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Act 1 , scene ii

[A public place.]

Enter Caesar; Antony for the course, Calpurnia, Portia, Decius,


Cicero, Brutus, Cassius, Casca; a Soothsayer; after them Marullus
and Flavius. While Act 1 scene i revealed Flavius’ and Marullus antagonism
towards Caesar, Act 1, scene ii opens at the feast of Lupercalia
CAESAR:
with evidence of his popularity. The festival held on February 15
Calpurnia! was a spiritual event, which aimed to cleanse the city of evil
spirits and to release health and fertility. Shakespeare’s use of the
CASCA: setting therefore introduces the theme of supernatural.
Peace, ho! Caesar speaks.

CAESAR:
Calpurnia!

CALPURNIA:
Here, my lord. Living in a patriarchal society, Calpurnia shows respect to her husband
by
CAESAR: addressing him as ‘my lord’ rather than calling him by his name.
Stand you directly in Antonio's way,(5)
When he doth run his course. Antonio!
ANTONY:
Caesar, my lord?
CAESAR:
Forget not, in your speed, Antonio,
Theme of supernatural: Caesar instructs
To touch Calpurnia, for our elders say, Antonio to touch Calpurnia with his leather thong
The barren, touched in this holy chase,(10) while running in the ceremonial games to celebrate
Shake off their sterile curse. the feast of Lupercal.Caesar believes that Calpurnia
ANTONY: can get rid of her barren curse.
I shall remember.
When Caesar says “Do this,” it is perform'd. Theme of friendship: Out of deep loyalty to Caesar, Antony
CAESAR: is happy to follow orders without question.
Set on, and leave no ceremony out.
SOOTHSAYER: Who do you think a Soothsayer is?
Caesar!(15)
CAESAR: A Soothsayer is a fortune teller.

Ha! Who calls?


CASCA:

Bid every noise be still. Peace yet again!


CAESAR:
Who is it in the press that calls on me?
I hear a tongue, shriller than all the music,
Cry “Caesar.” Speak, Caesar is turn'd to hear.(20)
SOOTHSAYER: portents(signs or warnings that something momentous
Beware the ides of March. will happen) and omens (events that are predictions of
CAESAR: the future) emerge from the beginning of this scene as
What man is that? a motif, a recurring idea. The soothsayer warns Caesar
BRUTUS: to ‘ Beware the ides of March’,intimating something
A soothsayer bids you beware the ides of March. significant will happen on that day.
CAESAR:
Set him before me; let me see his face.
CASSIUS:
Fellow, come from the throng; look upon Caesar.(25) Elizabethans believed fate controlled people’s
lives and that their destiny was
CAESAR:
predetermined:they had no power to change it.
What say'st thou to me now? Speak once again.
SOOTHSAYER: By ignoring the soothsayer’s warning, we learn
Beware the ides of March. that Caesar sometimes lack judgement as he does
CAESAR: not listen to other points of view.
He is a dreamer; let us leave him. Pass.
Brutus is a good friend of Caesar, but he does not approve of
Caesar's demagoguery and does not want to appear to be
CASSIUS:
supporting it. When Cassius says, ‘I pray you, do,’ it seems as if
Will you go see the order of the course? he is testing Brutus to see how strongly Brutus dislikes Caesar's
BRUTUS: very aggressive campaign to become sole ruler by winning the
Not I.(30) support of the ignorant and venal masses.
CASSIUS:
I pray you, do. This helps to differentiate the characters of Brutus and Antony.
BRUTUS: Brutus is an intellectual, a scholar, a philosopher. He likes
I am not gamesome; I do lack some part solitude and is shown several times brooding alone in the play.
Antony is athletic, pleasure-loving, outgoing, spontaneous,
Of that quick spirit that is in Antony. gregarious. Nowadays Brutus would be called an introvert and
Let me not hinder, Cassius, your desires; Antony an extrovert. When Brutus says, ‘Let me not hinder,
I'll leave you.(35) Cassius, your desires; I'll leave you,’ it shows his natural
CASSIUS: tendency to withdraw from people so that he can get back to his
reading and meditating.
Brutus, I do observe you now of late;
I have not from your eyes that gentleness Cassius observes Brutus’ behaviour and complains that
And show of love as I was wont to have; he no longer shows affection to his friend who loves him a
You bear too stubborn and too strange a hand lot.
Over your friend that loves you.(40)
BRUTUS:
Cassius,
Be not deceived; if I have veil'd my look,
I turn the trouble of my countenance
Merely upon myself. Vexed I am
Of late with passions of some difference,(45) Conflicting emotions
Conceptions only proper to myself, Ideas concerning nobody but myself

Which give some soil perhaps to my behaviors;


But let not therefore my good friends be grieved—
Among which number, Cassius, be you one—
Nor construe any further my neglect(50)
Than that poor Brutus with himself at war Brutus’ internal struggles as he attempts to decide whether
Forgets the shows of love to other men. his private feelings of love for Caesar or his concerns about
Caesar’s dictatorship should dominate.
CASSIUS:
Then, Brutus, I have much mistook your passion, feelings This is a pivotal exchange
By means whereof this breast of mine hath buried between Brutus and Cassius.
Cassius understands that Brutus,
Thoughts of great value, worthy cogitations. important contemplations
though a close friend of Caesar,
Tell me, good Brutus, can you see your face? has concerns about the King’s
BRUTUS: leadership. Cassius tries to
No, Cassius, for the eye sees not itself compel Brutus to ”have his eyes”:
But by reflection, by some other things. to see himself as Cassius and his
CASSIUS: fellow conspirators do. Cassius
'Tis just, views Brutus as a potentially
And it is very much lamented, Brutus,(60) powerful leader, and a worthy
That you have no such mirrors as will turn addition to the conspiracy.
Your hidden worthiness into your eye
Implies that he is so modest that he is unaware of the high
That you might see your shadow. I have heard
esteem in which the Romans regard him.
Where many of the best respect in Rome,
Theme of Honour
Except immortal Caesar, speaking of Brutus,(65)
And groaning underneath this age's yoke, First strategy of Cassius to manipulate Brutus
Have wish'd that noble Brutus had his eyes. against Caesar’s rule - thereby.appealing to
Brutus’ sense of public responsibility towards the
Roman citizens.
CASSIUS:
Therefore, good Brutus, be prepared to hear, Cassius begins by flattering Brutus,calling him ‘good’ and
And since you know you cannot see yourself ‘gentle Brutus’; the positive adjectives clearly intend to
appeal to Brutus as a friend.
So well as by reflection, I your glass
Will modestly discover to yourself
That of yourself which you yet know not of. (75)
And be not jealous on me, gentle Brutus;
Were I a common laugher, or did use
a common jester
To stale with ordinary oaths my love
to cheapen his affection
To every new protester, if you know
That I do fawn on men and hug them hard(80) flatter men
And after scandal them, or if you know
That I profess myself in banqueting
To all the rout, then hold me dangerous.

To the whole common rabble


Flourish, and shout.
BRUTUS:
What means this shouting? I do fear the people Another device that Cassius uses is to twist Brutus’s
Choose Caesar for their king.(85) words to encourage him to express his private
thoughts. He throws the verb ‘fear’ back at Brutus
CASSIUS: and asks a leading question’ Ay, do you… have it so.’
Ay, do you fear it? He cleverly forces Brutus to express his point of
Then must I think you would not have it so. view,which opens the conversation for Cassius to
employ his rhetoric to induce Brutus to share his
beliefs.
BRUTUS:
I would not, Cassius, yet I love him well.
But wherefore do you hold me here so long?
What is it that you would impart to me?(90)
If it be aught toward the general good, Theme of Honour
Set honor in one eye and death i' the other
And I will look on both indifferently.
For let the gods so speed me as I love
The name of honor more than I fear death.(95)
CASSIUS:
I know that virtue to be in you, Brutus,
As well as I do know your outward favor.
Cassius uses the subject of Honour to manipulate Brutus
Well, honor is the subject of my story. because he knows that Brutus will do anything when it comes to
I cannot tell what you and other men his honour.
Think of this life, but, for my single self, (100)
I had as lief not be as live to be
In awe of such a thing as I myself.
I was born free as Caesar, so were you;
Cassius uses the theme of Persuasion to manipulate Brutus
We both have fed as well, and we can both against Caesar.He employs various strategies in his speech
Endure the winter's cold as well as he. (105) to provoke Brutus to join him in joining the conspiracy.
For once, upon a raw and gusty day,
The troubled Tiber chafing with her shores,
Caesar said to me, “Darest thou, Cassius, now
Leap in with me into this angry flood personification
And swim to yonder point?” Upon the word, (110)
Accoutred as I was, I plunged in Smartly dressed
And bade him follow. So indeed he did.
The torrent roar'd, and we did buffet it fought against it
With lusty sinews, throwing it aside brawny muscles
And stemming it with hearts of controversy. (115)
But ere we could arrive the point proposed
Caesar cried, “Help me, Cassius, or I sink!” He portrays himself as Aeneas, the Trojan hero,
I, as Aeneas our great ancestor and Caesar as Anchises, the crippled father.
This comparison tells us two things. First,
Did from the flames of Troy upon his shoulder
Cassius thinks of himself as superior to Caesar
The old Anchises bear, so from the waves of Tiber(120) and thus deserving of political leadership.
Did I the tired Caesar. And this man Second, by alluding to one of Rome’s founding
Is now become a god, and Cassius is fathers, Cassius foreshadows his intentions to
A wretched creature, and must bend his body overthrow Caesar and rebuild Rome anew.
If Caesar carelessly but nod on him.
He had a fever when he was in Spain,(125)
Cassius’ examples here illustrates that Caesar is
And when the fit was on him, I did mark
physically inferior.He builds irony of Caesar’s current
How he did shake. 'Tis true, this god did shake;
position by contrasting it with his weaknesses,
His coward lips did from their color fly, recounting the times that he rescued Caesar from
And that same eye whose bend doth awe the world drowning and he nursed him through a fever. He
Did lose his luster. I did hear him groan.(130) employs sarcasm when he concludes ‘ this man/has
Ay, and that tongue of his that bade the Romans now become a god.’ The blunt contrast between ‘man’
Mark him and write his speeches in their books, and ‘god’ heightens the differences:how can a man of
Alas, it cried, “Give me some drink, Titinius,” such ‘A feeble constitution’,so lacking in essentials
As a sick girl. Ye gods! It doth amaze me masculinity ,be considered a god?
A man of such a feeble temper should(135)
So get the start of the majestic world
And bear the palm alone.
Shout. Flourish.

BRUTUS:
Another general shout!
I do believe that these applauses are
For some new honors that are heap'd on Caesar.(140)
CASSIUS:
Why, man, he doth bestride the narrow world
Like a Colossus, and we petty men
Walk under his huge legs and peep about
To find ourselves dishonorable graves.
Cassius also plays on Brutus’ fears by employing simile to
emphasise Caesar’s ambition.The Colossus of Rhodes was a
huge statue of the Greek sun god, Helios that stood with its feet
astride the harbour entrance. The simile emphasises the awe
and wonder that everyone felt at seeing one of the Seven
Wonders of the World.This develops the contrast with ‘petty’
men who ‘peep about’ and are buried in ‘dishonourable graves’
like slaves.
Men at some time are masters of their fates: (145) Cassius does not believe in fate.
The fault, dear Brutus, is not in our stars, In other words, Cassius says they are slaves because
But in ourselves, that we are underlings. they have chosen to be that way rather than because the
Brutus, and Caesar: what should be in that Caesar? gods have decided it for them.Cassius’ belief motivates
Why should that name be sounded more than yours? him to conspire against Caesar and to change the course
of history himself rather than waiting for the gods to act.
Write them together, yours is as fair a name; (150)
Sound them, it doth become the mouth as well; Cassius build on his ideas by employing rhetorical questions to
encourage Brutus to think hard about Caesar’s position. ‘Write
Weigh them, it is as heavy; conjure with 'em,
them...Weigh them’ builds momentum as he encourages Brutus
Brutus will start a spirit as soon as Caesar.
Now, in the names of all the gods at once,
to consider Caesar’s reputation in relation to his own.
Upon what meat doth this our Caesar feed(155)
That he is grown so great? Age, thou art shamed!
Rome, thou hast lost the breed of noble bloods!
When went there by an age since the great flood
But it was famed with more than with one man?
When could they say till now that talk'd of Rome(160)
That her wide walls encompass'd but one man?
Now is it Rome indeed, and room enough,
When there is in it but one only man. Marcus Junius Brutus was a descendant of Lucius Junius Brutus,
O, you and I have heard our fathers say who founded the Roman Republic. Cassius refers to the latter as
There was a Brutus once that would have brook'd(165) he attempts to impart some of his outrage to Brutus, and hopefully
The eternal devil to keep his state in Rome nudge him into action.
As easily as a king.
BRUTUS:
That you do love me, I am nothing jealous;
What you would work me to, I have some aim.
How I have thought of this and of these times,(170)
I shall recount hereafter; for this present,
I would not, so with love I might entreat you,
Be any further moved. What you have said
I will consider; what you have to say
I will with patience hear, and find a time(175)
Both meet to hear and answer such high things.
Till then, my noble friend, chew upon this:
Brutus had rather be a villager
Than to repute himself a son of Rome
Under these hard conditions as this time(180) Cassius has successfully sown the seeds of rebellion
Is like to lay upon us. in Brutus’s mind against Caesar’s dictatorship.

CASSIUS:
I am glad that my weak words Cassius is glad that his speech has provoked Brutus
Have struck but thus much show of fire from Brutus. to think about Caesar’s rule.
Enter Caesar and his Train.

BRUTUS:
The games are done, and Caesar is returning.

CASSIUS:
As they pass by, pluck Casca by the sleeve,(185)
And he will, after his sour fashion, tell you
What hath proceeded worthy note today.

BRUTUS:
I will do so. But, look you, Cassius,
The angry spot doth glow on Caesar's brow,
And all the rest look like a chidden train:(190)
Simile - severely scolded or told off
Calpurnia's cheek is pale, and Cicero
Looks with such ferret and such fiery eyes
As we have seen him in the Capitol, Caesar’s angry look as well Cicero’s fiery eyes shows
Being cross'd in conference by some senators that something serious has happened, perhaps with
Caesar.
CASSIUS:
Casca will tell us what the matter is.(195)
Caesar's assessment of Cassius shows that he is a
CAESAR: shrewd judge of human character. It also shows that he
Antonio! is ever alert and watchful. He has undoubtedly formed
opinions about all the important Romans. He knows
that there are many who dislike him, but all his life he
ANTONY: has made it a practice to keep up the appearance of
Caesar? complete fearlessness and self-confidence.

CAESAR: Caesar uses this metaphor to compare one's


physical appearance to their internal ambitions. He
Let me have men about me that are fat,
states that ‘fat men’ are content with their lives and
Sleek-headed men, and such as sleep o' nights: therefore not a threat to his rule, while skinny men
Yond Cassius has a lean and hungry look;(200) are ‘lean and hungry’ not only for food but for
He thinks too much; such men are dangerous. power. Caesar rightly sees that Cassius threatens
his rule and his life. This shows that Caesar is a
very perceptive and capable ruler, which works to
undermine the conspirator's accusations that he
threatens the Roman Republic.
ANTONY:
Fear him not, Caesar; he's not dangerous;
He is a noble Roman and well given.
CAESAR:
Would he were fatter! But I fear him not,
Yet if my name were liable to fear,(205)
I do not know the man I should avoid
So soon as that spare Cassius. He reads much, Caesar’s reasons for not trusting Cassius relates to how
He is a great observer, and he looks the latter neglects elements of his private life.Caesar sees
that Cassius does not nurture his spirit:his public life and
Quite through the deeds of men. He loves no plays,
ambitions dominate his personality. Therefore, his public
As thou dost, Antony; he hears no music; (210)
persona is not to be trusted and he is very dangerous.
Seldom he smiles, and smiles in such a sort
As if he mock'd himself, and scorn'd his spirit
What troubles Cassius the most is that he knows full well
That could be moved to smile at any thing. that Caesar is a greater man than himself regardless of how
Such men as he be never at heart's ease emphatically he denies it. Envy is a painful emotion based
Whiles they behold a greater than themselves, (215) on the knowledge that someone we envy is better or has we
And therefore are they very dangerous. lack.
I rather tell thee what is to be fear'd
Than what I fear, for always I am Caesar.
Come on my right hand, for this ear is deaf,
And tell me truly what thou think'st of him. (220) Another physical weakness of Caesar
highlighted.
Sennet. Exeunt Caesar and his Train [but Casca.]
CASCA:
You pull'd me by the cloak; would you speak with me?

BRUTUS:
Ay, Casca, tell us what hath chanced today,
That Caesar looks so sad.

CASCA:
Why, you were with him, were you not?

BRUTUS:
I should not then ask Casca what had chanced.(225)

CASCA:
Why, there was a crown offered him, and being offered
him: he put it by with the back of his hand, thus, and then
the people fell a-shouting.

BRUTUS:
What was the second noise for?
CASCA:
Why, for that too.(230)
CASSIUS:
They shouted thrice. What was the last cry for?
CASCA:
Why, for that too.
BRUTUS:
Was the crown offered him thrice?
CASCA:
Ay, marry, wast, and he put it by thrice, every time gentler
than other, and at every putting by mine honest neighbors(235)
How many times does Caesar refuse the crown?
shouted.

CASSIUS:
Who offered him the crown?
CASCA:
Why, Antony.
BRUTUS:
Tell us the manner of it, gentle Casca.
.
I can as well be hang'd as tell the manner of it. It was (240)
mere foolery; I did not mark it. I saw Mark Antony offer
him a crown, yet 'twas not a crown neither, 'twas one of
these coronets and, as I told you, he put it by once. But for
all that, to my thinking, he would fain have had it. Then he
offered it to him again; then he put it by again. But, to my (245)
thinking, he was very loath to lay his fingers off it. And then
he offered it the third time; he put it the third time by; and
still as he refused it, the rabblement hooted and clapped
their chopped hands and threw up their sweaty nightcaps
and uttered such a deal of stinking breath because Caesar (250)
refused the crown, that it had almost choked Caesar, for he
swounded and fell down at it. And for mine own part, I
durst not laugh for fear of opening my lips and receiving the
bad air.

CASSIUS:
But, soft, I pray you. What, did Caesar swound?(255)
CASCA:
He fell down in the market-place and foamed at mouth
and was speechless.

BRUTUS:
'Tis very like: he hath the falling sickness.
CASSIUS:
No, Caesar hath it not, but you, and I,
And honest Casca, we have the falling sickness.(260)

CASCA:
I know not what you mean by that, but I am sure
Caesar fell down. If the tag-rag people did not clap him
and hiss him according as he pleased and displeased them,
as they use to do the players in the theatre, I am no true
man.(265)

BRUTUS:
What said he when he came unto himself?
CASCA:
Marry, before he fell down, when he perceived the
common herd was glad he refused the crown, he plucked
me ope his doublet and offered them his throat to cut.
An had been a man of any occupation, if I would not (270) What is Casca’s opinion about Caesar
through this speech?
have taken him at a word, I would I might go to hell
among the rogues. And so he fell. When he came to himself
again, he said, if he had done or said any thing amiss,
he desired their worships to think it was his infirmity.
Like Flavius and Marullus at the beginning of the
Three or four wenches, where I stood cried, “Alas, good(275) play, Casca feels nothing but contempt for the
soul!” and forgave him with all their hearts. But there's no commoners. The tribunes had viewed the
commoners cheering Caesar as being fickle and
heed to be taken of them; if Caesar had stabbed their
disloyal to Pompey. Casca sees them as a mindless
mothers, they would have done no less. lot who are easily manipulated by Caesar. Earlier in
this conversation, Casca is disgusted by how they
‘[did] clap him and hiss him according as he pleased
and displeased them, as they use to do the players in
the theatre ....’
BRUTUS:
Three or four wenches, where I stood cried, “Alas, good (275)
soul!” andthat,
And after he came
forgave himthus sad all
with away?
their hearts. But there's no
heed to be taken of them; if Caesar had stabbed their
CASCA:
mothers,
Ay.(280) they would have done no less.

CASSIUS:
Did Cicero say anything?

CASCA:
Ay, he spoke Greek.

CASSIUS:
To what effect?

CASCA:
Nay, an I tell you that, I'll ne'er look you i' the face
again; but those that understood him smiled at one(285)
another and shook their heads; but for mine own part, it
was Greek to me. I could tell you more news too: They have been banished,removed from office or
Marullus and Flavius, for pulling scarfs off Caesar's killed.Caesar will allow no one to stand his way.
images, are put to silence. Fare you well. There was more
foolery yet, if could remember it.(290)
CASSIUS:
Will you sup with me tonight, Casca?

CASCA:
No, I am promised forth.

CASSIUS:
Will you dine with me tomorrow?

CASCA:
Ay, if I be alive, and your mind hold, and your dinner
worth the eating.(295)

CASSIUS:
Good, I will expect you.

CASCA:
Do so, farewell, both.

Exit.
BRUTUS:
What a blunt fellow is this grown to be!
Brutus’ opinion about Casca.
He was quick mettle when he went to school.
CASSIUS:
So is he now in execution(300)
Of any bold or noble enterprise,
However he puts on this tardy form.
This rudeness is a sauce to his good wit,
Which gives men stomach to digest his words
With better appetite.(305)

BRUTUS:
And so it is. For this time I will leave you.
Tomorrow, if you please to speak with me,
I will come home to you, or, if you will,
Come home to me and I will wait for you.

CASSIUS:
I will do so. Till then, think of the world.(310)
Exit Brutus.
Well, Brutus, thou art noble; yet, I see Soliloquy: solo speech. A speech spoken by a
character who assumes that he or she is alone on
Thy honorable metal may be wrought stage.Shakespeare employs soliloquy at the end of
From that it is disposed; therefore it is meet the scene so that the audience can learn more of
That noble minds keep ever with their likes; Cassius’ private thoughts.
For who so firm that cannot be seduced?(315)
Caesar doth bear me hard, but he loves Brutus. Cassius intends to exploit Brutus’ concerns about
the impact of Caesar’s rule on the public by plans
If I were Brutus now and he were Cassius, to throw forged letters from several citizens into his
He should not humor me. I will this night, house. These letters will prove to Brutus that the
In several hands, in at his windows throw, citizenry also does not wish to have Caesar as king.
If the forged letters succeed in persuading Brutus
As if they came from several citizens,(320) that the citizens do not trust Caesar,Brutus will join
Writings, all tending to the great opinion the conspiracy.Cassius’ soliloquy confirms to the
That Rome holds of his name, wherein audience that he is ruthless and has no scruples
obscurely about lying and manipulating others to achieve his
aims.
Caesar's ambition shall be glanced at.
And after this let Caesar seat him sure;
For we will shake him, or worse days endure.

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