This document contains three poems that explore themes of surrealism and the urban landscape of New York City at dawn. The first poem by Paul Eluard describes a woman who seems to merge with and control the speaker. The second by Andre Breton lists surreal attributes of "my wife." The third by Federico Garcia Lorca depicts a grim and desolate dawn in New York with "four pillars of muck" where the light is "buried by chains and noises."
This document contains three poems that explore themes of surrealism and the urban landscape of New York City at dawn. The first poem by Paul Eluard describes a woman who seems to merge with and control the speaker. The second by Andre Breton lists surreal attributes of "my wife." The third by Federico Garcia Lorca depicts a grim and desolate dawn in New York with "four pillars of muck" where the light is "buried by chains and noises."
This document contains three poems that explore themes of surrealism and the urban landscape of New York City at dawn. The first poem by Paul Eluard describes a woman who seems to merge with and control the speaker. The second by Andre Breton lists surreal attributes of "my wife." The third by Federico Garcia Lorca depicts a grim and desolate dawn in New York with "four pillars of muck" where the light is "buried by chains and noises."
And her hair is in mine She is the form of my hands And the color of my eyes, She is swallowed in my shadow Like a stone against the sky
Her eyes are always open
And she does not let me sleep In the light of day her dreams Make suns evaporate, Make me laugh, cry and laugh, And speak when I have nothing to say. Andre Breton • My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice Dawn Federico García Lorca
Dawn in New York has
four pillars of muck and a hurricane of black pigeons splashing in the putrid waters. Dawn in New York moans on the immense staircases searching between the corners for spikenards of depicted anguish. Dawn arrives and no one receives it in his mouth because neither morning nor hope are possible: at times furiously swarming coins perforate and devour abandoned children. The first to arise know in their bones there will be neither paradise nor leafless loves: they know the muck of numbers and laws awaits them, of simple-minded games, of fruitless labor. • The light is buried by chains and noises in a shameless challenge to rootless science. Insomniacs stagger around in each district like refugees from a shipwreck of blood.