c o n c e p t s o f

the
a m a a n d t h e
Dr
Dr a m a t i c
s t r u c t i o n o f
con
play O e d i p u s
Table of contents
01 Introduction
02 Definition of Concepts of
Drama

03 Conclusion
04 Oedipus Analysis
Introduction

Drama, as an art form, transcends mere

entertainment; it serves as a reflection
of life, compelling us to confront truths
and navigate the complexities of the
human experience. Drawing from
Aristotle’s foundational theories, Victor
Hugo’s insightful perspectives, and the
elucidations of subsequent scholars, we
explore the intricate concepts that
constitute the essence of drama.
 Fatma Mahmoud
The team Ahmed Adel Abdelfatah
Abdelrahman 120220355 Hassan 120210166

Eyad Magdy Gaber Khedr Aliaa Abobakr

Hussein 120210152
Elshiekh 120210151
 1. S e l e c t i o n
w e r o f s e le c t io n
m o f d r a m a , t h e po
In the real a t i o n . I t i s th e
e a r t o f a r t i s ti c cr e
lies at the h c t s
a m at i s t t h a t e x t r a
e y e o f t h e d r
discerning s t t a p e s t r y o f
e n t s f r o m th ev a
poignant m o m
to n a r r a t iv e s t h a t
s h a p i n g t h e m i n
life, s e le c t i v e
d i e n c e s .T h r o u g h
resonat e w i th a u
n n e l s t h e e s s e n c e
l , t h e d r a m a t is t ch a
portraya l i n g it i n to
c e , d i s t il
of human existen
e s t o r y t e l l i n g .
evocativ
 2. Information 3. Condensation 4. Illusion

Central to the dramatic

Victor Hugo’s metaphorical
Within the framework of experience is the suspension of
elucidation of drama as a
drama, information serves as disbelief, wherein audiences
”focal crystal mirror”
the building blocks of narrative will?ingly immerse themselves
underscores the concept of
construction. It encompasses in the illusionary realm crafted
condensation. Like a prism
the intricacies of character by the dramatist. Coleridge’s
refracting disparate rays of
backgrounds, plot insight elucidates that the
light into a cohesive beam,
developments, and thematic potency of dramatic illusion
drama condenses the
underpinnings. Just as a skilled lies not in its verisimilitude but
multifaceted facets of life into
craftsman meticulously in its ability to evoke emotional
concentrated moments of reve?
arranges raw ma?terials into a truths. Through skillful
lation. Through judicious
coherent structure, the manipulation of perception,
compression, the dramatist
dramatist orchestrates drama transcends mere
amplifies the impact of
information to captivate, imitation, offering audiences a
storytelling, imbuing it with
enlighten, and provoke transformative journey into the
depth and resonance.
thought. realms of imagination.
5. Will
Bruneti`ere’s seminal law posits that
the essence of dramatic conflict stems
from the clash of wills, each driven by
distinct desires and motivations. At the
core of every dramatic narrative lies
the relentless pursuit of objectives, be
it personal, societal, or existential. The
dramatist harnesses the dynamism of
will to propel the narrative forward,
infusing it with tension, intrigue, and
thematic depth.
6. Obstacles
Intrinsic to the manifestation of will
within drama are obstacles, the
formidable barriers that impede the
protagonist’s path towards realization.
Whether external or internal, these
impediments serve as catalysts for
character development and narrative
tension. Through the strategic
placement of obstacles, the dramatist
engenders conflict, resolution, and
catharsis within the theatrical tapestry

7. Conflict
William Archer’s delineation of drama
as a representation of individual wills
in conflict underscores the inherent
tension at the heart of dramatic
narratives. Conflict serves as the
crucible wherein characters are
forged, tested, and ultimately
transformed. It is through the crucible
of conflict that the true essence of
human nature is laid bare, inviting
audiences to ponder the intricacies of
morality, agency, and fate.
8. Anticipation and
Uncertainty
Central to the dramatic experience is
the interplay between anticipation and
uncertainty, wherein audiences are
propelled along a narrative trajectory
fraught with twists, turns, and
revelations. Just as in life, the
dramatic journey is rife with
unpredictability, keeping audiences on
the edge of their seats and engrossed
in the unfolding drama.
9. Acting and
Audience
Integral to the realization of drama is
the symbiotic relationship between
actors and audience. The actor
breathes life into the dramatist’s
vision, embodying characters with
nuance, depth, and emotional
resonance. Conversely, the audience
serves as the crucible wherein
dramatic alchemy occurs, as their
reactions, empathy, and engagement
elevate the theatrical experience from
mere performance to profound
communion.
 Conclusion
In essence, drama transcends the confines of mere entertainment, serving as a mirror
to humanity’s triumphs, struggles, and aspirations. Through the interplay of selection,
condensation, illusion, will, obstacles, conflict, and the dynamic relationship between
actors and audience, drama emerges as a potent medium for exploring the complexities
of the human condition and illuminating the enduring truths that bind us all.
 Oedipus Analysis

PLANTATION POINT OF CONFLICT OEDIPUS VS OEDIPUS VS

ATTACK HIS FATE HIMSELF
 Oedipus Analysis

OEDIPUS VS OEDIPUS VS OEDIPUS VS OEDIPUS VS CLIMAX

TIME THE TRUTH THE PLAGUE ALL
 Solution
Oedipus experiences his moment of downfall. Distraught by the
tragic revelations, Jo?casta, his mother and wife, retreats to her
chamber and takes her own life. Overwhelmed by guilt and
despair, Oedipus, in a fit of anguish, blinds himself with the
brooches from Jocasta’s robe to escape the unbearable truth of
his actions. Resigned to his fate, Oedi?pus beseeches Creon, his
brother-in-law, to care for his children and ensure Jocasta’s
proper burial. This poignant resolution underscores the
inevitability of fate and the tragic consequences of Oedipus’s
actions, bringing his tumultuous journey to a sorrowful
conclusion.
Th a n k
you