eT Ih) Gorgeous Chords! Tired of playing thse same ald shapes? | acking in inspiration? Well fear notas Jim Clark is on hand with 50 wicked ways to achieve chordal nirvana! _— actual uilding locks ofthe muse that we | youcan'¥ tiie them ina musically cost ooo Tove With his in mind, we re going to manner salto important that you donot concenrateon the importantaea ofchords. | fore prtcularvoiings tof simply case Ifyou read GT17ss 50 Chords You Need | you fvourthem or even heaven forbid, they KEY: Various | Oordvablsy ‘ToKnow eture,youshould bewellaware | lookimpresive dneto wide stretches, The TEMPO: Vatous | BWsclceany thatthechoieofchordtypeanditsinverson_| mus must always come fst Corracis433 [aunarsonemgernamen) || playsanenormods par inistenerappea an | "Finally a quek word egaaing msi Emoften become intrinscaliyinkedtoa | theoryinease some ofthe chord ames eave TTNEVERCEASEStoamazemehownany | specicsongor artis forexamplethe E749 | youserachingyourhead. Although itisby no Stee Vai solo note for nate but when asked 0 ommers. | muse theory can mak eso much easier for play an augmented chord are sudden Tnthislesson have presented 50 get | you when it comesto aplving anyharmonie Stopped dead in their racks! nundingchords ranging from simpletriads | concep, whether sale, arpegio or chord ‘Wegutarstsareafunnybanech, often | torespensive'somnding altered dominant | based. Not only that, improvet your "appreciation af the musi immeasurably tenia roves bees An understanding af musta | er eshte sya mn co theory can make life so much t= semanyanouspayrsuo Se easiorfor you when appyng vc ea any harmonic concent Seater mibmatneranamanys, | mesaricanttamnn omens investingraluablepracticetime developing variations so whatever te you pay re Theemphassison producingstrong, efforts [avesting same ape in usable voicngs,thatcan be applied in el ife | therefore highly recommended. Situations, with leit and ereativis0 ‘yocan rely onthe fact that everything inchidedin his lessonisvalidinarealie — WRCQSUMUU TUCO TS Paving srnaro at some point 5 "he son soem ao te pres ee) r Tc 2 2 @ 6 @ wri ach econ increasing terms of tarmonic deny The parts are categorised: Triad Triad Etonsons th Chords, 7h Chord stenson an Purther Applications. Eachpartcontsns ten example, displaying abrief contextual example designed to demonstrates potential musi sppiation FF THK RECORD Payers to investigate for chord wizardry include Alan Holdsworth, Eric Johnson, Je Pass and Je Satriani. Check out [ME Yoizsvort's wu 182), Sand (967) and Secrots (180) or Johnson’ Tonos (1968), Ah Va Musicom (180, Vnus Isl (196) ané Bloom (2005) for starters! Ary Joo Pas album wil reveal a welt of gorgeous chords, as wl the entire catalogue of Steve Wonder 14 Guitar Tecnuon tien ( racks 4-58 Lid). eee a red ing erties De ler ord one lor retort ett oy ings Here IV Prograton nce ring once tant AcxD chore rhaper ieee CTS to mre eta ime 6 6 © ©€ 2 ¢€ 6 «6 6 SOUT eae ‘ns eangte isthe surge mong eee aye nwch 9 cage ey. ee arty aap sed Snape. ons Ba EEE Ee = EEE EXAMPLE 3: ADDING DIMINISHED AND AUGMENTED TONALITIES ooo 1°50 cam omar Fam _@ Gian amin am SRAM ‘CDTRACK | Sy beng sce nau of wad vena. zon tceate ee ovement between chord Tsidefolows the progreion 6 AM FC ba ‘ain smoctnsepelaw nate escent by wget poston 3h fre memon JSR angsscondierion OFS) EEE Ed Many fou wi esd tara omic! an. open co (Dse) hreby yusd4 3G note othe ng wah ho fourth fogs Heroks mo.able Cintpe ern tember uapeimrer hey uapended car conan nae eye not ecco mar or mino can be sega eth Hey Jaap eum aunt A cunt @ rams ene came 6 GutarTechniques December 200)‘GORGEOUS CHORDS Eee enn ede nce een ‘Gest brane to conventonl poner chose HeserGanar suche fhe as Fer anaincbur mae eto au tes und a end ny shew ena ie EOMETSanee cm Inversors a VV v6 (GD) oti 9 major ale runing em 0G (igh nteson chords Vole indi b comeman and revered in Bac mse EXE UT ee (etios te ttaieh BSA othe practi Xe ayes suet mobs noe EA ater Ee oanicuatean Nao sane Eee eo ‘Ths tne wee gin generate the A Daron sound cond made mao, by plang he ids ef and IV an of agaist an Abssnote Theory as ‘hum yous ae of CIC Ea wn an Abs nlc weather An rd wh pre a Boon nah EUMTaaCU Ta owt ookatthe fh mode of te D morse Wo} Hare aan or he Wand egret Gand A and plate aga a Assent. 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