Professional Documents
Culture Documents
Anthology of Concretism
Anthology of Concretism
Gappmayr, Alain Arias-Misson, Jiri Valoch, Timm Uhlrichs, John Furnival, Frans Vanderlinde, Henri Chopin, Maurizio Spatola, Emmett Williams, Arrigo Lora-Totino, Pedro Xisto, Carlo Belloli, Dick Higgins, Gerhard Rhn, Edwin Morgan, Dom Sylvester Houedard, Kitasono Katu, Jean Francois Bory, Mary Ellen Solt, Jaroslav Molina Source: Chicago Review, Vol. 19, No. 4, Anthology of Concretism (Sep., 1967), pp. 3-144 Published by: Chicago Review Stable URL: http://www.jstor.org/stable/25294139 . Accessed: 20/12/2010 05:32
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28 Maurizio
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Gappmayr
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Seiichi
Niikuni
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88
Carlo
Belloli
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acqua acqua acqua acqua acqua incolore colore acqua trasparente una mano una verticale cielo acqua
filo roccia un fiore acqua pioggia volto un bimbo acqua nubi atmosfera d?i acqua pozzo eco un villaggio acqua ghiaccio cristallo un esquimese acqua sole foglie una
donna occhio acqua acqua acqua pesce uomini un barca acqua silenzio nave un acqua uomo uomini acqua acqua occhio donna cielo medusa sole luna voci nave acqua acqua pesce uomo silenzio una barca acqua palma orizzonte foglie palma luna medusa cielo acqua un esquimese sole acqua acqua voci orizzonte sole
cristallo ghiaccio acqua un villaggio eco pozzo acqua d?i atmosfera nubi acqua un bimbo volto pioggia acqua un fiore roccia filo acqua una casa fiume piano acqua
una bocea cielo acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua verticale trasparente acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua percorso acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua una mano acqua colore incolore acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua sfera acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua goccia acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua mare acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua voce acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua e voce acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua
90 Arrigo
Lora-Totino
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Timm
Uhlrichs
93
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Dick Higgins
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ARCHIVES
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all the objective was to illustrate selectivity. Above (primarily) new kind of poetry, some of the effects that could be produced by this a concrete Book. to put together that is ideally suited for narrative material, Book is an invention it work also for non-narrative mate therefore the problem was to make trans had to be made rial. The Book had to become an environment,
formable, out of its structure as a book, into a kinetic and generative art object. the help of Alain None of this would have been possible without to contact poets in all parts of the world, who undertook Arias-Misson, and who allowed himself to be used as a sort of postal clearing house. Leonard Shaykin, who has been travelling in Europe, helped set up the initial correspondence. There has been a great deal of omission of extremely important poets. Some of this was due to production difficulties; other omissions resulted the organic concept eventually became. How from the mystique which much was due to editorial ignorance will be left to the judgment of those who are qualified. of Chicago's the ceramicist at the University Mr. Hiroaki Morino, to do, with the five and dime brush was kind Studios, enough Midway the poems made available to him, the calligraphy work accompanying on Notes Katu?. The and Kitasono of Seiichi Niikuni customary with for this issue because it was felt has been dispensed Contributors audience would be even less that its relevance for a primarily American
than usual. ?Eugene Wildman