Professional Documents
Culture Documents
“Warren stifled a sigh and nodded. It might be for all he knew or cared.
He wondered idly whether she was a poor conversationalist because she got no
attention or got no attention because she was a poor conversationalist.” (Fitzgerald, 2)
“She's sensitive enough to know she's not getting away with much, but I'll
bet she consoles herself by thinking that she's very virtuous and that I'm too gay and fickle
and will come to a bad end.” Marjorie talking to her mother about Bernice (Fitzgerald, 3)
"I want to be a society vampire, you see," she announced coolly, and went on to inform him that bobbed hair
was the necessary prelude (Fitzgerald, 6)
Bernicefaces peer pressure from Marjorie to bob her hair, so she can become a part of her
cousin’s social circle (that’s what Bernice thinks).
Forrising action, Fitzgerald would then rely upon dialogue, his characters verbally parrying and
thrusting over the meaning of modern love and its sustainability in marriage. The one thematic
exception to this is “ Bernice Bobs Her Hair, ” which is more concerned with female propriety
and the initiation rituals of the rising generation. (Curnutt, 300)
“Twenty minutes later the barber swung her round to face the mirror, and she flinched at the full
extent of the damage that had been wrought. Her hair was not curly, and now it lay in lank
lifeless blocks on both sides of her suddenly pale face. It was ugly as sin--she had known it
would be ugly as sin.” (Fitzgerald, 10)
“I was ten years old when the future Queen arrived at the palace. The news of the royal
marriage spread throughout the kingdom, but the people were surprised by the King’s
choice. It was said that his chosen bride was from a very poor family and that the King had
chosen her because one evening, his servants heard her say that if the King married her, she
would bear him a child with golden hair.” (Maleska, 1)
The prophecy of the child to be born with golden hair Divine/supernatural status in
society (the king’s POV)
“The Child without Golden Hair’ is based on several fairy tales with similar motives,
in which queens give birth to children with golden hair and sometimes golden stars
on their foreheads. Many of the plot developments and relationships between the
characters seemed problematic to me, so I was inspired to make them visible in my
story. My story, therefore, is not based on changing the events of the existing fairy
tales (they mostly remain the same), but on foregrounding the prejudices and abuse
of power in them by changing the perspective” (Take Five: “Social norms…”)
Taken from:
https://eca.unwomen.org/-/media/field%20office%20eca/attachments/publications/
2021/fairy%20tales/stories2/the%20child%20without%20golden%20hair.pdf?
la=en&vs=2229&fbclid=IwAR2H3WVI6neHc0VU9XS76fVK_dL58GwDnO6ctd5dB
Upe1jHBcHf56pqP6Mg
The significance of hair in both short stories
The Child without Golden Hair
Bernice Bobs Her Hair
Curnutt,K. “The Short Stories of F. Scott Fitzgerald: Structure, Narrative Technique, Style” A Companion to the American Short Story
(Blackwell Companions to Literature and Culture), edited by Alfred Bendixen and James Nagel, John Wiley & Sons, 2010, pp. 295-316.
Maleska, K. "Awake not Sleeping: Reimagining fairy tales for a new generation“: “The Child without Golden Hair”. 2021.
https://eca.unwomen.org/ /media/field%20office%20eca/attachments/publications/2021/fairy%20tales/stories2/the%20child%20without
%20golden%20hair.pdf?la=en&vs=2229&fbclid=IwAR3tDbalnSI70x1iLyTBdG6R0w1clouz9vrSy9CylZ28xSOSMP7XT2GXD9c
Take Five: “Social norms and ethical systems need to change to improve gender equality”. UN WOMEN: Europe and Central Asia. Friday,
June 18, 2021. Accessed on Monday, November 29, 2021. https://
eca.unwomen.org/en/news/stories/2021/06/take-five-there-should-not-be-an-end-to-the-efforts-for-achieving-human-rights.