Liesel's Trauma in The Book Thief
Liesel's Trauma in The Book Thief
By
SOBINA BIBI
Supervised by
(2020-2024)
Trauma, Resilience, and Coping Strategies: A Psychological Analysis of Liesel
By
SOBINA BIBI
Supervised by
It is to certify that this thesis submitted by Ms. Sobina is accepted in its present form by
the Department of English, Govt. Viqar-un-Nisa Post Graduate College for Women, Rawlpindi,
in partial fulfillment of the requirements for the award of degree of BS in English Literature.
Supervisor:
________________________
Department of English
This is to certify that the research work presented in this thesis, titled Trauma,
Book Thief is conducted by Ms. Sobina (049292) under the supervision of Ms. Bushra Naeem.
No part of this thesis has been submitted anywhere else for any other degree. This thesis is
submitted to the Department of English, Govt. Viqar-un-Nisa Post Graduate College for Women,
Rawalpindi in partial fulfillment of the requirements for the degree of Bachelor of Science in
English Literature.
I, Sobina bibi, hereby state that my BS thesis titled Trauma, Resilience, and Coping
Strategies: A Psychological Analysis of Liesel Meminger in The Book Thief is my own work
and has not been submitted previously by me for taking any degree from Govt. Viqar-un-Nisa
Post Graduate College for Women, Rawalpindi, or anywhere else in the country/world.
Name: Sobina
Dated: …………
Acknowledgement
All praise to the One Mighty Lord, Allah, who is the Most Beneficent and the Most
Merciful. I am truly thankful to Him for inscribing in me the passion and for giving me the
courage and mental ability to do this research. The concept of Resilience and coping strategies
always interested me. Due to this reason, I have chosen The Book Thief by Markus zusac for my
study. I want to thank Ms. Bushra Naeem for her guidance and encouragement during the
research work. I am also obligated to the teachers of the Department of English Language and
Literature, Govt. Viqar- un-Nisa Postgraduate College Rawalpindi, for their counseling in every
area of literature. I would also like to thank my family for their continuous support and love
which has kept me motivated to do my task. A special thanks to my mother, who have listened to
me patiently whenever I have felt stressed and helped me to overcome any difficulty I have
faced, without whose support, I wouldn‘t have been able to complete this research.
Dedication
This research is dedicated to my parents who have always tried their best to give me best
in everything. They have been my biggest supporters. They have always encouraged me to
become the best in my life. I want to show my gratitude for their unconditional love and
immense support by dedicating this research to them. I want to specially dedicate this research to
This research investigates the portrayal of trauma, resilience, and coping mechanisms in
literature, with a focus on Liesel Meminger‘s character development in Markus Zusak The Book
Thief. The study examines Liesel's character development through the lens of Freudian
psychoanalysis, aiming to examine her psychological responses to trauma and her mechanisms
for coping and resilience within the context of the novel. By addressing a notable gap in current
literature regarding the comprehensive analysis of Liesel's character, the research enhances our
unconscious motivations, and psychological responses to trauma, the study contributes to both
literary scholarship and psychological understanding. This interdisciplinary approach bridges the
fields of literature and psychology, fostering dialogue and collaboration between the two
disciplines. Ultimately, the research seeks to provide valuable insights into Liesel's character and
Chapter 2: Major events resulting in trauma and factors influencing moral development of
Conclusion ................................................................................................................................... 37
Works cited .................................................................................................................................. 39
Sobina 1
One of the dark clouds that descended upon Europe during World War 2 was the Nazi
Germany attack in which families were torn apart, homes destroyed, and communities were
shattered by the relentless advancement of Nazi forces. It‘s a time filled with stories of courage,
bravery, fear, and survival amidst unimaginable sufferings. Individuals who were the victims of
those attacks not only faced physical trauma but also emotional trauma .
The novel which is selected for the study depicts the conflict between Nazi‘s and
Germans. Published in 2005, The Book Thief by Markus Zusak captivates readers with unique
narrative voice and unforgettable characters. The story unfolded in the small town of Molching,
Germany, where Liesel Meminger, a young girl grappling with the tumultuous realities of war,
discovered solace and redemption in the act of stealing books. Narrated by Death itself, the novel
offers a poignant exploration of love, loss, and the resilience of the human spirit in the face of
unimaginable adversity.
The study employed a psychoanalytic lens to explore the moral development of the
protagonist Liesel Meminger. She emerged as the heart and soul of the narrative—a brave and
compassionate protagonist whose journey of self-discovery unfolded a midst the chaos and
destruction of World War II. From her humble beginnings as an orphaned child to her
transformation into a symbol of hope and defiance, Liesel story is a testament to the enduring
power of literature to illuminate the darkest corners of the human experience and inspire acts of
This study is the psychoanalytic exploration of the three central themes within The Book
Thief the moral development of Liesel Meminger, the traumatic experiences she endures, and
her use of reading as a coping mechanism. Through a meticulous examination of key events,
character interactions, and narrative techniques, this study seeks to unravel the psychological
complexities embedded within the novel, offering fresh insights into the inner workings of the
research also seeks to analyze the narrative techniques employed by Markus Zusak's to convey
the complexities of human experience. From the use of Death as a narrator to the incorporation
of visual imagery and symbolism, Zusak's storytelling prowess adds layers of depth and meaning
to the novel, inviting readers to engage with its themes on both a conscious and subconscious
level.
Markus Zusak's "The Book Thief" prompts inquiries into the psychological intricacies of
characters such as Liesel Meminger. However, a notable gap exists in current literature regarding
the comprehensive analysis of Liesel character development through the lens of Freudian
psychoanalysis. This gap limits our understanding of Liesel psychological responses to trauma
and her mechanisms for coping and resilience within the context of the novel. Existing research
on "The Book Thief" has primarily concentrated on thematic analysis and character studies, yet
Addressing this gap will provide a deeper understanding of Liesel character and enhance our
i. To uncover the psychological complexities within the novel by exploring the portrayal of
trauma, resilience, and the moral development of Liesel Meminger through key events and
character interactions.
ii. To highlight the traumatic events that lead to Liesel‘s anxiety and analyze how these
iii. To explore the role of reading as a coping mechanism by assessing how Liesel uses books to
i. How are trauma and resilience portrayed through Liesel‘s moral development and
ii. How do traumatic events in Liesel‘s life shape her ethical beliefs and actions?
iii. How does reading help Liesel cope with her trauma and emotional distress?
The study holds significant importance in various aspects. Firstly, it enriches literary
character, offering readers deeper insights into human experiences portrayed in literature.
Secondly, it sheds light on the nature of resilience and coping mechanisms through the
Sobina 4
Thirdly, the study's relevance to contemporary discussions surrounding mental health and
coping strategies makes its findings applicable to real-world contexts. Additionally, by bridging
the fields of literature and psychology, the study encourages interdisciplinary dialogue and
understanding of human experiences. Finally, the study's findings may have practical
implications for education and therapy, informing approaches that promote emotional well-being
The research framework for analyzing Liesel‘s character development in The Book Thief
mechanisms, and psychological development. Through this lens, Liesel responses to trauma,
such as her development of defense mechanisms like repression and displacement, her emotional
growth in relation to Freud's stages of psycho sexual development, and her unconscious
motivations driven by unresolved grief and guilt, are examined. This framework offers a nuanced
mechanisms at play in her journey through trauma, resilience, and coping in the novel.
Conducting textual analysis involves carefully selecting key passages from The Book
Thief depicting Liesel experiences of trauma, resilience, and coping mechanisms. Through
thematic analysis, researchers identify and analyze recurring themes, motives, and narrative
techniques employed by Markus Zusak to uncover underlying patterns and insights into Liesel
protagonist. This analysis delves into Liesel psychological responses to traumatic events,
manifestations of resilience amidst adversity, and moral evolution throughout the narrative. By
closely examining Liesel emotional reactions, behavioral changes, and ethical considerations,
insights into the intricacies of her character development and the underlying psychological
Integrating findings from both textual and character analyses aims to gain a
comprehensive understanding of Liesel Meminger portrayal in The Book Thief. This integration
facilitates the exploration of how thematic elements intersect with Liesel character development,
providing insights into the novel's depiction of trauma, resilience, and coping mechanisms.
characters in literature and their implications for understanding human behavior and resilience.
Sigmund Freud is the father of modern psychology, which analyzes the human mind and claims
that the unconscious mind, controls the conscious mind. The human mind has different layers
like Ego, superego, and id are the apparatuses of the mind and functioning in person. The
One major aspect of psychoanalysis theory which shaped one‘s personality is trauma
which is defined by Berg (2018) in Resilience, trauma, and coping psychodynamic Psychiatry. In
impairment or dysfunction. Individual need some source to endure the situation and mold
personality according to the situation. Resilience is the ability of a system to cope with change.
and the social sciences. It refers to individual‘s ability to adapt to stress and deal with adversity.
Such challenges may come in many forms including family or relationship issues, health
problems, work, and financial concerns. It is best to considered a resilience process rather than a
trait—a progression of psychological and physiological adjustments that can be made to better
In order to deal effectively with problems or difficulties, clinicians often talk about
coping as a way of facing and overcoming significant trauma. Berg (2018) in Resilience, trauma,
and coping psychodynamic Psychiatry defined coping as when one struggles with but manages
stress whatever it may be its treatment and care. Usually, coping is discussed as the solution. It
is best way to prevent symptoms from developing in the first place. This approach has made its
trauma on individuals and society can be analyzed by exploring the effects of traumatization on
the individual and collective psyche. It also elucidates releasing these psychic conflicts and
tensions in literature for catharsis to accomplish a better self- identity. Trauma literature also
After facing trauma and warfare impacts at the end there is death , there are a lot of
examples can be seen in existing literature that how the protagonist show courage bravery and
confidence in consequences but still they struggle for their survival without losing hope.
Sobina 7
Bronte (1847) explained the journey of the protagonist Jane Eyre, a young orphan who
wealthy family. Sigmund Freud's structural model of the psyche—comprising the Id, Ego, and
Eyre," Jane's Id is evident in her passionate nature and her deep-seated desires for love and
acceptance. Her early outbursts against the injustices she faces at Gates head and Lo wood
demonstrate this primal force. The Ego in Jane's development is her pragmatic and rational
approach to life. Despite her passionate nature, Jane often exercises restraint and thoughtfulness.
The Superego guides Jane to adhere to her principles, even when faced with tempting
alternatives, such as staying with Rochester despite his existing marriage. Through her
experiences, Jane learns about love, loss, and the importance of self-reliance.
Qureshi, (2024) analyzed the life of David Copperfield from childhood to adulthood.
David faces poverty, betrayal, and loss, but he also experiences love, friendship, and success.
Childhood in David Copperfield is associated with death through the motifs of David‘s early
trauma of loss, and the repeated return to childhood in Dickens‘s artistic world expresses
constant longing for childhood but signifies not only a return to the past but to death.Death is
regularly identified with nostalgic returns. Dickens sentimentalizes death scenes and creates the
background for symbolic rebirth. After adoption of David by aunt Betsey, he is―reborn‖ as Trot
wood Copperfield. Betsey Trotwood‘s reappearance in the plot marks a shift from the childhood
trauma to a fairy-tale indicated that childhood defines the heavenly home (or nest) where we go –
Thousand Splendid Suns explained the lives of two Afghan women, Mariam and Laila, whose
Sobina 8
lives are intertwined by war and violence. The trauma they experience forces them to confront
difficult choices and ultimately shapes their moral compasses. various traumatic experiences was
endured by characters in this novel which include forced marriages, domestic violence, loss of
loved ones, war-related hardships and societal oppression. Mariam, one of the two main
protagonists undergoes both individual trauma and inter generational trauma passed on from her
mother, Nana. The trauma experienced by Mariam is that she was restricted to have connection
with the outside world and this isolated existence exacerbates her sense of abandonment.
Laila, another important character in the novel who feels traumatized both individually
and intergenerationally was left with both physical and emotional scars due to the loss of her
loved ones. She even felt the survivor‘s guilt which pressed on her shoulders as everyone around
Manli Peng (2020) in Theory and Practice in Language Studies explained about Grave
1967. The story was constructed from his experiences of the firebombing of Kobe in 1945,
during which time he lost one of his sisters, his adoptive father and his younger adoptive sister
Keiko. He felt especially sorry for Keiko because he thought he was too selfish to take good care
of her, which indirectly led to her miserable death of malnutrition. In Grave of the Fireflies, four-
year-old Setsuko, the younger sister of the protagonist Seita, also dies of malnutrition. Thus, the
whole story was written as a personal apology to Keiko, regarding her death . By telling
traumatic experiences of the two Japanese children in the Second World War, Nosaka reveals the
brutality of war and the deteriorating public morals of Japan during the wartime. Grave of the
Fireflies earned him the Naoki Prize in 1968and was successfully adapted into an animated film
about Janie Crawford, the protagonist of Their Eyes Were Watching God, uses romantic love as
a defense mechanism, searching for fulfillment through marriage. However, through her
experiences with three very different husbands, Janie learns about self-reliance, personal growth,
and the importance of finding her own voice. Janie fights to discover her individuality and
entity. All her life, Janie has been ordered and told to do what others want rather than been asked
what she wants or feel. The novel seems dedicated to Janie with her unintentional mistakes
especially marriages attempting to explore her place in this vast world or identity to gain respect,
All these literary works have been used in interdisciplinary studies, bridging literature
and history curricula. Samantha Baskin (2013) highlighted the critical thinking and empathy
among students, noting that the novel‘s emotional resonance encourages deeper engagement with
historical content and ethical questions. After analyzing the critical reviews reader develop an
understanding that how human psyche is affected through traumas and how these traumatic
This research paper is based on three chapters. Chapter one titled introduction, include
research. Section two is based on literature review which is basically critical comments on
existing literature. This section basically informs about works of different authors related to
psychoanalysis , how this theory supports previously existing literature and how this theory is
applicable to the existing literature. Third section of this chapter consists of research
Chapter two of research contains data analysis. Data is analyzed by using the theory of
psychoanalysis or trauma theory. It also explains how human behaviour can be analyzed on basis
of these two frameworks. In this chapter, the researchee finds about the traumatic events in the
life of the protagonist, how she became resilient after facing these traumas and how she endured
these traumas by using Freud defence mechanism. Section two of this chapter contains the
psychological development of the protagonist ,symbolism and imagery used in the novel.
Chapter three is based on the coping mechanism, unconscious Desires for understanding
and Connection ,and the Last section is based on conclusion , findings and recommendations.
This research follows the qualitative way for selection of data and explains how after facing
of Sigmund Freud, and later Jacques Lacan and Cathy Caruth, trauma theory purports that when
traumatic events occur, the brain in a protective gesture, blocks them from fully entering
consciousness. They are repressed and buried in the depth of the psyche, for the large part
inaccessible to the conscious individual in normal everyday life. However, these traumatic
stimuli refuse to remain buried and often assert themselves as intrusive images and waking
Disorder), or through unconscious acts of repetition (Zhang, 2017, p.24). The Book Thief cleverly
explains many of these traumatic tropes, including fragmented narrative structures, intrusive
Emotional and psychological trauma is the result of stressful events that shatter the
sense of security andone feel helpless in a world. Psychological trauma can leave an individual
struggling with upsetting emotions, memories, and anxiety that won‘t go away. It can also leave
one feeling numb, disconnected, and unable to trust other people. Traumatic experiences often
involve a threat to life or safety, but any situation that leads to feel overwhelmed and isolated
can result in trauma, even if it doesn‘t involve physical harm. It‘s not the objective circumstances
Sobina 12
that determine whether an event is traumatic, but a subjective emotional experience of the event.
If some one feels more frightened and helpless then he/she can be traumatized .Literally, trauma
understanding trauma and history from the perspectives of those who cause trauma to others,
who suffer from traumatic experience, who are involved, who are bystanders and their
Grew up in Nazis Germany the protagonist of The Book Thief was a very quiet but young
girl with calm personality but under the pressure of extreme emotions her calm changed.She lost
her beloved during the Second World War , she overcame her miseries with love, friendship ,
the power of words by using different coping mechanism. But The Book Thief is not just a
bildungsroman but as according to Zusak, the inspiration of the book came from his parents, who
witnessed a collection of Jews on their way to the death camps and the streets cape of Hamburg
A lot of traumatic events occur in the life of the protagonist Liesel Meminger which
shapes her character such as; Liesel father's fate is foreshadowed by his whispered conversations
with her mother. Every knock at the door, every raised voice on the street, could be a herald of
their doom. Liesel father, a communist, is taken away by the Nazis before the novel begins. His
fate is shrouded in secrecy, but the constant fear and hushed conversations paint a grim picture.
Zusak uses Death, the narrator, to describe the tense atmosphere. The political views of her
father cast a long shadow over their lives. Her parents spoke in hushed tones, their voices laced
with worry. Liesel, though young, sensed the danger that lurked just beneath the surface. Her
father beliefs, possibly communist leanings, put them in danger. Liesel also sensed the danger
which foreshadows her developing awareness of the injustices around her. The eventual absence
Sobina 13
of her father created a worst fear for her, she also witnessed the horrors of war and the loss of
loved ones.
Faced with the threat of persecution, Liesel mother decided to send her and her brother
away for their safety. The act of separation is a heartbreaking moment: "Liesel watched her
mother's face crumple, Tears welled, Her voice hitched. 'You'll be safe there,' her mama
whispered. Liesel didn't believe her." This was also a trauma for Liesel that she lost her mother
and home if her mother loved her, why leave her on someone else doorstep. The fact that she
knew the answer — if only at the most basic level — seemed beside the point. Liesel knew that
but that didn‘t mean she had to accept it. Nothing changed the fact that she was a lost, skinny
child in another foreign place, with more foreign people alone. ‖( 32)This was the moment of
The journey to foster care becomes a symbol of loss. Liesel witnesses her younger
brother's death on the train ―With one eye open, one still in a dream, Liesel Meminger could see
[…] that her younger brother, Werner, was now sideways and dead. His blue eyes stared at the
floor. Seeing nothing."(16). Her reaction to her brother's death is a complex mix of grief,
confusion, and a primal instinct for survival. "Liesel watched him. He wasn't moving. Not even a
shudder. Her voice, when it came, was barely a whisper. 'Werner?' She nudged him with her
elbow. 'Werner, wake up" (18). This is the traumatic event that marked her forever. Death, the
narrator, observes the depth of Liesel grief:"The little body wasn't much to look at Liesel
Meminger didn't cry. Not yet. She wasn't sure how. Her feelings were a tangled mess‘. These are
the overwhelming emotions that Liesel experiences, unable to fully process the loss or express
her grief through tears. ―She had hidden with herself a last link to him-the Gravediggers- Hand
Sobina 14
Book starting at the letters on the cover and touching the print inside ,she had no idea what any of
The war is another major traumatic event that shaped the characters' life. The impact of war
can be seen when Liesel witnesses the bombing of Himmel Street: "The sound was dampened
and muffled, but it was definitely there. The air was alive with things that hurt, and the people
could not see or hear them."(404) This shows the chaos and destruction of the war that the
characters endured .Liesel and the residents of Molching experienced the constant threat and
terror of bombings and air raids throughout the war. This created a sense of insecurity and fear of
The bombings contributed to Liesel's overall sense of loss and insecurity. Having already
experienced the trauma of separation and death, the constant threat of violence adds another
layer of fear to her life. The bombings also highlight the fragility of life and the importance of
the things she cares about, like her foster family and books. "The first warning was the wail of
sirens, a sound that scraped at the insides of Liesel Meminger, a sound that turned her insides to
water." (265)- This quote highlights the visceral fear triggered by the siren.When Liesel‘s foster
family hide a Jewish man, Max Vandenburg, in their basement. Max reflects on the war and its
consequences: "The consequence of this is that I'm always finding humans at their best and
worst. I see their ugly and their beauty, and I wonder how the same thing can be both."(584) This
quote highlights the problems of human nature during wartime, showcasing both the darkness
Death of Rudy was another great loss in Liesel‘s life as he was her best friend. The
strongest clue lies in Death's earlier statement about Rudy dying in "two years, with shrapnel in
Sobina 15
his side." This combined with the mention of Liesel finding him amidst "the rubble," points
heavily towards a bombing raid. Not only death of Rudy but also she is targeted by the death of
her foster parents the threat of separation from Hans, was a constant source of trauma for Liesel
. "Death himself felt a flicker of something human. A sadness, perhaps. He'd grown strangely
fond of Hans Hubermann. Perhaps it was the accordion. Perhaps it was the way Hans
Hubermann coaxed even the faintest whisper of music from its bellows. Perhaps it was the way
Death himself, for a short while, had felt a flicker of belonging in that cramped basement."( 342).
The connection of Hans with death and the warmth and comfort which he brought in Liesel life
All these events caused physical as well as emotional trauma to Liesel .Nightmares
(specifically the one after witnessing her brother's death) separated Liesel from her
surroundings, mirroring the emotional isolation trauma can cause"Liesel woke soaked. Not from
rain this time. It was a different kind of wet. Her body ached, a cold sweat clinging to her. She
couldn't see. Her heart hammered like a fist against her ribs. It was the same dream, though
sometimes it arrived with variations. This time, there was snow. A colorless expanse that
stretched forever. Her brother, Werner, was a dark shape on the ground. He wasn't moving.
Liesel shuffled towards him, her feet disappearing in the snow with each step. When she reached
him, she knelt. The snow was cold and wet against her knees. She whispered his name. No
answer. She touched his face. It was cold too. Cold and stiff. Liesel screamed, a sound that
ripped through the night and made Papa groan from the other room." (23) She recalled her past
memories and this result in the physical effects of trauma on her body.She thought the life she
had and the love she felt in her foster family should be shared by her brother who could never
make it. Therefore, she lived in the guilty of survivors, which is another symptom of PTSD.
Sobina 16
Liesel was lucky enough, that she found a good foster family. Unfortunately, the world
is not a fairyland for children who face trauma in their life and apart from the trauma of losing
family, her nightmare continued because of the abuse or even human trafficking, which
accounted for her escape from the ―sanctuary‖. During wartime, soldiers fought against other
soldiers in different countries but people fought against their own country mates in the same
society to survive.
The Characters in the novel experienced some conflicts which happened between their id,
ego and superego or morality. The conflicts mainly happened due to the environment of Nazi
Germany era where the characters had to struggle to survive and maintain morality. The analysis
of the main characters shows different methods of defense mechanism they use to reduce
trauma. In the novel one can easily analyze that the characters suffer from both physical and
mental trauma. To reduce trauma the characters use some defense mechanisms like sublimation,
unconsciously formed because the ego needed to be defensed from guilt and trauma. The
overwhelmed trauma was dangerous, one character, Michael committed suicide because he did
not apply any defense mechanism when he suffered from severe survivor‘s guilt. While other
characters like Liesel, Hans, and Max could survive because they used the right defense to
To cope with these experiences, Liesel utilized various defense mechanisms, such as
repression and displacement. This mechanism involves pushing down painful memories and
emotions into the unconscious mind .The main purpose of repression is to shield the conscious
mind from overwhelming pain and anxiety. By burying unpleasant experiences, the mind creates
Sobina 17
a sense of psychological safety. Liesel exhibited signs of repression in her initial struggles to
process her mother's death. Her loss remained hazy, suggesting a subconscious effort to shield
herself from the overwhelming pain. However, repressed emotions can resurface in unexpected
ways. Liesel nightmares and moments of intense grief could be interpreted as repressed
memories bubbling to the surface. Repression, in Liesel's case and in psychology in general, is
like an unconscious form of hiding pain. It's a defense mechanism where the mind pushes down
unpleasant thoughts, memories, and emotions into the unconscious. This can be a helpful tool in
the short term, especially when dealing with overwhelming trauma. Liesel often withdraws into
herself, especially after experiencing significant trauma. For instance, after her mother's
heartbreaking goodbye, she became mute for a period. This silence signifies her repressing the
pain of separation and the confusion she felt. Similarly, when Max Vandenburg fells ill, Liesel
struggles to express her fear and worry, opting for silence instead of confronting her emotions.
"Liesel Meminger… knelt beside him [Rudy]. Her face was a mask. No tears came. They were
frozen somewhere deep, locked away like a fistful of winter berries." (116)The metaphor of
"frozen berries" shows Liesel's emotions. It suggests her feelings were present but hidden
beneath the surface. This imagery hints at the repression Liesel might be experiencing to cope
Displacement is the anxiety or negative emotions associated with a threat are redirected
towards a safer target. Liesel's act of stealing books can be seen as a displacement of her
anxieties. The stolen books became a source of comfort and escape, displacing her focus from
the harsh realities around her. Liesel's rich imagination, where she creates stories and nicknames
for people, can be seen as a way to displace her anxieties. By focusing on her imaginary world,
she temporarily escapes the harsh realities of her situation. An interesting example of
Sobina 18
displacement is Liesel's act of reading aloud to Max and the others in the basement during air
raids. The terror of the bombing is undeniable, yet by focusing on the story and offering comfort
to others, Liesel displaces her own fear.Liesel's use of displacement as a defense mechanism
highlights her struggle to cope with the traumas she faces. While it offers a temporary escape, it's
Freud placed a strong emphasis on childhood experiences shaping the unconscious. These
experiences could unconsciously influence how someone develops resilience. Liesel motivations
for surviving might not always be conscious .She explored resilience in the face of unimaginable
trauma. Stealing books becomes source for Liesel because stealing allowed her to escape from
her harsh reality and find solace in stories. This unconscious motivation to find comfort in words
fueled her determination to keep reading and learning. Her brother was dead. Her stomach
rumbled with the graceless, selfish clamour of the living. Her initial act of saving herself from
grief can be seen through these lines." The words themselves were like shadows dancing across a
wall, whispers on the wind...Liesel Meminger couldn't resist words."(75) . Liesel's act of
stealing books can be seen as a rebellion against the limitations imposed on her. The act itself
might instill an unconscious belief in her own agency and defiance. This belief, even if not fully
Liesel formed a deep bond with Hans, her foster father. His love and acceptance provide a
sense of security and belonging to Liesel grief. In a world filled with uncertainty and fear, Hans
provides Liesel with a sense of safety and security. His kindness and warmth create a haven for
her, allowing her to feel loved and accepted. This secure foundation is essential for her to build
Sobina 19
resilience.‖ Liesel Meminger, The Book Thief, would sit up in bed and listen to the accordion.
The music, more than anything, was what made her feel safe. It was the sound of Hans
Hubermann exhale, the slow and steady reassurance that, even in an avalanche of nightmares,
someone down below was still awake.‖(344)These lines show Liesel and Hans bonding,
particularly when they were spent time together at home in the evenings. This unconscious desire
to maintain that connection might push her to keep going even in dark times.
Another unconscious motivation which leads to her drove resilience was Rudy's loyalty ,
their friendship, even after Rudy's death, might serve as an unconscious motivator to live a life
worthy of his memory.""Liesel…pointed a grubby finger. ‗See here? The Shoulder Shrug of
leaned in and began to read.‖ (40)These lines reflects their shared love for the world within
books. Even though Rudy could not read himself, his curiosity and Liesel's willingness to share
created a special bond between them.one can explore Liesel's ability to cope with adversity
Markus Zusak used a powerful narrative style to show Liesel Meminger‘s resilience in the face
of trauma. Different symbolic elements and recurring imagery portray the depth of her
experiences such as Liesel's act of stealing books represents her attempt to reduce grief from a
world under influence of war. Each stolen book became a stolen moment of comfort; a refuge
from the harsh.The first book Liesel stole was particularly symbolic. It deals with death, a
constant presence in her life. Yet, by taking this book, Liesel confronted death and tried to
understand it. The act became a way to process her grief over her brother's death realities around
her. The act of stealing itself signifies her defence against a world that has taken so much away.
Sobina 20
"Sometimes, when Liesel stole, she felt like a single star, plummeting through the blackness,
landing right in the palm of her hand."(370) This quote uses a metaphor to portray the thrill and
Liesel's recurring nightmares, often featuring her brother's funeral procession, represent
the deep emotional scars left by trauma. Her creation of the monstrous "Word Shaker" in her
nightmares embodies the fear and powerlessness she felt. The pervasive grayness of war-torn
Germany reflects the bleakness of Liesel's world. However, moments of hope and innocence are
For instance, when Hans taught her to write, the white paper became a canvas for a
brighter future. The Hubermanns' basement, where Liesel hide stolen books, served as a physical
manifestation of her buried emotions. It was a safe space where she could confront her trauma
through reading and writing. "The Hubermanns' basement was where Liesel Meminger found
safety in words and solace in stories, amidst the chaos of a world torn apart by war." This quote
captures the significance of the basement as a refuge and a sanctuary where Liesel's love for
books blossomed, offering her a sense of peace and escape from the harsh realities of the outside
world. Liesel act of stealing symbolized a love for reading. Reading changed her outlook on life, it
Fire is a symbol of her passion for reading.Fire stands in stark contrast to Liesel's love of
words and stories. Words offer a form of permanence and connection, whereas fire brings about
swift and absolute destruction. Fire symbolizes how quickly an end can come. Fire arose when the
bombs landed on Himmel street, the Hubermanns street. The Hubermanns' and Liesel‘s neighbors
all died from the bombing. The basement symbolized a safe haven. Max Vandenburg felt for most
Sobina 21
parts safe while he was in the basement. Max put the Hubermann in great risk by him living in
their basement. If the Nazi‘s found Max living in the basement, all the Hubermann and Liesel
would be severely punished."First the colors. The whites were blinding. They were snow, they
were bones. Then the yellows, the sickly yellows of turning bruises and dandelions gone to seed.
The grays. Ash. And then, the low hum of the first flames."(30)
Another symbol that represents this theme is the Nazi‘s flag. The Nazi‘s flag symbolizes
control and domination. The Nazi‘s were in total control at this time in history. If you did things
they did not like or approve of you would be punished. The Hubermann could not find their flag,
for Hitler‘s birthday. They were scared that if they did not find and put up the flag the government
would think there opposing them. An example is Death stated, ―Earlier, there had been a minor
The burning of books by the Nazis represents the destruction of knowledge and culture,
mirroring the destruction of Liesel's innocence."Liesel watched, a small shivering thing on the
fringes of the crowd. The flames were high now, licking the bottoms of the twilight sky. They
danced and pulsed, a frightening yellow ballet‖.(212)Here, the words "shivering thing" and
"frightening" effectively convey Liesel's fear as she observed the flames consuming the books.
representations of trauma in the narrative and their impact on Liesel's psyche can be shown
through a lot of other acts incident which symbolizes Liesel struggles and her moral journey .
Her development from a powerless girl to a more mature, empowered young woman is
symbolized by her relationship to books.A bit later, she struggles to read in front of the class and
is mocked by Ludwig Schmeikl, and the incident again leaves her feeling powerless.At the end
Sobina 22
of the story, however, it‘s her book that in an indirect way saved her life, since she was in the
These symbolic elements, give deeper understanding of Liesel's internal struggles. The
stolen books offer a glimmer of hope, but the constant reminders of trauma – the nightmares, the
Grey world, and the dismissive shrug – paint a picture of a young girl grappling with a harsh
reality. The use of fire highlights the transformative power of words and defiance in the face of
psychoanalytic theory, human development is divided into stages: the oral stage, anal stage,
phallic stage, latency stage, and genital stage. Each stage influences personality development.
Liesel Psychological and moral growth of Liesel can be analyzed using this framework. For
example, Liesel's experiences the loss and trauma could be linked to the phallic stage. This stage
is characterized by the Oedipus complex for boys and the Electra complex for girls, where they
develop unconscious desires for the opposite-sex parent and view the same-sex parent as a rival.
Liesel's bond with Hans, her foster father, could reflect elements of the Electra complex, where
she seeked emotional closeness and support from a father figure. Her interactions with Rosa, her
foster mother, might also involve dynamics influenced by the phallic stage, as Liesel navigated
feelings of rivalry or jealousy within their relationship. "In Liesel's heart, the girl was beginning
to understand the complexities of love and loyalty, navigating the delicate balance between her
feelings for Hans and Rosa, realizing that family is not just about blood but about the bonds of
Sobina 23
trust and care that transcend mere relations."(204) These lines show Liesel's moral development
Throughout the novel Liesel psychological development can easily be examined using
pleasure principles given by Freud id, ego, superego. Liesel's id could be seen in her initial
stealing of books. This behavior might stem from her basic need for comfort and security, driven
by her traumatic experiences and desire for escapism through reading. Liesel's id is obvious in
her impulsive actions, such as stealing books, driven by her need for comfort and escape from
the harsh realities of her life. Liesel's id pushed her to satisfy her emotional needs through
reading and forming connections with words. Stealing of"The Gravedigger's Handbook" at her
brother's burial reflects her instinctual desires and emotional responses,showing the influence of
the id on her behavior."In that moment, she felt the pull of her id, the raw and instinctual urge to
possess something that offered solace and connection in a world filled with loss and pain."(281)
Liesel's ego is evident in her ability to face challenging situations with courage and
consideration for others. When she decided to share her stolen books with Max, showing
empathy and compassion despite her own desires to keep them for herself."In that moment,
Liesel's ego emerged as a guiding force, balancing her own desires with the needs and emotions
of those around her, showcasing her capacity for empathy and selflessness."(357)This shows
how she managed her inner conflicts and external pressures, striving to find a balance between
her personal needs and the expectations of society. This aspect of her character development
Liesel's superego is seen in her acts of kindness and empathy towards others. For
instance, her friendship with Max, the Jewish man hiding in her basement, demonstrates her
Sobina 24
acceptence to moral values of compassion and humanity, even when it goes against societal
norms at the time.the concept of the superego can be understood through the character of Hans
responsibility throughout the novel. His actions, such as sheltering Max Vandenburg despite the
risks, embody the moral standards and societal values that guide his behavior."Sometimes I think
my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes." (289)
Hans Hubermann serves as a moral compass in the story, influencing the actions and decisions
of those around him. Liesel's character embodies elements of Freud's psychoanalytic theory,
providing a deeper understanding of her psychological and moral development such as her acts
of kindness and courage, could be viewed through Freud's superego, the part of the mind that
,powerlessness and repressed memories.In order to reduce anxiety the protagonist used defence
mechanism such as displacement and repression . Liesel's grief over losing her family could lead
to fixation at the stage where that bond was formed, hindering her ability to fully move on.
Freud's theory emphasizes the unconscious mind. Liesel might harbor unconscious guilt for
surviving while others perished. This guilt could manifest as self-punishment or difficulty
enjoying life."She felt awful. The guilt, a familiar lump in her throat, tightened unbearably. How
could she have taken the money? How could she have stolen from him?" (Zusak, 39). This quote
comes after Liesel steals some of Rosa's laundry money to buy postage for the letters she writes
Sobina 25
to her mother. The "familiar lump" indicates a recurring feeling of guilt, suggesting this isn't the
series of traumatic events - losing her family, witnessing death, and Nazi persecution. These
events might be too overwhelming for her young mind to fully process. According to Freud, such
experiences can be repressed and pushed into the unconscious, where they continue to influence
her thoughts and behaviors. Despite the harsh realities she faced, Liesel still exhibited a strong
moral compass. This suggests a well-developed superego, the part of the psyche that represents
internalized societal values and morals. The guilt she experienced after stealing from Rosa is an
example of this superego in action.―She hated Rudy Steiner sometimes. Sometimes she hated
him with a vehemence that surprised her. But mostly, she…thought about his laugh, the way it
could fill a room. Mostly, she thought about how many cigarettes he must have smoked to cough
like that.‖ ( 544)―.This quote shows her acknowledgement of right and wrong.
decision-making, emotional responses and internalized norms. These influences can operate
beneath the surface, our actions and judgments in proper ways. These unconscious factors are
crucial for developing or understanding of morality and making conscious choices that attaches
individual with values and norms. When it comes to Liesel, her upbringing, experiences, and
interactions with others could all contribute to these unconscious influences. For instance, her
family environment, societal norms, and personal traumas may have instilled certain values in
her that guided her ethical choices without her even realizing it.
Sobina 26
Internalized values seen through various instances, show how they guided her actions.
For example, her compassion and sympathy is evident when she befriended Max, the Jewish man
her family sheltered she formed a strong bond with Max, showing commitment to humanity and
kindness."She turned to him, her voice a small, dangerous thing. 'Someday, I'm going to write a
story about you. Max Vandenburg. The man who climbed into our window. I'll write all about
you.'"(330)This quote shows Liesel's determination to preserve Max's story, a story the Nazis
would want to be forgotten. It highlights the power of words to defy oppression and create a
lasting record of humanity in the face of war. Moreover, Liesel's love for books and storytelling
not only serves as a source of comfort but also becomes a form of resistance against the
oppressive regime. Through her passion for words, Liesel finds solace, strength, and a means to
connect with others, highlighting the power of literature in shaping her values and influencing
her ethical decisions.This shows how Liesel's internalized values of compassion, empathy, and
the importance of words guide her actions and shape her character . when Death, the narrator,
describes Liesel as she reads in the bomb shelter during air raids: "I have hated words and I have
loved them, and I hope I have made them right."(86) This quote reflects Liesel's deep connection
to words, highlighting how her internalized values, shaped by her love for books and storytelling,
influence her perception of the world and her desire to use words for good.
Unresolved conflicts in literature are situations or issues within a story that remain
unsettled or unresolved by the end of the narrative. These conflicts can add depth and complexity
to the story, leaving readers with questions or open-ended interpretations. Liesel's internal
struggle with loss, grief, and the impact of war on her life are unresolved conflicts which
included her past experiences or emotions that she hadn't fully processed could impact her
Sobina 27
decision-making. These unresolved issues might lead her to act in ways to cope with hidden
The lingering emotional turmoil Liesel experiences throughout the story, especially
regarding her losses and the devastation of war, remains unresolved by the end of the novel. This
unresolved conflict adds depth to Liesel's character and leaves readers contemplating the long-
lasting effects of trauma and grief, emphasizing the harsh realities of war and its aftermath.
Another unresolved conflict is Liesel's ongoing struggle with the loss of her loved ones,
particularly her brother and her biological family. Finding a new home with the Hubermann,
Liesel continued to deal with the trauma of her past and the uncertainties of the future, creating a
sense of unresolved tension and emotional turmoil that runs the narrative. These internal
conflicts reflect the lasting impact of war and loss on Liesel's character, and show resilience
Liesel's unconscious motivations that drive her moral choices and actions in response to trauma.
Freudian theory suggests that unconscious desires, fears, and conflicts influence human
behavior(Akhilesh Ghanti,2024). In Liesel's case, her traumatic experiences, such as the loss of
her family and the impact of war, could manifest in her unconscious mind, shaping her moral
compass and actions.It might reveal how her repressed emotions and unresolved traumas from
her past influence her behaviors, such as her deep connection to words and storytelling as coping
mechanisms."The only thing worse than a boy who hates you: a boy that loves you"(225). this
shows the complexities of relationships and emotions, shedding light on Liesel's internal
Sobina 28
struggles and the unconscious motivations that drive her actions and moral choices in
response to trauma.
Her unconscious motivations could stem from a desire for security, love, and a sense of
control in a chaotic world. By delving into Liesel's unconscious mind through a Freudian lens,
the complex interplay between her past experiences, emotions, and the moral decisions she
abandonment by her mother, and the constant threat of violence in Nazi Germany. In response to
these overwhelming experiences, Liesel turned to books as a means of coping. Her initial act of
stealing "The Gravedigger's Handbook" was not just an act of rebellion but also a desperate
attempt to hold onto something tangible from her brother's funeral, signifying her need for a
connection to her lost family. Liesel experienced a significant amount of trauma throughout her
young life. In order to cope up with these traumatic events in her life she used certain
mechanisms including her use of reading as a form of escapism and emotional processing,
Reading may serve as a defense mechanism, allowing Liesel to temporarily escape from
her traumatic reality or to process her emotions indirectly. Liesel's engagement with literature
may symbolize her unconscious desires for understanding, meaning, and connection in the face
of adversity. Her coping mechanism can be analyzed through the lens of Freudian
processing. Freud works on defense mechanisms, the unconscious mind, and the pursuit of
Meminger clutched the book to her chest as the bombs fell. Maybe it was the story that did it, or
maybe it was the steady, stroking rhythm of Hans Hubermanns' voice, but something about the
words kept her anchored. Even when the room tilted, and the ceiling danced a jig, Liesel felt a
strange sense of calm." (528) she found solace in the words being read to her by Hans during a
Sobina 30
bombing raid. The book and the story acted as a shield, offering her a sense of security during a
specific type of defense mechanism that allows her to distance herself from the harsh realities of
her life. The act of Liesel to engage other‘s in narrative was basically a mental refuge where
she could find solace from her traumatic experience."Max looked at her, his eyes full. 'Can you
read to me?' Liesel felt a curious tightening in her chest. It wasn't fear. It was something else.
The environment in Nazi‘s Germany was filled with constant fear, loss, and violence.
Liesel's habitual reading allowed her to mentally escape from these stressors. When she reads,
she could momentarily forget about the bombings, the persecution, and the personal losses she
had endured."She knelt in the damp grass. Her heart hammered. Not from the act of stealing,
necessarily, but from the weight of the book in her hand. Words. So many of them. Neatly
arranged on a page. Promised stories." (37)These lines show the significance of stealing books
which can be risky, is a testament to how important stories are for her. This escape is not merely
a distraction but a necessary psychological reprieve that enabled her to preserve her sanity in an
otherwise unbearable reality. Freud theorized that fantasy served as a means for individuals to
fulfill unmet desires and needs. For Liesel, reading allowed her to construct a fantasy world
where the chaos of her external environment was suspended. ―Liesel shuffled back a step, and
then another. The words were collapsing in on her, building a roof above her. They were bricks
and mortar, these words, and Liesel was walking inside a house built entirely of stories." (78)
This fantasy world provided her with scenarios in which problems are solvable, justice prevails,
and comfort is attainable, thereby offering a stark contrast to her lived experience.Reading also
facilitates an indirect way for Liesel to process her emotions. According to Bailey,2023, indirect
Sobina 31
processing of traumatic events can occur through displacement, where emotional energy is
transferred from one object or activity to another. For Liesel, the stories she reads allowed her to
confront and work through her feelings in a symbolic manner. The challenges faced by the
characters in her books often mirror her own struggles, enabling her to explore her fears and
Freud's concept of identification suggests that individuals cope with stress by identifying with
characters who have similar emotions or circumstances. Liesel identified with the characters
who face adversity and triumph, such as the protagonists in "The Shoulder Shrug" or "The
Whistler." This identification provides a cathartic release of pent-up emotions and reinforces her
resilience by seeing her own struggles reflected and addressed in the narratives."The words
marched across the page, a small army conquering the blankness. Liesel felt a familiar prickle at
the back of her eyes. Maybe it was the story itself, or maybe it was the beauty of the words
themselves." (238). The words didn't just inform her, they evoked strong feelings, making her
Liesel's reading signifies her longing for meaning. Freud suggested that individuals are driven by
a need to find purpose and significance in their lives. For Liesel, books were not just stories but
lifelines that imbued her existence with meaning. They became symbols of resistance, hope, and
resilience, helping her to construct a narrative of her own life that is marked with significance
despite the surrounding chaos. Through reading, Liesel was engaged in an existential search for
meaning Literature also fulfilled Liesel's unconscious desire for connection. The characters in
her books became companions and confidants, offering her a sense of belonging and
understanding that she often missed in her real-life interactions , sharing books with others, such
Sobina 32
as her foster father Hans and her friend Max, strengthens her bonds with them, creating a shared
space of empathy and solidarity."Max looked at her, his eyes full. 'Can you read to me?' Liesel
felt a curious tightening in her chest. It wasn't fear. It was something else.
understanding, meaning, and connection. These needs are powerfully symbolized through her
engagement with literature.Imagine,‘ I said, finally breaking the silence. ‗Imagine stealing
something right back from them.‘… We laughed, a sound that felt so good. We were partners.‖
Liesel shares her stolen book with Rudy, solidifying their friendship. Stealing books represents
defiance against Nazi censorship, creating a sense of shared purpose and rebellion.―‗Read,‘ he
said softly. ‗Read to me.‘… I climbed onto the bed and settled myself beside him. The book,
open on his lap, looked inviting. It was like stealing. It felt like home.‖ (402)Here, Liesel finds
comfort and connection with Hans through shared reading. It becomes a safe space for them to
Liesel‘s relentless pursuit of books signifies her unconscious quest for understanding.
The chaotic and violent world around her was often incomprehensible, filled with inexplicable
suffering and loss. When she visited the mayor's house with her foster father, Hans Hubermann,
for the first time. She was captivated by the sight of so many books in the Mayor‘s library and
felt an irresistible urge to take one. Despite the initial hesitation and internal conflict, Liesel
surreptitiously pockets "The Shoulder Shrug," a book she later treasured and read repeatedly.
Sobina 33
This moment highlights Liesel's complex relationship with books and her subconscious
longing for knowledge, comfort, and escape from the harsh realities of her life. Through this
incident, Liesel's unconscious desire for connection, growth, and resilience through literature
becomes palpably evident.Through reading, Liesel seeked to make sense of the human condition,
the nature of good and evil, and the reasons behind the injustices she witnessed. Literature
provided her with narratives that explored these themes, offering her insights that helped her
with trauma by seeking to understand it logically. Liesel‘s intellectual curiosity drove her to
explore complex themes and moral questions through the books she read. This quest for
knowledge helped her to process her experiences in a more structured and comprehensible
way."Like most misery, it started with apparent happiness." (1) It foreshadows a shift in Liesel
life. While things might seem peaceful on the surface, the quote suggests that happiness is
fleeting and something bad is looming. This prepares the reader for the potential challenges
Liesel will face. Liesel's initial attraction can be seen to the books she encounters, which
eventually leads to her stealing them. It captures the complex emotions as she faces with her
unconscious desires and the consequences of her actions reducing her anxiety and providing her
process her emotions, express her thoughts, and make sense of the world around her. Through
writing, Liesel found a way to externalize her inner turmoil, fears, and hopes, which were
cathartic and therapeutic. Liesel's journal entries and the book she created for Max not only
serve as outlets for her feelings but also allowed her to preserve memories, reflect on her
Sobina 34
experiences, and assert her own voice in a world where she often felt voiceless. Writing enabled
Liesel to reclaim agency over her narrative, shaping her story and finding empowerment in
storytelling. when Liesel reflects on the power of words and writing, stating, "The words were on
their way, and when they arrived, she would hold them in her hands like clouds, and she would
ring them out like the rain." (550)Moreover, the act of writing offered Liesel a form of control
and creativity, giving her a sense of purpose and a way to construct meaning amid chaos and
loss. By engaging in writing, Liesel explore her inner world, grapple with her past, and envision
a future beyond her current circumstances. It became a tool for self-discovery, healing, and
Freud emphasized the importance of social bonds in human development and emotional well-
being. Liesel‘s relationships were strengthened through the shared experience of reading. She
used building relationships as a coping mechanism to navigate the challenges she faced.
Throughout the novel, Liesel formed deep connections with various characters such as her foster
parents, Rudy Steiner, Max Vandenberg, and even the mayor's wife, Ilsa Hermann. These
relationships served as pillars of support and comfort for Liesel during tumultuous times.Liesel's
bond with her foster parents, Hans and Rosa Hubermann, provided her with a sense of family
and stability in the midst of war and loss. Hans, in particular, becomes a source of love and
encouragement for her, offering her solace through his kind and gentle nature. Liesel's friendship
with Rudy Steiner also played a significant role in her coping mechanism. Rudy's loyalty, humor,
and companionship bring lightness and joy to Liesel's life, helping her find moments of respite
from the harsh realities of the world around her. Liesel's relationship with Max Vandenburg, the
Jewish man hidden in her basement, showcased her capacity for empathy and compassion.
Through her interactions with Max, Liesel learned about resilience, courage, and the power of
Sobina 35
storytelling, which ultimately shaped her own coping strategies and outlook on life. Liesel's
ability to forge meaningful connections with others demonstrates how building relationships can
serve as a vital coping mechanism in times of adversity, providing her with strength, support, and
a sense of belonging amidst the chaos of war and loss., "I am haunted by humans." , narrated by
Death in the story, emphasizes the lasting impact that human connections and relationships can
have on individuals. It reflects how the memories, emotions, and experiences shared with others
can linger and shape one's coping strategies and understanding of the world.
Freudian psychoanalysis delves into the unconscious mind, revealing the hidden motivations
and desires that drive human behavior. The narratives she often reflect her inner conflicts and
aspirations, offering her a way to explore and resolve these issues symbolically. For example, the
book "The Standover Man," written by Max, served as a symbol of their shared struggles and
mutual support, fulfilling Liesel‘s need for connection and understanding. Liesel's creative
pursuits, like painting over pages of Mein Kampf to create new stories with Max, demonstrate
her ability to find beauty and meaning in the midst of darkness. By performing acts of kindness,
such as sharing her stolen books with others or comforting those in need, Liesel not only helped
herself cope but also bring light and compassion to those around her. This process helped her to
reduce anxiety and gain a sense of control over her environment Liesel‘s emotional turmoil was
sublimated through her engagement with literature. Instead of acting out her emotions
destructively, she channeled them into reading and later writing, transforming her negative
emotions into a positive and meaningful activity. This sublimation not only helped her to cope
with her trauma but also contributed to her personal growth and resilience.. The therapeutic
with literature. By immersing herself in stories that reflected her own struggles and aspirations,
Sobina 36
Liesel engaged in a form of narrative therapy, using literature to process and make sense of her
experiences.
Sobina 37
Conclusion
Liesel‘s evolution from a young girl who initially struggles with loss and loneliness to a
courageous and compassionate individual demonstrates the profound impact of relationships and
experiences on personal growth. Through the books , she evolved from a powerless character to
She was mascot of the resilience of the human spirit, the healing nature of connection, and
development underscores the themes of love, loyalty, and the enduring strength found in the
bonds we form with others. Her story teaches that even in the darkest of times, kindness,
connection, and the ability to find solace in words and stories can help us endure and overcome
challenges.
Liesel's life exemplifies the strength that can be found in relationships, the transformative
nature of personal growth, and the enduring impact of love and humanity, even in the midst of
tragedy and loss. From her story one can learn that even in the darkest of times, kindness,
connection, and the ability to find solace in words and stories can help us endure and overcome
challenges. . Liesel's journey illustrates the resilience of the human spirit in the face of loss and
hardship, emphasizing the importance of kindness, compassion, and the enduring impact of small
Her life filled with traumatic experiences but still she use Literatureas a source of comfort
and solace during challenging times. Through books and storytelling, she found a refuge from
the harsh realities of her world, allowing her to escape into different worlds and perspectives.
The act of reading and sharing stories not only provides her with a sense of escapism but also
helped her to connect with others on a deeper level, fostering empathy and understanding.
Sobina 38
Liesel's relationship with literature gives lesson of transformative power of words and
storytelling. Books become a means for Liesel to process her emotions, find courage, and make
sense of the world around her. Literature can have profound impact on individuals, offering
comfort, inspiration, and a sense of connection that transcends boundaries. Liesel's story
emphasizes the healing and transformative nature of literature, showcasing how words have the
ability to uplift, empower, and provide solace in times of adversity. Liesel's development in The
Book Thief offers a rich academic exploration of character growth and resilience. Throughout the
novel, Liesel undergoes significant emotional and psychological changes that reflect her
experiences and interactions Liesel with others. Liesel's development in The Book Thief holds
significant academic value as it provides a rich study of character growth, resilience, and the
By examining Liesel's evolution throughout the novel, one can analyze trauma, coping
mechanisms, and the transformative nature of storytelling in shaping one understands of the
world. This study focused on the protagonist. For further research on this novel the trauma of all
the characters and their resilience in face of adversity can also be analyzed. Story telling as
Works cited
Akhaliesh Ghanti 2024 Freudian Motivation Theory:How it shapes investor behavior Electronic
media
Dipak Kumar, 2022. Journal of Positive School Psychology http//journalppwcom 2022, Vol 6,
Djla Shannan, 2020 International Journal of Innovation, Creativity and Change Volume 14, Issue
Manli Peng, 2020 Theory and Practice in Language Studies, Vol. 10, No. 7, pp. 785-790, July
Sofa Sadque Qureshi, 2024 Article in International Journal of English Literature and Social
Songyang Zhang, 2020 advances in Social Science, Education and Humanities Research, volume
433 International Conference on Mental Health and Humanities Education (ICMHHE 2020)
Print media