The Barcelona Pavilion was designed by Ludwig Mies van der Rohe as a temporary structure for the 1929 International Exposition in Barcelona, Spain. It featured a simple steel and glass structure supported by eight steel pillars that held up a flat roof. The walls were made of extravagant materials like marble, onyx, and travertine, and were designed to direct visitor movement through the open floor plan while dividing spaces. The open structure gave the impression of the roof hovering and blurred the lines between inside and outside.
The Barcelona Pavilion was designed by Ludwig Mies van der Rohe as a temporary structure for the 1929 International Exposition in Barcelona, Spain. It featured a simple steel and glass structure supported by eight steel pillars that held up a flat roof. The walls were made of extravagant materials like marble, onyx, and travertine, and were designed to direct visitor movement through the open floor plan while dividing spaces. The open structure gave the impression of the roof hovering and blurred the lines between inside and outside.
The Barcelona Pavilion was designed by Ludwig Mies van der Rohe as a temporary structure for the 1929 International Exposition in Barcelona, Spain. It featured a simple steel and glass structure supported by eight steel pillars that held up a flat roof. The walls were made of extravagant materials like marble, onyx, and travertine, and were designed to direct visitor movement through the open floor plan while dividing spaces. The open structure gave the impression of the roof hovering and blurred the lines between inside and outside.
It is an important building in the history of mordern architecture, known for its simple form and its spectacular use of extravagant materials, such as marble, red onyx and travertine. The pavilion was to be bare, with no exhibits, leaving only the structure accompanying a single sculpture and specially-designed furniture- ‘The barcelona chair’. The pavilion was designed to "block" any passage through the site, rather, one would have to go through the building. The visitors were not meant to be led in a straight line through the building, but to take continuous turnabouts. The structure is created with eight steel pillars in a cross holding a flat roof. Complete the work a relieved from large glass structure and interior walls.
The Barcelona Pavilion has a low horizontal
orientation that is accentuated with too low flat roof that seems to float both inside and outside The walls not only created space, but also directed visitor's movements. This was achieved by wall surfaces being displaced against each other, running past each other, and creating a space that became narrower or wider. The structure was more of a hybrid style, some of these planes also acted as supports. The floor plan is very simple. The entire building rests on a plinth of travertine. A southern U-shaped enclosure, also of travertine, helps form a service annex and a large water basin. The floor slabs of the pavilion project out and over the pool—once again connecting inside and out. Another U-shaped wall on the opposite side of the site also forms a smaller water basin.
The roof plates, relatively small, are supported
by the chrome-clad, cruciform columns. This gives the impression of a hovering roof Another unique feature of this building is the exotic materials Mies chooses to use.
Plates of high-grade stone materials like
veneers of Tinos verde antico marble and golden onyx as well as tinted glass of grey, green, white, as well as translucent glass, perform exclusively as spatial dividers. THANK YOU !