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Italian Literature
Dante Alighieri
Born: 1265
Birthplace: Florence,
Italy
Died: September
1321 (Malaria)
Best Known As: The
author of The Divine
Comedy
Dante Alighieri (continued)
An exiled and wandering figure during his writing lifetime, Dante is now considered
Italy's greatest poet -- so much a literary giant that he is generally known by his
first name alone. The Divine Comedy, by far his most famous work, is the story of
a journey through Hell, Purgatory and finally Paradise. (The journey through Hell is
often referred to independently as "Dante's Inferno.") In the poem the first two
stages are guided by the Roman poet Virgil, and the final visit to Paradise is led by
a woman named Beatrice -- a girl Dante met briefly when he was nine and whom
he idolized the rest of his life. The Divine Comedy is the source of many famous
classical images, inspiring works by William Blake and others, and is famous for its
inscription on the gates of Hell: "All hope abandon, ye who enter here."
Dante named his work La commedia, or The Comedy. After his death others added
Born: 1313
Birthplace: Paris,
France
Died: Dec. 21, 1375,
Certaldo, Tuscany
Best Known As: The
author of Decameron
Giovanni Boccaccio (continued)
Italian poet and scholar. His life was full of difficulties and occasional bouts
Born: c. 1225
Birthplace: Roccasecca,
Italy
Died: 7 March 1274
Best Known As: Medieval
Catholic scholar who
wrote Summa Theologica
studied at the University of Naples, joined the Dominicans, and taught at a Dominican school
at the University of Paris. His time in Paris coincided with the arrival of Aristotelian science,
newly discovered in Arabic translation; his great achievement was to integrate into Christian
thought the rigors of Aristotle's philosophy, just as the early Church Fathers had
integrated Plato's thought in the early Christian era. He held that reason is capable of
operating within faith; while the philosopher relies solely on reason, the theologian accepts
faith as his starting point and then proceeds to conclusion through the use of reason. This
point of view was controversial, as was his belief in the religious value of nature, for which he
argued that to detract from the perfection of creation was to detract from the creator. He
was opposed by St. Bonaventure. In 1277, after his death, the masters of Paris condemned
219 propositions, 12 of them Thomas's. He was nevertheless named a Doctor of the Church
in 1567 and declared the champion of orthodoxy during the modernist crisis at the end of
the 19th century. A prolific writer, he produced more than 80 works, including Summa contra
*Francesco Petrarca
Petrarch (continued)
Italian scholar, poet, and humanist. After 1326 he abandoned the study of law for his true
interests, literature and the religious life. He took minor ecclesiastical orders and moved to
Avignon, where in 1327 he first saw Laura, the idealized subject of his chaste love and of his
celebrated Italian love lyrics; mainly sonnets and odes written over some 20 years, most were
Classical Latin, he traveled widely, visiting learned men, searching out manuscripts, and
culture and the Christian message; in combining the two ideals he is considered the founder
and a great representative of humanism. His Latin works, reflecting his religious and
58), De vita solitaria (1345 – 47; "The Life of Solitude"), and Epistolae metricae
(begun c. 1345; "Metrical Letters"). His influence on European literature was enormous and
lasting, and his deep consciousness of the Classical past as a source of literary and
philosophical meaning for the present was of great importance in paving the way for
the Renaissance.
Vittorio Alfieri
Italian tragic poet and playwright. Through his lyrics and dramas he
helped revive the national spirit of Italy. After a period of travel in
which he experienced English political liberty and read the works
of Montesquieu and other French writers, he left the military and
began writing. His tragedies almost always present the struggle
between a champion of liberty and a tyrant. Of the 19 tragedies
that he approved for publication in an edition of 1787 – 89, the
best are Filippo, Antigone, Oreste, Mirra, and his masterpiece, Saul,
often considered the most powerful drama in the Italian theatre.
His autobiography (1804) is his chief prose work.
Guittone d’Arezzo
Years before the action begins, Gualtiero, King of Sicily, had married a
the king's subjects and when a daughter, Costanza, was born, the king