• Samaon Sulaiman was a Filipino musician who is a
recipient of the National Living Treasure award. The Maguindanaon is known for his mastery of the indigenous kutyapi instrument. • Born on March 3, 1953, Sulaiman first leaned playing kutyapi at around 13 years old from his uncle. By the time he was 35 years old, he was already recognized in Maganoy for his skills in playing the instrument as well as being a teacher to aspiring kutyapi practitioners. He is credited for influencing other local experts in his area such as Esmael Ahmad, Bitul Sulaiman, Nguda Latip, Ali Ahmad and Tukal Nanalon. Sulaiman also plays the kulintang, agong (suspended bossed gong with wide rim), gandingan, palendag, and the tambul. • He was also a barber, as well as an imam at the Libutan mosque. He died on May 21, 2011. • Masino Intaray was a Filipino poet, bard artist, and musician who is a Palawan native known for his performance of the local traditions of basal, kulilal and bagit. He is also a recipient of the National Living Treasure recognition. • Intaray was born on April 10, 1943 in Makagwa Valley and lived Brooke's Point, Palawan. He is known for playing multiple indigenous instruments namely the basal (gong), aroding (mouth harp), and the babarak (ring flute). Intaray is also known for his performance of kulilal or songs and bagit, a form of vocal music. • The Palawan native was married and had four children. Intaray died on November 30, 2013 due to complications from diabetes which included multiple bouts of stroke. He was aged 70 • Ginaw Bilog was a Filipino poet who was recognized as a National Living Treasure by the Philippine government. • Born on January 3, 1953, Bilog was a Hanunuo Mangyan who was a native of Mansalay, Oriental Mindoro. He was known for his efforts in preserving the mangyan poetry tradition of ambahan. • Then-President Fidel V. Ramos, conferred the National Living Treasure Award to Ginaw Bilog on December 17, 1993 in recognition of his people's preservation efforts of the ambahan poetry which is recorded on bamboo. • He died in June 3, 2003 at age 50 due to a lingering illness. • Darhata Sawabi is a weaver of pis syabit - the traditional cloth tapestry worn as a head covering by the Tausug of Jolo, from Barangay Parang, in the island of Jolo, Sulu province. • Daharta Sawabi's art of textile weaving and especially of the pis syabit has been passed down generation by generation. Pis syabit weaving is a difficult art. Preparing the warp alone already takes three days. It is a very tiring and mechanical task. Daharta Sawabi has based her art by generations before her, keeping the old at afresh. The community of weavers recognizes her expertise in the craft. She has a passion to show the younger generation the ways of textile weaving. • Uwang Ahadas was born on February 15, 1945. He went near blind when he was five years old. Ahadas along with his siblings musicians were taught how to play Yakan traditional instruments as children. He first learned how to play the gabbang, a wooden bamboo instrument similar to the xylophone then learned how to play the agung an instrument traditionally played by Yakan men. • By age 20, Ahadas had already mastered the kwintangan which is considered as the most important Yakan musical instrument despite the instrument traditionally reserved for women. He can also play the tuntungan. • He taught his children how to play Yakan traditional instruments, including Darna who would later become a teacher of these traditions herself. Ahadas went on to promote these traditions outside his native town of Lamitan, Basilan. • Ahadas was recognized as a National Living Treasure by the National Commission for Culture and the Arts in the year 2000. • Haja Amina Appi of Ungos Matata, Tandubas, Tawi-Tawi, is recognized as the master mat weaver among the Sama indigenous community of Ungos Matata. Her colorful mats with their complex geometric patterns exhibit her precise sense of design, proportion and symmetry and sensitivity to color. Her unique multi-colored mats are protected by a plain white outer mat that serves as the mat’s backing. Her functional and artistic creations take up to three months to make,” writes the National Commission for Culture and the Arts. • Eduardo Mutuc is an artist who has dedicated his life to creating religious and secular art in silver, bronze and wood. His intricately detailed retablos, mirrors, altars, and carosas are in churches and private collections. A number of these works are quite large, some exceeding forty feet, while some are very small and feature very fine and delicate craftsmanship. • For an artist whose work graces cathedrals and churches, Mutuc works in humble surroundings. His studio occupies a corner of his yard and shares space with a tailoring shop. During the recent rains, the river beside his lot overflowed and water flooded his studio in Apalit, Pampanga, drenching his woodblocks. Mutuc takes it all in stride. • At 88 years old, Magdalena Gamayo has more reasons to look forward and beyond than back. “Lola Magdalena” knows she has lost the strength of her youth all in this sleepy town of Pinili, Ilocos Norte. • But she is self-assured and fulfilled that in the stage of her life when most of one’s memories fail, her hands stay nimble and her craft stays alive. • LOOM WEAVERS — Women in this file photo operate the loom weaving contraption displayed at the ancestral house of the late President Ferdinand E. Marcos in Sarrat, Ilocos Norte • Lola Magdalena is an “inabel” (Ilokano handwoven cloth) maker. She started to develop her skill in hand-weaving cloth at the age of 16 in the heat of World War II. Her aunt introduced her to this traditional art of weaving using a simple contraption. But to produce fabric of quality and beautiful design takes years of honing one’s skill through practice and patience. • Lang Dulay (August 3, 1928 - April 30, 2015) was a Filipino traditional weaver who was a recipient of the National Living Treasures Award. • She is credited with preserving her people's tradition of weaving T'nalak, a dyed fabric made from refined abaca fibre. • Salinta Monon was a Filipino textile weaver who was the one of two recipients of the National Living Treasures Award in 1998. She was known for her Bagobo-Tagabawa textiles and was known as the "last Bagobo weaver". • Alonzo Saclag was born on August 4, 1942. A member of the Kalinga people and a native of Lubuagan, Kalinga province, Saclag taught himself of his people's traditions in the performing arts. He learned how to play traditional Kalinga musical instruments and Kalinga ritual dance movements without formal or informal instruction. • As an effort to revive the dying tradition of playing the gangsa, a type of Kalinga gong. Saclag lobbied for two years to the provincial government to grant funds to convert the abandoned Capitol Building into a museum. With support from the provincial government and other financiers, a branch of the National Museum was established in Labuagan. • Saclag also campaigned for the promotion of Kalinga culture in schools in his community by engaging in talks with the institutions' administrators. He is instrumental in establishing the practice of children of wearing traditional Kalinga clothing for important school events as well as the teaching of Kalinga folk songs in schools. He also lobbied for the broadcast of traditional Kalinga music along with contemporary music in their local radio station. He also formed the Kalinga Budong Dance Troupe with the intent of promoting Kalinga dance to a wider audience. • Saclag was conferred the National Living Treasures Award in 2000. By 2016, he has established a village within his town, named Awichon which aims to promote Kalinga culture to tourists.