSIC BY FREDERICK LOEWE BOOK AND LYRICS BY ALAN JAY LERNER PRODUCTION STAGED BY MOSS HART Choreography and Musical Numbers Staged by HANYA HOLM Production Designed by OLIVER SMITH Costumes Designed by CECI, BEATON ‘Musical Director CYRIL ORNADEL Musical Arrangements by ROBERT RUSSELL BENNETT AND PHIL LANG Lighting by JOE DAVIS Dance Music Arranged by TRUDE RITTMAN VOCAL SCORE Offentliche Biolicthek (Gaied by FRANZ. ALLERS) der Stadt Aachen © 1956 Warner Chappell Music L+d. 9725024 3 International Music Publications Limited Southend Road, Woodford Green A0 2.2 485A Essex [G8 8HN, England Reproducing this music in any form is illegal and forbidden by the Copyright, Designs and Patents Act 1988First performance at the Mark Hellinger Theatre, New York, March 15, 1956 First Performance in London at the Theatre Royal, Drury Lane, April 30, 1958 MY FAIR LADY THE CAST (in order of appearance) BUSKERS Joan Euviny, Teray Wrissaas, WILLHELM MAURER MRS. EYNSFORD-HILL Linoa Grav ELIZA DOOLITTLE JULIE ANDREWS FREDDY EYNSFORD-HILL Leonaro Weir COLONEL PICKERING Roser Coote A BYSTANDER ‘Max OLDAKER HENRY HIGGINS : Rex HARRISON SELSEY MAN ALAN Dupuy HOXTON MAN Rec TEMPLAR ANOTHER BYSTANDER Bos CusHotm, FIRST COCKNEY Rosenr Crane SECOND COCKNEY JOHN Moore ‘THIRD COCKNEY Howaro Dans FOURTH COCKNEY Rosin Dusen BARTENDER Mostyx Evans HARRY ALax Dupuy JAMIE Bos Cision ALFRED P, DOOLITTLE StaNLEY HoLLoway MRS. PEARCE Berry Woourt ‘MRS. HOPKINS ELAINE Ganneav BUTLER Jou Moore SERVANTS. . Howanb Davss, ELAINE LovEGROvE, Many Burcist, FREDA SESSIONS, BRENDA Gav MRS. HIGGINS ‘Zena Dart CHAUFFEUR . ALAN Burrow FOOTMEN Peter Newt0x, Let Kentos LORD BOXINGTON Atay Dupuey LADY BOXINGTON Laine Garneau ‘CONSTABLE AtaN Burton FLOWER GIRL (CuaRMiAN BURY: ZOLTAN KARPATHY ‘Max OLpaKeR FLUNKEYS WALLACE STEPHENSON, Lee Kenton MAJOR DOMO Mostyn Evans QUEEN OF TRANSYLVANIA Mancaner Hatstan AMBASSADOR oe CHISHOLM BARTENDER Roaeer Crane MRS. HIGGINS’ MAID Wittow STOcKoALE Sincinc ENseMate, DANCING ENSEMBLE a i 4 i 1 4 i i i t i i 4 i i i i i i i i i i i i i i ‘ i ' t i ‘a a 3 a a ww vseuwww ww eo ve ws er a ar Scene Scene Scene Seene Scene Scene Scene Scene Scene Scene Scene Scene Scene Scene Scene Scene Scene Scene SYNOPSIS OF SCENES The place is London. The time, 1912 act (Outside the Opera House, Covent Garden—A cold March night [A Tenement Section, Tottenham Court Road—Immediately following Higgins’ Study—The following morning A Tenement Section, Tottenham Court Road—Three days later Higgins’ Study—Later that day ‘Near the Race Meeting, Ascot—A July afternoon Inside a Cis Tent, Ascot—Immediately following Outside Higgins’ Hosse, Wimpole Street—Later that afternoon, Higgins’ Study—Six weeks lanes ‘The Promenade of the Embassy—Later that night ‘The Ballroom of the Embassy—Immediately following AacT Higgins’ Study-—3 o'clock the following morning Outside Higgins’ House, Wimpole Street—Immediately following Flower Market of Covent Garden—5 o'clock that morning Upstairs Hall of Higgins’ house—I o'clock that morning ‘The Conservatory of Mrs. Higgins’ house—Later that day Outside Higgins’ House, Wimpole Street—Immediately following Higgins’ Study—Immediately followingMY FAIR LADY MUSICAL CONTENTS acTr T overruns aso Ovewine Scie 2 Sone (Higgins, with other) “Why Can't the English?” 3. Sono (Elisa and fae Chora) Woulda’® e Be Loveciy >” 4 Tr1O (Dookie, Jemte and Harry)...“ With a Lite Bit OF Luck" Wo Coascs of Scene 5 Sone (Hiegin) “Pema Ordinary Man, 5a Cuanoe oF Scent 6 Remaiss (Doolittle and Chorus) With 4 Lite Bi of Luck " (64 Chants oF Scene 7 Sons (Elza) Just You wait 8 Conve (with Higgins ond Blize) “Poor Professor Hignins 9 Trio (Elia, Higgins and Pickering) “The Rain in Spa” 10 SONG (Eliza with Let ond 2nd Maids and Mrs. Pearce) HY Could Have Dances at Nighy 10a Chance oF Sceve 1 Cxoms| * Ascot Gavowte 12 END oF Seis (Enenéle) 13 Son (Fredy, with Mrs. Pearce) .. “On the Street Where You Live ” 14 Bums Exrmanee 15 tkraaoucrion ro Prowenoe 16 Promexaoe S7 anasey Wacre ACTH We Eyre acre 19 Dusr (tigen, Pickering and Chorus) You Did tt 20 Remmse (Elina) * Just You Wait" 20a Repsise (Freddy) On the Street Where You Live 200 Sone (Eliza with Freddy) ‘Show Ae 21 MALE CHomts (with rola, Elza) “The Flower Market 22 Saw (Daskile and Chora) ~ Ger Me to the Chareh on Time 2 Chance oF Scene 24 Sons (Higgins, with Pickering) 24a Cuuance oF Scent 25 Sone (Eliza with Migins) ‘Without You ‘A Hiyma to Hien 2 Sone (Hien) * Pve Growe Aceusiomes 1p Hee Face” 27 Mosc rox Curran Cats 28 Ber Music 108 107 308 13. 8 roy be 18 4 9 159 140 sor nmrnmririnnminininnaneAaReAe ee é= = = = = = = = = = = = = = = = = = S = 5 5 = = s s s s 5 5 3 5 3 MY FAIR LADY FREDERICK LOEWE OVERTURE AND OPENING SCENE Presto eit E> gt ai e2 re Cp gf Cp EG Piano a = SF Ses care nos 9 add FiO. 18 ns FS ay | capriccioso sirs_26 Ta ea marcato | © 1956 Alan Jay Lemer and Frederick Loewe ‘Warner Chappell Music Lid, London WIY3FA ‘Any arrangement ov adapiation of this composition without the consent ofthe marer isan infingement of copynght 44188aH | sare8 MAAK nnnnunannnnnnAannnneeee(gt Soap =e the ft die = weve t =I El | * Moderato x inf cantabile 5 a> Be {l \ 120 Allegretto Ste, We, 8ve __—_———— 7” . J poco dim, SF Mitievite| HBB iero ys Chappell nnonnnnnnnnann Hon nn noaom nn mou ti Woon ottSSS =~ oe oh ‘poco rail, a tempo Pesante Brass, The curtain riser ast09 - Chappel wuouowuwsuneenvuuusvuueuUuUuvUureeooee6 Act I Allegro giusto OPENING SCENE ches tejane. fire feos Pepe af 3 o QCrowde are milling about Covent Garden Opera House 25. 22, ~~ 2e Tept. ‘Tept.Clars, Hoy, Masacs Bs be. ‘Three ret dancers entertain the crowed 31 Listesso tempo wwe ah tsi poco mare asteo Chappe ; fern ore ery ern treet het het hmm fot fff yan ns mf hhh,43 Tempo di Soft Shoe (late ate mf F1.0b, Vins. Allegro molto Ving 59 67 saa cur. w w POCO meno (euiza) Disloeue ontlkaes 4 Chapt8 NO2 SONG—(Higgins,with others) — “WHY CAN'T THE ENGLISH?” ALAN JAY LERNER FREDERICK LOEWE Cue: MIGGINS: A woman who utters such depressing and disgusting sounds has no right to be anywhere no right to live Remember that you are a human being with a soul and the divine gift of articulate speech: thal your nalive laiguage isthe language of Shakespeare aad Milton and the Bible, and doxt sit there crooning Like a bilious pigeon. Allegro (ELIZA) Avvovs00000w! AN Higgins Look at her, a priser of the gut- ters; ~ m [PS HIG Con-demned by ev'ry syl- la-ble she q (Spotes) For the cold booted (HESS) avons ue = = right she should be tak-en out and hung 18 Poco meno mosso ius ae 3 : ‘This is what the Brit-ish pop-a = la-tion calls an el-e- mentry ed-u- aat69 happett F 5 3 F F F 5 F 5 F & 5 F 5 = & = & = = & = = = = = = E & = & = =(PICKERING) Come,sir, think you picked (aicciNs) ° 2 poor example Diet! 28 Vivo Hear themdown in So-ho Square, drop - pingaitch-es ev-"ry - where, ; Speak - ing Eng-lish an-y way they ike 36 (Tro Cockney) Cockney What - ya tike me — z [eo 7 NF : = Higgins No= one taught him in stead Of “ike! & oF sates happen40 44 Hear a Yorkshi Hear 3 Cornish - man con-verse, Id fa = ther bear a Te , Meno mosso SSE sic Fee ——! SS Cibir sing-ing Stat! Chick - ens cackling in a barn, £4 (RIGGINS) Gara! aK you.sie, what sort of word ie that? LIZA wu0 Just Tikethisone, Gara WAooow/and'Gar’that Keep her in her pISeE Ja aloo ‘Peotla voce Vistesso tempo Hic — 4 Nother wretched elothesanadict'y face Why eam the Bng-tishteachtheic child - fenhow to speak? ‘This vero - Glelass dis-tine-tion by now shouldbe an = Bae Chappelt PH Nn nh nh enn AHA Anneee eeeeeeeeeeeeeeneeeeeeeneaea a6 -tigue Tf you spoke as shedoes,sir, in-stead of the way you do, Way, " vo ‘Wood Block i (PICKERING) I beg your pardoa! 80 a6 ygs might be sell-ing flowers too, An Eng-lish-madsway of ed On. speaking ab- so - lute ly class- i - fies him makes some other Eng-lish-man des - pise him. > One com- mon language Im a- — 16 tthe Moen, But wan, Chappell4 tas can’t the Why iw Eng-lish Why can't the , + een “ # eS e Be = teggion ores | Fiat m ee fee, Ss = i = SONG — (Eliza & Male Chorus) “WOULDN'T IT BE LOVERLY” Cue: HIGGINS: Ah. The church, A reminder. (Throwing some coins info Eliza's basket) Sodian disieets have always fascinated me. Ihave records of over fifey. PICKERING: Have BLita You, now? Did you kaow there are aver two hundred? Aosow! = sono Aovovow! a te a = Et == v a = ELIZA: Avvow! Ste ae lore Moderato 1st COCKNEY: Shouldn't you stand up, gentlemen? We've got a bi a a n a a ~ gy Ee 44169 Chappel d J d 4 4 4 J 4 J J J J i 4 a a a a a a a a g a a a a a a a azeae aoe asic arse aa co: 2nd COCKNEY: Would you be & in for a good butler, Eliza? BLIZA: You won't do 15 2nd Cockney (Bass) rd Cockney (Baritone) rath ser dull in town, 1 think Ill take me to Pa ree. Mmm h ist Cockney (Tenor) Ee = a - Ne te . ja * py 9 ———————— Ie == =: = ins sus wants too = pea ap thease im G8 = ah Mam g = = a= =e S55 & = 7 Joc + tor ee = fom ments a gui et gum mer bythe sem SS LSE ten.) Moderato pp leggiero aat69 Chappell16 20 Eliza e+ nor-movsebair;ab, would = ee ara ne it be lov-er- Drier ere Bue PRP P AAPA APPA HAAR he eeUe ee Ce Ue ee ee eC Ge ee Ge 7 44 eu E = = = o-ver me win- der-sill. Some-one'shead rest-in’ on my knee; warmand ten-der Ss Hp Str. FI.Clar. ob. Whotakes good care of me; ch, would overly? : Loveer-ly! Lov-er=ly! _ . Aa joss: = Taw. > rall. 58 Tent cuo Bass Al 1 want is a room some - wheres Far a= way fromthe cold sight air a tempo NX Chappent sar69+s would = nt it be With one © - nor-mous chair; With one ¢ = nor-mous chair; 2 2 A heat, Lots of coalmak-in' tots of eats— — Lotsof comlmake lots heat. — J ? = eat; Letsefcoalimake ot Lots of choclate for Lots of choclate Lots of choc~late — 2 thands,warm feet; Ob, hands, warm fect, hands, warm feet, EP irri —J would - nt it be x . 2 7S loy-er-ly sit-tie’ ab = so-bloom=in’- = Sa Ab Chappell EST SRRstint! 1 would nev-erbudge ‘il Spring erept over me win-deesi cute = ly O-veeme wineder, a "FRR ERT FA FE KR? Who tates good Ab, Who takes good cHo Some-onesheadrest-in’ on my knee, Warmandtensder as she can be, Who tater good \f euz . Lov-er-ly! Lower-ly! cuo care of me, sat69 Chappell20 94 The mex whistle os the secepers dance onappel sare MARR RRR RRR RAR RRR he mh mh mh hh ehhh hh i |Oh, would = = be Bov-er-ly? te dice di pe Lov-er-ly! Lov-er- ly! Ten. an, Ten.l Lov-er-ly! Barit. Bass An, Tee “dim. poco a v aus60 Chappett weve enna22 NO4 TRIO — Doolittle, Jamie and Harry) “WITH A LITTLE BIT OF LUCK” Cue; DOOLITTLE: Goodnight, Eliza! You're a nebie daughter! _ You see, boys, I told you aot to go home! It's juss faith, hope and a little bit ef luck! Moderato 4 Doolittle Spoten Sung) = + os a a a ‘The Lord a = dove gave man an arm of i= fom She could stove made “Tisquor for temp - ta = Hoa To see it ww oo —— Es d job tnd aeretr GD The Lord c= bove gave Oy he eee Dae SS = tF oer et —. — ot Et Et =} eS Teale bit . a ron, win © littte bit hh} ES man an arm of i With @ Visquorfor temp - ta > tony oo do the blink ~ int ion comes, youll give right _ Sf MAW Ho Chappett antes = = 2 = & & e e & & & & & & & & & e & e e & e e& ec e c i e & & e &nooner eeeeeeeeeeeeaeeaeaa aa HAR poo 00 Hitetle bit, Litetle bit, Meade oh, litetle bit, o—™~, 2 litetle bit With a Little bit 2 etd ot With 4 litetle bie S — 1 2 Doolittle On, you ean 1 Ww! Ste se but with a Little bit of of luck, you'll nev = of tuck, you'll give of tuck, you'll sty = of Tuck, you'll give straight ack youll rea a = muck! right right work work Chappettmade forman to mar - made for man to With 4S Mtetle bit of luck, with & Httlebit of xe. DIE 200) luck, You__cam have > Ff & fe sates Chappel "aman nnn MO MMO MOO MMMM MAMA PARA R AAACr rr ee ee ee ee ee ee es ee sant HAR =) poo He-tle bit, 4 tit-te vit, With a finale bit md Mette tity Htede bits with & tit-tfe Bib — z o™N > > see Fe >; Tuck, you won't get A Ttetle bit, uy ze i eck, you went get Hiteule bit, oF Vintte vit Wan fo tit-tle bit of bloom = in” Little bit, a ttle Bt Bf bloom= int ANGRY WOMAN: Shut your face dowa there! How's a woman supposed toget her rest? DOOLITTLE: I'm tryin’ to keep “em quiet, Lady! ANGRY MAN: Shut up! Once and forall, shut ep! sate Chappelleet 26, ‘DOOLATTLE: "Ere,"ere that's ao way to talk to 4 Lady! We've got to be aeighbuurly-Like, boys (astereto M1 Uistesso tempo p09 SS = —— a a ofa oe SS = The Lord a - bove made alan to help his neigh = bour;— No mat-ter where, on Pere rarer iis = eens EE a tangy or sea, of foam The Lord a - ove made man to help his i Peprdieeisip toa \ Se BSS z = = : = = = = = = = = = = = = Se = eS == saree chappettUeno nnnnnnnneneneeeee es a Jam aR poo| oo with (a Tinetie ‘They’re al-ways throw-in’ good WW. Ste 8 of = Jucka man ean cere — And gilt his aui80 == duck! * mites poor v Ga, ite heart with grief and Lette bit cr for doubt But with» littebit man 2 go phi-tan ~ of luck, you won't be home! Of luck, you wort be home! arias Chappellman to go phi lan - din, but Witha _ttede bit : ae - eed poo| Jamie 0 with a tttle bis, with & heale vie With a — ———— o9| * cA Toifiafe oh, with 2 t-te bit, wih ~~ = = tee —~ eS a sam aR Metlebit, of tuek,she won't find out! With X Titsleait, poo 7 OF luck,she went find out! With fo itetle bis, = —~ > fey |e Te 2 aa69 Chappel, TOMMUMMMMKnMMn KM KHh AAA AAAnnnnnnnnninnntinn” 3 a = a =a a a a a a a a a a a a a a a a a a a i a a i a 2 a 1 ' 29 sam aR’ - 1 —— Htetle bit With & Lit-tle bit of bloom=int — Luck! 7 7 ee Liette bit, With a Mt-de eit of bloom-in luck! _currarw ne > se = > vias freba.Ben, attacea| NB. Inthe orchestra parts, the following wumber(ZA) iz nol written out separately, bub starts at 0 § (Bar? of page 27 nth score) tx No.’ NO 44 CHANGE OF SCENE Moderato vie. ww “Tri pire F tere30 NOS SONG (Higgins) “IM AN ORDINARY MAN" Cue: MIGGINS: tisd that the moment let myself become friends with awoman, Hbecome selfishand tyrannical, Se here Fam, a coafirmed old bachelor, and likely to remain so. after all, Pickering: Moderato Higgins (Spoken) (sung — _ ott SSS FS SS SS SSS Tin aa ordinary man, who de - sires nsth-ingmorethanjest the (via) 4 i To live and do pre — % ceive - ly what_Be wants, Aa avr - age — Z seeat = ric whim: whowants "to live his ite eg aase9 Chappea a a a a = _ a a a a a a a a a a a a a a a a a a a a a a a i a a Sain! foving what-ev-er he thinks is best for (Z pz » wo fl = * ee ¢c ——— a x = = i 14 Allegro molto vivo i = f SSS eS a But Iet 2 o-atn in your ina eet — === == home From the cel-lar’ to the dome; Then get__on to the en = thrall- ing fun of ov-er~ ql CchappettAnd you are up against the wall) rept) ” a a 2S Ss oe she has_somethingetsc in mind: And so aa —- a 7 SE EES == 7 a Www Trot) tomething ee Ust neither kes Man, WTR = — i TE A EES 54 Pili mosso oo == SF ES eS eS Cagteie biggie te vouwint 1 Ui "or kets 0 ee S =F PB Se) wf Se She oy 5 LP ope ae as Chappel UND PRNARKRK nono mnoem OL 8) Ol ml hk mk a om am awuvueununuuueeunuueeueeuenueedeeedeae a3. se Andspend It search - ing AiG E = = poh is 2 woman in your life » * ST pee ate Moltee 18 Awe Letthem buy theieWedding bands for those —_eeere— ree 7 fin soto fhe Pvin.beto) strww) jen_ten_ A tempo ae aS retious t-te hands; 18 be equally a8 p a dentist to be fen, 1e1.0u isn nest Come prima Pesante Spokes) n tvser lot a woman in} Mifel 5 lnavery geatle —_ cman ss aar69 oe Chappett34 90 Calmato mic = = er hear com- phil — Who Ms yar come eee auart in eee or turdsthom you bo = tem - per'd and add FL good-aa Te mth of Re manna - nes 8) the dowate ay lips at pS 9 TL just a fe ry gentle man, — — ome Ff = d eS 2 - i eee so pt = . F =? De =. oe sase9 cusppet DOHMH UD UMUC O OAH AAAininatc 03 Allegro vivo o a i women in your life St She will beg you for ad - views your re- ply will Be con- a tS =S5 7 v Andshell lis-ten ve- fy nice-ty, then go out and do. pr’ = cisely what she 123 Piu_mosso ee mun of grace and Chappel!Sp SSS thatwould make 8 ail - or 7 .¢ ~ Molto 9 menol49 _ = SS ____— e_otheers Bt my sex tie the = 2! i 7 ten_ten Atempo_ wie pg RUS Ae > eS ChappellETT pre (ers tospend his ev sang’ the Who kes an at. rest - ful BS ¥ + of phil 0 = soph-ic joys; Wholikes to un-divcoveerd tomb. A pen-tive cana 4 o> sd =i -tate, con = template, 4 aaa Ob, = z pags page Justa quicet living man, — ET tet Se I sa1e9 Chappell38 174 Allegro vivo nic o wo-mn in your Me Ang your sab = bs-tiveal is 182 ends come an _— ee Ina ar-my of her friends, Come ty jab-ber and to chatter and to (ell her what the Ty TR ool SSS -———== patir Guth you Sheil nave a = 156 fit pda a eS Boa FS Eas ie eS = . a Brass, Pp — = | =F —— ae MA Pe aes Saar et ou Ta A |boem - ing ot 1 Who will de - scend he Shell have 2 large Wag > nev - ian aici With a voice shat = ters (A gibberish of votcesbegine athe ft 210 _____ turns on phonograph) me St —=—=—=—= FS 7 spf re tt * eS pepe Ba wae = Pea ey sane cappet40 (a And another phonograph) mie Sosuaa iu your life, Let a wo-man inyour life (He terns off the Slowly Sphonse*aphs) px Higgins ; ; _——~ = . — > z Tahal aev-er let a wo-mn in ny pete teplee ob , , , : PSS ae | ae oe > we = Presto (Curtain) . oe - attacca sate cnappet DDADANNADADADAAAANDARHRAHARAARRHHADDADa NO Sa. CHANGE OF SCENE Allegro vivo Tutti f sate9 Chappella2 NO6 REPRISE— (Doolittle and Chorus) “WITH A LITTLE BIT OF LUCK” Cue: DOOLITTLE: 1 kaowed she had a career in front of her! Harry, boy,we're Ia for a booze-up. The sum is shinia? on Aifeed P. Doolittle Moderato Doolittle (Spokes) —_& (Sung) + = sF —, Aman was wade to help sup-port his child - rem,—— Which is the right and ca Brak = Deir tps [tate oo Fe pro. per thing to K man was made to help sup-porthis child - ren, ° psen ao “apigtiss Se eT Rte poo! z With 4 tite bit of luck, with a Lit~tle bt of Iuck, They'll go ns 2. z oo = out and start sup-port - ing Sops. Ritoswith 9 tit-tte bit, ono Jamieatenors DD Dd Harry @Basses With a tit-tle bit, witha = os > See + =f sat09 Chappelt THAHAHARAAAHAnnnnnnnnnnninnnnnnnnhof inek they’ weskfor you. He doesnt toodi sida He does-at ‘of luck they work for you. 6 aN ev-er hope to E a = 5} _oe ev er Hope to mall] + wl wall a een} u tup-pencein bis pock - et, vee ip are ate FT wee aaa aaa ‘chsppelt44 f= j__j Lit-tle bit of tuck, Wn a lit- He bit, OF tuck, He’ be mov=in? pbs fe ie pideds 2 GG ¥ Ho) ee E¥ lit-ue bit of luck, With 2 fit-tle bit of tuck, HEM be mov-in’ up to as ” rs [> = _ ae. Speed ww Ha With a Ur-ae Bit, 223d With a tits te bis, = aed tet eS oo dD + 22 ! yh BP z ett spiny + lit-tle bit, ~ With a fit- te bit of luck, he's movin) up. oa ee ee Ee Ei A 2 | rf tls sf if Ft Ft tletes Be - = ; 7 HHAH HHA HHH HHA