Professional Documents
Culture Documents
HISTORY OF
THE FIRST KNOWN PHOTOGRAPHIC OR HELIOGRAPHIC PROCESS WAS INVENTED BY
NIÉPCE AROUND 1824. IN 1829, NIÉPCE ASSOCIATED LOUIS JACQUES MANDÉ DAGUERRE
IN HIS RESEARCH. ... NIÉPCE DIES IN 1833
• WHY DID THE FIRST PHOTOGRAPH COME UP? PHOTOGRAPHY
ACCORDING TO HIM, HE WAS TRYING TO FIND A GRAPHIC METHOD THAT WOULD ALLOW
HIM TO REFLECT REALITY WITHOUT HAVING TO RESORT TO THE ABILITY TO BE GOOD
WITH DRAWING.
• HOW WAS THE FIRST PHOTOGRAPH TAKEN?
HE CAPTURED HER FROM HIS OFFICE WITH A CAMERA OBSCURA AND NEEDED EIGHT
HOURS OF EXPOSURE.
• HOW WERE THE IMAGES OBTAINED?
THE IMAGES WERE OBTAINED WITH JUDEA BITUMEN, SPREAD ON A SILVER PLATE,
AFTER AN EXPOSURE TIME OF SEVERAL DAYS.
TYPES OF PHOTOGRAPHY
AERIAL PHOTOGRAPHY.
ARTISTIC PHOTOGRAPHY. FASHION PHOTOGRAPHY
PORTRAIT PHOTOGRAPHY.
PHOTO TIPS
• CHECK THE CAMERA CONFIGURATION. ...
• WATCH THE BACKGROUND. ...
• FILL IN THE FRAME. ...
• CHOOSE THE TARGET FOR THE OCCASION. ...
• INTERESTING ELEMENTS CAN MAKE YOUR PHOTOS INTERESTING. ...
• UNDERSTAND THE LIGHT. ...
• GET SENSATION OF DEPTH. ...
• TRY DIFFERENT POINTS OF VIEW.
PHOTOGRAPHY COURSES IN
MANIZALES AND PRICE
• SPEOS
• UNIVERSIDAD CALDAS- BELLAS ARTES
• UNIVERSIDAD AUTÓNOMA
• UNITECNICA MANIZALES
• “ANDAP”
WHOSE NAME IS ASSOCIATED WITH THE DEVELOPMENT OF HE IS A COLOMBIAN PHOTOGRAPHER KNOWN FOR HIS WORK HE IS AN INTERNATIONALLY RECOGNIZED PHOTOGRAPHER FOR
PHOTOGRAPHY IN COLOMBIA BETWEEN THE END OF THE 19TH IN HIS COUNTRY'S ARTISTIC MILIEU, SPECIALIZING IN HIS BOUNDLESS IMAGINATION, POWERFUL VISION AND DEEP
CENTURY AND THE BEGINNING OF THE 20TH CENTURY AND WHO CELEBRITY PHOTOGRAPHY, PORTRAITS AND FASHION SENSE OF SELF.
LEFT BEHIND VALUABLE GRAPHIC MATERIAL OF CULTURAL, SOCIAL
EDITORIALS.
AND HISTORICAL IMPORTANCE.
NEW COLOMBIAN PHOTOGRAPHERS
"PHOTOGRAPHY IS ABOUT HUMILITY, DEDICATION AND IT SEEKS TO DOCUMENT PEOPLE AND REAL EVENTS, SPONTANEOUS WE ARE THE EMPTINESS THAT THE BEINGS WE HAVE LOVED LEAVE
AND EVERYDAY, IMAGES CAPABLE OF REPRESENTING OUR DAILY WITH THEIR ABSENCE. MY WORK DEALS WITH DEATH AND
PASSION. THE EGO HAS NO PLACE BEHIND THE CAMERA.
LIVES. I AM ALSO INTERESTED IN EXPLOITING THE CAPACITY OF THE THEREFORE SPEAKS, FIRST AND FOREMOST, OF LIFE.
SPECIALTY: PORTRAIT, EDITORIAL AND EVENTS CAMERA AND SHOWING MORE OF WHAT WE CAN SEE WITH OUR
OWN EYES. SPECIALTY: PORTRAIT, UNDERSTOOD NOT ONLY AS THE FACE OF
A PERSON BUT IN THE CAPTURE OF ITS ESSENCE, ITS PLACE OR THE
SPECIALTY: DOCUMENTARY PHOTOGRAPHY AND
EMPTINESS LEFT BY ITS ABSENCE.
PHOTOJOURNALISM.
INTERVIEWS