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© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 1
Hydrodynamic velocity – Aircraft engine

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 2
Acoustic velocity

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 3
© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 4
d’Alembert’s solution

Jean le Rond
d’Alembert
1717-1783

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 5
Linearity  superposition without interaction
p

te
c te x- x-
t= =c ct= ct =
t x+
c
x+ct c te c te

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 6
Speed of sound vs. acoustic particle velocity

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 7
In summary

 Primary acoustic variables:

 Pressure

 Density

 Velocity

• Hydrodynamic velocity  to be discussed next week (aero-acoustics)

• Acoustic velocity

• Speed of sound

• Thermal velocity: can be safely disregarded in acoustics

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 8
Fourier and inverse-Fourier transform

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 9
Draw a sketch of the noise spectra of the two fans below

Rotation speed: 1200 rpm

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 10
Fan 1 – 7 blades – 1200 rpm

Fundamental (BPF)
Harmonics (n BPF)
Fundamental and harmonics of rotation speed
(fan imperfection and non-uniform inlet flow)
Broadband (turbulence)

20 140 280 420 560 700 840 980


100 200 300 400 500 600 800 900 1000

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 11
Fan 2 – 8 blades – 1200 rpm

Fundamental (BPF)
Harmonics (n BPF)
Dominant harmonics: 8n BPM
Broadband (turbulence)

20 160 320 480 640 820 1000


100 200 300 400 500 600 800 900 1000

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 12
Rumble strips – Sleeper lines

 120 km/h
 3 cm distance

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 13
“Bad tire” noise

 Radius: 30 cm
 Driving speed: 130 km/h
 52 treads
 Frequency:

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 14
Real tread pattern

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 15
Real spectrum

Noise spectrum of a tire rolling on a Waterfall of a tire run-up on a drum


drum

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 16
At the blackboard – Acoustic energy equation and intensity definition

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 17
Intensity: monochromatic signal

 Pressure and velocity are harmonic. Same pulsation, different amplitude and phase:

 Instantaneous intensity is defined as:

 Applying Simpson formula:

we get:

Active Reactive
Intensity Intensity

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 18
General case

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 19
Pressure and velocity are in phase

Purely propagating wave


© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 20
Pressure and velocity are in phase quadrature

Standing wave
© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 21
Sound intensity and sound power

 Sound intensity is a power flux measured in Watts per square meter.


 The sound power across a surface is the integral of active intensity over that surface.
 It is measured in Watts.

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 22
Intensity measurement

© SP Technical Research Institute of Sweden

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 23
Acoustic quantities

1. Pressure
2. Density
3. Velocity
4. Signal and spectrum
5. Intensity and power
6. Impedance and admittance
7. Levels

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 24
Impedance / admittance

 Impedance is the ratio of pressure spectrum to velocity spectrum. It may


be calculated / measured along any direction

 Along a boundary, the relevant quantity is the normal impedance:

 Impedance is a harmonic quantity. There is no such thing as an


instantaneous impedance:

 The opposite of impedance is admittance

 On a rigid wall, velocity is zero, normal impedance is infinite and normal


admittance is zero. We may guess from this that impedance is inversely
related to absorption.
© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 25
Complex impedance ?

 Impedance is, as the ratio of two complex quantities (P and V), also a complex quantity

 We can rewrite this in terms of magnitude and phase of each complex quantity:

 From which we see that:

and:

 The complex impedance represents two effects:


 the relative value of pressure and velocity magnitudes
 the phase difference between pressure and velocity phasors

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 26
At the blackboard / exercises: plane waves related quantities

© Jean-Louis Migeot – MSC Software – Free Field Technologies – Université Libre de Bruxelles – Conservatoire Royal de Musique de Liège – IJK Numerics 27

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