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Table Of Contents

Chapter 1. The Dawn of Dematerialisation
1.1 Noise: Violence and Order
1.2 Composing: A Positive Refinement of Repetition?
1.3 Death in Repetition: The Dematerialised Commodity
1.4 Composing vs. Repeating: From Disintermediation to Recentralisation
Chapter 2. Post-Auratic Dematerialisation
2.2 Aura and Re-Ritualising Repetition
2.3 Splitting Binarisms: Ubiquitous Listening
Chapter 3. The Democratisation of Discovery
3.1 Plundering the Long Tail
3.2 The Human Touch
3.3 One Thousand True Fans
Practical Rematerialisation (Part A): Auratic Restoration
A.1 Death of an Aura (download EP)
A.3.1 Laser-Etched Dubplates
A.3.2 Veneered Dubplates
Chapter 4. Determining the Techno-Romantic
4.1 Composing and Technological Determinism
4.2 The Delegation of Techne
4.3 The Mind-Body Dualism: Creative and Technical Modes of Engagement
Practical Rematerialising (Part B): A Reclamation of Techne
B.1 Poietic Plug-Ins
B.2 Prototyping
B.3 Circuitry and Carpentry
Chapter 5. Platonic Origins: Faith of the Techno-Romantic
5.1 The Platonic Space Shuttle
5.2 Cartesian Refinement of Platonic Dualism
5.3 Technical Modes of Revealing the Body
5.4 Social Revelations through a Technical Lens
5.6 Understanding the Techno-Utopia
Conclusion
Appendix
Arduino Code for the Poietic Plug-in Glockenspiel
Bibliography
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Leary 12 Music Adorno

Leary 12 Music Adorno

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Published by Mike Pugsley
Post-Auratic Art and Composition. Music after the distributivity of digital music.
Post-Auratic Art and Composition. Music after the distributivity of digital music.

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Categories:Topics, Art & Design
Published by: Mike Pugsley on Mar 05, 2013
Copyright:Attribution Non-commercial

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03/05/2013

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