Professional Documents
Culture Documents
and writing – II
Writing to persuade
Debraj Mookerjee
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How to write: Creating a rhetorical argument:
What?
How?
Why?
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Thesis Statement
How do we recognize a thesis statement? It answers
the question -- What are you going to prove? What do
you want your reader to believe by the end of your
answer? While planning the thesis statement it is
important to spell out precisely what you are going to
say. It should answer how and why the argument is
being framed.
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CLASS ACTIVITY
Women’s right to reproductive choice:
Definition:
The right to reproductive choice means that women have a
right to choose whether or not to reproduce, including the
right to decide whether to carry or terminate an unwanted
pregnancy and the right to choose their preferred method of
family planning and contraception.
Evaluation
Proposal
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Fleshing out
Outline
The thesis statement discussed earlier outlines the major sections
of the thesis. The writing of the statement is sometimes called
blueprinting. Based on the thesis statement, the formal outline
provides a clearer blueprint of the assignment.
Expanding the outline
In this step the information required under each point in the
rough outline needs to be sourced and noted. The evidence
needed to support the thesis statement and the authority or
analysis of the evidence will flesh out the outline made in the
above section.
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Class activity
Creating a rhetorical argument.
Introduction and Conclusion
There is a format or structure for writing the
introduction and the conclusion that is generic to all
tasks of writing. These two paragraphs are to be written
after the argument has been established and proven to
aid the rhetorical task of persuasion
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Transitions and signposting
These elements are crucial for the writer to lead the
reader through the process of following the thesis, the
outline, the evidence, and the progression of the
argument.
Paragraphing and Sentence Structure
These skills are not taught for their aesthetics. They are
crucial to the logical argument, as language determines
order at the sentence level, and the ordering of points in
paragraphs determines the structure of the argument.
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‘Imagine’ (1971)
John Lennon (1940-80)
Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky
Imagine all the people
Living for today...
Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people
Sharing all the world...
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THE QUESTION
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THESIS Statement …
[font colour change to reveal]
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Outline
I. Introduction
II. The word ‘imagine’ shows that the picture of the world painted for
the listener cannot become reality yet, and is therefore imaginary.
i) Examples
ii) Analysis
III. Termed a ‘dreamer’ because this new world seems almost impossible
to make a reality, as it imagines concepts that are difficult to believe.
Examples
Analysis
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Outline …
IV. Utopic world as a future alternative to the orthodox
and violent world of post-World-War Britain.
Examples
Analysis
V. Conclusion
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Expanded outline
I - Introduction.
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IV Utopic world as a future alternative to the orthodox
and violent world of post-World-War Britain
A-
Present reality is one where:
(1) there is killing and dying in the name of religion and
country
(2) there is greed and hunger and violence for
possessions
(3) post world war Britain faced economic and political
problems due to capitalism, industrialisation, de-
colonization
(4) Britain has long had a history of religious struggle
between the Catholics and the Protestants
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… IV Utopic world as a future alternative to the orthodox
and viol
B–
Institutionalized religion, capitalism, and national
boundaries have historically created conflicts among
people that have been resolved through war and
violence. Lennon believes that the alternative is for
everyone to share the world equally and to live in peace.
This can only happen when the root causes for violence
and conflict are removed.
V Conclusion
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Introduction
Britain experienced extensive social turmoil and political upheaval in
the mid-sixties and early seventies, due to which creative expression
like music and art displayed, as a reaction, a critique of society and a
yearning for social and cultural change. It was in such a vibrant and
challenging atmosphere that John Lennon wrote and performed
‘Imagine’, a song that expressed the concerns of the time and was
ranked by Rolling Stone magazine as the ‘third greatest song of all
time’ in its list of ‘The 500 Greatest Songs.’ This paper will examine
how the repeated use of the word ‘imagine’ shows that the picture of
the world painted for the listener cannot become reality yet, and is
therefore imaginary. Lenon knows he will be termed a ‘dreamer’
because this new world seems almost impossible to make a reality, as
it imagines concepts that are difficult to believe, such as the absence
of boundaries and a world without religion. This ideal and perfect
Utopian world is offered as an alternative to the orthodox and violent
world of post-World-War Britain.
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Conclusion
The world that Lennon imagines in his song is a world in
which boundaries and religions no longer exist, and all
people are united. Other music groups were envisioning
similar dream-states; in the same year that ‘Imagine’ was
written, Led Zeppelin wrote a song about a lady who was
buying a ‘Stairway to Heaven’ in the foolish belief that her
material wealth could help her reach spiritual fulfillment;
and six years later, Pink Floyd was beginning work on ‘The
Wall’, which sought to tear down all kinds of walls,
education, state authority, cultural thought control, and
so on. Lennon’s song expresses not just a sentiment but a
socio-cultural climate, one that was not just restricted to
Britain but reverberated during the sixties and seventies
across America and Europe.
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Signposting words and phrases
To show addition:
And, also, besides, further, furthermore, in addition, moreover, next, too,
first, second
To give examples:
For example, for instance, to illustrate, in fact, specifically
To contrast;
But, however, on the other hand, in contrast, nevertheless, still, even
though, on the contrary, yet, although, in spite of, despite
To compare:
Also, in the same manner, similarly, likewise
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To summarize or conclude:
In other words, in short, in summary, in conclusion, to
sum up, that is, therefore
To show time:
After, as, before, next, during, later, finally, meanwhile,
then, when, while, immediately
THESIS STATEMENT:
Should appear towards the end of your first
(introductory) paragraph.
Should answer the question: ‘What am I going to prove?’
Should be specific to YOUR answer.
Should state precisely which areas you will address in
each of your subsequent paragraphs.
The sequence of points in your thesis should correspond
to the sequence of points in your paragraphs.
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EACH SUBSEQUENT PARAGRAPH SHOULD HAVE:
A ‘mini’ thesis statement, right in the beginning, perhaps in the first
sentence. This statement should indicate the point you’re going to discuss
in that particular paragraph.
The ‘mini’ thesis should be followed by an elaboration of this point.
At least one example from the text, either a quotation, or a reference to a
particular incident, WITHOUT relating the entire incident. Do not tell the
story; do not give a detailed account of a conversation. Simply refer to a
scene or moment, paraphrase key comments by characters if necessary, and
then devote the bulk of your time analyzing rather than summarizing.
When generalizing, stay close to the work that you’re looking at. Generalize
about form, structure, genre, narrative devices etc, but NOT about life in
general.
Perhaps also a quotation from or a paraphrase of a critic. The critic’s
comment should either support what you’re saying, or you should be
disagreeing with it, and explaining why you disagree. Either way, the point
you’re making should be useful for your thesis. Simply quoting a critic for
the sake of quoting is no use at all. Do not quote a critic unless you have
something to say about that quotation.
A concluding sentence, consolidating the point you have made in the
paragraph.
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STYLE CHECK LIST:
Begin each sentence with a capital letter.
Proper nouns should be capitalized.
Play titles and book titles should be underlined. No
quotation marks. (One Act plays and novellas in
single quotes)
Poem titles should be within single. No
underlining. Narrative poems in Italics.
Spellings of proper nouns like titles, author names, etc.
should be accurate.
Pay close attention to grammar and punctuation.
Vocabulary: avoid repeating the same word. Use
synonyms.
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