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Bollywood :
Now & Then
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India is a major regional center for cinema. The Indian film industry is the largest
in the world. In year 2002, Bollywood released an astonishing number of one thousand
and two hundred films. The industry is supported mainly by a vast film-going Indian
and more popularity not only within the Indian community and Tamil and Hindi speaking
population, but among many others around the world as well. Viewers include those from
Israel, Palestine, Pakistan, Dominica, Haiti, Iraq, Iran and the list goes on. The Indian
film industry has successfully penetrated into numerous vast, and unlikely, areas of the
globe; a hit Hindi movie could be dubbed or subtitled in a dozen foreign languages such
as French, Mandarin, and Malay, just to name a few (Metha ,60). It is fascinating to
realize that even though many viewers are from so many different parts of the world, the
one solitary bond that unites them is Bollywood. Bollywood is now a world-acclaimed
film production center, and its progression from a humble beginning to its status and
Currently, as Western audiences for the Indian cinema grow continuously, Western
producers are anxious to take their cuts of the profits and the audience. They are funding
maverick Indian film-makers like Gurinder Chadha (Bride and Prejudice) and Mira Nair
(Vanity Fair). Both Chadha and Nair made their names in Western indie films; they've
been tapped to "interpret" the Indian cinematic tradition for those in the Western world.
Indian cinema is also influencing the English and American musical; A.R. Rahman,
India's star filmy composer, was recruited for Andrew Lloyd Webber's ‘Bombay Dreams’.
Some Indians have succeeded in the Western film industry purely on their own terms like
the director Manoj Night Shyamalan (Signs). Indian actors like Aishwarya Rai are getting
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good roles. Hollywood is also adopting some of the conventions of Indian cinema in
dance sequences. The 2005 hit movie The 40-Year-Old Virgin not only features Indian
Bollywood, the massive file industry in India first started in 1899. It all began
when Cinema first came to India in 1896, when the Lumiere Brothers’ Cinematograph
showed six short films in the Watson Hotel. Three years later Harishchandra Bhatvadekar
shot and exhibited two short films. Following that, there were several attempts to film
staged plays and imported films were shown in the first decade of the 20th century. The
first indigenous silent feature film was produced by Dhundiraj Govind Phalke, also
known as Dada Saheb – the father of cinema. After that the industry became well
established and by 1920, producing 27 films per annum. (“History”) .It produced films
based on values and culture. Bollywood believed in motherhood, patriotism and true
love, a common reflection towards the Indian community and their way of life.
foreign and Indian values. This is especially obvious in the film industry. Indian cinema
importing Western actors, racing to meet Western production standards, filming overseas,
and incorporating more and more English in movie dialogues. Bollywood is also making
hit films that deal with the overseas Indian experience. With female actresses becoming
more and more daring in exposing themselves through dance or fashion, the change in its
customs and values have obviously taken a huge turn, to entice and fit into the more
widely preferred and accepted concept towards sexuality, relationships and appearances.
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Bollywood is changing its façade from a clean conservative front, to doing a
particular concept which they know would sell, sex. Knowing that their audiences has
responded greatly to hot scenes acted by actors & actresses, after countless successes of a
couple of trials & short scenes in some earlier movies, these things seem to have become
a trend as they boost the profits for producers. A new trend for movies with sexually
oriented themes has gripped a number of filmmakers in Bollywood. Consider a few of the
recently released films like ‘Tum’ and ‘Hawas’. Both films are based on the subjects of a
married woman’s infidelity in having out-of-marriage sex. And now in the offing is a
third film (‘Murder’) on a similar subject. The question is why these subjects related to a
woman’s sexually are suddenly getting so much attention. The director of ‘Tum’
contends, that her movie is not sleazy and there is much more substance in it than few
sexually explicit scenes. Speaking in a similar tone is the director of ‘Hawas’. He says
that his movie attempts to balance the two elements of sexuality and pure story-based
content.But then is it a mere co-incidence that Razdan’s( director of Hawas) next movie
‘Girlfriend’ is based on another bold subject of a lesbian relationship. New Film makers
are becoming very bold and moving out of the conventional ways of Bollywood films.
(“Adultery: An excuse to shed clothes!”).With its new themes, concepts and expressions,
the ‘original’ Bollywood has been long gone. As compared to what Bollywood was like
in the past, the ‘new’ Bollywood is a total opposite of what is had started with initially.
This growing trend in baring more skin and expressing more on sexuality is also
an indication of the abundant struggling of actors & actresses who are willing to do
anything to find a quick route to fame and fortune. Sadly, this new perception and lust for
material goods has changed Bollywood into Hollywood. Money, fame, style, standard of
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living is what attracts many into the industry. Female actresses now turn to beauty and
looks, rather than passion and talent to work in this line of entertainment. Despondently,
Bollywood has changed from a platform of expression and creativity, to an arena for
Thus, the Bollywood before and now is immensely dissimilar. With Bollywood
starting off as a humble way for many budding and talented film-makers to make their
debut, it has turned into a giant entertainment machine that produces thousands and
thousands of films each year, with all of them sharing a similarity; hoping to achieve
success and ultimately, fame and fortune. The initial concepts of the Indian films were an
identity marker for the Indian community, with their ideologies and beliefs reflected in
the films they saw. However, the Bollywood we know and watch now is nothing more of
an Indian version of Hollywood. The lust for money and fortune has created many
platforms for sexuality to be expressed and shown to the masses. Bollywood has lasted
through more than a century, withstanding numerous wars, conflicts and disasters, its
themes and ideas have changed along with time as well. Although its current concepts are
seemingly widely accepted and preferred, they are certainly not what Bollywood started
off at. In conclusion, if the Lumiere Brothers’ and the father of Bollywood, Mr. Dhundiraj
Govind Phalke were still alive to this day, what would their reactions be? Would they
even recognize their own creation of the film industry, Bollywood? The answer would
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Bibliography
"Cinema of India." 30 Nov. 2005. Wikipedia. 01 Dec. 2005
<http://en.wikipedia.org/wiki/Cinema_of_India>.
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"Indian Cinema meets Hollywood." 30 Nov. 2005.
Wikipedia. 01 Dec. 2005
<http://en.wikipedia.org/wiki/Cinema_of_India#Indian_cinema_m
eets_Hollywood>.