THE COMPOSITIONAL STYLE OF

WES ANDERSON
Mayra Nassef
 Moonrise Kingdom
Symmetry composition is commonly an element of Wes Anderson’s framing of shots, it often
represents a stark contrast to the rather complex/imperfect characters in his films. This
juxtaposition of using a seemingly perfectly framed world is a convention of Andersons’ flicks.
 The Grand Budapest Hotel
Sometimes the framing is accompanied with a wide shot which establishes location but also
adds to the idea of comical perfection. Metafiction is also a very common subtle feat of many
of Andersons films such as Isle of Dogs. Having symmetrical imbalance can make framing more
interesting and complex (the dog and character compared to the bus.
 Fantastic Mr. Fox

Symmetry can also be used as just an aesthetic addition. Anderson has utilised it so
frequently so that it has become almost a trademark that is exclusive to the director.