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Anthology of Concretism Author(s): Seiichi Niikuni, Adriano Spatola, Hansjrg Mayer, Aram Saroyan, Maurizio Nannucci, Burkhardt, Heinz

Gappmayr, Alain Arias-Misson, Jiri Valoch, Timm Uhlrichs, John Furnival, Frans Vanderlinde, Henri Chopin, Maurizio Spatola, Emmett Williams, Arrigo Lora-Totino, Pedro Xisto, Carlo Belloli, Dick Higgins, Gerhard Rhn, Edwin Morgan, Dom Sylvester Houedard, Kitasono Katu, Jean Francois Bory, Mary Ellen Solt, Jaroslav Molina Source: Chicago Review, Vol. 19, No. 4, Anthology of Concretism (Sep., 1967), pp. 3-144 Published by: Chicago Review Stable URL: http://www.jstor.org/stable/25294139 . Accessed: 20/12/2010 05:32
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Seiichi Niikuni

rain

?t?a

5 55

??

stream "I

bank

immmmmmmmmmmi immmmmmmiMNMH imwmmmmi#wwwiM iuiuii;ii;ii;ii?hw#iwww ii;imi;n;ii#iWN#wwwi


Il

imuimmmmmmiM#i'JW

immuimmmmmmiMN

lUimmwmmmijimmi'jH

I I

n^i'>M^|^|^|^l?N^?M#|#|^|

iijiijiiwww#iwn*n*n*h iuii?m^i#i^iiHw>i^i^i^i#i

4M MA MA MA MA MA MA MA MA MA MA MA MA

Adriano

Spatola

i i i i i i i i i i i i X X i i i i i i X X 1 X i\ X X X X i i X X X X i i X X X 1 X X i X X 1 X X i X X X X 1 X X X 1 X X i X X X X X X i X X X X i i X i i iX X X 1 1 i X X i i X X X X i i i i i i i i i i i i i i X X i i i i i i i i
i i

X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X i X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X i X

? h

? ? ? ? ?
e
/

b b b b b
e
X

? b
e e e e e e e e e e e

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?????????????AAAooo

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****************0000000000000000

12Hansj?rg

Mayer

ar?zghypgxofwneym gxpfwhevmdulctkbs mdulctkbsjarizqhy bsjarizqhypgxofwn hypgxpfwnevmdulct nevmdulctkbsjariz dkbsjarizqhypgxo izahypgxqfwnevmdu. qrwnevmdulctkbsja dulctkbsjarizqhyp ?arizahypgxorw?ev pgxofwneymdulctkb eymdulctkbsjar?zq kbsjarizqhypgxofw qhypgxofwneymdulc fwnevmdulctkbsjar Ictkbsjarizqhypgx

dulctkbsj ?arizqhyp pgxofwney eymdulctk kbsjarizq ghypgxofw rwneymdul Ictkbsjar rizahypgx gxofwpevm mduktkbs sjarizqhy hypgxofwn neymdulct tkbsjariz ?zqhypgxo ofwnevmdu

i U

o o o o o o o o I I

o o o o o o o o o o o I I o o

I I I

I I I I I

I I I I I

'%WA

II Ii i

---

UUWi

-----

A4w0W-wt

^ ii?Mi8M(

sau aus usa

22 Aram Saroyan

lighght

crickets cr?ckess ss cricks cricssss crisssss crssssss


csssssss

ssssssss ssssssts sssssets sssskets sssckets ssickets srickets crickets

Bl?d

wwww wwww

waww

wakw
wake

walw walk

crickets
crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets crickets criokets crickets crickets crickets crickets

28 Maurizio

Nannucci

i
i
I~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~I

i~~~~~~~~~~~II
~!i

I~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Lr I

I~

n~

I on II v ~

maamrt

?SXSXS8X*

?ms 18*

32 BURKHARDT

Lo oc c chochLochwennLo ochLochnichtsLochLo chLoch och mehroc Loch 0 iocLooc Loc oc Loch ocLLochLochweLoc h nLochLoc ch nLoc Lochoc !ochLochLochumoc n LochLoch chtsh ocj4 hLochwasLochL( Io t~.Loc /hD ohLpdochLochLc
Loc ocnLoc

ochlocl

34 Heinz

Gappmayr

36

Origin unknown (adapted from antologia noigandres

5)

silences

in

tribute

SILENCE

cage

alain words ture

arias-misson plastic selected & struc at rand

48

om

atosilen silenc silence lence silence silence of over-capitalization

e silence of phylo of prefix silence of silence of divalent silence rarefactive of si ce ce break silence ofofsilence of chrom maik silence muddy silence silence indecent silence of silence maxillary superior of recur of diplomatize Butte litigant silencesilence motivity of ilence chaw silence Euphorbia of s of of ite, missa silence silence est ofembl
Portland of

ist

silence of dog's e silence medicinable of ce silensilence reservation of Lauraceae man-at-arms of silence of premorse of Gueudecour of developcuracy silen silence ofsilence of Pressburg silence silence nig of indigent silence silenceofMaeander nee of etsilenceprofessor consignable of me deeply silence of ointment of silence s obvious silence silence silence designable of sacramental silence of silence pit silence netherward of county of quarter silenc silence fermail of silence silence silence tramsons of silence silence pub flask ilence silence of nee of brandish silence silence

50 Heinz

Gappmayr

Mi*

du

you I

ich

V*

Il

etwas something

et

door obscurity

<$ ^|

sound

58

Seiichi

Niikuni

nnnnnnnpwiPinnnnnnnnn nnnnnnnnnr?nnnrjnnr?nnr! nnnnnrinnnpinnnnnnrinrin nnnnnnpinnnpinririPiririPiPin pipinpipipinnnpinnnnnnpinnn nnnnpimnnnpinpinnnpinnn npinnnnnnnnnpipinpinpinnn nnnnnnnpiPiPinnpinnnnnnn nnnnpiPiPiPiPinnnnpiPinnpinpi


fffffffffffffffffWfff f f f f f tf ttf ffffffffffffffffffff ffffffffffffffffffff ffllftffff ffffffffffffffffffff
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ffffffffff ffffffffff
ffffffffff

ffffffffff ffffffffff ffffffffff ffffffffff

dish blood

imnnnnnnnnnnnnnnmimiminniinrmnnimnnnnini nniftii?nifarfnifliifntft?i?iflirf?iifnrti?i?iftiift?i??iniI imrfii rfn rfn rfn rfn ifft rfn rfn rfn rfn rfn t?a rfn rfnrfn. J??HL ifit

jnutojajfrjajuu^ ?TTl Mj?LJ?lIJ?LJflIJ?LJfllJflLJfLJfLJfLJfllJfc rfn nn ifn JEjflufojfcjfcjfi?jfajfcjfcJ?LJfcjfcjfojfojfc^


inirfnifnifnrfnrfnrfnrfnrfnrfnrfnrfnrfnrfnrfnifti?

lili ? ? Iftl Ifn ? IIIL rftl if?l j?LJfiLJfcjfiLJfiLJflLjflLJflLJ?LjfiL


nnifn?lftl?rfPrfPlfrrfnrfnrfnrfnrfnifnifliifnrftiifnini

nnrfii?rfniftlrfl??ifrrfnrfnrfnrfnifnrfnifr?lfni^ini

ifnifnrfnrfnrfnrfnrfnlin ?lII?rfnrfnrfnrfnrfnrfnrfnifn fni???IUlrfnffnrfnffnrfnrfnf?nifprfnrfnrfnrfnrfnrui iniifel?hifnrfnrfnrfnrfnrfnrfnrfnrfnrfnrfnrfnrinrinrin?ni liniftiiforfnrfnrfnrfnrfnrfnrfnrfnrfnifr^

IIR? ? rfn t?a, t?a ? j?lrfn rfn jflufajn. rfn t?a, t?a, rfn rfn rfn ?TUrfn?rfn?rfnrfn??rfnrfn?rfnrfnrfn iftufiumJIL
nni?irihiftiifert?iftiiftirtni?ifni?hrtiifh?fi?rihifrifnnn imununun imimimnn imnnnnnnnnun imnnnnnnnn

IIR iftiiftii?iiftiiftiifr? ifnifniftiifiTifniftiifttrtn rtli ifii rtlifm IIRrfn t?a t?a?Ai?iifti.lili.rfn t?a rf?t t?a, t?a t?aj?u?u?LinL

lu?, t?a ? jfoj?LJfiLJ?LJ?LJftLJ?LJ?LJ?LJUL ? iftl ? t?aIHI l??l

62

JiRiValoch

u:

u~~~~~~~
I~ ~ ~

kA "

6!j.

tiram

uhlricha

roseroseros roseroseroseroserose roseroseroseroserose roseroseroseroserose roseroseroseroserose roseroseroseroserose roseroseroseroserose roseroseroseroserose roseroseroseroserose roseroseroseroserose roseroseroseroserose eros

er?se

66 John Furnival

irr
When i

l??MM?fJJM
Marines Marines dov?n hyed njreddc? iVr

*I."!--UM

?r?ncs.were

N'AWwnMBffl?^:i:>> KBfLjS??B^
g^@j=SJV E)@G^?

i ;u

M?r?ri

i\ittpliitH'ous proud of

W/mUL-WA'

hardly tMk"
??Reuters

nyMarines

aIivdSSO

KCQB? ?Mlllil!E ?rsiaMiisifti


i?fci:iM:.-..i

I could

mmmammm.

REUCION

:wz?K

3*?aa>W

VATICAN

SHELVES

'NOT GUILT

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<^

PI PA8TMINU8

??a

o"pB

o~
0 l 0

T3r IIU

a
yoA

#0~~~~~~~~~~ ^0

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-w~~~~~w

72 Frans

Vanderlinde

E C r

L I i r r

NRTIDN n n run 11 i r ic i\

i i

t i r I

n NCn N N

rr

ri\ HNIlT PN RN

r CN DN PN

CH CR

RT RT

The of r

arms Caesa

from

lexander until...

74

Henri

Chopin

bombA

bombB
bombC bombD

bombE
bombF bombG bomb H

bombl
bombJ

bombK
bombL bombM bombN bombO

bombP bombQ
bombR bombS bombT

bombU bombV
bombW bombX bombX

bombT
borabZ

poem read

to

be

aloud

1 as

language

76

Maurizio

Spatola

Ill

78Emmett

Williams

%,

/v\

^n

b aA k

dfevtn poo*

"-^

80 Arrigo

Lora-Totino

lf

ZEN

82

Pedro

Xisto

86Emmett

Williams

u d

9fr Q

PT a b .t v Pj sh ,J ? 're./ wx*l XOT TOXiePcL 1 2 n t?? s'WIWOA IMM IAOWIWaHld br/strum * " Z"< .1 "U HAOOAH .' Up K sh^ftfo D n\e! U N m JTtrfvH eAMMA tfteWG.Q,Va y"

"i

;. *;^rM*?iv:"?rfriirk-.
c VS*&5 n I 1 .p t1, B Vs V

'

.ft/'

f sf w R *E% Rft

u Y

y y 0 v*-"'^1*?' -p'-eJP*{

water water sphere thread well woman eye water water crystal child a mouth fish

water colorless a hand

water

water color

water transparent

water

water water

water voice water child and

water voice

water water river clouds a

water sea house

water drop water goods a

water a flower

vertical water water silence a rain ice man men fish water

sky

a face

mouth a

plain water water moon voices water sun goods

rock echo water water men a a

atmosphere leaves horizon sun medusa an palm sky eskimo clouds plain voice water water and water voice

village boat ship ship

crystal water water eye a echo

an sky palm horizon

eskimo medusa sun

sun water voices

water water boat a village a water

water silence water rain sky water vertical

moon water

man ice

woman wall

leaves water

atmosphere river water water

water

face

water

flower a

rock hand

water sphere

a drop

house sea

distance

transparent

color

colorless

water

water

88

Carlo

Belloli

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua sfera

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua voce

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua e voce piano

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua una fiume

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua mare casa

acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua goccia acqua

acqua acqua acqua acqua acqua incolore colore acqua trasparente una mano una verticale cielo acqua

filo roccia un fiore acqua pioggia volto un bimbo acqua nubi atmosfera d?i acqua pozzo eco un villaggio acqua ghiaccio cristallo un esquimese acqua sole foglie una
donna occhio acqua acqua acqua pesce uomini un barca acqua silenzio nave un acqua uomo uomini acqua acqua occhio donna cielo medusa sole luna voci nave acqua acqua pesce uomo silenzio una barca acqua palma orizzonte foglie palma luna medusa cielo acqua un esquimese sole acqua acqua voci orizzonte sole

percorso bocea acqua

cristallo ghiaccio acqua un villaggio eco pozzo acqua d?i atmosfera nubi acqua un bimbo volto pioggia acqua un fiore roccia filo acqua una casa fiume piano acqua
una bocea cielo acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua verticale trasparente acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua percorso acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua una mano acqua colore incolore acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua sfera acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua goccia acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua mare acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua voce acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua e voce acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua

90 Arrigo

Lora-Totino

FIMTEINFINITEINFIOTTEINFIOTTEINFIOTTEmFIOTTEINFINITEINFINITEINFINITE FIMTEmFIOTTEINFIMTEINFIOTTEINFIOTTEmFIOTTEINFIOTTEmFINITEINFINITE FIOTTEIlSTFiraTEmFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOT FIOTTEINFIOTTEINFIOTTEINFINITEINFIMTEINFIOTTEINFIOTTEINFIOTTEmFIOTTE FiraTEINFiraTEINFIOTTEINFIOTTEINFIMTEINFIMTEINFIMTEINFIOTTEINK FIOTTEINFIOTTEINFIMTEINFIOTTEINFiraTEINFiraTEINFIOTTEINFINITEINFINITE FIOTTEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOT FIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEmFIOTTEINFINITEINFIOTTEIlOTINITE FIOTTEINFIOTTEINFIOTTEINFIlSnETEINFIOTTEINFIOTTEINFimTEINFTNITEINFINITE FIMTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITE FIOTTEINFIOTTEINFIMTEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFINITE FIMTEINFIOTTEINFIOTTEINFIOTTEINFimTEINFIOTTEINFIMTEINFINITEINFINITE FINITEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFINITEINFINITEINFINITE FIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITE FIOTTEINFIOTTEINFIOTTEINFIOTTEmFINITEINFIOTTEINFIOTTEINFINITEINFINITE FIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIMTEINFINITEINFINITEINFINITE FIOTTEINFIMTEINFIOTTEINFIOTTEINFiraTEINFIMTEINFIOTTEINFINITEINFINITE FIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITEINFINITE FiraTEmFIOTTEINFIMTEINFiraTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITE
infiniteinfiniteinf?nteinf^

FIOTTEIl^IOTTEINFiraTEINFIMTEINFINITEINFIOTTEINFIOTTEINFiraTEINFIOT FIOTTEINFIOTTEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFINITEINFIMTEINFINITE
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FIOTTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFIlSriTEINFIOTTEINFIOTTEINFIMTE
FIMTEINFIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITEINFINITE FIOTTEINFIMTEINFIOTTEINFimTEINFIOTTEINFIOTTEINFIMTEINFIOTTEINFINITE FIOTTEINFIOTTEINFIOTTEINFIMTEINFIOTTEINFIMTEINFIOTTEINFINITEINFINITE FIMTEINFINITEINFIOTTEINFIlSriTEINFIOTTEINFiraTEINFIMTEINFIOTTEINFINITE

FIOTTEmFIOTTEINFIOTTEINFIMTEINFINITEINFIOTTEINFINITEINFINITEINFINITE FIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITEINFIOTTEINFINITE FIOTTEINFIOTTEINFINITEINFIOTTEINFIOTTEINFINITEINFINITEINFINITEINFINITE FIOTTEINFIOTTEINFIOTTEINFIOTTEINFIMTEINFIOTTEINFIOTTEINFINITEINFINITE FIMTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFINITE FINITEINFIOTTEINFIOTTEINFIOTTEINFIMTEINFIMTEINFIOTTEINFIOTTEINFINITE FIOTTEIl^IOTTEINFIOTTEINFIOTTEINFIOTTEINFIOTTEINFiraTEINFIOTTEINFINITE FIOTTEINFIOTTEINFIOTTEINFiraTEINFIOTTEINFIOTTEINFIOTTEINFIMTEINFINITE FIMTEINFIOTTEINFINITEINFIOTTEINFIOTTEINFIOTTEINFiraTEINFINITEINFINITE FIOTTEINFIOTTEINFINITEINFIMTEINFIOTTEINFIMTEINFIOTTEINFINITEINFINITE

uepea

schwelgen

um sich um sich um sich

nicht

reden

zu h?ren
tun uepea

schweigen

nicht

reden
qo-js

zu
tun uepea

schweigen

nicht ^ijotu nicht


^qo^u

reden i?d^s mn uepea

schwelgen

um sich
ue9-?eMi}08

uoie

tnn uepea

schwelgen
nz

um sich
ue2-?eMt[0B ^qo^u qo-?e ran uepea

schwelgen nz ueaoq schwel gen

um ueSjeMqas ^qo^u qoi;s mn uepea

to to

keep speak

silent in

in order

order not to

not hear

to

hear oneself

oneself keep

speak silent

Timm

Uhlrichs

93

?nstant juan, a description

uanj naju njau anju ujan aunj jaun jnau janu ujna unja unaj uajn aujn ajun ajnu anuj nauj nuaj nuja njua jnua juna juan

Dick Higgins

95

uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuduuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu

you

Gerhard

R?hk

97

wand wand wand

wand

wand

wand

bild
wand

bild
wand

bild
wand

bild
wand

bild
wand wild hand

bild
wand wild wild hand

hand wild

wund

wall picture hand wild


sore

100 Edwin Morgan

ASTRODOME
fAs real Texas), withers grass it has been in the replaced Astrodome (at by Astrograss.1 (news Houston,

item)

all that is not grass astrograss that is not all grass astrograss that is not all grass astrograss that all Is not grass astrograss not all is that glass astrograss is that not all astrograss glass that all Is not astrograss glass that is not all astrograss glass that is not all flbreglass glass not that Is glass all flbreglass is not all that glass flbreglass not Is that all glass flbreglass is not that all grass flbreglass is not all that flbreglass glass not that is all glass astrograss that is not all grass fibregrass

ORIGINAL SIN AT THE WATERHOLS


asp on taneousobstreperousos tentatlousstentorianosmos

isofhys tericallysnortlngpossesofs portingshehlppopotamus3es pottingalittlefloatin S


a spf.

ARCHIVES

generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation
generation generation generation g neratlon

upon upon upon upon upon upon upon upon upon upon upon upon upon upon upon upon
upon upon upon upon

g g g g g
g g

neratlon up on up nerat n up nerat n nerat p n erat p


era era n n p

n n n n n
n n

g g g

er r

n n n

n n n

S S

voice

104

JiRiValoch

h
1 all salh all 1 a a

s
a a hlas a a 1 1

h
1 a salh a 1 11 a 11 a

s
a a hlas a a 1 1

h 1
a

s 1
a

h
hlas
a

salh
a

1 h
1 alla salh alla 1 a a hlas a

1 s
a 1

h
1 a salh alla 1 a 11 a

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all the objective was to illustrate selectivity. Above (primarily) new kind of poetry, some of the effects that could be produced by this a concrete Book. to put together that is ideally suited for narrative material, Book is an invention it work also for non-narrative mate therefore the problem was to make trans had to be made rial. The Book had to become an environment,

formable, out of its structure as a book, into a kinetic and generative art object. the help of Alain None of this would have been possible without to contact poets in all parts of the world, who undertook Arias-Misson, and who allowed himself to be used as a sort of postal clearing house. Leonard Shaykin, who has been travelling in Europe, helped set up the initial correspondence. There has been a great deal of omission of extremely important poets. Some of this was due to production difficulties; other omissions resulted the organic concept eventually became. How from the mystique which much was due to editorial ignorance will be left to the judgment of those who are qualified. of Chicago's the ceramicist at the University Mr. Hiroaki Morino, to do, with the five and dime brush was kind Studios, enough Midway the poems made available to him, the calligraphy work accompanying on Notes Katu?. The and Kitasono of Seiichi Niikuni customary with for this issue because it was felt has been dispensed Contributors audience would be even less that its relevance for a primarily American
than usual. ?Eugene Wildman

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