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by Simone Barley-Greenfield on Monday, April 30, 2012 - 2:03pm A fantastic discussion gives participants new perspective, and a talk that leaves the audience analyzing the metaphorical significance of even the technical difficulties experienced before the talk began is exactly this kind of dialogue. In an ironic twist of events, Helen Paris and Leslie Hills Artist Salon discussion on intimacy and proximity between the performer and the audience was slightly delayed by a PowerPoint glitch that had the display screen projecting the presenter notes and the presenter screen showing the slideshow, switching the perspectives of both parties. Cross-boundary viewpoints and the overlap between performer and audience roles fascinate both Paris and Hill as artists and academics, and the rest of their April 12 talk and film-screening at the
Clayman Institute centered around the very issues their unruly MacBook raised.
Paris and Hill use performance to explore, challenge, and shrink the distance between performer and audience and merge the two preconceived roles, using everything from double mirrors to shots of tequila.
connections with her audience, sometimes four or fewer members at a time, and allowing that proximity to create a unique and moving experience as a kind of addiction. Their projects, including On the Scent, 14 Lines of Love, the moment I saw you I knew I could love you, and a new film collaboration with Andrew Ktting, Sea Swallowd, infiltrate the mind and senses, evoking visceral, gut-wrenching feelings, be it childhood nostalgia for the smell of a Zambian rainstorm or intense compassion for the man who still goes to the matinees in Stratford-upon-Avon to honor the memory of his Marianne, A Lass Unparalleled. Paris and Hills projects seek to tune audiences to their own personal investment in a production and reform perceptions of artistic expression not just as entertainment but a journey of self-exploration for all parties. Their work highlights the borders that define typical artist/audience roles, but, by blurring those lines, Hill and Paris inspire audiences to think about the ways in which people are connected and the contexts that establish those connections. By shattering the dividing boundary of the stage and inviting the audience in, these two unique women ensure that something meaningful is left, a connection created, even after the curtain has fallen and the moment has passed.
Leslie Hill is currently an Associate Professor teaching courses on Performance Making and Critical Theory in Stanfords Drama Department. She also co-directs the London-based theater company Curious, and her work through this company has been featured around the globe. Before moving to the UK, Hill studied English and Philosophy at the University of New Mexico. She then went on to earn an MA at theShakespeare Institute and a PhD in Theater from the University of Glasgow.
Helen Paris is also currently an Associate Professor of Performance making in Stanfords Drama Department in addition to having cofounded Curious with Leslie Hill. She earned her doctorate from the University of Surrey studying the virtual and the visceral in live performance, and she continues to research the senses in performance as well as intimacy and proximity. Her work with Curious spans many artistic media, and she tours all over the world. Simone Barley-Greenfield is a sophomore at Stanford majoring in Marine Biology and a member of the Clayman Institute's student writing team.
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