Professional Documents
Culture Documents
Music in The Romantic Era
Music in The Romantic Era
1820-1900
The Times
• General Characteristics
– Age of Extremes, Age of Unending Lyricism
– “Roman” – a French Medieval novel
• Romanticism was born towards the end of the 18th century with the works of these
two great German writers. Goethe wrote poetry, novels and plays; Schiller was a
playwright. Both of their writings were used to express romantic fascination with
emotion, life and death, sin and redemption, guilt and selflessness.
• Victor Hugo (1802-1885)
Austrian composer
Prolific and gifted composer who wrote
600 lieder, piano sonatas, character
pieces, 15 string quartets,
9 symphonies
Erlkönig (1815)
poem by Johann Wolfgang von Goethe
Through-composed form
Clara Wieck Schumann (1819-1896)
• German composer and pianist
• Married Robert Schumann and
premiered many of his piano
compositions
• Composed a piano concerto,
piano trio, solo piano pieces and
songs
• Romance
Visual Art
Architecture
Sculpture
Painting
Architecture
• The Romantic period did not produce its own distinguishing
architectural style. Instead architects chose from the building styles
of the previous eras resulting in an eclectic style
The Thinker
The Kiss
– Founding of Conservatories
Composer
• Composers gradually left the patronage system and
became free agents of their own works.
• This meant that the composer, their music and their
livelihood depended on the public’s approval.
• For the first time, a composer’s work might not be
publicly performed during his or her lifetime.
• Romantics saw themselves as outsiders, isolated from
mainstream society, struggling to express their creative
ideas.
• In general, composers held higher social status than in
the Classical period.
Performer
• Rise of virtuosic performers
• the public was captured by virtuosity and
showmanship
Piccolo
Saxophone
Bass Clarinet
Brass
•Addition of valves and improvement to valves on brass instruments allowed
the playing of a full chromatic compass for the first time and to more easily
play quick runs of notes
• Rigoletto, 1851
• Act III – La donna è mobile
Giacomo Puccini (1858-1924)
• Italian opera composer
• Unlike Verdi and Wagner – did
not involve himself in politics
• Known for his beautiful lyricism
(critics often cite a “popular”
less-crafted style of
composition)
• La Bohème 1896
• Act I: Rodolfo and Mimi arias
Richard Wagner (1813-1883)
• German composer for the stage – music dramas
• Rejecting Italian opera, Wagner worked out a theory
about combining poetry, music, philosophy and drama
into one “complete art work” – music drama.
• He had complete control of every aspect of these
music dramas – music, libretto, staging, costumes
• Incorporated German folktales and legends
• Used “leitmotifs” – thematic transformation
• Extreme use of chromaticism
• Character Pieces
sonata-allegro
rondo
theme and variation
minuet and trio
Composers
• Traditionalists
– Tended to compose in the style of their
teachers (classical era). While extending the
elements of music, they rarely went outside of
the norms.
– Composer Examples: Brahms, Tchaikovsky
Schumann, Mendelssohn, Franck, Schubert,
Chopin, Mussorgsky, Rimsky-Korsakov,
Puccini, Fanny Mendelssohn Hensel, Clara
Schumann
Johannes Brahms (1833-1897)
• German composer – 4 symphonies, violin
concerto, string quartets, 200 lieder,
German Requiem
• Befriended by the Schumann family
• Classicist in the Romantic period – often
criticized for being “out of step” with the
music of his time.
• Avoided newly invented forms (program
symphony, tone poem)
• Preferred to say new things within
traditional forms