Textual equivalence: thematic and information structures
• There is a need for analysis of thematic
progression in different lgs over a range of text types. • The patterns are always employed in the service of an overriding rhetorical purpose. • This is an aspect of texture which is of crucial importance to the translator. Information flow • (1) Ptolemy’ s model provided a reasonably accurate system for predicting the positions of heavenly bodies in the sky. a)But Ptolemy had to make an assumption that the moon followed a path that sometimes brought it twice as close to the earth as other times, in order to predict these positions correctly.
b) But an assumption that Ptolemy had to make in order to predict these positions correctly was that the moon followed a path that sometimes brought it twice as close to the earth as at other times.
C) But in order to predict these positions correctly, Ptolemy had to make an
assumption that the moon followed a path that sometimes brought it twice as close to the earth as at other times. Which one is easier to follow? Why? • The flow of information is smoother in (c) because the progression of links is less messy and therefore easier to follow than in (a) and (b). • Another factor is that it starts with an element that has already been established before presenting new information. What type of word order does a writer choose?
• Of the numerous formulations available for
expressing a given message, a speaker or writer will normally opt for one that makes the flow of information clearer in a given context. Interactional organization • Over and above its prepositional organization, • a clause also has an interactional organization which reflects the addresser/addressee relationship. • It motivates us to make choices that ensure that a clear progression of links is achieved and that a coherent point of view is maintained throughout a text. • Clause as a message can be analysed in terms of two types of structure: (a) thematic structure and (b) information structure. • The Hallidayan approach treats thematic and information structures as separate, though often overlapping features of discourse organization.
Linguists belonging to the Prague School by and
large conflate the two structures and combine them in the same description. Hallidayan overview of information flow • Thematic structure: theme and rheme • The theme is what the clause is about. It has two functions: (a) it acts as a point of orientation by connecting back to previous stretches of discourse and thereby maintaining a coherent point of view. • (b) it acts as a point of departure by connecting forward and contributing to the development of later stretches. • The second segment of a clause is called the rheme. • The rheme is what the speaker says about the theme. It is the goal of discourse and represents the very information that the speaker wants to convey to the hearer. Example Ptolemy’ s model provided a reasonably accurate system for predicting the positions of heavenly bodies in the sky. In the above example, the rheme is: provided a reasonably accurate system for predicting the positions of heavenly bodies in the sky, which is what the writer has to say about Ptolemy’s model • Aristotle thought that the earth was stationary and that the sun, the moon, the planets, and the stars moved in circular orbits about the earth. • He believed this because he felt, for mystical reasons, that the earth was the center of the universe, and that circular motion was the most perfect. Some interesting points about the analysis • (a) Thematic analysis can be represented hierarchically. Since sentences often consist of more than one clause, they will have several layers of thematic structure. • b) Linking devices such as however, nevertheless, because, and moreover which are called conjunctions do not quite fit into the analysis. • Items which express the attitude of the speaker, such as unfortunately, in my opinion, frankly, and clearly (disjuncts) also do not fit the analysis. Halliday’s view in this relation • Both conjunctions and disjuncts usually come at the beginning of English clauses; it is natural for the speaker to place in initial position an element which relates what s/he is about to say to what has been said before (conjunction) or an element which expresses his/her own judgement on what is being said (disjunct). In this sense, conjunctions and disjuncts are inherently thematic (Halliday, 1985). • However, because conjunctions and • disjuncts are not part of the propositional content of the message, they are not considered thematic in the same way as the main clause elements subject, predicator, object, complement and adjunct. Thematic structure: grammaticality vs. acceptability
Theme and rheme are not grammatical notions.
In context, grammaticality does not necessarily ensure acceptability or coherence. For example, the following text is well-formed grammatically, but is ill-formed in terms of its thematics: • Now comes the President here. It’s the window he’s stepping through to • wave to the crowd. On his victory his opponent congratulates him. ‘Gentlemen and ladies. That you are confident in me honours me . . .’ An advertisement for Mazda cars(a translation of an Italian text) in Alitalia inflight magazine • What inspired that rebellious young poet called Rimbaud? What drove him to reach into the innermost part of his soul in search of the undiscovered? It allowed him to take words that already existed and yet express himself in a completely new way. Some creators are brave enough to realise their dreams without compromise. It is men like this who created the MX-5 in 1989. By ignoring the rules they are constantly reshaping the future. Even now they are realising a new dream. They work for Mazda. Text organization and development • The overall choice and ordering of themes, particularly those of independent clauses, plays an important part in organizing a text and in providing a point of orientation for a given stretch of language. • For instance, travel brochures, at least in English, are characterized by a proliferation of place adjuncts in theme position. In the context of travel, location provides a natural point of orientation around which • the text as a whole can be organized. What is the task of the translators? • Translators generally face two main possibilities: • (a) If the elements placed in theme position in the source text can easily and naturally be placed in theme position in the target text, the method of development of the two texts will be the same or very similar. • (b) If the thematic patterning of the original cannot be reproduced naturally in the target language, then you will have to abandon it. • You must ensure that your target version maintains a sense of continuity in its own right. Marked vs. unmarked sequences • The more obligatory an element is, the less marked it will be and the weaker will be its meaning. • For instance, adjectives have to be placed in front of nouns in English. • Putting a time or place adverbial, such as today or on the shelf at the beginning of the clause, carries more meaning because it is the result of choice: there are other positions in which it can occur. • For example, it is possible but uncommon to place a complement in initial position in an English clause (as in Beautiful were her eyes, rather than Her eyes were beautiful). What is the function of a marked theme? • A marked theme is selected specifically to foreground a particular element as • the topic of the clause or its point of departure. • Hallidayan linguists identify three main types of marked theme in English: fronted theme, predicated theme, and identifying theme. Fronted theme • It refers to the marked theme by moving into initial position an item which is otherwise unusual there’. Example • The book received a great deal of publicity in China. • In China the book received a great deal of publicity.(Fronting of time or place adjunct) • It is marked but not highly marked. Fronting of object or complement • Object: A great deal of publicity the book received in China. • Complement: Well publicized the book was. • The effect of thematizing an object or complement in English is to provide contrast and to emphasize the speaker’s attitude to the message. Predicated theme • Predicated themes often imply contrast. • It was in China that the book received a great deal of publicity would generally suggest that in China contrasts with other places where the book did not receive a great deal of publicity. • Another important function of predicated theme is to signal information structure by presenting the element following • It + BE in the main clause as the new or important item to which the hearer’s/ reader’s attention is drawn. Identifying theme • It places an element in theme position by turning it into a nominalization using a wh-structure (called a pseudo-cleft structure) • What was received by the book in China was a great deal of publicity. • What was received by the book in China was a great deal of publicity. *** • Reduced to a plurality, Felipe Gonzalez’s socialists need to share power. • Easy is to dream every night. Difficult is to fight for a dream. • Easy is to show victory. Difficult is to assume defeat with dignity.