A

BALK
r.RS
I NA

DOSHI
VITHA
LDAS
Presented by-
Rakesh kumar(A10)
Risso (A08)
Dubay
Akash joshi
Adish
sood
 INTRODUCTION

 D.O.B.-26 August 1927

 In 1950 he became a senior designer

on Le Corbusier's projects in
Ahmedabad and Chandigarh

 His craft under Le Corbusier for four

years. (1951-54)
 1955
His studio, Vastu-Shilpa
Awards:
(environmental design),Associate
was Member, Royal Institute of British Ar., 1954
established in Fellowship, Graham Foundation, 1958
Honorary Fellow, American Institute of Ar., 1971
Fellow, Indian Institute of Architects, 1971
Padma Shri Award, Government of India, 1976
 Doshi worked closely with Louis
kahn and Anant raje , when Kahn
designed the campus of the Indian
Institute of Management.

 He was presented in 1995,Aga

Khan Award for Architecture, for
the Aranya Community Housing
in Indore, India.

Doshi's architecture provides one of the

most important models for modern
Indian architecture.
 IMPORTANT BUILDING
 SANGATH VASTU SHILPA FOUNDATION

 CEPT UNIVERSITY

 GANDHI LABOUR INSTITUE

 NIFT,NEW DELHI

 TAGORE HALL,AHMEDABAD

 ARANYA LOW COST HOUSING-INDOR

 IIM UDAIPUR

 HUSSAIN- DOSHI GUFA

 IIM BANGALOR

 INSTITUTE OF INDOLOGY,AHMEDABAD
 Works Of
HUSAIN – DOSHI GUFA
IIM BANGLORE
B.V.Doshi

L
SANGATH I

A
NIFT DELHI R

Y
 PRINCIPLE
S interrelationship of
Doshi's work has consistently revolved around the
indoor and outdoor space.

Doshi followed it in his architecture

by providing openness in buildings
through colonnades, pergolas,
porticos, sky lights etc.

The success of any project depends

on effective construction,
contracting, logistic planning and
co-ordination

Doshi applies Modernists concepts

to an Indian context
 “Le Corbusier was like a
guru to me,” he says. He
taught me to observe and
react to climate, to
tradition, to function, to
structure, to economy, and
to the landscape.

“And because he was my guru, I

decided that I could not copy
 SANGAT
H

Location-Ahmedabad, Gujarat
Date - 1979-1981
Building type - Architectural
office
 At Sangath, the architect’s design studio.
 It’s include reception areas, office spaces, workshop, , library,
conference room, and other ancillary space.
 PLAN
 In Ahmedabad, the summer temperature reaches 45 °C and the heat is very
intense.
 Natural comfort conditions can be achieved by protecting spaces from the
heat and glare of the sun.
 SECTION
Subterranean spaces
The building is largely buried under the ground to use earth
masses for natural insulation.
 DESIGN FEATURE
VAUL The vaulted roof is of locally-made
clay fuses over the concrete slab,
T which provides a non-conducting
layer

The structure is closely

Integrated with the
outdoor Space.
 Water cascades also provide
interesting visual experiences

Vaulted roof form

The ventilating window at upper volume

releases the accu. mulated hot air
through pressure differences
 PASSIVE SOLAR
Indirect/diffused light DESIGN
There are three
ways by which natural light
is drawn within.

1. By upper-level large openings

towards north direction, which is cool,
and consistent light is reflected off the
clouds

2.Skylights, which are projected masses from

the roof, reflect the light on the white inner
wall surface, which further radiates light into
the room
 3.Innermost spaces are lit up through
small cutouts in the roof slab, which are
then filled with hollow glass blocks that
take away the glare and transmit diffused
light .
 LANDSCAPING
Water channels

POND
Rainwater and overflow of pumped water from
the roof tank are harnessed through roof
channels that run through a series of cascading
tanks and water channels to finally culminate
in a pond from where it is recycled back or
used for irrigating vegetation

T
GRASSY STEPS
 MATERIAL AND CONSTRUCTION
 Sandwiched construction of vault

The vaulted roof is of locally-made clay fuses

over the concrete slab, which provides a
non-conducting layer.

The top finish of China mosaic glazed

tiles further adds to the insulation.

Being white and glossy it reflects sun

while being made from clay it retards the
heat transmission.
 Use of secondary waste material
 Exposed natural finishes

The concrete of slabs and wall surfaces

are kept bare unplastered as final visual
finishes, which provide a natural look and
save on finishing material quantity
CERAMIC

RCC

WATER PROOFING MATERIAL

CHINA MOSAIC FINISH

BROKEN CHINA MOSAIC

GLASS
 HUSSAIN DOSHI
GUFA

Architect-Balkrishna Doshi BUILDING—PUBLIC MUSEUM

Location-Ahmedabad CONSTRUCTION SYSTEM—SHELL STRUCTURE
STYLE MODERN ARCHITECTURAL
1992-1995
 An underground art gallery in Ahmedabad, as a joint
collaboration b/w MF Hussain and BV Doshi.

 The gallery represents a unique juxtaposition of architecture

and art.
 INSPIRATION
 The mosaic tiles on the roof are similar to found on the
roof of the Jain temples,Girnar.
The domes are inspired by the shells of tortoises and by
soap bubbles.

 The mosaic snake is from Hindu mythology.

 The Buddhist caves of Ajanta and Ellora inspired Doshi to design
the interior with circles and ellipses.
 PLAN
The references for the Gufa are elemental and primeval. The
circle, mountains, historical precedents as Caves (Karli, Ajanta),
Stupas etc.
 SECTION
The entire design is made up of circles and ellipses.
The interior is divided by tree trunks or columns similar to
those found at Stonehenge.
 STRUCTURE
The cave-like underground structure has a roof made of
multiple interconnected domes, covered with a mosaic of
tiles.

 On the inside, irregular tree-like columns support the

domes
 Light comes in as shafts through a few circular openings
in the dome, the diffused light adding to the mystic
ambience

 The structure is specifically oriented

to let in the maximum amount of
heat & light to give the interior a
golden glow.
 Some shell consists appeared
snouts with apertures
(hole), used to capture Fresh
air and
light.
From the exterior, the Gufa looks more like a work of art, a
sculpture of domed shells finished in dazzling china mosaic,
complete with a black serpentine imagery snaking across the
surfaces.
 The central hall is supported by 2 rows of columns which
divide the interior in to a wider centre aisle & 2 side aisle.

The columns have

octagonal shafts wider at
base & tapered at capital.
 MATERIAL
Ferro cement was used to create the
undulating walls and domes, which also
helped in reducing the total load of the
structure.

 Waste tiles were used on top of the

external dome.

 CERAMIC

 RCC