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Mirror Image
Mirror Image
Short Story by
Lena Coakley
Analyze Plot and Flashback
Plot is the organized pattern or sequence of events that
make up a story. Every plot is made up of a series of
incidents that are related to one another
Writers need to show not only what happens in a story,
but when things happen. The order in which events are
described in a story is called sequence.
Often, writers will tell about events in the order that they
occur. However, just as plot stages may not always
follow the same pattern, events in a story may not
always be described in the order they happen.
Writers of most stories, biographies,
autobiographies, and historical writing use On the ride upstate, all I could think about was
chronological order, telling about events going swimming. On Monday, when we
in the order those events occurred. arrived, we spent the afternoon unpacking. Very
disappointing. The next day, we visited my
We tend to use chronological order when grandmother, went out to eat, and then watched
a softball game. I helped clean up the cabin on
telling stories orally, as well. This is
Wednesday. It rained all day Thursday. By that
because chronological order is easy for
time, I was really desperate to go for a swim!
listeners or readers to follow. After all, that But Friday morning was sunny, and I finally
is how we all experience life: with one heard the words I'd been waiting for: "Come on,
event following another. we're going to the lake!"
Are the events described in chronological order?
Writers will often identify the time, day, or date of events in a story. By keeping
track of these details, you can then establish the sequence of events.
Writers use words such as years ago, in the past, or then to indicate
the beginning of a flashback. They will also often use details of
sight, sound, smell, taste, or touch to connect the flashback to the
ongoing story.
Over the crackling loudspeakers, announcers began
introducing the day's competing swimmers. Carl made
his way into the stadium, picking out a seat just above
the starting blocks. The smell of chlorine and the warm,
damp air transported him back in time. Last year he had
stood at one of those starting blocks, muscles tensed and
ready to race. It seemed like just yesterday. Now he
looked down at the cast on his leg. Maybe next year, he
thought. No, definitely next year. I'll get this stupid cast
off, and then I won't have to just sit here and watch.
Does this passage contain a flashback?
Arianna rushed home from school, flew through her
homework, and checked the list of chores on the refrigerator.
Whew! All done, she thought. And it was only six o'clock.
Plenty of time for singing practice. In her room, she took out
her sheet music and shuffled through it for a favorite song. As
she warmed up her voice, she thought back to the local talent
competition last summer. She had sung in front of a hundred
people. The roar of applause when she finished had made her
fingers and toes tingle. She couldn't wait to do it again! She
ran through her scales again, with more energy than ever.
Another way that writers can play with the sequence of events in a story is to include hints about
things that will happen later on. This technique is called foreshadowing.
Unlike a flashback, foreshadowing does not interrupt the sequence of events. Instead, it gets the
reader to begin predicting what will come next in the sequence.
The pace of a story or text refers to the speeding up—or slowing
down—of actions in the story. When many events occur in a very
short time frame, that story is said to have a fast pace. When
relatively few events take place in a longer time frame, the story
has a slow pace.
When she got to the park, she saw Aaron, her running partner. He was
slouched over on a bench, looking miserable. "I sprained my ankle yesterday,"
he said moodily.
Lisa looked concerned. "Does that mean you can't run in Saturday's track
meet? That's terrible, Aaron. You've been training for so long!"
Aaron sulked some more. "The doctor said it'll be at least ten days before I can
run again."
"Well, you'll still come and cheer me on, right?" Lisa asked hopefully.
"Oh, I'll be there all right," Aaron suddenly sat up straight, looking more
determined than he had moments earlier. "I'm the only person who can keep
myself from running in Saturday's meet, and I'm going to be in that race," he
insisted.
"What about her?" Aaron interrupted. "I'll stay off my feet and ice my ankle for
two days. I'll be just fine by Saturday."
Lisa loved running, and today was going to be perfect weather for it, too.
When she got to the park, she saw Aaron, her running partner. He was
slouched over on a bench, looking miserable. "I sprained my ankle yesterday,"
he said moodily.
Lisa looked concerned. "Does that mean you can't run in Saturday's track
meet? That's terrible, Aaron. You've been training for so long!"
Aaron sulked some more. "The doctor said it'll be at least ten days before I can
run again."
"Well, you'll still come and cheer me on, right?" Lisa asked hopefully.
"Oh, I'll be there all right," Aaron suddenly sat up straight, looking more
determined than he had moments earlier. "I'm the only person who can keep
myself from running in Saturday's meet, and I'm going to be in that race," he
insisted.
"What about her?" Aaron interrupted. "I'll stay off my feet and ice my ankle for
two days. I'll be just fine by Saturday."
Alice is “Girl X,” the first person to survive having her brain implanted
in an organ donor’s body. She no longer looks like her identical twin,
Jenny, although she insists she is her old self. Her memories, especially
of their father, who died in the accident Alice survived, are intact.
However, she notices that familiar people look and smell different, and
the chocolate cake their mother makes, which was once Alice’s favorite,
now tastes disgusting. Jenny notices that Alice is different. Mrs. Jarred,
the mother of the organ donor, goes on TV saying that she thinks her
daughter, Gail, has been brought back to life with a new brain and wants
to see her. Alice and Mr. Jarred have a chance meeting in which they
confirm that Gail is gone.
Not having a strong self- awareness might
make you strangers to yourselves.
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disquiet:
Alice felt anxious, or disquieted, by her
reflection in the mirror.
prickly:
Alice’s skin felt prickly, or like many
sharp points were touching it.
The flashback reveals that Alice was hospitalized. During this period, she had
strange sensations that seemed to resemble the experience of coming back into
consciousness. However, everything about Alice’s senses of sight, hearing, taste, and
touch was different, and the tone of her voice was higher in the flashback. She
learned she’d been in an accident; on some level, she understood she was no longer
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mesmerize:
Alice was mesmerized by her own eyes, meaning
that she was completely focused on them.
adaptable:
Alice’s mother believes that people can be very
adaptable, or able to change to fit new situations.
She hopes that Alice will get used to her new body.
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grimace:
Alice showed her disapproval by twisting
her mouth and face into a grimace.
Alice realizes she truly doesn’t know Mr. Jarred. She also realizes that Mr. Jarred had hoped to
recognize his lost daughter, Gail, in Alice. Once he looks into her eyes—in the same way her own
father once did—he can see that she is truly Alice, not Gail. Alice understands this deeply, with
great compassion for Mr. Jarred. The conversation also affirms her sense of her true identity.
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