You are on page 1of 32

MIA by TANISHQ vs

KALYAN
AN IMAGE COMPARISION

BY: ADITI, NIKITA, KRITIKA, SHAHBAZ


1

ABOUT THE BRANDS

2
TANISHQ ▹ Tanishq is a jewellery brand of India. The brand is
the property of Titan Company, which is back
JEWELLERS by Tata Group and TIDCO.

▹ Tanishq was founded by the end of the 1980s by


the Titan in an attempt to earn its own foreign
exchange, focused largely on exports.

▹ Tanishq's first store opened in 1996. It was the


first jewellery retail brand in India.

3
KALYAN ▹ Kalyan Jewellers is an Indian jewellery store chain
owned by the Kalyan Group.
JEWELLERS
▹ It was founded by T. S. Kalyanaraman, who started
their first jewellery shop in 1993 in Thrissur, Kerala,
with a capital of 7.5 million (US$110,000) and has
since grown to become the largest jewellery store
chain in India.

▹ With approximately 8000 employees, the chain has


100 showrooms across India.

4
2

BRAND
AMBASSADOR(S)

5
BRAND
AMBASSADORS
TANISHQ KALYAN

6
NAYANTHARA & DEEPIKA
PADUKONE AS BRAND
AMBASSADOR

▹ Deepika Padukone is the pan-India


face of Tanishq.
▹ Tanishq recently roped in
Nayanthara as their new brand
ambassador for southern markets as
South is a key market for them.

▹ The two ladies serve as a perfect


personification of Tanishq’s minimal
range for modern women

7
AMITABH BACHCHAN AS
BRAND AMBASSADOR

▹ Signing on Amitabh Bachchan was a


strong step towards the evolution of
Kalyan brand and in line with the
brand philosophy of trust and
credibility

▹ Bachchan being a popular face not


just pan-India but abroad as well,
ensures marketing of the product in
South India as well as amongst NRIs

8
3

MOOD SETUP

9
MOOD SETUP OF TANISHQ

▹ Classy
▹ Minimalistic
▹ Graceful
▹ Professional
▹ Affordable

10
MOOD SETUP OF KALYAN

▹ Elegant
▹ Craftsmanship
▹ Intricate
▹ Traditional
▹ Culturally oriented

11
4

CUSTOMER
SEGMENTATION

12
CUSTOMER SEGMENT OF
TANISHQ

▹ Age – 20s-40s
▹ Gender - female
▹ Education – working
women
▹ Income level – medium
to high
▹ Traits – independent,
confident and self
expressive

13
CUSTOMER SEGMENT OF
KALYAN

▹ Age – late 30s and above


▹ Gender - female
▹ Education – N/A
▹ Income level – upper middle
class to higher class
▹ Traits – deeply rooted in
values, traditions and
craftsmanship

14
CUSTOMER
SEGMENTATION
TANISHQ KALYAN
▹ Age – 20s-40s ▹ Age – late 30s and above
▹ Gender - female ▹ Gender - female
▹ Education – working ▹ Education – N/A
women ▹ Income level – upper
▹ Income level – medium middle class to higher
to high class
▹ Traits – independent, ▹ Traits – deeply rooted in
confident and self values, traditions and
expressive craftsmanship

15
PROMOTION
TANISHQ KALYAN
▹ Focuses mainly on ▹ Region centric approach they
independent and have different ambassadors for
different states.
expressive women all over
the nation ▹ They advertise on Television, they
go for the Print medium.
▹ They have strong social
▹ Majority of the brand awareness
media presence as well as
is driven through Outdoor
TV advertisement. advertisements.
▹ Social media presence is
comparatively weaker for Kalyan
Jewellers

16
INSTAGRAM
PROMOTION

17
INSTAGRAM
PROMOTION

18
MIA by TANISHQ Place your screenshot here

19
Place your screenshot here
KALYAN JEWELLERS

20
6

VALUE/BELIEF
PORTRAYAL

21
VALUES OF TANISHQ

▹ Made to mirror the woman


who asserts and
expresses herself in every
sphere of her life, and
looks great while doing so.

▹ For the woman of today


who is always on the
move, Mia- Me In Action.

22
VALUES OF KALYAN
▹ Indian jewellery, its craftsmanship and
variety is an amazing showcase of
India’s heritage, culture and diversity.

▹ With a deep understanding of local


tastes and preferences.

▹ Believes in building trust and


transparency with consumers (honesty
as an Indian virtue)

23
7

REFERENCE
GROUPS

24
REFERENCE GROUPS
DEPICTED BY TANISHQ
▹ There is a depiction of
workplace reference groups
in Tanishq’s ad.

▹ The ad further depicts that


such influences break certain
stereotypes that jewellery
makes one’s getup loud, thus
marketing its line of minimal
jewellery for workwear.

25
REFERENCE GROUPS
DEPICTED BY KALYAN

▹ Kalyan Jewellers play very


well along the tangents of
family as a reference
group.

▹ Many of their ads star real


life husband-wife
(Amitabh-Jaya) and
father-daughter (Amitabh-
Shweta).

26
REFERENCE
GROUPS
TANISHQ KALYAN
▹ Peer/workplace ▹ Family as a reference
reference groups group
▹ Depicts minimal ▹ Depicts jewellery that
jewellery for working make heirloom, binds
women family traditions
▹ Breaks stereotype about ▹ Sets its roots deeply in
jewellery being too traditional jewellery for
gawdy for workplace occasions like wedding

27
8
CULTURAL
ASPECT

28
CULTURE DEPICTED BY
TANISHQ
▹ Tanishq depicts the lifestyle of
a 21st century working woman

▹ It adds a subtle feminine grace


to a formal attire

▹ The jewellery line carries the


belief of modifying traditional
jewellery to suit the present
day need.

29
CULTURE DEPICTED BY
KALYAN

▹ Kalyan depicts the traditional


value that a jewellery carries
for a specific culture or
occasion like wedding

▹ They also depict the cultural


symbolism of jewellery being
an expression of intangibles
like love and thus strengthens
relationships in a family

30
CULTURE
DEPICTION
TANISHQ KALYAN
▹ Rooted in the need of ▹ Rooted in traditional
modern day women importance of jewellery
▹ Blends feminine grace ▹ Retains every bit of the
from traditional jewellery tradition as it holds
with the concept of importance to different
minimalism sub-cultures
▹ Uses white gold, pearl, ▹ Uses gold, polki,
fine cut diamonds etc. kundan, temple jewellery
etc.

31
COMPARISON

MIA BY TANISHQ KALYAN


▹ Traditional craft jewelry
▹ Minimalistic
▹ Bridal wear
▹ Everyday wear
▹ Suited for traditional occasions
▹ Working women ▹ Heirloom jewelry
▹ Believes in expression ▹ Emphasizes on quality and
purity
▹ Relatively affordable
▹ Higher end
▹ White gold, diamonds ▹ Primarily gold, uncut diamonds
and pearl based like polka and kundan.
collection

32

You might also like