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Acoustics
Acoustics
Acoustics
The science of sound, including its
production, propagation and effects
The objective study of the physical behavior
of sound in an enclosed space
Sound
A wave motion consisting of a series of
condensations and rarefactions in an elastic
medium produced by a vibrating body
Requirements to Produce
Sound
Requirements to Produce
Sound
1. Presence of vibrating body
2. Presence of transmitting medium
3. Presence of receiving medium
AUDIBLE FREQUENCY RANGE
Infrasonic/Subsonic
frequencies below the audible range
Ultrasonic/Supersonic
frequencies above the audible range
5. Velocity of Propagation
Vsound << VRF
(344 m/sec << 3 x 108 m/sec)
Velocity of Sound
Solids
Where:
E = Youngs Modulus of elasticity, dynes/cm3
d = density of the medium, g/cm3
Velocity of Sound
Liquids
Where:
E = Bulks Modulus of elasticity, dynes/cm3
d = density of the medium, g/cm3
Velocity of Sound
Gases
Where:
k = specific heat ratio = hsp/hsv
hsp = specific heat at constant pressure
hsv = specific heat at constant volume
p = gas pressure, dynes/cm2
d = density, g/cm3
Velocity of Sounds
Dry Air/Air (for TC 20 0C)
Velocity of Sounds
Dry Air/Air (for TC 20 0C)
where:
TK = temperature in Kelvin
Velocity of Sound
Velocity of Sounds
Notes
Sounds travel more slowly in gases than in
liquids, and more slowly in liquids than in
solids.
Sounds travels slower with an increased
altitude (elevation if you are on solid earth),
primarily as a result and humidity changes.
Possibilities when a
Propagated Sound is
Obstructed (3)
Possibilities when a
Propagated Sound is
Obstructed (3)
Possibilities when a
Propagated Sound is
Obstructed (3)
Sound is Reflected
Echo
Becomes apparent to the listener only when the
distance from the source and the reflecting medium is
great and the difference between the original and
reflected sound is greater or equal to 1/17 of a second.
Flutter
Brought about by a series of reflections between two
parallel surfaces resulting to prolongation of sound
Creates listening fatigue
Interference
Reflection caused by two parallel surfaces, producing
standing waves
Possibilities when a
Propagated Sound is
Obstructed
Sound is absorbed
Conversion of sound energy to heat energy
Onward transmission through
obstruction
Physiological Characteristics
of Wave Motion (3)
Pitch
Physiological Characteristics
of Wave Motion (3)
Pitch
Number of cycles a wave goes through in a
definite interval
The higher the frequency, the higher the
pitch
Mel unit of pitch
1000 mels pitch of 1000Hz tone at 40dB
Octave pitch interval 2:1; frequency is twice
the given tone
Physiological Characteristics
of Wave Motion (3)
Tone
Timbre quality of sound
Sound Pressure
The alternating component of the pressure at
a particular point in a sound field
Expressed in N/m2 or Pa
Sound Levels
Sound Pressure Level
Equal to 20 times the logarithm to the base 10
of the ratio of the RMS sound pressure to the
reference sound pressure
SPL = 20log(P+N)
Where:
PN = rms sound pressure expressed in any of
pressure in dB
N = SPL constant corresponding to the unit
at which sound pressure is expressed
Sound Pressure Levels
SPL Constants
SPL Constant
Unit of Sound Pressure Designation
(N)
Microbar bar 74
Pascal N/m2 94
lb/ft2 psf 127.6
mmHg mmHg 136.5
torr torr 136.5
lb/in2 psi 170.8
atm (technical) atm 193.8
atm (standard) atm 194.1
Sound Levels
Sound Intensity (I) and
Sound Intensity Level (SIL)
Sound Intensity
Defined as the acoustic power per unit area
The basic units are W/m2 or W/cm2
The average rate of transmission of sound
energy through a cross-sectional area of 1
m2 at right angles to a particular direction.
Sound Levels
Sound Levels
Sound Levels
For sound produced at ground level
Sound Levels
Sound Intensity
I = 2 / d v
I = 2 / 410
Where:
I = sound intensity,
Io = threshold intensity,
Io = 10-12 W/m2 or 10-16 W/cm2
Sound Levels
Sound Power (W) and
Sound Power Level (PWL)
Where:
W = sound power , W
Wo = reference sound power
Wo = 10-12 w
Room Acoustics
Room Acoustics
Concerned with the behavior of sound
within an enclosed space with a view to
obtaining the optimum acoustic effect on
the occupants
Room Acoustics
Room Acoustics
Requirements
Adequate amount of sound must reach all
parts of the room.
Even distribution of sound
LIVE ROOM
- Little absorption (RT60 > 1 sec)
DEAD ROOM
- Large absorption (RT60 < 1 sec)
ANECHOIC ROOM
- 100% absorption (free field conditions)
Room Acoustics
Coefficient of absorption,
Ratio of incident sound and absorbed sound
Efficiency of sound absorption
Room Acoustics
Coefficient of Absorption
Room Acoustics
Coefficient of Absorption
Reverberation Time
Equations
a. Sabines Equation
For actual reverberation time with average
absorption less than or equal to 0.2; (absorption
coefficient, 0.2)
Where;
V = room volume,
m3
A = total absorption
units
Reverberation Time
Equations
Where;
V = room volume, ft3
A = total absorption units
Reverberation Time
Equations
Example:
Where;
V = room volume, m3
= average coefficient
of reflecting surfaces
Reverberation Time
Equations
Example:
Where:
r = 4 for speech
r = 5 for orchestra
r = 6 for choir
Optimum Volume / person
1. High Impedance
Greater than 1000 ohms
2. Low Impedance
1000 ohms and below
Classification of
Microphones
C. According to Method of Coupling
Pressure Type
- Actuated by the
pressure of sound
waves against
the diaphragm.
Classification of
Microphones
C. According to Method of Coupling
Velocity Type
- actuated by
velocity of
sound waves
Classification of
Microphones
C. According to Method of Coupling
Contact Type
Classification of
Microphones
D. According to Elements Used
1. Dynamic
Uses the principle of electromagnetic
induction
Electromagnetic moving coil microphone
A medium-priced instrument of high
sensitivity
Classification of
Microphones
Classification of
Microphones
2. Ribbon
Velocity microphone
Ribbon moves as if it is a part of the air
that experiences rarefactions and
condensations
Classification of
Microphones
Classification of
Microphones
3. Capacitor
Condenser type or electrostatic
microphone
Classification of
Microphones
4. Carbon
Uses principle of variable resistance
Classification of
Microphones
5. Crystal
Uses principle of piezoelectric effect
Classification of
Microphones
6. Magnetic
Operated on the magnetic reluctance due to
the movable core
Classification of
Microphones
E. According to directional
Characteristics
Unidirectional
Classification of
Microphones
E. According to directional
Characteristics
Bidirectional
Classification of
Microphones
E. According to directional
Characteristics
Omnidirectional
Classification of
Microphones
E. According to directional
Characteristics
Cardioid
Characteristics of
Microphone
1. Frequency Response
Frequency over which the microphone will
operate normally
Magnetic : 60 10 000Hz
Crystal : 50 10 000Hz
Condenser : 50 15 000Hz
Carbon : 200 3 000Hz
Characteristics of
Microphone
2. Sensitivity
Ability that would be covered by the
microphone
3. Dynamic Range
Range of sound intensity that would be
covered by the microphone
Special Types of
Microphones
Line Microphone
Capable of picking up sound from a great
distance at an angle of 45 degrees and is
highly sensitive
Special Types of
Microphones
Differential Microphone
Used in noisy places; good up to 3-in
distance
LOUDSPEAKERS
Types of Loudspeakers
Direct Radiator Type
Those in which the vibrating surface
(diaphragm) radiates sound directly into the
air
Types:
Conical Horn
Parabolic Horn
Exponential Horn
Hyperbolic Horn
Types of Loudspeakers
To cover the entire range of audible
frequencies, the following speakers
are used:
Types of Loudspeakers
Woofer for low frequencies
Types of Loudspeakers
Tweeter for high frequencies
Types of Loudspeakers
Midrange for normal range
Types of Loudspeakers
Subwoofer for very low frequencies
DIVIDING NETWORK
Loudspeaker Phasing
When more than one speaker is used:
Phasing must be uniform
Polarities and voice coils are in phase such
that the cone of all the speakers move
inwards at the same instant.
Loudspeaker Enclosure
(Baffle)
Loudspeaker mounting that is used to
prevent the sound waves from the rear
from interfering with the sound waves
in the front of speaker
QUESTIONS
22. What is the sound pressure level for a given sound whose
RMS pressure is 200 N/m2?
a. 200 dB
b. 20 dB
c. 140 dB
d. 14 dB
23. What is the sound intensity for an RMS pressure of 200
Pascal?
a. 90 W/m2
b. 98 W/m2
c. 108 W/m2
d. 88 W/m2